Quotes about wound
page 4

Haruki Murakami photo
Margaret Atwood photo
Chris Hedges photo
Sarada Devi photo

“Each has to get the results of the actions he earned for this life. A pin at least must prick where a wound from a sword was due.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[In the Company of the Holy Mother, 348]

Dara Shukoh photo
Percy Bysshe Shelley photo
Richard Mead photo
Eugene Stoner photo

“There is the advantage that a small or light bullet has over a heavy one when it comes to wound ballistics. … What it amounts to is the fact that bullets are stabilized to fly through the air, and not through water, or a body, which is approximately the same density as the water. And they are stable as long as they are in the air. When they hit something, they immediately go unstable. … If you are talking about.30-caliber, this might remain stable through a human body. … While a little bullet, being it has a low mass, it senses an instability situation faster and reacts much faster. … this is what makes a little bullet pay off so much in wound ballistics.”

Eugene Stoner (1922–1997) American firearms designer

Congressional testimony ([Why the AR-15 Is So Lethal, w:James Fallows, James, Fallows, November 7, 2017, September 2, 2018, The Atlantic, https://www.theatlantic.com/politics/archive/2017/11/why-the-ar-15-is-so-lethal/545162/]; [M-16: A Bureaucratic Horror Story, June 1981, September 2, 2018, w:James Fallows, James, Fallows, The Atlantic, https://www.theatlantic.com/magazine/archive/1981/06/m-16-a-bureaucratic-horror-story/545153/]; [If Porn Could Be Banned, Why Not AR-15s?, w:James Hamblin, James, Hamblin, February 15, 2018, October 25, 2018, The Atlantic, https://www.theatlantic.com/health/archive/2018/02/on-banning-porn-vs-guns/553433/]).

Ambrose Bierce photo

“Riven and torn with cannon-shot, the trunks of the trees protruded bunches of splinters like hands, the fingers above the wound interlacing with those below.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), VII

Suzanne Collins photo
Kurt Student photo

“Even when the wound is healed, the scar remains.”

Publilio Siro Latin writer

Maxim 236
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave
Variant: Even when there is no law, there is conscience.

Letitia Elizabeth Landon photo

“The scar of fire, the dint of steel,
Are easier than Love's wounds to heal.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II
The Troubadour (1825)

Sarah Chauncey Woolsey photo
Nathanael Greene photo
William Wetmore Story photo

“I sing the hymn of the conquered, who fell in the Battle of Life,—
The hymn of the wounded, the beaten, who died overwhelmed in the strife….
The hymn of the low and the humble, the weary, the broken in heart,
Who strove and who failed, acting bravely a silent and desperate part.”

William Wetmore Story (1819–1895) American sculptor, art critic, poet, translator and editor

Io Victis (1883). Compare: "Now it seems to me, when it can not be helped that defeat is great", Walt Whitman, To a Foiled European Revolutionaire.

Alvin C. York photo
Nelson Mandela photo

“The time for the healing of the wounds has come.
The moment to bridge the chasms that divide us has come.
The time to build is upon us.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1990s, Inaugural celebration address (1994)

Klaus Kinski photo
L. K. Advani photo

“Dr Koenraad Elst, in his two-volume book titled The Saffron Swastika, marshals an incontrovertible array of facts to debunk slanderous attacks on the BJP by a section of the media. About the Rath Yatra, he writes: ‘But what about Advani’s bloody Rath Yatra (car procession) from Somnath to Ayodhya in October 1990? Very simple: it is not at all that the Rath Yatra was a bloody affair. While in the same period, there was a lot of rioting in several parts of the country (particularly Hyderabad, Karnataka and Uttar Pradesh), killing about 600 people in total, there were no riots at all along the Rath Yatra trail. Well, there was one: upper-caste students pelted stones at Advani because he had disappointed them by not supporting their agitation against the caste-based reservations which V. P. Singh was promoting. Even then, no one was killed or seriously wounded. It is a measure of the quality of the Indian English-language media that they have managed to turn an entirely peaceful procession, an island of orderliness in a riot-torn country, into a proverbial bloody event (“Advani’s blood yatra”). And it was quite a sight how the pressmen in their editorials blamed Advani for communal riots of which the actual, non-Advanirelated causes were given on a different page of the same paper. Whether Advani with his Rath Yatra was at 500 miles distance from a riot (as with the riot in Gonda in UP), or under arrest, or back home after the high tide of the Ayodhya agitation, every riot in India in the second half of 1990 was blamed on him’.”

L.K. Advani, My Country My Life (2008). ISBN 978-81-291-1363-4, quoting Koenraad Elst, The Saffron Swastika (2001)

François de La Rochefoucauld photo

“The defects and faults in the mind are like wounds in the body. After all imaginable care has been taken to heal them up, still there will be a scar left behind.”

Les défauts de l'âme sont comme les blessures du corps: quelque soin qu'on prenne de les guérir, la cicatrice paraît toujours, et elles sont à tout moment en danger de se rouvrir.
Variant translation: The defects of the mind are like the wounds of the body. Whatever care we take to heal them the scars ever remain, and there is always danger of their reopening.
Maxim 194.
Reflections; or Sentences and Moral Maxims (1665–1678)

Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Lawrence Durrell photo
Walter Scott photo
Alexander Lukashenko photo
Lawrence Durrell photo
Richard Mead photo
Ryū Murakami photo
Octave Mirbeau photo
Thomas Fuller (writer) photo
Muammar Gaddafi photo
Charles Dickens photo
George W. Bush photo
Jacopone da Todi photo
Phil Brooks photo

“I really hope that the symbolism isn't lost on you four Superstars in the chamber right now, because it's killing me. Here's four extremely weak individuals that, every day, are locked inside a prison of addiction, like most of these people here today; and now, the four of you are locked inside the Elimination Chamber with me. And be sure, it's not me locked in here with you — it's you locked in here with me. And tomorrow morning, when you're nursing the pain and the wounds that this chamber and myself have caused you, I want you to remember that when your pod door opens and you came out and I defeated you, don't think of it as failure. Think of it as me saving you. [Standing over Rey Mysterio's pod] Think of it as me setting you free.
Punk: [To Undertaker, after elimination R-Truth] You'd better pray that your pod door opens last, 'cause when you come out, I'm gonna make you tap out, just like I did before. [To John Morrison] And I'm gonna prove to you that your decadent rock life will get you nowhere. I'm gonna prove to the world that straight-edge means I'm better than you! For those of you at home, feel free, place your hand on the screen and feel CM Punk flow through you!
Lawler: Matt, did you just put your hand on the screen?
Striker: Yes.
Lawler: Do you feel CM Punk flow through you?
Punk: Nobody can stop me!
Cole: Guys, the sermon's over in [checking the timer] three seconds.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Elimination Chamber - February 21, 2010
Friday Night SmackDown

John Ogilby photo

“Mean time the Queen wounded with deep desire,
Bleeds inward, and consumes in hidden Fire.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Bel Kaufmanová photo
Hassan Rouhani photo

“After all, in our region there's been a wound for years on the body of the Muslim world under the shadow of the occupation of the holy land of Palestine and the beloved al-Quds”

Hassan Rouhani (1948) 7th President of Islamic Republic of Iran

Jerusalem
Rouhani misquoted in remarks on Israel - state TV http://uk.reuters.com/article/2013/08/02/uk-iran-israel-idUKBRE9710GL20130802Iran's, Reuters, (August 2, 2013)

Arthur Hugh Clough photo

“Say not the struggle nought availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been, things remain.”

Arthur Hugh Clough (1819–1861) English poet

Say Not the Struggle Nought Availeth http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/strugglenought.html, st. 1 (1862).

Letitia Elizabeth Landon photo
Anthony Kennedy photo

“Dignitary wounds cannot always be healed with the stroke of a pen.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Obergefell v. Hodges, 576 U. S. ____, (2015), majority opinion.

J. William Fulbright photo

“During a single week of July 1967, 164 Americans were killed and 2100 were wounded in city riots in the United States. We are truly fighting a two-front war and doing badly in both. Each war feeds on the other and, although the President assures us that we have the resources to win both wars, in fact we are not winning either.”

J. William Fulbright (1905–1995) American politician

"The Price of Empire" speech, to the meeting of the American Bar Association in Hawaii (August 1967), in Haynes Bonner Johnson and Bernard M. Gwertzman, Fulbright: The Dissenter (1968), p. 305.

Bertolt Brecht photo

“On golden chairs
Sitting at ease, you paid for the songs which we chanted
To those less lucky. You paid us for drying their tears
And for comforting all those whom you had wounded.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Song of the cut-price poets" [Lied der preiswerten Lyriker] (1927/1933) from Songs Poems Choruses (1934); in Poems, 1913-1956, p. 161
Poems, 1913-1956 (1976)

Nathanael Greene photo

“We have not collected an account of the killed and wounded, but we judge our loss amounts to between two and three hundred, and that of the enemy, to much more.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (August 1778)

Aurangzeb photo

“The Emperor learnt from a secret news writer of Delhi that in Jaisinghpura Bairagis used to worship idols, and that the Censor on hearing of it had gone there, arrested Sri Krishna Bairagi and taken him with 15 idols away to his house; then the Rajputs had assembled flocked to the Censor's house, wounded three footmen of the Censor and tried to seize the Censor himself; so that the latter set the Bairagi free and sent the copper idols to the local subahdar.'…”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat, cited in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 186-189., quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories

Samuel Richardson photo

“Nothing can be more wounding to a spirit not ungenerous, than a generous forgiveness.”

Vol. 2, p. 478; Letter 135.
Clarissa (1747–1748)

Alistair Cooke photo
Jeffrey Moussaieff Masson photo
Lawrence Durrell photo
Richard Savage photo
Nader Shah photo

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Thiruvalluvar photo
Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
John Rabe photo
Oliver Goldsmith photo
Adi Da Samraj photo
Walt Whitman photo
Nathanael Greene photo
Gerard Manley Hopkins photo

“World-mothering air, air wild,
Wound with thee, in thee isled,
Fold home, fast fold thy child.”

Gerard Manley Hopkins (1844–1889) English poet

"The Blessed Virgin compared to the Air we Breathe", lines 124-126
Wessex Poems and Other Verses (1918)

Ayumi Hamasaki photo
Garrison Keillor photo
Park Chung-hee photo

“Like a Long Magnolia Blossom Bending to the Wind. Under heavy silence. Of a house in mourning. Only the cry of cicadas. Ma'am, ma'am, ma'am. Seem to long for you who is now gone. Under the August sun. The Indian Lilacs turn crimson. As if trying to heal the wounds of the mind. My wife has departed alone. Only I am left. Like a lone magnolia blossom bending to the wind. Where can I appeal. The sadness of a broken heart.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Poem (August 1974), as quoted in Brothers at War: The Unending Conflict in Korea https://en.wikiquote.org/wiki/Special:BookSources/9781846680670 (2013), by Sheila Miyoshi Jager, London: Profile Books, p. 414.
1970s

Marcus Tullius Cicero photo

“Time heals all wounds.”
Diem adimere aegritudinem hominibus.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Truly from Terentius, Heautontimorumenos, Act III, scene i
Misattributed

George Gordon Byron photo
Joseph Addison photo

“Better to die ten thousand deaths,
Than wound my honour.”

Act I, scene iv.
Cato, A Tragedy (1713)

Marcus Annaeus Lucanus photo

“No—foreign swords could never pierce so deeply.
The deadliest wounds are dealt by citizen hands.”

Nulli penitus descendere ferro contigit; alta sedent civilis volnera dextrae.

Book I, line 31 (tr. Brian Walters).
Pharsalia

John Calvin photo

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

Alan Moore photo
Emil M. Cioran photo

“Knowledge is the plague of life, and consciousness, an open wound in its heart.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

On the Heights of Despair (1934)

Albert Barnes photo
Dejan Stojanovic photo

“Oblivion cures the old wounds.”

Dejan Stojanovic (1959) poet, writer, and businessman

Memory and Oblivion http://www.poetrysoup.com/famous/poem/21401/Memory_and_Oblivion
From the poems written in English

Edmund Waller photo
Federico García Lorca photo

“The wounds were burning like suns
at five in the afternoon,
and the crowd broke the windows
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!”

Las heridas quemaban como soles
a las cinco de la tarde,
y el gentío rompía las ventanas
a las cinco de la tarde.
A las cinco de la tarde.
¡Ay qué terribles cinco de la tarde!
¡Eran las cinco en todos los relojes!
¡Eran las cinco en sombra de la tarde!
Llanto por Ignacio Sanchez Mejias (1935)

John Fante photo
John Fante photo
Mickey Spillane photo
Edmund Burke photo

“That chastity of honour which felt a stain like a wound.”

Volume iii, p. 332
Reflections on the Revolution in France (1790)

Hermann Hesse photo
Simone Weil photo

“If we want a love which will protect the soul from wounds we must love something other than God.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Love (1947), p. 62

Thomas Moore photo

“No eye to watch, and no tongue to wound us
All earth forgot, and all heaven around us.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Come O'er the Sea, st. 2.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

David Dixon Porter photo
Bill Bryson photo
Propertius photo

“The sailor tells of winds, the ploughman of bulls,
the soldier counts his wounds, the shepherd his sheep.”

Navita de ventis, de tauris narrat arator, Enumerat miles vulnera, pastor oves.

Propertius (-47–-16 BC) Latin elegiac poet

II, i, 43–4.
Elegies

Ahmed Shah Durrani photo
Roger Ebert photo