Quotes about work
page 89

Wanda Orlikowski photo
Marlon Brando photo

“Bertolucci is extraordinary in his ability to perceive, he's a poet…he is very easy to work for.”

Marlon Brando (1924–2004) American screen and stage actor

Rolling Stone Issue No. 213 (May 20, 1976) on Bernardo Bertolucci.

Henry Stephens Salt photo
Sinclair Lewis photo
Norbert Wiener photo
Maurice Glasman, Baron Glasman photo

“People under pressure don’t work better; they just work faster.”

Tom DeMarco (1940) American software engineer, author, and consultant

Source: Peopleware: Productive Projects and Teams (1987), p. 18.

Hyman George Rickover photo
Yanni photo

“Focused will is incredible. If you have a dream and you don't give up no matter what obstacles come up, then life's problems will fall away and you will get what you want. It happens. It works.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

M. C. Escher photo

“My work has nothing to do with people, nothing to do with psychology. I am much more cerebral than Willink. I do not wish to be deep at all. I know that I don't hide anything at all in this work. When Carel Willink paints a naked lady in a street, I think: what is that lady doing there?... the house facades give me a lugubrious impression. So it is a lugubrious street. My work is not lugubrious. If you ask Willink: 'Why are those naked mistresses there', you do not receive an answer. With me you always get an answer when you ask: why..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): Mijn werk heeft niets met de mens, niets met psychologie te maken. Ik ben veel cerebraler dan Willink. Ik wens helemaal niet diep te zijn. Ik weet dat ik in dit werk niets verberg. Als Carel Willink een naakte juffrouw in een straat schildert, denk ik: wat heeft die juffrouw daar te maken?.. ..de gevels maken op mij de indruk van iets lugubers. Het is dus een lugubere straat. Mijn werk is niet luguber. Als je Willink vraagt: waarom zijn die naakte juffrouwen daar, krijg je geen antwoord. Bij mij krijg je altijd antwoord als je vraagt: waarom..
1960's, M.C. Escher, interviewed by Bibeb', 1968

Frederick Winslow Taylor photo
Louis C.K. photo
Wilhelm Keitel photo

“I am a soldier and I worked for the kaiser, under Ebert, Hindenburg, and Hitler, all the same way, for the past 44 years.”

Wilhelm Keitel (1882–1946) German general

To Leon Goldensohn, March 27, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Cat Stevens photo

“It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair.”

Cat Stevens (1948) British singer-songwriter

As quoted in "Singer Islam gets libel damages" BBC News (15 February 2005) http://news.bbc.co.uk/2/hi/uk_news/4268651.stm

John Muir photo
Henry H. Goodell photo
Auguste Rodin photo
Kevin Kelly photo

“As in other technological evolutions, relationship tech will begin its innovation in the avant garde, then work back to the familiar.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

Jane Roberts photo
Keir Hardie photo

“History is one long record of like illustrations. Must our modern civilisation with all its teeming wonders come to a like end? We are reproducing in faithful detail every cause which led to the downfall of the civilisations of other days—Imperialism, taking tribute from conquered races, the accumulation of great fortunes, the development of a population which owns no property, and is always in poverty. Land has gone out of cultivation and physical deterioration is an alarming fact. An so we Socialists say the system which is producing these results must not be allowed to continue. A system which has robbed religion of its saviour, destroyed handicraft, which awards the palm of success to the unscrupulous, corrupts the press, turns pure women on the streetsm and upright men into mean-spirited time-servers, cannot continue. In the end it is bound to work its own overthrow. Socialism with its promise of freedom, its larger hope for humanity, its triumph of peace over war, its binding of the races of the earth into one all-embracing brotherhood, must prevail. Capitalism is the creed of the dying present; socialism throbs with the life of the days that are to be. It has claimed its martyrs in the past, is claiming them now, will claim them still; but what then? Better to "rebel and die in the twenty worlds sooner than bear the yoke of thwarted life."”

Keir Hardie (1856–1915) Scottish socialist and labour leader

Source: From Serfdom to Socialism (1907), p. 103–104

John Maynard Keynes photo
Giorgio de Chirico photo

“To become truly immortal a work of art must escape all human limits: logic and common sense will only interfere. But once these barriers are broken it will enter the regions of childhood vision and dream.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 231
1908 - 1920, On Mystery and Creation, Paris 1913

Norman Mailer photo
Marc Chagall photo

“I know I must live in France, but I don't want to cut myself off from America. France is a picture already painted. America still has to be painted. Maybe that's why I feel freer there. But when I work in America, it's like shouting in a forest. There's no echo.”

Marc Chagall (1887–1985) French artist and painter

as quoted by Joseph A. Harriss, in 'The Elusive Marc Chagall', - the 'Smithsonian Magazine', December 2003 https://www.smithsonianmag.com/arts-culture/the-elusive-marc-chagall-95114921/
after 1930

June Vincent photo
Mani Madhava Chakyar photo

“"To Guru Mani Madhava Chakyar, Kutiyattam was more than art, it was life itself"
- Mani Madhava Chakkyar: The Master at Work (film) - Kavalam N. Panickar, 1994”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994

Edward Witten photo
Kamal Haasan photo

“I receive them only when he thinks I deserve it — I have to work for them!”

Kamal Haasan (1954) Indian actor

About his letters from Balachander, in “His Master's voice 1 September 2010”

Theodore Kaczynski photo
Jackson Pollock photo

“My first serious programming work was done in the very early 1960s, in Assembler languages on IBM and Honeywell machines. Although I was a careful designer — drawing meticulous flowcharts before coding — and a conscientious tester, I realised that program design was hard and the results likely to be erroneous. Into the Honeywell programs, which formed a little system for an extremely complex payroll, I wrote some assertions, with run-time tests that halted program execution during production runs. Time constraints didn't allow restarting a run from the beginning of the tape. So for the first few weeks I had the frightening task on several payroll runs of repairing an erroneous program at the operator’s keyboard ¾ correcting an error in the suspended program text, adjusting the local state of the program, and sometimes modifying the current and previous tape records before resuming execution. On the Honeywell 400, all this could be done directly from the console typewriter. After several weeks without halts, there seemed to be no more errors. Before leaving the organisation, I replaced the run-time halts by brief diagnostic messages: not because I was sure all the errors had been found, but simply because there would be no-one to handle a halt if one occurred. An uncorrected error might be repaired by clerical adjustments; a halt in a production run would certainly be disastrous.”

Michael A. Jackson (1936) British computer scientist

Michael A. Jackson (2000), "The Origins of JSP and JSD: a Personal Recollection", in: IEEE Annals of Software Engineering, Volume 22 Number 2, pages 61-63, 66, April-June 2000.

Samuel Butler photo

“To do great work a man must be very idle as well as very industrious.”

Samuel Butler (1835–1902) novelist

Further Extracts from the Note-Books of Samuel Butler http://books.google.com/books?id=zltaAAAAMAAJ&q="To+do+great+work+a+man+must+be+very+idle+as+well+as+very+industrious"&pg=PA262#v=onepage, compiled and edited by A.T. Bartholomew (1934), p. 262

Alexandra Kollontai photo
Sheikh Hasina photo

“I want work, I want work with honesty; corruption should be stopped, corruption shouldn't take place in any way.”

Sheikh Hasina (1947) Prime Minister of Bangladesh

Sheikh giving tough warning in her introductory speech at the second Secretary Committee meeting against corruption. http://www.thedailystar.net/country/prime-minister-sheikh-hasina-warns-government-officials-against-corruption-1427209

Goran Višnjić photo
José Ortega Y Gasset photo
Calvin Coolidge photo
Georges Sorel photo
George Trumbull Ladd photo

“The teacher's equipment gives him an everlasting job. His work is never done. His getting ready for this work is never quite complete.”

George Trumbull Ladd (1842–1921) American psychologist, educator and philosopher

The Teacher's Practical Philosophy (1911), page 18

Sun Myung Moon photo
Gordon B. Hinckley photo

“We must work harder to build mutual respect, an attitude of tolerance, with forbearance one for another.”

Gordon B. Hinckley (1910–2008) President of The Church of Jesus Christ of Latter-day Saints

Speech to the National Conference of Community and Justice, Feb 21, 1995.

Thomas Little Heath photo
John Constable photo

“And however one's mind may be elevated, and kept us to what is excellent, by the works of the Great Masters — still Nature is the fountain's head, the source from whence all originally must spring — and should an artist continue his practice without referring to nature he must soon form a manner, & be reduced to the same deplorable situation as the French painter mentioned by Sir J. Reynolds, who told him that he had long ceased to look at nature for she only put him out.For the last two years I have been running after pictures, and seeking the truth at second hand. I have not endeavoured to represent nature with the same elevation of mind — but have neither endeavoured to make my performances look as if really executed by other men….. There is room enough for a natural painter. The great vice of the present day is bravura, an attempt to do something beyond the truth.I am come to a determination to make no idle visits this summer, nor to give up my time to common-place people. I shall return to Bergholt, where I shall make some laborious studies from nature — and I shall endeavour to get a pure and unaffected manner of representing the scenes that may employ me.”

John Constable (1776–1837) English Romantic painter

3 quotes in Constable's letter to John Dunthorne (29 May 1802), from John Constable's Correspondence, ed. R.B. Beckett (Ipswich, Suffolk Records Society, 1962-1970), part 2, pp. 31-32
1800s - 1810s

Ralph Waldo Emerson photo
Robert Crumb photo
Wole Soyinka photo

“I always say I'm an escape artist, Style is something I've always tried to avoid. I'm more interested in character. Character comes out of the work. Style is applied or imposed on it.”

Elaine de Kooning (1918–1989) American painter

in 'Sketches for a Series', interview with art-critic Rose Slivka; as quoted in 'Elaine de Kooning, Artist and Teacher, Dies at 68', New York Times, Grace Glueck, February 2, 1989
1972 - 1989

Ron White photo
Clement Attlee photo
Colum McCann photo
William Osler photo
Ray Comfort photo
Felix Adler photo
Muhammad Ali Jinnah photo
Ludwig Van Beethoven photo

“Most works of art are, necessarily, bad…; one suffers through the many for the few.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Little Cars”, p. 200
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

David Graeber photo
E.M. Forster photo
Will Eisner photo

“1905
Tsar Nicholas II made inept efforts to mollify his angry people by granting basic liberties and allowing a parliament (Duma), which he kept dissolving. Meanwhile he ruthlessly suppressed the people’s rising. Royal troops fired ona peaceful march of workers in St. Petersburg on January 9, known as Bloody Sunday. Anti-Jewish pogroms were rampant. The Russian edition, published by Dr. Nilus, of the “Protocols of Zion” was widely circulated. Monarchists frequently read it aloud to illiterate peasants.
1914
The start of World War I led to Russian military defeats. A failing economy brought about terrible civilian suffering. Loyalists openly spoke about a “Jewish plot”.
Food riots, strikes, and the tsar’s panicky dissolution of the Fourth Duma exploded into revolution. By November, the Bolsheviks (the revolutionary faction of the former Social Democratic workers’ party) had seized control of the government. Royalist Russians began a civil warand were defeated. Tsar Nicholas II abdicated and was executed, along with his family, by Bolsheviks in 1918.
Russian aristocrats fled Russia and dispersed throughout Europe, the Far East, and the Middle East. There they settled as expatriates. Most had little work experience. In order to earn money, they frequently sold valuables. Some of these items provided information on the Russian use of anti-Semitic literature.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Tom Brady photo
Michael Moorcock photo
John Burroughs photo

“In us or through us the Primal Mind will have contemplated and enjoyed its own works and will continue to do so as long as human life endures on this planet.”

John Burroughs (1837–1921) American naturalist and essayist

Source: Accepting the Universe (1920), p.111

John Bright photo

“The Corn Law is as great a robbery of the man who follows the plough as it is of him who minds the loom…If there be one view of the question which stimulates me to harder work in this cause than another, it is the fearful sufferings which I know to exist amongst the rural laborers in almost every part of this kingdom…And then a fat and sleek dean, a dignitary of the Church and a great philosopher, recommends for the consumption of the people—he did not read a paper about the supplies that were to be had in the great valley of the Mississippi—but he said that there were swede, turnip and mangel-wurzel; and the Hereditary Earl Marshal of England, if to out-Herod Herod himself, recommends hot water and a pinch of curry-powder. The people of England have not, even under thirty years of Corn Law influence, been sunk so low as to submit tamely to this insult and wrong. It is enough that a law should be passed to make your toil valueless, to make your skill and labor unavailing to procure for you a fair supply of the common necessaries of life—but when to this grievous iniquity they add the insult of telling you to go, like beasts that perish, to mangel-wurzel, or to something which even the beasts themselves cannot eat, then I believe the people of England will rise, and with one voice proclaim the downfall of this odious system.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech at an Anti-Corn Law League meeting (summer 1843), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), pp. 93-94.
1840s

Sean Penn photo
Humberto Maturana photo
Louis Brownlow photo

“And what (else} did we discover? We discovered that it was exceedingly profitable to get garbage from large parts of the town; that garbage was rich in grease and in sugar. And we took it to the reduction plant and we turned that grease into a very acceptable and delightful non-odorous product which you a little later bought in the form of soap.
Another thing, it seems to me, is a by-product of this catholic curiosity, that is the ability to loaf. You can't be an administrator, a good successful administrator, and not know how to loaf. Because if you are industrious all the time and tend to your job, there is always more work than you can possibly do in a day, and if you tend to that job all the time you will be going right on in a routine, you will become more ans more specialized, you will become more and more analytical, you will become more and more interested in what you are particularly charged with doing, and progressively less and less generalized in your outlook, less and less interested in what the other fellow is doing. And the only way you can compensate for that, of course, is to loaf, to loaf whole-heartedly whenever and wherever possible, and with whomever, because the only way that you can find out what are the questions in the minds of these people you have got to loaf with them to find out the truth about how they feel.
Now, of course, you can't loaf with all the individuals, but you have to loaf with a great many of them, and you have to know how to do it, and you know you won't like to do it unless you have a catholic curiosity, not only about things that I've been talking about, but about persons.”

Louis Brownlow (1879–1963) American mayor

Source: "What Is an Administrator?" 1936, p. 12; As cited in Albert Lepawsky (1949), Administration, p. 658

Anne Louise Germaine de Staël photo
Camille Paglia photo
Moira Lister photo

“Without my work I would be a neurotic mess.”

Moira Lister (1923–2007) actress

Sunday Times interview (1983)

“You, the woman; I, the man; this, the world:
And each is the work of all.”

Kenneth Patchen (1911–1972) American writer and poet

"The Character of Love Seen as a Search for the Lost" https://books.google.com/books?id=nWqxLP5e224C&pg=PR8&lpg=PR8&dq=%22The+Character+of+love+seen+as+a+search+for+the+lost%22&source=bl&ots=4ZdniiNiyY&sig=hTfUSoenYWoGsqwwbpmXhn0VRQU&hl=en&sa=X&ved=0ahUKEwjmhcPzsNfJAhXHbR4KHQ8GB7kQ6AEIUjAK#v=onepage&q=%22The%20Character%20of%20love%20seen%20as%20a%20search%20for%20the%20lost%22&f=false
Variant: You, the village; I, the stranger; this, the road:
And each is the work of all.

Confucius photo
Edward Law, 1st Baron Ellenborough photo
Auguste Rodin photo

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

“It's bullshit, what the hell do they want me to do? The sport is going down. It's not even worth competing, because you do all the work for a year and you don't get what you deserve.”

Iris Kyle (1974) American bodybuilder

2004-01-01
Iris sees red.(Iris Kyle finishes second at Ms. Olympia)(Brief Article)
Flex
Internet
http://www.highbeam.com/doc/1G1-111506207.html
Sourced quotes, 2004

“Put your hands to work and give your hearts to God.”

Ann Lee (1736–1784) English Shaker leader

The Communistic Societies of the United States (1875)

“How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 55, "Evidences of Surreality"

Swami Vivekananda photo
Henry R. Towne photo
Herbert Morrison photo

“The bridge was not of such great importance or social significance, but it was symbolical that Labour was capable of decision, that the machinery of democratic public administration would work if the men and women in charge were determined that it should work.”

Herbert Morrison (1888–1965) British Labour politician

The Times, 10 December 1934.
Explaining his decision to personally begin the dismantling of the old Waterloo Bridge; the government had refused to allow the council to build a replacement so Morrison and his allies forced the issue by breaking up the existing bridge.

Oliver Goldsmith photo

“One writer, for instance, excels at a plan or a title page, another works away at the body of the book, and a third is a dab at an index.”

Oliver Goldsmith (1728–1774) Irish physician and writer

No. 1 (Oct. 6, 1759).
The Bee (1759)

Anne Rice photo

“I was so conflicted and disillusioned about organized religion that I couldn't write. … I think my writings will go on being the writings of a believer in Christ. I think I'll be less frustrated and freer to write about the full dimension of what that means. But I write metaphysical thrillers, and how this works out in fiction is always mysterious: characters confront dilemmas. The worldview of the novel is certainly optimistic and that of a believer. What character will say what, I don't know until I start writing. …. Because I had written Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana, I had become a public Christian. I wanted my readers to know that I was stepping aside from organized religion and the names Christian and Christianity because I wanted to exonerate myself from the things organized religion was doing in the name of Jesus. Christians have lost credibility in America as people who know how to love. They have become associated with hatred, persecution, attempting to abolish the separation of church and state, and trying to pressure people to vote certain ways in elections. I wanted to make it clear that I did not in any way remain complicit with those things.”

Anne Rice (1941) American writer

"Q & A: Anne Rice on Following Christ Without Christianity" interview by Sarah Pulliam Bailey in Christianity Today (17 Augutst 2010) http://www.christianitytoday.com/ct/article_print.html?id=89167