“Has the artist ever considered the history of the "chop" which is brought so elegantly to his studio? … He has first employed a slaughterman … to convert a beautiful living creature into a hideous carcase, to be displayed with other carcases in that ugliest product of civilisation, a butcher's shop, and then he has employed a cook to conceal, as far as may be, the work of the slaughterman. This is what the Spectator calls being "humanised" by schools of cookery; I should call it being de-humanised.”

The Humanities of Diet

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Henry Stephens Salt19

British activist 1851–1939

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“We do not go to cowards for tender dealing; there is nothing so cruel as panic; the man who has least fear for his own carcase, has most time to consider others.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

314.
Aes Triplex (1878)

“The word art has in ordinary usage three senses. First, it means the creation of objects or the pursuit of activities called works of art, by people called artists; these works being distinguished from other objects and acts not merely as human products, but as products intended to be beautiful. Secondly, it means the creation of objects or the pursuit of activities called artificial as opposed to natural; that is to say objects created or activities pursued by human beings consciously free to control their natural impulses and to organize their life in a plan. Thirdly, it means that frame of mind which we call artistic, the frame of mind in which we are aware of beauty.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: Outlines of a Philosophy of Art, 1925, p. 7

“As man is truly “humanised”, not by schools of cookery but by schools of thought, he will abandon the barbarous habit of his flesh-eating ancestors, and will make gradual progress towards a purer, simpler, more humane, and therefore more civilised diet-system.”

Henry Stephens Salt (1851–1939) British activist

The Humanities of Diet

“Among other dreadful and disgusting images which Custom has rendered familiar, are those which arise from eating animal food. He who has ever turned with abhorrence from the skeleton of a beast which has been picked whole by birds or vermin, must confess that habit alone could have enabled him to endure the sight of the mangled bones and flesh of a dead carcase which every day cover his table. And he who reflects on the number of lives that have been sacrificed to sustain his own, should enquire by what the account has been balanced, and whether his life is become proportionately of more value by the exercise of virtue and by the superior happiness which he has communicated to [more] reasonable beings.”

John Hawkesworth (book editor)

From his edition of Swift's Works, as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 168.

“The Barbarian hopes — and that is the very mark of him — that he can have his cake and eat it too. He will consume what civilisation has slowly produced after generations of selection and effort but he will not be at pains to replace such goods nor indeed has he a comprehension of the virtue that has brought them into being.”

Hilaire Belloc (1870–1953) writer

Ch. XXXII : The Barbarians , p. 282 https://books.google.com/books?id=EyrQAAAAMAAJ&pg=PA282 <br class="br">This and That and the Other (1912) <br class="br">Context: The Barbarian hopes — and that is the very mark of him — that he can have his cake and eat it too. He will consume what civilisation has slowly produced after generations of selection and effort but he will not be at pains to replace such goods nor indeed has he a comprehension of the virtue that has brought them into being. Discipline seems to him irrational, on which account he is for ever marvelling that civilisation should have offended him with priests and soldiers.

“It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 235
Context: It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium for the production of higher ones, even including ourselves, what right have we, his humble creatures, to find fault? There is, also, in this prejudice, an element of unkindliness towards the lower animals, which is utterly out of place. These creatures are all of them part products of the Almighty Conception, as well as ourselves.... Let us regard them in a proper spirit, as parts of the grand plan, instead of contemplating them in the light of frivolous prejudices, and we shall be altogether at a loss to see how there should be any degradation in the idea of our race having been genealogically connected with them.

“Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 136

“The classic rationalists did not consider the members of an organization as human beings, but just as cogs in the machine. For them, workers were only hands. The human relations approach has shown how incomplete this rationale was. It has also made it possible to consider workers as creatures of feeling, who are moved by the impact of the so-called rational decisions taken above then, and will react to them. A human being, however, does not have only a hand a heart. He also had a head, which means that he is free to play his own game.”

Michel Crozier (1922–2013) French sociologist

Source: The Bureaucratic Phenomenon, 1954, p. 149.

“The right hon. Gentleman is the first of the new party who has expressed his great grief by his actions—who has retired into what may be called his political Cave of Adullam—and he has called about him every one that was in distress and every one that was discontented.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech https://api.parliament.uk/historic-hansard/commons/1866/mar/13/adjourned-debate-second-night in the House of Commons (13 March 1866). <br class="br">1860s

“The essential of painting is that something, that 'ethereal glue', that intermediary product which the artist secretes with all his creative being and which he has to place, to encrust, to impregnate into the pictorial stuff of the painting.”

Yves Klein (1928–1962) French artist

Yves Klein, catalogue of exhibition in the Jewish Museum, New York 1967, p. 18
from posthumous publications

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Henry Stephens Salt19

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