Quotes about work
page 62

John Scalzi photo
Chinmayananda Saraswati photo
Mao Zedong photo

“A dangerous tendency has shown itself of late among many of our personnel -- an unwillingness to share weal and woe with the masses, a concern for personal fame and gain. This is very bad. One way of overcoming it is to streamline our organizations in the course of our campaign to increase production and practice economy, and to transfer cadres to lower levels so that a considerable number will return to productive work. We must see to it that all our cadres and all our people constantly bear in mind that ours is a large socialist country but an economically backward and poor one, and that this is a very big contradiction. To make China prosperous and strong needs several decades of hard struggle, which means, among other things, pursuing the policy of building up our country through diligence and thrift, that is, practicing strict economy and fighting waste.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People
Original: (zh-CN) 在我们的许多工作人员中间,现在滋长着一种不愿意和群众同甘苦,喜欢计较个人名利的危险倾向,这是很不好的。我们在增产节约运动中要求精简机关,下放干部,使相当大的一批干部回到生产中去,就是克服这种危险倾向的一个方法。要使全体干部和全体人民经常想到我国是一个社会主义的大国,但又是一个经济落后的穷国,这是一个很大的矛盾。要使我国富强起来,需要几十年艰苦奋斗的时间,其中包括执行厉行节约、反对浪费这样一个勤俭建国的方针。

Paul Newman photo
Alexandra Kollontai photo
Frances Kellor photo

“A first proposition, therefore, in Americanization is to find a way to satisfy the creative instinct in men and their sense of home, by giving them and their native-born sons the widest possible knowledge of America, including a pictorial geography, a simple history of the United States, the stories of successful Americans including those of foreign-born origin; a knowledge of American literature, of our political ideals and institutions, and of oiy: free educational opportunities. A systematic effort should be made to give them a land interest and a home stake and to get them close to the soil, not alone in the day's work but also in their cultural life. The men most likely to desert America at the close of the war will be workers with job stakes and wage rates, and not those with a home stake and investments. I would carry this campaign of information into every foreign language publication, every newspaper, every shop, and every racial center in America. The land interpreter of the future will be the government, and Franklin K. Lane, Secretary of the Interior, has foreseen this in his appeal for the use of the land for the rehabilitation of men returning from the front. It is the land that will make the life of the maimed livable and will connect the past with the future. This will not be achieved by forced "back-to-the-land movements" and colonization. Each individual American who interprets the beauty of America and its meaning, and who, wherever he can, personally puts the foreign-born in touch with the soil and helps him to a plot of ground which he can call his own, is doing effective Americanization. Loyalty and efficiency are inherent in this land sense, and they are the strength of a nation.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Guy De Maupassant photo
Asger Jorn photo

“Once upon a time leftists and radicals talked of liberation or the abolition of work. Now the talk is about full employment.”

Russell Jacoby (1945) American historian

Source: The End of Utopia (1999), p. 21

Joyce Kilmer photo
Jane Monheit photo
Nigel Cumberland photo

“You may discover that part of your problem is that you accept too much work and do not say no enough times.”

Nigel Cumberland (1967) British author and leadership coach

Source: Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse, p.18

Guity Novin photo
Sania Mirza photo
Woody Allen photo
Alan Bennett photo
Luther H. Gulick photo

“The theory of organization… has to do with the structure of co-ordination imposed upon the work-division units of an enterprise.”

Luther H. Gulick (1892–1993) American academic

Source: "Notes on the Theory of Organization," 1937, p. 3

Norman Lamm photo
Aldous Huxley photo
Lois McMaster Bujold photo
Charles de Gaulle photo

“At the root of our civilization, there is the freedom of each person of thought, of belief, of opinion, of work, of leisure.”

Charles de Gaulle (1890–1970) eighteenth President of the French Republic

A la base de notre civilisation, il y a la liberté de chacun dans sa pensée, ses croyances, ses opinions, son travail, ses loisirs.
Speech, November 25 1941.
World War II

William Brett, 1st Viscount Esher photo
Thomas Kuhn photo
Francisco De Goya photo

“To occupy my imagination, which has been depressed by dwelling on my misfortunes, and to compensate at least in part for some of the considerable expenses I have incurred, I set myself to painting a series of cabinet pictures.... they depict themes that cannot usually be dealt with in commissioned works, where 'capricho' [whim] and invention do not have much of a role to play. I thought of sending them to the academy..”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, deputy of the Royal Academy of San Fernando in Madrid, Jan. 1794; as quoted in 'Goya and Iriarte', in Goya his Life and Work, P. Gassier and J. Wilson, 1971, p. 382
cabinet paintings were small portable paintings, which did not need a lot of wall-space and could be moved around at the owner's whim. Goya's famous series 'Caprichos' really begin after physical and probably mental breakdown in 1792. He was 46, and thereafter deaf until his death in 1828
1790s

Octavia E. Butler photo
Billie Piper photo

“I was freakishly ambitious. I didn't want to be a child. I wanted my own flat, to work and be a grown up.”

Billie Piper (1982) English singer, dancer and actress

On her childhood.
Guardian interview (2008)

Giorgio Morandi photo
Ralph Waldo Trine photo
Jim Henson photo

“If any-thing, there's a difference in working with color in England and the color in the U. S.”

Jim Henson (1936–1990) American puppeteer

Page 68.
Interview with Judy Harris (1982)

Russell L. Ackoff photo
Alan Cox photo

“Engineering does not require science. Science helps a lot but people built perfectly good brick walls long before they knew why cement works.”

Alan Cox (1968) British computer programmer

Re: Coding style - a non-issue http://lkml.org/lkml/2001/12/1/110.

Hunter S. Thompson photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Marie-Louise von Franz photo
Hans Arp photo

“Like the disposition of planes, the proportion of these planes and their colors seemed to depend only upon chance, and I declared that these works were ordered 'according to the law of chance', just like in the order of nature.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 307

Bruce Springsteen photo
Joan Miró photo
Joe Satriani photo
S. M. Krishna photo

“We have to look at the Iran issue beyond the issue of energy trade. In the first place, we have to think about the security and stability in the Gulf region. India has vital stakes in the Gulf region. Six million Indians live and work in the Gulf region and beyond. It is one of the critical destinations of our external trade -- over $100 billion in exports, and over 60% of oil imports, and a major source of remittances.”

S. M. Krishna (1932) Indian politician

Declining Hillary Clinton's request that India should stop trading with Iran, and describing the need of Iran for India, 9 May, 2012. http://www.iranwatch.org/government/US/DOS/us-dos-remarkssecretaryclinton-and-indianexternalaffairsminister-050812.htm

Brian Clevinger photo
John Derbyshire photo

“Ninety percent of paid work is time-wasting crap. The world gets by on the other ten.”

John Derbyshire (1945) writer

Source: Wishing I’d Played the Ponies http://takimag.com/article/wishing_id_played_the_ponies/print#axzz3xNaU2RAk, Taki's Magazine, June 16, 2011.

Nicholas Serota photo
Morrissey photo
Alain de Botton photo
Harold L. Ickes photo

“This is what the "New Deal" means to me, an era of acute social consciousness and realization of mutual responsibility, a time of reciprocal helpfulness, of greater understanding and willingness to work together for the good of all.”

Harold L. Ickes (1874–1952) American politician

Speech to the Associated General Contractors of America (Jan. 31, 1936) as quoted by Jason Scott, Building New Deal Liberalism: The Political Economy of Public Works, 1933-1956 (2006)

Russell L. Ackoff photo

“Analysis of a system reveals how it works; it provides know-how, knowledge, not understanding; that is, explanations of why it works the way it does.”

Russell L. Ackoff (1919–2009) Scientist

This [understanding of why systems work] requires synthetic thinking... Analysis is the way scientists conduct research. Synthetic thinking is exemplified by design.
Ackoff & Greenberg (2008) Turning Learning Right Side Up. p. 61 as cited in: Stephen M Millett (2011) Managing the Future: A Guide to Forecasting and Strategic Planning. p. 52.
2000s

R. G. Collingwood photo
Indro Montanelli photo
William Kristol photo

“Younger people actually understand how it works. They don't just take what they are fed according to their preferences; they go look at other things. So I've always been more anti-baby boomer and more pro-millennial.”

William Kristol (1952) American writer

As quoted in "Bill Kristol: 'I've Always Been More Anti-Baby Boomer and More Pro-Millennial'" https://bold.global/reneebc/2018/10/30/bill-kristol-ive-always-been-more-anti-baby-boomer-and-more-pro-millennial/ (30 October 2018), by Renee Brown-Cheng, Bold
2010s, 2018

Prem Rawat photo
Burkard Schliessmann photo
Robert Hunter (author) photo

“To live miserable we know not why, to have the dread of hunger, to work sore and yet gain nothing—this is the essence of poverty.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Poverty (1912), p. 2

Francis Picabia photo
Harry Hill photo

“I remember the shouts of "SCAB!" as my father went to work during the great dermatologists strike.”

Harry Hill (1964) English comedian, doctor

"Hooves" Live

Mick Mulvaney photo
Donald J. Trump photo
Herbert Morrison photo

“The good Socialist works with religious zeal for the redemption of mankind from the evils of poverty and ignorance. … He is conscious of the beauty of the ideal … he works on … for the deliverance of the human spirit from the enslavement of material things.”

Herbert Morrison (1888–1965) British Labour politician

Manchester Guardian, 2 July 1934, quoted in Bernard Donoughue and George Jones, "Herbert Morrison: Portrait of a Politician" (Phoenix Press, 2001), p. 184.

Theo van Doesburg photo
Narendra Modi photo
Morrissey photo

“I could never really make the connection between Christian and Catholic. I always imagined that Christ would look down upon the Catholic church and totally disassociate himself from it. I went to severe schools, working class schools, where they would almost chop your fingers off for your own good, and if you missed church on Sunday and went to school on a Monday and they quizzed you on it, you'd be sent to the gallows. It was like 'Brush you teeth NOW or you will DIE IN HELL and you will ROT and all these SNAKES will EAT you'. And I remember all these religious figures, statues, which used to petrify every living child. All these snakes trodden underfoot and blood everywhere. I thought it was so morbid. I mean the very idea of just going to church anyway is really quite absurd. I always felt that it was really like the police, certainly in this country at any rate, just there to keep the working classes humble and in their place. Because of course nobody else but the working class pays any attention to it. I really feel quite sick when I see the Pope giving long, overblown, inflated lectures on nuclear weapons and then having tea with Margaret Thatcher. To me it's total hypocrisy. And when I hear the Pope completely condemning working class women for having abortions and condemning nobody else… to me the whole thing is entirely class ridden, it's just really to keep the working classes in perpetual fear and feeling total guilt.”

Morrissey (1959) English singer

from "All men have secrets and these are Morrissey’s", interview by Neil McCormick,Hot Press (4 May 1984)
In interviews etc., About life and death

Thomas Fuller (writer) photo

“2245. He that payeth beforehand, shall have his Work ill done.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Marcel Duchamp photo
Ray Bradbury photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Harold Lloyd photo

“I find that I would like now, best of all, to be a good conversationalist. I know I'm not one at present. Oh, I can sit and talk a little of this and that, but I realize that I haven't any definite or profound knowledge. I won't be satisfied with just a patter, a surface glaze of information. I don't want short-cuts to learning. I want to know all about the thing I study.
I'd like to be able to hold my own, to meet on a common ground, with scientists, inventors, clerics, doctors, athletes, authors.
The most worthwhile thing in life is to store your mind with knowledge.
I wish now that I had been able to go to college, if only so that I might have had appreciations earlier in the game.
People often say to me now that I have my home, my career, fame (if you call it that), there must be nothing left for me to live for. But there is everything left to live for. All the things I don't know about, all the things I want to know about.
Pictures, I've discovered, were practically all I did know about up to very recently. I've had to work so hard, to concentrate so closely, that I never have had time to read or to travel or to think about other things. I'm just at the beginning of living…”

Harold Lloyd (1893–1971) American film actor and producer

"Discoveries About Myself". Motion Picture, October 1930, pg. 58 & 90. (Brewster Publications). https://archive.org/stream/motionpicture1923040chic#page/n563/mode/2up https://archive.org/stream/motionpicture1923040chic#page/n595/mode/2up

George W. Bush photo
Jim Butcher photo
John C. Wright photo
Tracey Ullman photo

“My face is a good one for doing impersonations. I’ve got small eyes, a low brow and a big head … When I worked at the BBC in the 80s the only wigs that would fit me were Mike Yardwood's.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted in 2016 in The Guardian https://www.theguardian.com/culture/2016/jan/10/tracey-ullman-my-face-is-good-for-impersonations

Carl Linnaeus photo

“The Earth's Creation is the glory of God, as seen from the works of Nature by Man alone.”

In the Introitus (Preface) from his late editions.
Original in Latin: "Finis Creationis telluris est gloria Dei ex opere Naturae per Hominem solum"
Variant translation: "The purpose of Creation is the glory of God, as can be seen from the works in nature by man alone."
Systema Naturae

John F. Kennedy photo

“"[Relationships] never seem to work out, I mean it gets to the point where I have to be extremely cautious. You have to understand, this stardom thing is still new to me, I don't even consider myself "famous". It's 2008: if you have a blog, a mixtape and two pairs of skinny jeans you, too, can be 'famous'."”

Danny! (1983) American rapper

On fame and its effect on finding love, (Rolling Stone interview http://www.rollingstone.com/rockdaily/index.php/2008/02/13/hoopla-dreams-danny-plays-hard-loves-harder/, 2008)
Interviews

Aristophanés photo

“Chremylus: And what good thing can [Poverty] give us, unless it be burns in the bath, and swarms of brats and old women who cry with hunger, and clouds uncountable of lice, gnats and flies, which hover about the wretch's head, trouble him, awake him and say, “You will be hungry, but get up!” […]
Poverty: It's not my life that you describe; you are attacking the existence beggars lead. […] The beggar, whom you have depicted to us, never possesses anything. The poor man lives thriftily and attentive to his work; he has not got too much, but he does not lack what he really needs. […] But what you don't know is this, that men with me are worth more, both in mind and body, than with [Wealth]. With him they are gouty, big-bellied, heavy of limb and scandalously stout; with me they are thin, wasp-waisted, and terrible to the foe. […] As for behavior, I will prove to you that modesty dwells with me and insolence with [Wealth]. […] Look at the orators in our republics; as long as they are poor, both state and people can only praise their uprightness; but once they are fattened on the public funds, they conceive a hatred for justice, plan intrigues against the people and attack the democracy. […]
Chremylus: Then tell me this, why does all mankind flee from you?
Poverty: Because I make them better. Children do the very same; they flee from the wise counsels of their fathers. So difficult is it to see one's true interest.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Pl.+535
Plutus, line 535-539 & 548 & 552-554 & 558-561 & 563-564 & 567-570 & 575-578
Plutus (388 BC)

Thomas Carlyle photo
Georg Wilhelm Friedrich Hegel photo
John Adams photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Fumito Ueda photo

“I was honestly concerned people might have forgotten or given up or whatnot, but the reaction so far has been very positive. I'm very overwhelmed, very thankful, very grateful. I also feel like those fans and their passion has helped me and the team to continue moving on, heads down, to keep pushing and working hard. That's fueling our motivation at this point.”

Fumito Ueda (1970) Japanese video game designer

The Last Guardian's Long Journey: An Interview With Fumito Ueda http://www.gameinformer.com/b/features/archive/2015/06/23/the-last-guardians-long-journey-an-interview-with-fumito-ueda.aspx (June 23, 2015)

Robert T. Kiyosaki photo
Javad Alizadeh photo
John Keats photo

“Works of genius are the first things in this world.”

John Keats (1795–1821) English Romantic poet

Letter to G. and F. Keats (January 13, 1818)
Letters (1817–1820)

Merrill McPeak photo
Paula Modersohn-Becker photo

“I really see nothing of other people. I'm trying to dig my way back again into my work. One absolutely has to dedicate oneself, every bit of oneself, to the one inescapable thing. That's the only way to get somewhere and to become something.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her parents, Worpswede, 10 September 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 199
1899

Jefferson Davis photo

“Jeff Davis did his best when he fled from Richmond to make out of himself a reconstructed woman. He made such a bad failure, however, that he deems the work simply impossible.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Republic: A Monthly Magazine (1873), p. 384

Harry Turtledove photo