Quotes about work
page 55

Cuauhtémoc Blanco photo
John Lancaster Spalding photo

“In the world of thought a man’s rank is determined, not by his average work, but by his highest achievement.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 13

Adam Myerson photo
Bell Hooks photo

“We resist hegemonic dominance of feminist thought by insisting that it is a theory in the making, that we must necessarily criticize, question, re-examine, and explore new possibilities. My persistent critique has been informed by my status as a member of an oppressed group, experience of sexist exploitation and discrimination, and the sense that prevailing feminist analysis has not been the force shaping my feminist consciousness. This is true for many women. There are white women who had never considered resisting male dominance until the feminist movement created an awareness that they could and should. My awareness of feminist struggle was stimulated by social circumstance. Growing up in a Southern, black, father-dominated, working class household, I experienced (as did my mother, my sisters, and my brother) varying degrees of patriarchal tyranny and it made me angry-it made us all angry. Anger led me to question the politics of male dominance and enabled me to resist sexist socialization. Frequently, white feminists act as if black women did not know sexist oppression existed until they voiced feminist sentiment. They believe they are providing black women with "the" analysis and "the" program for liberation. They do not understand, cannot even imagine, that black women, as well as other groups of women who live daily in oppressive situations, often acquire an awareness of patriarchal politics from their lived experience, just as they develop strategies of resistance (even though they may not resist on a sustained or organized basis). These black women observed white feminist focus on male tyranny and women's oppression as if it were a "new" revelation and felt such a focus had little impact on their lives. To them it was just another indication of the privileged living conditions of middle and upper class white women that they would need a theory to inform them that they were "oppressed." The implication being that people who are truly oppressed know it even though they may not be engaged in organized resistance or are unable to articulate in written form the nature of their oppression. These black women saw nothing liberatory in party line analyses of women's oppression. Neither the fact that black women have not organized collectively in huge numbers around the issues of "feminism" (many of us do not know or use the term) nor the fact that we have not had access to the machinery of power that would allow us to share our analyses or theories about gender with the American public negate its presence in our lives or place us in a position of dependency in relationship to those white and non-white feminists who address a larger audience.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 10.

Mao Zedong photo
Vanna Bonta photo

“I mean, after a certain age you figure out just because a button works doesn't mean you have to push it.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Charles Darwin photo
Ben Croshaw photo
Edsger W. Dijkstra photo

“Simplicity is a great virtue but it requires hard work to achieve it and education to appreciate it. And to make matters worse: complexity sells better.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

Dijkstra (1984) On the nature of Computing Science http://www.cs.utexas.edu/users/EWD/transcriptions/EWD08xx/EWD896.html (EWD896).
1980s

Ahad Ha'am photo
Marilyn Monroe photo

“For life: It is rather a determination not to be overwhelmed. For work: The truth can only be recalled, never invented.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Marilyn's personal diaries, as quoted in Fragments (2010), by Stanley Buchthal and Bernard Comment

“Howard has a strong ego. He [also] had a very strong desire to be perceived as doing a good job, and that combination worked wonders for us… To this day, they love him for what he did.”

Howard Safir (1941)

Gerald Shur, a high-ranking Justice Department official who founded the Witness Protection Program, on Safir's efforts to clean up the program.
[Russ Baker and Josh Benson, http://www.observer.com/1999/commish-bites-back-howard-safir-explains-his-life-his-critics, The Commish Bites Back: Howard Safir Explains His Life to His Critics, The New York Observer, 1999-05-16, 2007-12-20]
About

William John Macquorn Rankine photo
Roberto Clemente photo
P.G. Wodehouse photo
René Descartes photo
Ilana Mercer photo

“Jews like presidential hopeful Bernie Sanders have forgotten that riches are a reward for work well done. In the Jewish faith's infinite wisdom, wealth justly acquired is a sign of God's blessing.”

Ilana Mercer South African writer

"Burn-the-Wealth Bernie & His Partial Enslavement System," http://www.quarterly-review.org/burn-the-wealth-bernie/The Quarterly Review, October 16, 2015
2010s, 2015

William T. Sherman photo
Hermann Hesse photo
David Letterman photo

“David Letterman: Earlier today, the man who owns this network, Leslie Moonves—he and I have had a relationship for years and years and years—and we have had this conversation in the past, and we agreed that we would work together on this circumstance and the timing of this circumstance. And I phoned him just before the program, and I said, "Leslie, it's been great, you've been great, the network has been great, but I'm retiring."
Paul Shaffer: This is—really?
David Letterman: Yep.
Paul Shaffer: This is—this is—you actually did this?
David Letterman: Yes, I did.
[dead silence in the studio followed by nervous laughter from the audience]
Paul Shaffer: Well—do I have a minute to call my accountant, because…I, uh…
[Dave cracks up]
David Letterman: I just want to reiterate my thanks for the support from the network, all of the people who have worked here, all of the people in the theatre, all the people on the staff, everybody at home. Thank you very much. And what this means now, is that Paul and I can be married.
[uproarious laughter and applause as wedding chimes play]
David Letterman: So we don't have the timing of this precisely down, I think it will be at least a year or so. But sometime in the not too distant future—2015 for the love of God, in fact, Paul and I will be wrapping things up and taking a hike.
[studio audience goes wild, gives him a standing ovation]
David Letterman: Thank you, thanks everybody. All right, thanks very much.”

David Letterman (1947) American comedian and actor

On announcing his retirement, quoted in Here’s what happened the moment David Letterman announced his retirement (transcript + video) http://www.washingtonpost.com/blogs/style-blog/wp/2014/04/03/heres-what-happened-the-moment-david-letterman-announced-his-retirement-transcript-video/ by Emily Yahr, in "The Washington Post" (3 April 2014).

John Ralston Saul photo
Charles Babbage photo
Tom Jones photo
Richard Rodríguez photo
Antonio Negri photo
Bernard Lewis photo

“Coming back to Iraq, obviously the situation has been getting worse over time, but I think it is still salvageable. We now have a political process going on, and I think if one looks at the place and what's been happening there, one has to marvel at what has been accomplished. There is an old saying, no news is good news, and the media obviously work on the reverse principle: Good news is no news. Most of the good things that have happened have not been reported, but there has been tremendous progress in many respects. Three elections were held three fair elections in which millions of Iraqis stood in line waiting to vote and knowing they were risking their lives every moment that they did so. And all this wrangling that's going on now is part of the democratic process, the fact that they argue, that they negotiate, that they try to find a compromise. This is part of their democratic education.
So I find all this both annoying and encouraging. I see that more and more people are becoming involved in the political process. And there's one thing in Iraq in particular that I think is encouraging, and that is the role of women. Of all the Arab countries, with the possible exception of Tunisia, Iraq is the one where women have made most progress. I'm not talking about rights, a word that has no meaning in that context. I'm talking about opportunity, access. Women in Iraq had access to education, to higher education, and therefore to the professions, and therefore to the political process to a degree without parallel elsewhere in the Arab world, as I said, with the possible exception of Tunisia. And I think that the participation of women the increasing participation of women is a very encouraging sign for the development of democratic institutions.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

Katherine Mansfield photo

“To work — to work! It is such infinite delight to know that we still have the best things to do.”

Katherine Mansfield (1888–1923) New Zealand author

Letter to Bertrand Russell (7 December 1916), from The Collected Letters of Katherine Mansfield, vol. I

Paul Gauguin photo

“In art, there are only two types of people: revolutionaries and plagiarists. And in the end, doesn't the revolutionary's work become official, once the State takes it over?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 107: in his letter, published in Le Soir, (25 April 1895)

Patrick Swift photo
Jorge Luis Borges photo

“In the work of Ts'ui Pên, all possible outcomes occur; each one is the point of departure for other forkings. Sometimes, the paths of this labyrinth converge: for example, you arrive at this house, but in one of the possible pasts you are my enemy, in another, my friend.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

The Garden of Forking Paths (1942), The Garden of Forking Paths

Edward R. Murrow photo

“White Democrats opposed Reconstruction not because it was a failure, but because it was working. Today almost all historians of Reconstruction hold that view.”

James W. Loewen (1942) American historian

2010s, 2014, How Two Historians Responded To Racism In Mississippi (December 2014)

George Steiner photo
Ward Cunningham photo

“Accept that you've got a common goal that we're all working towards and that we're working towards the same goal. In other words, align and self-organize.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

Podcast Interview with Ward Cunningham (2006)

Regina Jonas photo
Howard S. Becker photo
Helen Reddy photo
Barbara Hepworth photo
Willem de Sitter photo
Stella Vine photo

“I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.”

Stella Vine (1969) English artist

Kennedy, Maev. "Will these tragic celebs bring art a new audience?" http://arts.guardian.co.uk/art/news/story/0,,2126195,00.html, "The Guardian" (2007-07-14)

Michael Dell photo

“We have a long history here of integrating the technologies closer together. This is what customers have been asking us to do. It is what we are doing. It is working extremely well. There is much, much more to come here.”

Michael Dell (1965) Businessman, CEO

CRN: "Michael Dell: 'Much, Much More To Come' On Dell EMC VMware Integration" https://www.crn.com/news/data-center/300104941/michael-dell-much-much-more-to-come-on-dell-emc-vmware-integration.htm (11 June 2018)

Amitabh Bachchan photo
Georges Sorel photo
Imre Kertész photo

“Writers complete their works, whether those be thousands of pages long or just a few laconic lines.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Wendy Doniger photo
Zakir Hussain (politician) photo
Kazimir Malevich photo

“By Suprematism, I mean the supremacy of pure feeling in the pictorial arts. From the Suprematist point of view, the appearances of natural objects are in themselves meaningless; the essential thing is feeling – in itself and completely independent of the context in which it has been evoked. Academic naturalism, the naturalism of the impressionists, of Cézannism, of Cubism, etc., are all so to speak nothing but dialectic methods, which in themselves in no way determine the true value of the work of art.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, 1927 in: Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 451
Malevich valued Cezanne's art as a temporarily necessary but still 'provincial art' in the long developing line of modern art
1921 - 1930

Thomas Little Heath photo

“Social justice, ecological survival and freedom are threatened where we allow the proliferation of societal structures which in themselves tend to work against these goals.”

Margrit Kennedy (1939–2013) German architect

Source: Interest and Inflation Free Money (1995), Chapter Five, Money Reform & Global Transformation, p. 98

Niklas Luhmann photo
Clint Eastwood photo

“Everybody wonders why I continue working at this stage. I keep working because there's always new stories. … And as long as people want me to tell them, I'll be there doing them.”

Clint Eastwood (1930) actor and director from the United States

Reflecting on his later career
The Eastwood Factor (Extended Edition). [DVD]. Warner Home Video. June 1, 2010. Event occurs at 1:26:15.

Suze Robertson photo

“. In the beginning I was struggling very much with [painting] children, for that painting by Br. [probably, Henk Bremmer? ]. It has an almost square format. The woman must look to the right [and] there must be a child with her... But I painted only a few children with mothers, and recent times not at all; and then that size (square), I don't know how to handle it. I now think to come back to The Hague Sunday afternoon [and] to leave Heeze early. Monday here is another holy Day [catholic region]. So I can not work then..”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) .Ik heb hier in het begin nog al erg getobd met kinderen, voor dat schilderijtje van Br. [waarschijnlijk, nl:Henk Bremmer?]. Het formaat dat bijna vierkant is. De vrouw moet naar rechts kijken [en] er moet een kind bij.. .Maar kinderen bij moeders heb ik weinig geschilderd tenminste in de laatste tijd heelemaal niet en dan kan ik met dat formaat (vierkant) niet goed klaarkomen. Ik denk nu haast Zondagmiddag in den Haag te komen vroeg hier uit nl:Heeze te gaan. Maandag is hier weer heilige Dag [katholieke bevolking]. Dus kan ik ook niet werken..
In a letter of Suze Robertson from Heeze, 11 August 1904, to her husband Richard Bisschop in The Hague; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 11
1900 - 1922

Amitabh Bachchan photo

“How to work so as to make work a pleasure.”

Frank Crane (1861–1928) American Presbyterian minister

Four Minute Essays Vol. 7 (1919), A School for Living

Claude Debussy photo

“To complete a work is just like being present at the death of someone you love.”

Claude Debussy (1862–1918) French composer

On his opera Pelléas et Mélisande
The Life of the Creative Spirit

James Nasmyth photo
Will Eisner photo

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Talcott Parsons photo

“Theory in the social sciences should have three major functions. First, it should aid in the codification of our existing concrete knowledge. It can do so by providing generalized hypotheses for the systematic reformulation of existing facts and insights, by extending the range of implication of particular hypotheses, and by unifying discrete observations under general concepts. Through codification, general theory in the social sciences will help to promote the process of cumulative growth of our knowledge. In making us more aware of the interconnections among items of existing knowledge which are now available in a scattered, fragmentary form, it will help us fix our attention on the points where further work must be done.
Second, general theory in the social sciences should be a guide to research. By codification it enables us to locate and define more precisely the boundaries of our knowledge and of our ignorance. Codification facilitates the selection of problems, although it is not, of course, the only useful technique for the selection of problems for fruitful research. Further than this, general theory should provide hypotheses to be applied and tested by the investigation of these problems…
Third, general theory as a point of departure for specialized work in the social sciences will facilitate the control of the biases of observation and interpretation which are at present fostered by the departmentalization of education and research in the social sciences.”

Talcott Parsons (1902–1979) American sociologist

Source: Toward a general theory of action (1951), p. 3

Peter Gabriel photo
Stanisław Lem photo

“He is no parasite on anything, whose work is real: a mechanic, a doctor, a builder, a tailor, a dishwasher. What, in comparison, does a writer produce? Semblances. This is a serious occupation?”

Stanisław Lem (1921–2006) Polish science fiction author

"Rien du tout, ou la conséquence" ("Nothing, or the Consequence"), in A Perfect Vacuum (1971), tr. Michael Kandel (1978)

Johannes Warnardus Bilders photo

“On a certain day I packed my things and went to Oosterbeek [c. 1834-36]. I saw a man lying out of the window somewhere. Farmer! are there rooms for rent nearby? - Yes sir, even here. - I went in, saw a beautiful, suitable painting room; that satisfied me, I ask for nothing more. One hundred fifty guilders was the rent [per year]. I offered a hundred sixty when he also worked the garden and planted a lot of red cabbage, because I like to see that.”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Ik pakte mijn rommeltje en ging op een goeden dag naar [c. 1834-36]. Daar zag ik ergens een man uit het venster liggen. Boer! zijn hier in de buurt ook kamers te huur? - Jawel meneer, hier zelfs. - Ik ging naar binnen, zag een mooie, geschikte schilderkamer; dat was mij genoeg, ik vraag naar niets meer. Honderdvijftig gulden was de huur [per jaar]. Ik bood honderdzestig als hij dan ook den tuin bewerkte en vooral veel roode kool plantte, want die zie ik graag.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)

Karl Kraus photo
African Spir photo
D. V. Gundappa photo

“The work of samskriti or culture is the work of scrubbing, washing and cleansing the mind…the road of culture is one without a trace of stubbornness or crudeness; instead it is the road of humility and respect, for what is the difference between a life without humility and respect and the life of a dog that lunges for.”

D. V. Gundappa (1887–1975) Indian writer

On Culture in Whose Culture is it? Contesting the Modem in Journal of Arts & Ideas, 23 December 2013, 1993, The Digital South Asia Library, 144 http://dsal.uchicago.edu/books/artsandideas/text.html?objectid=HN681.S597_25-26_148.gif,
Sources

Ali Khamenei photo
Nicholas Lore photo
Scott Moir photo
Marcel Duchamp photo
Hans Arp photo

“Each one of these bodies [art-works which Arp made] certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 383

Jim Butcher photo

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

The Dresden Files, Summer Knight (2002)

Antoni Tàpies photo

“What I did [his artistic work in the 1940's] also served as a way to spit in the face of the well-meaning bourgeoisie…”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as quoted in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 184
1981 - 1990

Joan Miró photo

“I begin my work under the effect of shock, which I can sense and which gets me on the run from reality... In any case, I need a starting point, even if it’s just a speck of dust or a gleam of light.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1940 - 1960
Source: On the Readability of Signs; Miro's path from Mysterious to Comic Pictorial signs, Sylvia Martin; Düsseldorf 2002, p. 67

Włodzimierz Ptak photo

“People spend unnecessarily high amounts of money on drugs or supplements that support immunity (for example, fashionable Japanese ginkgo – there is no evidence that it works), meanwhile they do more harm to themselves by their way of life, for example by inadequate diet.”

Włodzimierz Ptak (1928–2019) immunologist

Mazurek, Maria (7 July 2017): Cudowna armia, która broni naszego ciała http://plus.gazetakrakowska.pl/magazyn/a/cudowna-armia-ktora-broni-naszego-ciala,12271571. Gazeta Krakowska (in Polish), pp. 18–19.

A. R. Rahman photo
James Macpherson photo
John F. Kennedy photo
George W. Bush photo
Nicholas Murray Butler photo

“All the problems of the world could be settled easily if men were only willing to think. The trouble is that men very often resort to all sorts of devices in order not to think, because thinking is such hard work.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Attributed to Butler in: American Dental Association (1959) The Journal of the American Dental Association. Vol 59. p. 289

Rousas John Rushdoony photo
Gordon B. Hinckley photo
Poul Anderson photo
Otto Neurath photo
Karl Barth photo

“Nothing is more characteristic of the Hegelian system of knowledge than the fact that upon its highest pinnacle, where it becomes knowledge of knowledge, i. e. knowledge knowing of itself, it is impossible for it to have any other content but simply the history of philosophy, the account of its continuing self-exposition, in which all individual developments, coming full circle, can only be stages along the road to the absolute philosophy reached in Hegel himself. But that which knowledge is explicitly upon this topmost pinnacle as the history of philosophy, the philosophy completed in Hegel, it is implicitly all along the line: the knowledge of history and the history of knowledge, the history of truth, the history of God, as Hegel was able to say: the philosophy of History. History here has entered so thoroughly into reason, philosophy has so basically become the philosophy of history, that reason, the object of philosophy itself, has become history utterly and completely, that reason cannot understand itself other than a sits own history, and that, from the opposite point of view, it is in a position to recognize itself at once in all history in some stage of its life-process, and also in its entirety, so far as the study permits us to divine the whole. It is a matter of the production of self-movement of the thought-content in the consciousness of the thinking subject. It is not a matter of reproduction! The Hegelian way of looking is the looking of a spectator only in so far as it is in fact in principle and exclusively theory, thinking consciousness. Granting this premise, and setting aside Kierkegaard’s objection that with it the spectator might by chance have forgotten himself, that is the practical reality of his existence, then for Hegel it is also in order (only too much in order!) that the human subject, whilst looking in this manner, stands by no means apart as if it were not concerned. It is in this looking that the something seen is produced. And the thing seen actually has its reality in the fact that it is produced as the thing seen in the looking of the human subject. Man cannot participate more energetically (within the frame-work of theoretical possibility), he cannot be more forcefully transferred from the floor of the theatre on to the stage than in his theory.”

Karl Barth (1886–1968) Swiss Protestant theologian

Karl Barth Protestant Thought From Rousseau to Ritschl, 1952, 1959 p. 284-285
Protestant Thought From Rousseau to Ritschl 1952, 1956

H. G. Wells photo
Richard Feynman photo
Jair Bolsonaro photo

“Through the vote, you'll change nothing in this country. Nothing, absolutely nothing. We'll only get change, unfortunately, when we go into a civil war here someday and do a work the military regime didn't do, killing as much as thirty thousand people, starting with FHC. It's all right if some innocent people die. Innocent people die in many wars.”

Jair Bolsonaro (1955) Brazilian president elect

Referring to the then-president Fernando Henrique Cardoso (FHC) at the program Câmera Aberta at Band on 23 May 1999. O dia que Bolsonaro quis matar FHC, sonegar impostos e declarar guerra civil http://www.gazetadopovo.com.br/politica/republica/o-dia-que-bolsonaro-quis-matar-fhc-sonegar-impostos-e-declarar-guerra-civil-8mtm0u0so6pk88kqnqo0n1l69. Gazeta do Povo (10 October 2017).

Richard Rumelt photo
Harry V. Jaffa photo

“Pro-slavery impulse still governs the Democratic Party, the party of government sinecures. It is the party that wants to use political power to tax us not for any common good, but to eat while we work. Consider the Great Society and its legacy. In the fall of 1964, I was on the speech-writing staff of the Goldwater campaign. In September and October I went on a number of forays to college campuses, where I debated spokesmen for our opponents. My argument always started from here. In 1964 the economy, thanks to the Kennedy tax cuts, was growing at the remarkable annual rate of four percent. But federal revenues were growing at 20 percent; five times as fast. The real issue in the election, I said, was what was to happen to that cornucopia of revenue. Barry Goldwater would use it to reduce the deficit and to further reduce taxes; Lyndon Johnson would use it to start vast new federal programs. At that point I could not say what programs, but I knew that the real purpose of them would be to create a new class of dependents upon the Democratic Party. The ink was hardly dry on the election returns before Johnson invented the war on poverty; and proved my prediction correct. One did not need to be cynical to see that the poor were not a reason for the expansion of bureaucracy; the expansion of bureaucracy was a reason for the poor. Every failure to reduce poverty was always represented as another reason to increase expenditures on the poor. The ultimate beneficiary was the Democratic Party. Every federal bureaucrat became in effect a precinct captain, delivering the votes of his constituents. His job was to enlarge the pool of constituents. But every increase in that pool meant a diminution of our property and our freedom.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)