Quotes about volume
page 2

Charles Taze Russell photo
Bruce Fein photo
Manuel Castells photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Patrick Matthew photo
Alfred P. Sloan photo

“You of course appreciate that this industry of ours the automotive industry is today the greatest in the world. Three or four years ago it passed, in volume, steel and steel products, the next largest industry. This means, expressed otherwise, that upon its prosperity depends the prosperity of many millions of our citizens and the degree to which it has become stabilized in turn has a tremendous influence on the stabilization of industry as a whole, and therefore on the prosperity and happiness of still many more of our citizens. Directly and indirectly, this industry distributes hundreds of millions of dollars annually to those who are connected with it, in one way or another, as workers. It also distributes hundreds of millions of dollars in the aggregate to those who have invested in its securities. The purchasing power of this total aggregation, as you must appreciate, is tremendous.
I believe that if you questioned many of your readers as to the present position of the automotive industry, they would tell you that it is growing by leaps and bounds. I believe further you would sense uncertainty as to what is going to happen in the industry when the so-called state of saturation is reached. I do not know whether you appreciate it or not, but the industry has not grown very much during the past three or four years. It is practically stabilized at the present time.”

Alfred P. Sloan (1875–1966) American businessman

Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 331-2: Speech by President Alfred P. Sloan, Jr., delivered to representatives of the automotive press at the Proving Ground on September 28, 1927.

Francis Escudero photo
Robert Chambers (publisher, born 1802) photo
Ruben Vergara Meersohn photo

“It's not about perfection. It's about volume. When you bring volume and consistency on the daily basis, that's where success occurs.”

Ruben Vergara Meersohn (1991) Entrepreneur

Keynote speech at the International Career Development http://www.bankar.me/2017/12/19/marleq-organizuje-petu-u-otvorenu-panel-diskusiju-razvoj-medunarodne-karijere/, 20 December 2017.

Viktor Schauberger photo
Robert Skidelsky photo
William Drummond of Hawthornden photo
Jan Oort photo
Ba Jin photo
John R. Commons photo
Erving Goffman photo
Ismail Serageldin photo

“I do believe that encyclopedias are dead as dodos in the old fashioned way. Let me just go back, because earlier around I was interviewed and I said: The book will always be with us. Books - we used to read in scrolls and then they got invented the codex which is basically the form of the book. It has not been improved on. It's like scissors, like a spoon, and like a hammer. It's technology that's perfect in itself and will remain very good. But: What about the content inside of it? Now, there are books that you read for information. And there what you want to do is how to get the information. And it is infinitely more efficient, of higher quality, to use digital sources rather than the published sources for references. So dictionaries and encyclopedias are not going to be done in this very ponderous way of having old books that by the time they come out the information in them is obsolete. Second, you have to search in all of these and open the pages and then you go to an index and come back whereas you can type to search in. […] But if you want to hold in your hand a slim volume, nicely bound, of the love sonnets of Shakespeare or historical romans, that's a different story. There is the book as artifact, there is the joy in holding the book. And there is an efficiency in the book that you can carry with you in different ways. But I think that the encyclopedias and the dictionaries really are providing a service. And that service can be provided so much more efficiently online that they are bound to change. And if they don't change themselves and go online themselves … I mean, the old providers, like Britannica, will go online, will provide it, and will try to, in fact, compete with the model that Wikipedia pioneered.”

Ismail Serageldin (1944) egyptian academic

Wikimania 2008 press conference 0'33 (August 2008).

George Eliot photo
Pierre Trudeau photo

“I was too busy doing my job and living my life to spend time keeping notes for some future volume of memoirs.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Preface, p. ix
Memoirs (1993)

Peter Greenaway photo

“I want to describe the Body as a Book, a Book as a Body, and this Body and this Book will be the first Volume of Thirteen Volumes.”

Peter Greenaway (1942) British film director

From the first book, "The Agenda"
The Pillow Book

Nathaniel Hawthorne photo

“The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

Twice-Told Tales, Preface http://www.eldritchpress.org/nh/tttpf.html (1851)

Alfred P. Sloan photo
Leon C. Marshall photo
Gerald Durrell photo
Jiddu Krishnamurti photo
Richard Cobden photo
Lord Randolph Churchill photo

“Your iron industry is dead; dead as mutton. Your coal industries, which depend greatly upon the iron industries, are languishing. Your silk industry is dead, assassinated by the foreigner. Your woollen industry is in articulo mortis, gasping, struggling. Your cotton industry is seriously sick. The shipbuilding industry, which held out longest of all, is come to a standstill. Turn your eyes where you like, survey any branch of British industry you like, you will find signs of mortal disease. The self-satisfied Radical philosophers will tell you it is nothing; they point to the great volume of British trade. Yes, the volume of British trade is still large, but it is a volume which is no longer profitable; it is working and struggling. So do the muscles and nerves of the body of a man who has been hanged twitch and work violently for a short time after the operation. But death is there all the same, life has utterly departed, and suddenly comes the rigot mortis…But what has produced this state of things? Free imports? I am not sure; I should like an inquiry; but I suspect free imports of the murder of our industries much in the same way as if I found a man standing over a corpse and plunging his knife into it I should suspect that man of homicide, and I should recommend a coroner's inquest and a trial by jury…”

Lord Randolph Churchill (1849–1895) British politician

Speech in Blackpool (24 January 1884), quoted in Robert Rhodes James, Lord Randolph Churchill (London: Phoenix, 1994), p. 137

Arthur Ponsonby photo

“The object of this volume is not to cast fresh blame on authorities and individuals, nor is it to expose one nation more than another to accusations of deceit.”

Arthur Ponsonby (1871–1946) British Liberal and later Labour politician and pacifist

First lines of the introduction.
Falsehood in Wartime (1928), Introduction

Thomas Jefferson photo
Chester W. Wright photo
Richard Rodríguez photo
Will Eisner photo

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

Andrew Hurley photo
DJ Paul photo
Thomas Jefferson photo

“I have always said, and always will say, that the studious perusal of the sacred volume will make better citizens, better fathers, and better husbands.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Attributed to Jefferson by Daniel Webster in a letter of 15 June 1852 addressed to Professor Pease, recalling a Sunday spent with Jefferson more than a quarter of a century before.
Attributed

Suniti Kumar Chatterji photo
William Jones photo
Henry Adams photo
Ravi Shankar photo
Peter L. Berger photo
Lyndall Urwick photo
Walter Scott photo

“Within that awful volume lies
The mystery, of mysteries!”

Source: The Monastery (1820), Ch. 12.

Roald Amundsen photo
Robert M. Pirsig photo
Ernest Flagg photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Robert Maynard Hutchins photo
Maxine Waters photo
J. M. Barrie photo
James Meade photo

“one day [c. 1905-07], Kirchner brought with him a volume from some bookstore with pictures of Meier-Graefe about the modern French artists. We were enthralled.”

Fritz Bleyl (1880–1966) German artist

Fritz Bleyl, as quoted in: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 14; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p. 8

Will Eisner photo
Peter Greenaway photo
Ed Yourdon photo
John Lancaster Spalding photo
Edward Lear photo

“How pleasant to know Mr. Lear!
Who has written such volumes of stuff!
Some think him ill-tempered and queer,
But a few think him pleasant enough.”

Edward Lear (1812–1888) British artist, illustrator, author and poet

How Pleasant to Know Mr. Lear http://www.nonsenselit.org/Lear/pw/mrlear.html, st. 1 (1871).

Jonathan Ive photo
William James photo

“How you produce volume after volume the way you do is more than I can conceive. …But you haven't to forge every sentence in the teeth of irreducible and stubborn facts as I do. It is like walking through the densest brush wood.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Letter to Henry James (ca. 1890) as quoted by Robert D. Richardson, William James: In the Maelstrom of American Modernism (2007) p. 297. Also as quoted partially by Alfred North Whitehead, Science and the Modern World (1925) p. 2.
1890s

André Maurois photo
James Branch Cabell photo
Marc Chagall photo
Tsunetomo Yamamoto photo
Patrick Matthew photo
Calvin Coolidge photo
Alexander Mackenzie photo
Walter Savage Landor photo

“I am heartily glad to witness your veneration for a Book which to say nothing of its holiness or authority, contains more specimens of genius and taste than any other volume in existence.”

Walter Savage Landor (1775–1864) British writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 33.

William Makepeace Thackeray photo
Daniel Handler photo
George Peacock photo
André Weil photo
Chester W. Wright photo
Antoni Tàpies photo

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband's corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….”

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

Alexis De Tocqueville photo
Arun Shourie photo

“But here in India a simplistic recitation of the earlier phrases and categories remained enough. It is not just fidelity to the masters, therefore, which characterizes the history writing by these eminences. It is a simple-mindedness!
But there is an additional factor. Whitewashing the Islamic period is not the only feature which characterizes the work of these historians. There is in addition a positive hatred for the pre-Islamic period and the traditions of the country. Over the years entries about India in Soviet encyclopedias, for instance, became more and more ductile. They began to acknowledge ever so hesitantly that the categories and periods might need to be nuanced when they were extended to countries like China and India. They began to acknowledge that at various times there had been an overlapping and coexistence of different ‘stages’. And, perhaps for diplomatic reasons alone, they became increasingly circumspect – careful to avoid denigrating our traditions.
In the standard two-volume Soviet work, A History of India, for instance, we find more or less the same characterization of the different periods in Indian histories as we do in the volumes of our eminent historians. But the Soviet volumes have none of the scorn and animosity which we have encountered in the volumes of our eminent historians.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Georges Braque photo

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

Conrad Aiken photo
Eric Holder photo
George Peacock photo
Umberto Boccioni photo

“Sculpture is based on the abstract of the planes and volumes that determine the forms, not their figurative value.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1912, Boccioni's 'Sculptural Manifesto', 1912,

Burkard Schliessmann photo
Jean Metzinger photo
Louis Althusser photo
Henry Adams photo
Jorge Luis Borges photo