Quotes about volume
page 4

Francis Place photo
James Macpherson photo

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Iain Banks photo
Margaret Thatcher photo

“I am a great admirer of Professor Hayek. Some of his books are absolutely supreme—“The Constitution of Liberty” and the three volumes on “Law, Legislation and Liberty”—and would be well read by almost every hon. Member.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech in the House of Commons (10 March 1981) http://www.margaretthatcher.org/document/104593
First term as Prime Minister

Charles Bell photo
Naum Gabo photo

“We take four planes and we construct with them the same volume as of four tons of mass.”

Naum Gabo (1890–1977) Russian sculptor

quote, 1920; from Tate Modern, London: Naum Gabo http://www.tate.org.uk/art/artworks/gabo-head-no-2-t01520
A method known as 'stereometric construction' was central to Gabo's work, by which form was achieved through the description of space rather than the establishment of mass (Tate Modern)
1918 - 1935

Robert Morgan photo

“Barry was one of the first to see that mass and volume in sculpture were not dependent upon visibility… But also, and perhaps more importantly, that language was a necessary component to communicate the idea in conceptual art.”

Robert Morgan (1943) American art historian

Robert C. Morgan, cited in: Genocchio, Benjamin. " A Career Built on Exploring the Boundaries of Art http://www.nytimes.com/2003/11/30/nyregion/a-career-built-on-exploring-the-boundaries-of-art.html", The New York Times, November 30, 2003

William H. McNeill photo
Jean-Étienne Montucla photo

“There is reason, however, to think that the author would have rendered it much more interesting, and have carried it to si higher degree of perfection, had he lived in an age more enlightened and better informed in regard to the mathematics and natural philosophy. Since the death of that mathematician, indeed, the arts and sciences have been so much improved, that what in his time might have been entitled to the character of mediocrity, would not at present be supportable. How many new discoveries in every part of philosophy? How many new phenomena observed, some of which have even given birth to the most fertile branches of the sciences? We shall mention only electricity, an inexhaustible source of profound reflection, and of experiments highly amusing. Chemistry also is a science, the most common and slightest principles of which were quite unknown to Ozanam. In short, we need not hesitate to pronounce that Ozanam's work contains a multitude of subjects treated of with an air of credulity, and so much prolixity, that it appears as if the author, or rather his continuators, had no other object in view than that of multiplying the volumes.
To render this work, then, more worthy of the enlightened agt in which we live, it was necessary to make numerous corrections and considerable additions. A task which we have endeavoured to discharge with all diligence”

Jean-Étienne Montucla (1725–1799) French mathematician

Source: Preface to Recreations in Mathematics and Natural Philosophy. (1803), p. vi; As cited in: Tobias George Smollett. The Critical Review: Or, Annals of Literature http://books.google.com/books?id=T8APAAAAQAAJ&pg=PA412, Volume 38, (1803), p. 412

Arun Shourie photo
David Hume photo
Barbara Hepworth photo
Florian Cajori photo
Paul Bourget photo

“We'll get even with him on his next volume. But you know, Labarthe, as long as you continue to have that innocent look about you, you can't expect to succeed in newspaper work.”

Paul Bourget (1852–1935) French writer

The Age for Love
Context: A few hours after this conversation, I found myself once more in the office of the Boulevard, seated in Pascal's den, and he was saying, "Already? Have you accomplished your interview with Pierre Fauchery?"
"He would not even receive me," I replied, boldly.
"What did I tell you?" he sneered, shrugging his big shoulders. "We'll get even with him on his next volume. But you know, Labarthe, as long as you continue to have that innocent look about you, you can't expect to succeed in newspaper work."

“Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

"Introduction"
An Autobiographical Novel (1991)
Context: Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture — but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.

John Stuart Mill photo

“But my father, in all his teaching, demanded of me not only the utmost that I could do, but much that I could by no possibility have done. What he was himself willing to undergo for the sake of my instruction, may be judged from the fact, that I went through the whole process of preparing my Greek lessons in the same room and at the same table at which he was writing: and as in those days Greek and English lexicons were not, and I could make no more use of a Greek and Latin lexicon than could be made without having yet begun to learn Latin, I was forced to have recourse to him for the meaning of every word which I did not know. This incessant interruption, he, one of the most impatient of men, submitted to, and wrote under that interruption several volumes of his History and all else that he had to write during those years.”

Autobiography (1873)
Context: I have no remembrance of the time when I began to learn Greek. I have been told that it was when I was three years old. My earliest recollection on the subject, is that of committing to memory what my father termed Vocables, being lists of common Greek words, with their signification in English, which he wrote out for me on cards. Of grammar, until some years later, I learnt no more than the inflexions of the nouns and verbs, but, after a course of vocables, proceeded at once to translation; and I faintly remember going through AEsop's Fables, the first Greek book which I read. The Anabasis, which I remember better, was the second. I learnt no Latin until my eighth year. At that time I had read, under my father's tuition, a number of Greek prose authors, among whom I remember the whole of Herodotus, and of Xenophon's Cyropaedia and Memorials of Socrates; some of the lives of the philosophers by Diogenes Laertius; part of Lucian, and Isocrates' ad Demonicum and ad Nicoclem. I also read, in 1813, the first six dialogues (in the common arrangement) of Plato, from the Euthyphron to the Theaetetus inclusive: which last dialogue, I venture to think, would have been better omitted, as it was totally impossible I should understand it. But my father, in all his teaching, demanded of me not only the utmost that I could do, but much that I could by no possibility have done. What he was himself willing to undergo for the sake of my instruction, may be judged from the fact, that I went through the whole process of preparing my Greek lessons in the same room and at the same table at which he was writing: and as in those days Greek and English lexicons were not, and I could make no more use of a Greek and Latin lexicon than could be made without having yet begun to learn Latin, I was forced to have recourse to him for the meaning of every word which I did not know. This incessant interruption, he, one of the most impatient of men, submitted to, and wrote under that interruption several volumes of his History and all else that he had to write during those years.

Oliver Wendell Holmes Jr. photo

“A page of history is worth a volume of logic.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

New York Trust Co. v. Eisner, 256 U.S. 345, 349 (1921).
1920s

Vannevar Bush photo

“The Encyclopoedia Britannica could be reduced to the volume of a matchbox. A library of a million volumes could be compressed into one end of a desk.”

As We May Think (1945)
Context: The Encyclopoedia Britannica could be reduced to the volume of a matchbox. A library of a million volumes could be compressed into one end of a desk. If the human race has produced since the invention of movable type a total record, in the form of magazines, newspapers, books, tracts, advertising blurbs, correspondence, having a volume corresponding to a billion books, the whole affair, assembled and compressed, could be lugged off in a moving van. Mere compression, of course, is not enough; one needs not only to make and store a record but also to be able to consult it, and this aspect of the matter comes later. Even the modern great library is not generally consulted; it is nibbled by a few.

Chuck Palahniuk photo

“No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted.”

Source: Lullaby (2002), Chapter 3
Context: No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline

Umberto Eco photo

“No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in.”

[3] Metaphor, 3.12. Conclusions
Semiotics and the Philosophy of Language (1984)
Context: No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.

Chuck Palahniuk photo

“This isn't about quality. It's about volume.”

Source: Lullaby (2002), Chapter 3
Context: You turn up your music to hide the noise. Other people turn up their music to hide yours. You turn up yours again. Everyone buys a bigger stereo system. This is the arms race of sound You don't win with a lot of treble. This isn't about quality. It's about volume. This isn't about music. This is about winning. You stomp the competition with the bass line. You rattle windows. You drop the melody line, and shout the lyrics. You put in foul language and come down hard on each cussword. You dominate. This is really about power.

David Hume photo

“Without this advantage I never should have ventur'd upon a third volume of such abstruse philosophy, in an age, wherein the greatest part of men seem agreed to convert reading into an amusement, and to reject every thing that requires any considerable degree of attention to be comprehended.”

Part 1, Section 1
A Treatise of Human Nature (1739-40), Book 3: Of morals
Context: Morality is a subject that interests us above all others: We fancy the peace of society to be at stake in every decision concerning it; and 'tis evident, that this concern must make our speculations appear more real and solid, than where the subject is, in a great measure, indifferent to us. What affects us, we conclude can never be a chimera; and as our passion is engag'd on the one side or the other, we naturally think that the question lies within human comprehension; which, in other cases of this nature, we are apt to entertain some doubt of. Without this advantage I never should have ventur'd upon a third volume of such abstruse philosophy, in an age, wherein the greatest part of men seem agreed to convert reading into an amusement, and to reject every thing that requires any considerable degree of attention to be comprehended.

Ben Jonson photo

“Shine forth, thou star of poets, and with rage,
Or influence, chide, or cheer the drooping stage,
Which, since thy flight from hence, hath mourn'd like night,
And despairs day, but for thy volumes light.”

Ben Jonson (1572–1637) English writer

Source: To the Memory of My Beloved, the Author, Mr. William Shakespeare (1618), Lines 71 - 80
Context: Sweet swan of Avon! what a sight it were
To see thee in our water yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza, and our James.
But stay, I see thee in the hemisphere
Advanc'd, and made a constellation there!
Shine forth, thou star of poets, and with rage,
Or influence, chide, or cheer the drooping stage,
Which, since thy flight from hence, hath mourn'd like night,
And despairs day, but for thy volumes light.

Richard Wright photo
Peter Kropotkin photo

“As he went on analyzing the coercive factors he realized their insufficiency. He consecrated a whole volume to their analysis, and the result was to lessen their importance!”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)
Context: Once a German jurist of great renown, Ihering, wanted to sum up the scientific work of his life and write a treatise, in which he proposed to analyze the factors that preserve social life in society. "Purpose in Law" (Der Zweck im Rechte), such is the title of that book, which enjoys a well-deserved reputation.
He made an elaborate plan of his treatise, and, with much erudition, discussed both coercive factors which are used to maintain society: wagedom and the different forms of coercion which are sanctioned by law. At the end of his work he reserved two paragraphs only to mention the two non-coercive factors — the feeling of duty and the feeling of mutual sympathy — to which he attached little importance, as might be expected from a writer in law.
But what happened? As he went on analyzing the coercive factors he realized their insufficiency. He consecrated a whole volume to their analysis, and the result was to lessen their importance! When he began the last two paragraphs, when he began to reflect upon the non-coercive factors of society, he perceived, on the contrary, their immense, outweighing importance; and instead of two paragraphs, he found himself obliged to write a second volume, twice as large as the first, on these two factors: voluntary restraint and mutual help; and yet, he analyzed but an infinitesimal part of these latter — those which result from personal sympathy — and hardly touched free agreement, which results from social institutions.

George Adamski photo
Mary H.K. Choi photo

“Taking time to color in the people around your main characters truly does a lot of heavy lifting for you in terms of subtext and context because tiny misunderstandings and micro-aggressions or avoidance speaks volumes without requiring so much exposition…”

Mary H.K. Choi American author and journalist

On portraying different kinds of relationships in her book Emergency Contact in “Interview with Mary H.K. Choi” https://therumpus.net/2018/05/the-rumpus-interview-with-mary-h-k-choi/ in The Rumpus (2018 May 18)

Arun Shourie photo
Franz Bardon photo
Stephen Wolfram photo

“Computational reducibility may well be the exception rather than the rule: Most physical questions may be answerable only through irreducible amounts of computation. Those that concern idealized limits of infinite time, volume, or numerical precision can require arbitrarily long computations, and so be formally undecidable.”

Stephen Wolfram (1959) British-American computer scientist, mathematician, physicist, writer and businessman

[Undecidability and intractability in theoretical physics, Physical Review Letters, 54, 8, 1985, 735–738, 10.1103/PhysRevLett.54.735, https://www.stephenwolfram.com/publications/academic/undecidability-intractability-theoretical-physics.pdf]

Charles Stross photo
Arthur MacManus photo
Clement Attlee photo
Vātsyāyana photo
Al-Biruni photo
Ba Jin photo

“Today I read your autobiography in two volumes, Living My Life.”

Ba Jin (1904–2005) Chinese novelist

These two books full of life, shocked me greatly. Your roaring of forty years like spring thunder, knocked at the door of my living grave throughout the whole book. At this time, silence lost its effect, the fire of my life was lit, I want to come to life and go through great anguish, immeasurable joy, dark despair and enthusiastic hope, throughout the peak and the abyss of life. I will calmly go on living with an attitude you taught me until I spend my whole life.
Dedication to Emma Goldman

Alexander Calder photo

“How can art be realized? Out of volumes, motion, spaces bounded by the great space, the universe. Out of different masses, tight, heavy, middling - indicated by variations of size or color - directional line - vectors which represent speeds, velocities, accelerations, forces, etc...”

Alexander Calder (1898–1976) American artist

these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds. Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting moment but a physical bond between the varying events in life. Not extractions, but abstractions. Abstractions that are like nothing in life except in their manner of reacting.
1930s, How Can Art Be Realized? (1932)

David Sedaris photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“At last I have attained true glory. As I walked through Fleet Street the day before yesterday, I saw a copy of Hume at a bookseller's window with the following label: “Only 2l. 2s. Hume's History of England in eight volumes, highly valuable as an introduction to Macaulay.””

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

I laughed so convulsively that the other people who were staring at the books took me for a poor demented gentleman. Alas for poor David!
Journal entry (8 March 1849), quoted in George Otto Trevelyan, The Life and Letters of Lord Macaulay, Volume II (1876), p. 253
1840s

Harry Gordon Selfridge photo
Alain Daniélou photo
Bowinn Ma photo

“Right now, the region is more interested in looking at options for rapid transit than they are for more lanes on those bridges, especially given that our local road networks can't quite handle more volume of traffic. People on the North Shore want choice.”

Bowinn Ma (1985) Canadian politician

North Shore News https://www.nsnews.com/local-news/ironworkers-bridge-sees-start-of-two-year-maintenance-project-3462200, Ironworkers bridge sees start of two-year maintenance project, February 26, 2021

John Harvey Kellogg photo
Lewis Black photo