Quotes about vision
page 6

“We are here today, not so much as to launch a political party but more so and more importantly we are here today to project a vision that will inspire hope.”

Epeli Ganilau (1951) Fijian politician

Excerpts from a speech at the launch of the NAP, 8 April 2005

Robert Jordan photo

“Anger narrowed the vision and made for foolish choices.”

Robert Jordan (1948–2007) American writer

Source: (January 2004), Chapter 1: The Hook. p. 8

Orison Swett Marden photo
Frederick Douglass photo

“To make a contented slave it is necessary to make a thoughtless one. It is necessary to darken the moral and mental vision and, as far as possible, to annihilate the power of reason.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 10

Alexej von Jawlensky photo

“I am now mainly painting faces and landscapes; I am obsessed day and night by the vision of faces and colours. And the spiritual vision is my mystical world.”

Alexej von Jawlensky (1864–1941) Russian painter

Quote of Jawlensky from a letter to his brother Dimitri, c. 1917/18; as cited in Alexej von Jawlensky, Museum Boymans-van-Beuningen, Rotterdam; exhibition catalog 25/9 – 27/11-1994, p. 150
1900 - 1935

Mukesh Ambani photo
William Paley photo
Vitruvius photo
Max Beckmann photo

“I have never, God or whatever knows, prostrated myself to be famous, but I would meander through all the sewers of the world, through all degradation and humiliations, in order to paint. I have to do this. Until the last drop every vision that exists in my being must be purged; then it will be a pleasure for me to be rid of this damned torture”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 5
1900s - 1920s

Percy Bysshe Shelley photo
Bob Dylan photo

“Visions of your chestnut mare shoot through my head and are makin' me see stars.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blood on the Tracks (1975), Idiot Wind

Mike Oldfield photo
Mark Satin photo
Naum Gabo photo
Carl Sagan photo

“As the ancient myth makers knew we're children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage, propensities for aggression and ritual, submission to leaders, hostility to outsiders, all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children, a desire to learn from history and experience and a great soaring passionate intelligence, the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the Cosmos an inescapable perspective awaits.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

6 min 10 sec
Cosmos: A Personal Voyage (1990 Update), Who Speaks for Earth? [Episode 13]
Context: Unlike the La Pérouse expedition the Conquistadors sought not knowledge but Gold. They used their superior weapons to loot and murder, in their madness they obliterated a civilisation. In the name of piety, in a mockery of their religion, the Spaniards utterly destroyed a society with an Art, Astronomy and Architecture the equal of anything in Europe. We revile the Conquistadors for their cruelty and shortsightedness, for choosing death. We admire La Pérouse and the Tlingit for their courage and wisdom, for choosing life. The choice is with us still, but the civilisation now in jeopardy is all humanity. As the ancient myth makers knew we're children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage, propensities for aggression and ritual, submission to leaders, hostility to outsiders, all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children, a desire to learn from history and experience and a great soaring passionate intelligence, the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the Cosmos an inescapable perspective awaits. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national identifications are a little difficult to support when we see our Earth as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and the citadel of the stars. There are not yet obvious signs of extraterrestrial intelligence and this makes us wonder whether civilisations like ours rush inevitably headlong into self-destruction.

Upton Sinclair photo
Karl Mannheim photo
Umberto Eco photo
George W. Bush photo
Robert Skidelsky photo
John Lancaster Spalding photo

“Vision is a process that produces from images of the external world a description that is useful to the viewer and not cluttered with irrelevant information.”

David Marr (1945–1980) British neuroscientist and psychologist

as cited in Steven Yantis (2001) Visual Perception: Essential Readings, p. 117.
Vision, 1982

Archibald Hill photo

“All knowledge, not only that of the natural world, can be used for evil as well as good: and in all ages there continue to be people who think that its fruit should be forbidden. Does the future wlfare, therefore, of mankind depend of a refusal of science and a more intensive study of the Sermon on the Mount? There are others who hold the contray opinion, that more and more of science and its applications alone can bring prosperity and happiness to men. Both of these extremes views seem to me entirely wrong - though the second is the more perilous as more likely to be commonly accepted. The so-called conflict between science and religion is usually about words, too often the words of their unbalanced advocates: the reality lies somewhere in between. "Completeness and dignity", to use Tyndall's phrase, are brought to man by three main channels, first by the religiouos sentiment and its embodiment of ethical principles, secondly by the influence of what is beautiful in nature, human personality, or art, and thirdly, by the pursuit of scientific truth and its resolute use in improving human life. Some suppose that religion and beauty are incompatible: others, that the aesthetic has no relation to the scientific sense: both seem to me just as mistaken as those who hold that the scientific and the religious spirit are necessarily opposed. Co-operation is required, not conflict: for science can be used to express and apply the principles of ethics, and those principles themselves can guide the behaviour of scientific men: while the appreciation of what is good and beautiful can provide to both a vision of encouragement. Is there really then any special ethical dilemma which we scientific men, as distinct from other people, have to meet? I think not: unless it be to convince ourselves humbly that we are just like others in having moral issues to face. It is true that integrity of thought is the absolute condition of oour work, and that judgments of value must never be allowed to deflect our judgements of fact. But in this we are not unique. It is true that scientific research has opened up the possibility of unprecedented good, or unlimited harm, for manking: but the use is made of it depends in the end on the moral judgments of the whole community of men. It is totally impossible noew to reverse the process of discovery: it will certainly go on. To help to guide its use aright is not a scientific dilemma, but the honourable and compelling duty of a good citizen.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma Of Science, Hill, 1960. The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false. Rockefeller Univ. Press, pp. 88-89

Enoch Powell photo

“Make no mistake, the real power resides not where present authority is exercised but where it is expected that authority will in future be exercised. The magnetic attraction of power is exercised by the prospect long before the reality is achieved; and the trek towards the rising sun, which is already in progress in 1972, would swell to an exodus before long. What do you imagine is the reason why Roy Jenkins is prepared to resign the front bench and divide his party in the endeavour to give a Conservative Prime Minister a majority in the House of Commons? The motive is not ignoble or discreditable—I am not asserting that—but it is a motive which it behoves people in Britain well to understand. It is the ambition to exercise his talents on the stage of Europe and to participate in taking decisions not for Britain here at home but for Europe in Brussels, Paris, Luxembourg or wherever else the imperial pavilions may be pitched. He does not, I assure you, forsee his future triumphs and achievements where his predecessors have seen them in the past – at the despatch box in the House of Commons or in the Cabinet room at Downing St. These are not good enough: the vision splendid beckons elsewhere.”

Enoch Powell (1912–1998) British politician

Speech at Millom, Cumberland (29 April 1972), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), p. 42. Jenkins had resigned from the Shadow Cabinet and as deputy leader of the Labour Party due to Labour's opposition to British entry into the EEC. Jenkins wrote to Powell to claim what he said was "totally untrue". Four years later Jenkins would leave front line British politics to become President of the European Commission.
1970s

Harry Truman photo
Philippe Starck photo
George Eliot photo
Bill Moyers photo
Mohammad Reza Pahlavi photo
Marcus Orelias photo

“As influences faces growth, some will want my buzz cut. Growing bolder in my vision but I often feel stuck.”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Portraits
20s A Difficult Age (2017)

H. G. Wells photo
Arthur O'Shaughnessy photo
Gwen John photo
Robert Charles Wilson photo
Richard Rumelt photo

“Marriage is the last sacrament available to modern man, and with the terrible destruction of interpersonal relations by capitalism and its war-making State, it is not very available, nor is it surely enduring. But then, vision does not come with guarantees.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

"World War II" http://www.bopsecrets.org/rexroth/autobio/6.htm
An Autobiographical Novel (1991)

Marc Chagall photo

“.. In spite of everything, there is still no more wonderful vocation than to continue to tolerate events and to work on in the name of our mission, in the name of that spirit which lives on in our teaching and in our vision of humanity and art, the spirit which can lead us Jews down the true and just path. But along the way, peoples will spill our blood, and that of others.”

Marc Chagall (1887–1985) French artist and painter

In the last lines of his lecture at the Congress of the Jewish Scientific Institute Vilnius, in 1935, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 58
after 1930

Joanna Newsom photo
Edward Hopper photo

“The only quality that endures in art is a personal vision of the world. Methods are transient: personality is enduring.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: 'statement by the Chairman of the Jury', Corcoran Gallery of Art, Washington D.C. 1951, p. 7

Jacques Ellul photo
John P. Kotter photo

“Without conviction that you can make change happen, you will not act, even if you see the vision. Your feelings will hold you back.”

John P. Kotter (1947) author of The heart of Change

Step 5, p. 115
The Heart of Change, (2002)

Agatha Christie photo
Umberto Boccioni photo
Mark Satin photo
Daniel Buren photo
Abraham Joshua Heschel photo
Letitia Elizabeth Landon photo
Martin Luther King, Jr. photo
Dorothy Parker photo

“Dotty had
Great Big
Visions of
Quietude.
Dotty saw an
Ad, and it
Left her
Flat.
Dotty had a
Great Big
Snifter of
Cyanide.
And that (said Dotty)
Is that.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

"When We Were Very Sore (Lines on Discovering That You Have Been Advertised as America's A. A. Milne)", first printed in New York World (10 March 1927) p. 15; based on A. A. Milne's "Happiness"
Not Much Fun: The Lost Poems of Dorothy Parker (1996)

Pete Seeger photo
Jerzy Vetulani photo

“Freud is completely unscientific. It's a cross between vision, poetry and deceit.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (11 May 2012): Neurobiologia i religia https://www.youtube.com/watch?v=Hn559bvUzRE, lecture. Copernicus Center for Interdisciplinary Studies (in Polish).

Maurice Glasman, Baron Glasman photo
Golda Meir photo

“Professor S. A. A. Rizvi gives some graphic details of this dream described by Shah Waliullah himself in his Fuyûd al-Harmayn which he wrote soon after his return to Indian in 1732: “In the same vision he saw that the king of the kafirs had seized Muslim towns, plundered their wealth and enslaved their children. Earlier the king had introduced infidelity amongst the faithful and banished Islamic practices. Such a situation infuriated Allah and made Him angry with His creatures. The Shah then witnessed the expression of His fury in the mala’ala (a realm where objects and events are shaped before appearing on earth) which in turn gave rise to Shah’s own wrath. Then the Shah found himself amongst a gathering of racial groups such as Turks, Uzbeks and Arabs, some riding camels, others horses. They seemed to him very like pilgrims in the Arafat. The Shah’s temper exasperated the pilgrims who began to question him about the nature of the divine command. This was the point, he answered, from which all worldly organizations would begin to disintegrate and revert to anarchy. When asked how long such a situation would last, Shah Wali-Allah’s reply was until Allah’s anger had subsided… Shah Wali-Allah and the pilgrims then travelled from town to town slaughtering the infidels. Ultimately they reached Ajmer, slaughtered the nonbelievers there, liberated the town and imprisoned the infidel king. Then the Shah saw the infidel king with the Muslim army, led by its king, who then ordered that the infidel monarch be killed. The bloody slaughter prompted the Shah to say that divine mercy was on the side of the Muslims.””

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

S.A.A. Rizvi, Shah Wali-Allah and His Times, Canberra. 1980, p.218. Quoted from Goel, Sita Ram (1995). Muslim separatism: Causes and consequences. ISBN 9788185990262

Ron White photo

“Golden hours of vision come to us in this present life, when we are at our best, and our faculties work together in harmony.”

Charles Fletcher Dole (1845–1927) Unitarian minister, speaker, and writer

The Hope of Immortality (Ingersoll Lecture, 1906).

Robert Crumb photo
Emma Goldman photo

“The indvidual whose vision encompasses the whole world feels nowhere so hedged in as and out of touch with his surroundings as in his native land.”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

As quoted in [Robert Andrews, The New Penguin Dictionary of Modern Quotations, https://books.google.com/books?id=VK0vR4fsaigC&pg=PT657, 30 October 2003, Penguin Books Limited, 978-0-14-196531-4, 657]
The Individual, Society and the State (1940)

“this vision cannot be of a single mind – a single concept, it is a small tooth in the gear of man..
.. which to each man, one at a time, offers a marvel of close communion”

David Smith (1906–1965) American visual artist (1906-1965)

1940s, The Question – What is your Hope' (c. 1940s)

Georges Rouault photo
Samuel R. Delany photo
Thomas Wolfe photo
Nayef Al-Rodhan photo
Seymour Papert photo
Cesar Chavez photo

“The neurotic has perfect vision in one eye, but he cannot remember which.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Jacob Bronowski photo
Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

Yasser Arafat photo
John Ruysbroeck photo
Stowe Boyd photo

“Forget the visions of sanctioned leisure: the view from the deck in St. Moritz, the wafer-thin TV. Consider the price.”

Mark Slouka (1958) author

Quitting the paint factory: On the virtues of idleness

Sri Aurobindo photo
Dietrich Bonhoeffer photo
George W. Bush photo
Nicholas Serota photo
Henry Taylor photo

“An unreflected light did never yet
Dazzle the vision feminine.”

Henry Taylor (1800–1886) English playwright and poet

Act I, sc. 5.
Philip van Artevelde (1834)

Ela Bhatt photo

“Injustice happens at many levels, from the grass roots to the top. And one of the keys of SEWA’s vision and action is linking them.”

Ela Bhatt (1933) founder of the Self-Employed Women's Association of India (SEWA)

Discussion with Ela Bhatt, Founder, Self-Employed Women's Association (SEWA)

Sarvepalli Radhakrishnan photo
Alexander Maclaren photo

“The vision of the Divine presence ever takes the form which our circumstances most require.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.

Helmut Schmidt photo

“Whoever has visions should go to the doctor.”

Helmut Schmidt (1918–2015) Chancellor of West Germany 1974-1982

from Schmidt confirmed in a letter from the 26. February 2009 to the Student Council Social Sciences St.-Ursula-Gymnasium Attendorn http://sowi.st-ursula-attendorn.de/tp/tpsmid01.htm.

Marshall McLuhan photo

“Rabelais offers a vision of the future of print culture as a consumer's paradise of applied knowledge.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 167

“When I first made a grid I happened to be thinking of the innocence of trees and then this grid came into my mind and I thought it represented innocence, and I still do, and so I painted it and then I was satisfied. I thought, this is my vision.”

Agnes Martin (1912–2004) American artist

interview by Suzan Campbell, May 15, 1989; transcript in 'Archives of American Art', The Smithsonian Institution, Washington, D.C.
One of her first grid paintings she made in New York in 1964, it was [ https://www.moma.org/collection/works/78361 titled 'The Tree']. Martin often described this painting as her first grid. In fact, she had been making them since at least the beginning of 1960's
1980 - 2000