Quotes about verse
page 3

Ken Ham photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
William Dean Howells photo

“Every man's Free verse is different”

Edward Storer (1880–1944) British writer

Form in Free Verse ,New Republic March 1916

Théophile Gautier photo

“Such in the Landes of our world is the poet's stance;
When he receives no wound, his treasure he'll retain.
With such deep cut mankind his heart must also lance,
To make him spill his verse, his gold tears' gushing rain!”

Le poète est ainsi dans les Landes du monde.
Lorsqu'il est sans blessure, il garde son trésor.
Il faut qu'il ait au cœur une entaille profonde
Pour épancher ses vers, divines larmes d'or!
"Le Pin des Landes", line 13, in Poésies Complètes (Paris: Charpentier, 1845) p. 323; Miroslav John Hanak (ed.) Romantic Poetry on the European Continent (Washington: University Press of America, 1983) vol. 1, p. 415.

“The basic line in any good verse is cadenced… building it around the natural breath structures of speech.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Rothenberg and Antin interview (1958)

Philip Sidney photo

“None knows the reason why this curse
Was sent on him, this love of making verse.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Satires, Epistles, and Art of Poetry of Horace (1869), Art of Poetry, p. 191

Arnaut Daniel photo

“First of them all was Arnaut Daniel,
Master in love; and he his native land
Honors with the strange beauty of his verse.”

Arnaut Daniel (1150–1210) Occitan troubadour

Fra tutti il primo Arnaldo Danïello
Gran maestro d'amor; ch'a la sua terra
Ancor fa onor col suo dir strano e bello.
Petrarch Il Trionfo d'Amore, capitolo IV, line 40; uncredited translation from petrarch.petersadlon.com http://petrarch.petersadlon.com/read_trionfi.html?page=I-IV.en
Criticism

Dana Gioia photo
Muhammad photo
Sarah Kofman photo

“Dialectics and reflection play the same role for the philosopher as does verse for the poet.”

Sarah Kofman (1934–1994) philosopher from France

Source: Nietzsche et la métaphore (1972), p. 13

Marianne Moore photo

“I look upon verse as an exercise in composition.”

Marianne Moore (1887–1972) American poet and writer

Authors of 1951 Speaking for Themselves NY Herald Tribue 7 Oct 1951
Prose

Halldór Laxness photo

“People who like to display complicated technique in their verse are more given to pride themselves on their work than are those who write for their own solace.”

Halldór Laxness (1902–1998) Icelandic author

Einar in "Shepherds' Meet"
Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers

Molière photo

“I always make the first verse well, but I have trouble making the others.”

Molière (1622–1673) French playwright and actor

Je fais toujours bien le premier vers: mais j'ai peine à faire les autres.
'Les Précieuses Ridicules (1659), Act I, sc. xi

Hugo Ball photo
Jean de La Bruyère photo
Ja'far al-Sadiq photo
Arnaut Daniel photo

“"O brother," said he, "He who is singled by
My finger (he pointed to a spirit in front)
Wrought better in the mother-tongue than I.
Whether in verses of love or prose romaunt
He surpassed all; and let the fools contend
Who make him of Limoges of more account.”

Arnaut Daniel (1150–1210) Occitan troubadour

"O frate," disse, "chesti qu'io ti cerno
col ditto," e additò un spirto innanzi,
"fu miglior fabbro del parlar materno.
Versi d'amore e prose di romanzi
soverchiò tutti; e lascia dir li stolti
che quel di Lemosì credon ch'avanzi.
Dante Purgatorio, canto 26, line 115; translation by Laurence Binyon, in Dante's Purgatorio (1938) p. 309.
Criticism

Giosuè Carducci photo
Marshall McLuhan photo

“Marlowe anticipated Whitman's barbaric yawp by setting up a national PA system of blank verse – a rising iambic system of sound to suit the new success story.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 223

Marcus Tullius Cicero photo

“Must I not here express my wonder that any one should exist who persuades himself that there are certain solid and indivisible particles carried along by their own impulse and weight, and that a universe so beautiful and so admirably arrayed is formed from the accidental concourse of those particles? I do not understand why the man who supposes that to have been possible should not also think that if a countless number of the forms of the one and twenty letters, whether in gold or any other material, were to be thrown somewhere, it would be possible, when they had been shaken out upon the ground, for the annals of Ennius to result from them so as to be able to be read consecutively,—a miracle of chance which I incline to think would be impossible even in the case of a single verse.”
Hic ego non mirer esse quemquam, qui sibi persuadeat corpora quaedam solida atque individua vi et gravitate ferri mundumque effici ornatissimum et pulcherrimum ex eorum corporum concursione fortuita? Hoc qui existimat fieri potuisse, non intellego, cur non idem putet, si innumerabiles unius et viginti formae litterarum vel aureae vel qualeslibet aliquo coiciantur, posse ex is in terram excussis annales Enni, ut deinceps legi possint, effici; quod nescio an ne in uno quidem versu possit tantum valere fortuna.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 37
De Natura Deorum – On the Nature of the Gods (45 BC)

“The point is that any piece of Impressionism, whether it be prose, verse or painting, or sculpture, is the record of the impression.”

F. S. Flint (1885–1960) English Imagist poet

German Chronicle, Poetry & Drama, vol. II, 1914

“In Rome much pamphleteering took the form of verses and songs, circulated orally, or of libelli, defamatory placards or broadsheets”

Moses I. Finley (1912–1986) American historian

whence our word "libel"
Source: Democracy Ancient And Modern (Second Edition) (1985), Chapter 5, Censorship in Classical Antiquity, p. 150

Charles Krauthammer photo
Orson Welles photo

“Just breathe at the end of the line or on the punctuation. If you lose that, and lose the iambic pentameter, you'll lose all the sense of what you're saying. And if you do breathe, you'll find that Shakespeare's verse is like a surfboard.”

Orson Welles (1915–1985) American actor, director, writer and producer

Keith Baxter interviewed by Geoff Andrew for the British Film Institute (on the only piece of direction Welles ever gave him) https://www.youtube.com/watch?v=qON_f32HQDk

Kent Hovind photo
Gavin Douglas photo

“Gavin Douglas, set on a particular labour, with his mind full of Latin quantitative metre, attains a robuster versification than you are likely to find in Chaucer…the texture of Gavin's verse is stronger, the resilience greater.”

Gavin Douglas (1474–1522) Scottish Churchman, Scholar, Poet

Ezra Pound, ABC of Reading (New Haven: Yale University Press, 1934), p. 103.
About

William Morris photo
Martin Luther King, Jr. photo
Torquato Tasso photo

“O heavenly Muse, that not with fading bays
Deckest thy brow by the Heliconian spring,
But sittest crowned with stars' immortal rays
In Heaven, where legions of bright angels sing;
Inspire life in my wit, my thoughts upraise,
My verse ennoble, and forgive the thing,
If fictions light I mix with truth divine,
And fill these lines with other praise than thine.”

Torquato Tasso (1544–1595) Italian poet

O Musa, tu, che di caduchi allori
Non circondi la fronte in Elicona,
Ma su nel Cielo infra i beati cori
Hai di stelle immortali aurea corona;
Tu spira al petto mio celesti ardori,
Tu rischiara il mio canto, e tu perdona
S'intesso fregj al ver, s'adorno in parte
D'altri diletti, che de' tuoi le carte.
Canto I, stanza 2 (tr. Edward Fairfax)
Gerusalemme Liberata (1581)

John Erskine photo
Báb photo
Sueton photo

“That he had love-affairs in the provinces, too, is suggested by another of the ribald verses sung during the Gallic triumph:
Home we bring our bald whoremonger;
Romans, lock your wives away!
All the bags of gold you lent him
Went his Gallic tarts to pay.”

Ne provincialibus quidem matrimoniis abstinuisse vel hoc disticho apparet iactato aeque a militibus per Gallicum triumphum:<br/>"Urbani, servate uxores: moechum calvom adducimus.<br/>Aurum in Gallia effutuisti, hic sumpsisti mutuum."

Ne provincialibus quidem matrimoniis abstinuisse vel hoc disticho apparet iactato aeque a militibus per Gallicum triumphum:
"Urbani, servate uxores: moechum calvom adducimus.
Aurum in Gallia effutuisti, hic sumpsisti mutuum."
Source: The Twelve Caesars, Julius Caesar, Ch. 51

Algernon Charles Swinburne photo

“Rhyme is the native condition of lyric verse in English; a rhymeless lyric is a maimed thing.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Essays and Studies (1875), p. 162.

Samuel Taylor Coleridge photo
Francesco Petrarca photo

“There is nothing in the world that cannot be done by verses.”

Nulla al mondo è che non possano i versi.
Canzone 239, st. 5
Il Canzoniere (c. 1351–1353), To Laura in Life

Samuel Johnson photo

“He that thinks himself capable of astonishing may write blank verse: but those that hope only to please must condescend to rhyme.”

Samuel Johnson (1709–1784) English writer

The Life of Milton
Lives of the English Poets (1779–81)

Jorge Luis Borges photo

“If the pages of this book contain some successful verse, the reader must excuse me the discourtesy of having usurped it first. Our nothingness differs little; it is a trivial and chance circumstance that you should be the reader of these exercises and I their author.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"To the Reader" ["A quien leyere"], preface to Fervor of Buenos Aires [Fervor de Buenos Aires] (1923)

Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Amir Taheri photo

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014).
New York Post

Gerard Manley Hopkins photo

“Take breath and read it with the ears, as I always wish to be read, and my verse becomes all right.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (25 October 1879 )
Letters, etc

Florbela Espanca photo

“I dream I am the chosen Poet,
Who knows all there is to know on Earth,
The one whose inspiration’s pure and perfect,
And captures infinity in a verse!I dream a verse of mine has all the brightness
To light the whole world! And it will please
Even those who long and die of sadness!
And even wise, unhappy souls it will appease.”

Florbela Espanca (1894–1930) Portuguese poet

Sonho que sou a Poetisa eleita,
Aquela que diz tudo e tudo sabe,
Que tem a inspiração pura e perfeita,
Que reúne num verso a imensidade!<p>Sonho que um verso meu tem claridade
Para encher todo o mundo! E que deleita
Mesmo aqueles que morrem de saudade!
Mesmo os de alma profunda e insatisfeita!
Quoted in Trocando olhares (1994), p. 131
Translated by John D. Godinho
Book of Sorrows (1919), "Vaidade"

Taliesin photo
Robert Louis Stevenson photo
Théophile Gautier photo

“Yes, the work comes out more fair,
From a form that rebels against
Handling,
Verse, marble, onyx, enamel.”

Théophile Gautier (1811–1872) French writer

Oui, l'œuvre sort plus belle
D'une forme au travail
Rebelle,
Vers, marbre, onyx, émail.
"L'Art", line 1, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) p. 130; Earl Jeffrey Richards (ed.) Christine de Pizan and Medieval French Lyric (Gainesville: University Press of Florida, 1998) p. 32.

Dana Gioia photo
Amy Lowell photo
John Dos Passos photo
Henry Adams photo
Ausonius photo

“Blank verse really deserving the name I believe to be impossible except to one or two eminent writers in a generation.”

John Conington (1825–1869) British classical scholar

Preface to The Aeneid of Virgil (1866), p. ix

“Despise me not
And not be queasy
To praise somewhat
Verse is not easy”

J. V. Cunningham (1911–1985) American writer

'For my Contemporaries' from - The Helmsman 1942
Epigrams

Ausonius photo

“I've never written for a fasting man;
A taste of wine is good before my verse.
But sleep is better than a little wine,
For when sleeping one thinks my songs are dreams.”

Jejunis nil scribo: meum post pocula si quis<br/>legerit, hic sapiet.<br/>Sed magis hic sapiet, si dormiet: et putet ista<br/>somnia missa sibi.

Ausonius (310–395) poet

Jejunis nil scribo: meum post pocula si quis
legerit, hic sapiet.
Sed magis hic sapiet, si dormiet: et putet ista
somnia missa sibi.
"De Bissula", line 13; translation from Harold Isbell (trans.) The Last Poets of Imperial Rome (1971) p. 48.

Edward Andrade photo

“Come, take hands, you are not such
As this will weary overmuch.
Sit we down, and hear rehearse
The marvels of the sweet-souled verse”

Edward Andrade (1887–1971) English physicist

Poem With a copy of "The Faithful Shepherdess"

Kent Hovind photo

“In Daniel 7, Daniel had a vision where “the four winds of the heavens strove upon the great sea. And four beasts came up from the sea, diverse one from another” (vv. 2-3). In the vision, Daniel saw a lion with eagle’s wings, a bear with three ribs in its mouth, a leopard with four wings, and a terrible beast with iron teeth and ten horns (v. 7). Bible scholars have speculated on the meaning of this passage for centuries. Some think the four beasts in this chapter represent a rehash of the first four empires from Babylon to the Roman Empire; while others think it is all yet in the future. I’m no scholar but here is my opinion: I (and many Bible scholars) think the four beasts are four world powers that will “strive” for world power (domination?) at the end of time before the one with ten horns finally becomes dominant. I think the four beasts are interpreted as follows: The lion sometimes standing like a man with eagle’s wings (v. 4) represents England (whose symbol as always been the lion) and America (whose symbol is the eagle) united, as one of four major end-time powers. The eagle’s wings “were plucked” and “it was lifted up from the earth, and made to stand upon the feet as a man, and a man’s heart was given to it” (v. 4). My best guess is that America will soon cease to be a world power (wings plucked) but there will still be enough of a godly influence that the English/American alliance will have some “heart” or compassion and maybe even be able to finally “take a stand” for God in the wicked world. I think the bear (v. 5) is Russia (whose symbol is the bear) and the three ribs in its mouth represent three countries it has dominated or “eaten,” such as Latvia, Lithuania, and Estonia, or perhaps Ukraine, Belarus, and Georgia. The leopard with four wings (v. 6) could be some sort of oriental alliance between China, Japan, Korea, and a Southeast Asia alliance (Vietnam, Laos, Cambodia, Indonesia, Malaysia, India, etc.). Verse 6 says, “dominion was given to it.” Many certainly feel that China is soon to be the major economic (and military) power in the world. If they could get a military or economic alliance with some of the other oriental nations mentioned, they would indeed be a force to be reckoned with! No animal is named for the fourth beast. It is only described as being dreadful, terrible, strong exceedingly, having great iron teeth, different from all other beasts and having ten horns. As I said earlier there are three options from what I can see for this beast. It is either (A) the European Common Market or a future similar alliance; or (B) 10 world regions and (C) some sort of alliance of Muslim nations around the Middle East or the world. I tend to go with option (C)”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 94-95

David D. Friedman photo
Herbert Marcuse photo
Sueton photo

“A few months before the murder [of Domitian] a raven perched on the Capitol and croaked out the words: "All will be well!" – a portent which some wag explained in the following verse:
There was a raven, strange to tell,
Perched upon Jove's own gable, whence
He tried to tell us "All is well!" –
But had to use the future tense.”

Ante paucos quam occideretur menses cornix in Capitolino elocuta est: εσται πάντα καλως, nec defuit qui ostentum sic interpretaretur: <br/>Nuper Tarpeio quae sedit culmine cornix, <br/>"Est bene" non potuit dicere, dixit: "Erit."

Ante paucos quam occideretur menses cornix in Capitolino elocuta est: εσται πάντα καλως, nec defuit qui ostentum sic interpretaretur:
Nuper Tarpeio quae sedit culmine cornix,
"Est bene" non potuit dicere, dixit: "Erit."
Source: The Twelve Caesars, Domitian, Ch. 23

Halldór Laxness photo
Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Marianne Moore photo

“I tend to write in patterned arrangement with rhymes.. I try to secure an effect of flowing continuity and the correspondence between verse and music.”

Marianne Moore (1887–1972) American poet and writer

Oxford Anthology of American Literature 1938
Prose

John Dalberg-Acton, 1st Baron Acton photo
John of St. Samson photo
Alfred Austin photo

“No verse which is unmusical or obscure can be regarded as poetry whatever other qualities it may possess.”

Alfred Austin (1835–1913) British writer and poet

Prose Papers on Poetry (1910)

Euripidés photo
John Stuart Mill photo
Stephen Baxter photo
Richard Dawkins photo

“Haven't read Koran so couldn't quote chapter & verse like I can for Bible. But often say Islam greatest force for evil today”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

https://twitter.com/RichardDawkins/status/307369895031603200 (28 February 2013)
Twitter

Stanisław Lem photo
Thomas Carlyle photo

“At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Muhammad bin Tughluq photo

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

Thomas Gray photo
Eliza Acton photo
Doug Dorst photo
Arthur Ponsonby photo
Ismail ibn Musa Menk photo

“We all have examinations in life, different types of examinations. And each one has to try very hard. As you know, in a set up where there is a school, or a university, at the end of every semester, trimester or term, you would have some examinations, in order to qualify you to get to the next level. And as you progress in life, the examinations become more and more difficult. And you would know that without working, we don't achieve. We know the common saying, "Whoever works very hard will definitely see the fruit of that particular working." So just like we have people who fail because they did not work hard, or they did not understand that the examination would become more and more difficult as time passes, we also have an issue with the Dīn where, as we progress in life, we will have more and more tests, and they become more and more difficult until we meet with Allah subhanahu wa ta'ala. And this is why the Prophet S. A. W. was told "Worship your Rabb [Lord] until death overtakes you. Worship your Rabb until the end. Right up to the end. Keep on worshiping. Continue. Do not stop, do not pause, do not lose hope. In fact, progress and become stronger and stronger." If you take a look at some of the other verses of the Quran, Allah subhanahu wa ta'ala makes mention of Muhammad sallā llāhu 'alay-hi wa-sallam delivering the message. It was not easy. And it was difficult, he faced so many challenges. He continued, and he persevered. Twenty three whole years of nubuwwah. And Allah subhanahu wa ta'ala says, when you have, Subhan Allah! Subhan Allah! You know, the achievement that Allah subhanahu wa ta'ala granted him, Allah subhanahu wa ta'ala will grant each person achievement according to his will obviously but also connected to the effort that that particular person makes. If we were to give up suddenly, we would never be able to achieve even Jannah. […] So it's important for us to know that to give up… you don't know how close you are to the end! Imagine a person digging a tunnel, for example, and right when they are near the end they suddenly give up thinking that you know what, I don't know how long this is going to carry on for. Had they carried on for a minute longer they would have broken through! So with us we need to continue, fulfill your Salah, progress, develop. Don't think for a moment that life is going to become any easier. The only thing that will happen is, with the development of the link with Allah subhanahu wa ta'ala, we become more content, we understand the nature of the world. We understand the nature of the tests of Allah subhanahu wa ta'ala, so we enjoy going through them in the sense that we are content. We are happy with the decree of Allah subhanahu wa ta'ala. So my brothers and sisters, not only do I say work hard to achieve here in the Dunyā”

Ismail ibn Musa Menk (1975) Muslim cleric and Grand Mufti of Zimbabwe.

and may Allah bless you and grant you success in these examinations – but even in the Akhirah we ask Allah to bless you, to open your doors. To prepare for the Akhirah, it's not an easy task, but with the hope in the mercy of Allah subhanahu wa ta'ala things will be made easy, and at the same time, with the constant preparation, without giving up hope – never ever giving up, never saying no, never just throwing the towel – by the will of Allah subhanahu wa ta'ala we will achieve, and we will achieve great heights.
"Exams in Life - Never Give Up - Mufti Menk" https://www.youtube.com/watch?v=k4w4pak66V0, YouTube (2013)
Lectures

Ibn Warraq photo
David Lindsay photo
Jonathan Edwards photo
Báb photo
Marjorie Boulton photo
John Dryden photo

“I am reading Jonson's verses to the memory of Shakespeare; an insolent, sparing, and invidious panegyric…”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

On "To the Memory of my Beloved, the Author, Mr. William Shakespeare: and what he hath left us” by Ben Jonson, in Discourses on Satire and Epic Poetry (1692 - 1697) http://www.gutenberg.org/etext/2615

Richard Dawkins photo

“The absolute morality that a religious person might profess would include what, stoning people for adultery, death for apostasy, punishment for breaking the Sabbath. These are all things which are religiously based absolute moralities. I don’t think I want an absolute morality. I think I want a morality that is thought out, reasoned, argued, discussed and based upon, I’d almost say, intelligent design [pun intended]. Can we not design our society, which has the sort of morality, the sort of society that we want to live in – if you actually look at the moralities that are accepted among modern people, among 21st century people, we don’t believe in slavery anymore. We believe in equality of women. We believe in being gentle. We believe in being kind to animals. These are all things which are entirely recent. They have very little basis in Biblical or Quranic scripture. They are things that have developed over historical time through a consensus of reasoning, of sober discussion, argument, legal theory, political and moral philosophy. These do not come from religion. To the extent that you can find the good bits in religious scriptures, you have to cherry pick. You search your way through the Bible or the Quran and you find the occasional verse that is an acceptable profession of morality and you say, ‘Look at that. That’s religion,’ and you leave out all the horrible bits and you say, ‘Oh, we don’t believe that anymore. We’ve grown out of that.’ Well, of course we’ve grown out it. We’ve grown out of it because of secular moral philosophy and rational discussion.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Richard Dawkins-George Pell Q&A (2012)

W. H. Auden photo
John Updike photo

“But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

On T. S. Eliot (1984) by Peter Ackroyd, in which the Eliot estate forbade quotation from Eliot’s books and letters, The New Yorker (25 March 1985)

Kent Hovind photo
A.E. Housman photo
Alasdair Gray photo