“There is a natural physiological tendency to pronounce in one breath successive groups of rhythmic feet, and the rhythmic content in the average length of breathing can only be called a verse.”

Contemporary French Poetry, The Poetry Review, 1914

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F. S. Flint12

English Imagist poet 1885–1960

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Rothenberg and Antin interview (1958)

“Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…”

George C. Wolfe (1954) American playwright

On a dramatic work having its own energy in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)

“To impact someone emotionally, [a musical piece] has to contain "interesting" melodic, harmonic, or rhythmic content, and what defines "interesting" is up to the listener.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

“Most poetry involves rhythmically structured or patterned language, avoiding what might be called 'a singing line.”

Jan Zwicky (1955) Canadian philosopher

The Details interview with Jay Ruzesky (Winter 2008)

“[Beauty is] "Perfection of rhythm, balanced perfection of rhythm. Everything in Nature is expressed by rhythmic waves of light. Every thought and action is a light-wave of thought and action. If one interprets the God within one, one’s thoughts and actions must be balanced rhythmic waves. Ugliness, fears, failures and diseases arise from unbalanced thoughts and actions. Therefore think beauty always if one desire vitality of body and happiness."”

Walter Russell (1871–1963) American philosopher

The Man who Tapped the Secrets of the Universe

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014 <br class="br">Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected <br class="br">1910 - 1915

“In the dark I hear the night birds call
I can feel a lover's breath
I sleep in the kitchen with my feet in the hall
Sleep is like a temporary death”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Modern Times (2006), Workingman's Blues #2

“Many a bard's untimely death
Lends unto his verses breath”

Edna St. Vincent Millay (1892–1950) American poet

"To a Poet Who Died Young" in Second April‎ (1921), p. 52
Context: Many a bard's untimely death
Lends unto his verses breath;
Here's a song was never sung:
Growing old is dying young.

“All the constructions of this first phase of the youth of the group bear witness to its constant characteristics. The epic imagination is a proof of its esemplastic power. Everything is formal, inventive and arithmetical, therefore rhythmic.”

Albert Gleizes (1881–1953) French painter

after 1920, The Epic, From immobile form to mobile form (1925)

“Nature is ever at work building and pulling down, creating and destroying, keeping everything whirling and flowing, allowing no rest but in rhythmical motion, chasing everything in endless song out of one beautiful form into another.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 3: The Yosemite National Park

“There is a natural physiological tendency to pronounce in one breath successive groups of rhythmic feet, and the rhythmic content in the average length of breathing can only be called a verse.”

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F. S. Flint12

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