Quotes about vaulting
A collection of quotes on the topic of vault, vaulting, greatness, use.
Quotes about vaulting

from fr. 17
Variant translations:
But come! but hear my words! For knowledge gained/Makes strong thy soul. For as before I spake/Naming the utter goal of these my words/I will report a twofold truth. Now grows/The One from Many into being, now/Even from one disparting come the Many--/Fire, Water, Earth, and awful heights of Air;/And shut from them apart, the deadly Strife/In equipoise, and Love within their midst/In all her being in length and breadth the same/Behold her now with mind, and sit not there/With eyes astonished, for 'tis she inborn/Abides established in the limbs of men/Through her they cherish thoughts of love, through her/Perfect the works of concord, calling her/By name Delight, or Aphrodite clear.
tr. William E. Leonard
On Nature
Context: But come, hear my words, since indeed learning improves the spirit. Now as I said before, setting out the bounds of my words, I shall speak twice over. As upon a time One came to be alone out of many, so at another time it divided to be many out of One: fire and water and earth and the limitless vault of air, and wretched Strife apart from these, in equal measure to everything, and Love among them, equal in length and breadth. Consider [Love] in mind, you, and don't sit there with eyes glazing over. It is a thing considered inborn in mortals, to their very bones; through it they form affections and accomplish peaceful acts, calling it Joy or Aphrodite by name.

"Los Angeles" p. 162
Exhumations (1966)
Context: An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy."

Letter to a Mr. Hazard (18 February 1791) published in The Writings of Thomas Jefferson (1853), Vol. 2, edited by Henry Augustine Washington, p. 211
1790s
Context: I learn with great satisfaction that you are about committing to the press the valuable historical and State papers you have been so long collecting. Time and accident are committing daily havoc on the originals deposited in our public offices. The late war has done the work of centuries in this business. The last cannot be recovered, but let us save what remains; not by vaults and locks which fence them from the public eye and use in consigning them to the waste of time, but by such a multiplication of copies, as shall place them beyond the reach of accident.
“Tea is the magic key to the vault where my brain is kept.”

Variant: Heaven is not gained by a single bound,
But we build the ladder by which we rise
From the lowly earth to the vaulted skies;
And we mount to its summit round by round.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 564.

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)

“The Cinnamon Shops” http://www.schulzian.net/translation/shops/shops.htm
His father, The heavens

Letter to Thomas Law (6 November 1813) http://oll.libertyfund.org/Texts/Jefferson0136/Works/Vol11/0054-11_Pt07_1813.html#hd_lf054-11_head_125 FE 9:433 : The Writings of Thomas Jefferson (10 Vols., 1892-99) edited by Paul Leicester Ford
1810s

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'
Act III, sc. v.
Tis Pity She's a Whore (1629-33?)
Julie Angel (2016). Breaking the Jump: The Secret Story of Parkour's High-Flying Rebellion, Arum Press.

Source: Money And Class In America (1989), Chapter 5, Social Hygiene, p. 125

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

“The knell, the shroud, the mattock, and the grave,
The deep damp vault, the darkness and the worm.”
Source: Night-Thoughts (1742–1745), Night IV, Line 10.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 3

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 589.

This greatest hour was hallowed and thundered
By angel's choirs; fire melted sky.
He asked his Father:"Why am I abandoned...?"
And told his Mother: "Mother, do not cry..."
Translated by Tanya Karshtedt (1996) http://www.poetryloverspage.com/poets/akhmatova/akhmatova_ind.html
Requiem; 1935-1940 (1963; 1987), Crucifixion

ME 13:426
1810s, Letters to John Wayles Eppes (1813)
A Triumph of Spanish Colonial Style (1916)
The Man of Life Upright

January 25, 1798
Compare Wordsworth's "A Night-Piece", lines 1-16 http://www.bartleby.com/145/ww123.html.
Diaries

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 25-26 : 'Notes from 1969'

11 November 2010 http://www.boston.com/bostonglobe/editorial_opinion/oped/articles/2010/11/11/a_polarizing_pelosi/
2010s

“Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.”
St. 10
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 399.

Source: Earthsea Books, The Tombs of Atuan (1971), Chapter 10, "The Anger of the Dark"
Ecuador (1929)
To Brooklyn Bridge, Stanza 11; from The Bridge
Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 38
Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 319.

“In your calm bosom have made their dwelling a dignity that charms and virtue gay yet weighty. Not for you lazy repose or unjust power or vaulting ambition, but a middle way leading through the Good and the Pleasant. Of stainless faith and a stranger to passion, private while ordering your life for all to see, a despiser too of gold yet none better at displaying your wealth to advantage and letting the light in upon your riches.”
Tu cujus placido posuere in pectore sedem
blandus honos hilarisque tamen cum pondere virtus,
cui nec pigra quies nec iniqua potentia nec spes
improba, sed medius per honesta et dulcia limes,
incorrupte fidem nullosque experte tumultus
et secrete, palam quod digeris ordine vitam,
idem auri facilis contemptor et optimus idem
comere divitias opibusque immittere lucem.
iii, line 64
Silvae, Book II

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

Mont Saint Michel and Chartres (1904)

Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 260.

1960s, (1963)

The chambered Nautilus; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Bk. III, ch. 1
Pierre: or, The Ambiguities (1852)
Context: From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it. That the starry vault shall surcharge the heart with all rapturous marvelings, is only because we ourselves are greater miracles, and superber trophies than all the stars in universal space. Wonder interlocks with wonder; and then the confounding feeling comes. No cause have we to fancy, that a horse, a dog, a fowl, ever stand transfixed beneath yon skyey load of majesty. But our soul's arches underfit into its; and so, prevent the upper arch from falling on us with unsustainable inscrutableness.

The Man With the Blue Guitar (1937)
Context: Do not speak to us of the greatness of poetry,
Of the torches wisping in the underground,
Of the structure of vaults upon a point of light.
There are no shadows in our sun,
Day is desire and night is sleep.
There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.

2010: Odyssey Two (1982), Ch. 43: Thought Experiment
1980s
Context: Plans for the final assault on Big Brother had already been worked out and agreed upon with Mission Control. Leonov would move in slowly, probing at all frequencies, and with steadily increasing power — constantly reporting back to Earth at every moment. When final contact was made, they would try to secure samples by drilling or laser spectroscopy; no one really expected these endeavours to succeed, as even after a decade of study TMA-1 resisted all attempts to analyse its material. The best efforts of human scientists in this direction seemed comparable to those of Stone Age men trying to break through the armour of a bank vault with flint axes.

Mont Saint Michel and Chartres (1904)
Context: If you are to get the full enjoyment of Chartres, you must, for the time, believe in Mary as Bernard and Adam did, and feel her presence as the architects did, in every stone they placed, and in every touch they chiseled. You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand. You will see the limit at Beauvais; at Chartres we have not got so far, but even here in places where the Virgin wanted it — as above the high altar — the architect has taken all the light there was to take.

Letter to a Mr. Hazard (18 February 1791) published in The Writings of Thomas Jefferson (1853), Vol. 2, edited by Henry Augustine Washington, p. 211
1790s

“A Reichsbank president who was totally ignorant of what went in and out of the vaults of his bank.”
Robert H. Jackson

Source: Talks for the Times (1896), "The Importance of Correct Ideals" (1892), p. 276
Source: The Cosmic Code (1982), p. 312-313