Quotes about van

A collection of quotes on the topic of van, painting, likeness, paint.

Quotes about van

“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

Pain, Happiness, Thinking, Painting

“His [ Van Gogh's] pathos is alien to me, especially in my current phase, but he is certainly a genius. Pathetic to the point of being pathological, this endangered man can endanger one who does not see through him. Here a brain is consumed by the fire of a star. It frees itself in its work just before the catastrophe. Deepest tragedy takes place here, real tragedy, natural tragedy, exemplary tragedy. Permit me to be terrified.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 816, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html 1903 - 1910

Star, Nature

“I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invent anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark almost blue color, and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.””

John Green book The Fault in Our Stars

A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers."
Augustus "Gus" Waters, p. 310-313
The Fault in Our Stars (2012)

Love, Death, War, People

“You cannot be the good all the time — sometimes it is necessary to get angry.
[Vincent Van Gogh]”

Irving Stone book Lust for Life

Source: Lust for Life

Time

“Sitting on a cornflake, waiting for the van to come.”

John Lennon (1940–1980) English singer and songwriter

"I Am The Walrus"
Lyrics
Source: Beatles Lyrics

Waiting

“In his early twenties, a man started collecting paintings, many of which later became famous: Picasso, Van Gogh, and others. Over the decades he amassed a wonderful collection. Eventually, the man’s beloved son was drafted into the military and sent to Vietnam, where he died while trying to save his friend. About a month after the war ended, a young man knocked on the devastated father’s door. “Sir,” he said, “I know that you like great art, and I have brought you something not very great.” Inside the package, the father found a portrait of his son. With tears running down his cheeks, the father said, “I want to pay you for this.ℍ “No,” the young man replied, “he saved my life. You don’t owe me anything.ℍ The father cherished the painting and put it in the center of his collection. Whenever people came to visit, he made them look at it. When the man died, his art collection went up for sale. A large crowd of enthusiastic collectors gathered. First up for sale was the amateur portrait. A wave of displeasure rippled through the crowd. “Let’s forget about that painting!” one said. “We want to bid on the valuable ones,” said another. Despite many loud complaints, the auctioneer insisted on starting with the portrait. Finally, the deceased man’s gardener said, “I’ll bid ten dollars.ℍ Hearing no further bids, the auctioneer called out, “Sold for ten dollars!” Everyone breathed a sigh of relief. But then the auctioneer said, “And that concludes the auction.” Furious gasps shook the room. The auctioneer explained, “Let me read the stipulation in the will: “Sell the portrait of my son first, and whoever buys it gets the entire art collection. Whoever takes my son gets everything.ℍ It’s the same way with God Almighty. Whoever takes his Son gets everything.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Source: Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President

Life, God, War, People

“If Van Eyck’s patrons had all been Buddhists he would neither have painted the Adoration of the Lamb nor, for that matter, the Hunting of the Otter, but though the fact that he did is therefore trivially connected with the civilization in which he worked, there is no need to place these works on the periphery of the Hegelian wheel and look for the governing cause that explains both otter hunting and piety in the particular form they took in the early decades of the fifteenth century, and which is also expressed in Van Eyck’s new technique.”

Ernst Gombrich (1909–2001) art historian

In Search of Cultural History (1969)

Painting

“I mean it seems like there are only two options for songwriters [sic] personalities either theyre [sic] sad, tragic visionaries like morrissey or michael stipe or robert smith or theres [sic] the goofy, nutty white boy, Hey lets party and forget everything people like Van Halen or all that other Heavy metal crap.”

Kurt Cobain book Journals

Source: Journals (2002), p. 44

People, Sadness, Boy, Personality

“The bank, Mr. Van Buren, is trying to kill me, but I will kill it.”

Andrew Jackson (1767–1845) American general and politician, 7th president of the United States

Said to Martin Van Buren (8 July 1832) and quoted in The Autobiography of Martin Van Buren, published in Annual Report of the American Historical Association for the Year 1918, vol. II (1920), ed. John Clement Fitzpatrick, ch. XLIII (p. 625)
Referring to the Second Bank of the United States
1830s

“It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 259)
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Beauty, Winter, Time, Painting

“He got out of the van to see how many other suppliers were ahead of him and thus calculate, more or less accurately, how long he would have to wait. He was number thirteen, he counted again, no, there was no doubt about it. Although he was not a suspirations person, he knew about that number’s bad reputation, in any conversation about chance, fate or destiny, someone always chips in with some real-life experience of the negative, even fatal influence of the number thirteen. He tried to remember if he had ever been in this place in the queue before, but the long and the short of it was that either it had never happened or else he had simply forgotten. he got annoyed with himself, it was nonsense, utterly absurd to worry about something that has no real existence, yes, that was right, he had never thought of that before, numbers don’t really exist, things couldn’t care less what number we give them, its all the same to them if we say they’re number thirteen or number forty-four, we can conclude, at the very least, that they do not even notice the position they happen to end up in. people aren’t things, people always want to be in first place”

José Saramago book The Cave

Source: The Cave (2000), p. 9 (Vintage 2003)

Life, Fate, People, Chance

“Van Gaal has a good vision on football. But it's not mine. He wants to gel winning teams and has a militaristic way of working with his tactics. I don't. I want individuals to think for themselves and take the decision on the pitch that is best for the situation… I don't have anything against computers, but you judge football players intuitively and with your heart.”

Johan Cruyff (1947–2016) Dutch association football player

reported in Maarten Meijer (2014). Louis van Gaal: The Biography.

Way, Thinking, Decision, Heart

“Love is feeling cold in the back of vans
Love is a fanclub with only two fans”

Adrian Henri (1932–2000) British poet

"Love Is ...", from The Mersey Sound (1967).

Love, Feeling

“When he was not busy doing math, he reads fat books covered with rough leather, on the pages of which can be seen very old, perfectly round holes dug out by medieval worms. Or else he passes through a museum while devoting himself to unbelievably profound notions about Van Gogh's paintings or Greek amphorae.”

André Weil (1906–1998) French mathematician

From At home with André and Simone Weil by Sylvie Weil, p. 31 https://books.google.com/books?id=OdeDlT9-GBUC&pg=PA31 Quote About

Books, Business, Reading, Painting

“It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh’s stay upon earth, maintain the same gravitation.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Van Gogh, the Man Suicided by Society (1947)

Nature, Painting

“The point is that one sees things at different moments with different eyes. Differently in the morning then in the evening. The way in which one sees also depends on one's mood…. coming in from a dark bedroom in the morning into the sitting room one will, for example, see everything in a bluish light. Even the deepest shadows are topped with bright light. After a while one will accustom oneself to the light and the shadows will be deeper and everything will be seen more sharply. If an atmosphere of this kind is being painted it won't do merely to sit and gaze at everything 'just as one sees'. One must paint precisely the fleeting moment of significance – one must capture the exact experience separating that significant moment from the next – the exact moment when the motif struck one… In some circumstances a chair may seem to be just as interesting as a human being. In some way or another it must have caught the interest in which case the onlooker's interest must somehow be engaged in the same way. It's not the chair that should be painted, but what the person has felt at the sight of it [written in Saint Cloud, 1890 - probably related to the chair of Vincent van Gogh”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of Munch from: T 2770, (1890); as cited in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 83-84
1880 - 1895

Way, Mood, Light, Painting

“That's the van? It looks like a rotting banana."
This was undeniable - Eric had painted the van a neon shade of yellow, and it was blotched with dings and rust like splotches of decay.”

Cassandra Clare book City of Bones

Source: City of Bones

Painting

“If it weren't for greed, intolerance, hate, passion and murder, you would have no works of art, no great buildings, no medical science, no Mozart, no Van Gough, no Muppets and no Louis Armstrong.”

Jasper Fforde book The Big Over Easy

Source: The Big Over Easy

Hate, Art, Passion, Science

“He picks up his dates in a van? No wonder he‘s such a hit with the ladies.”
-Jace about Simon, pg. 331”

Cassandra Clare book City of Bones

Source: City of Bones

“I thought it'd be something cooler, like a van with 'Death to Demons' painted on the outside, or...”

Cassandra Clare book City of Bones

Simon to Jace, pg. 132
Source: The Mortal Instruments, City of Bones (2007)

Death, Painting

“So…
be your name Buxbaum or Bixby or Bray
or Mordecai Ali Van Allen O'Shea,
you're off to Great Places!
Today is your day!
Your mountain is waiting.
So… get on your way!”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

Source: Oh, The Places You'll Go!

Way, Mountain, Waiting

“It's so easy to love. The only hard thing is to be loved.
[Vincent Van Gogh]”

Irving Stone book Lust for Life

Source: Lust for Life

Love

“The news just came in from the County of Keck
That a very small bug by the name of Van Vleck
Is yawning so wide you can look down his neck.
This may not seem very important, I know, but it
Is, so I'm bothering telling you so.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

“Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care
Teach us to sit still. Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.”

T.S. Eliot (1888–1965) 20th century English author

Ash-Wednesday (1930)

Death, Flying

“The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.”

Steven Pressfield (1943) United States Marine

Source: The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

Life, Effort

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Art, Training

“Think: who has vans, huh? Soccer moms and serial killers.”

Libba Bray Going Bovine

Source: Going Bovine

Moms, Thinking

“I didn't know a van could go up on two wheels like that, for so long." -Nudge”

James Patterson (1947) American author

Source: The Angel Experiment

“I have Van Gogh's ear for music”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

Music

“Alec dragged the heavy canvas bag out of the back of the van, dropping it on the sidewalk. "Ready to go." He announced. "Lets kick some demon butt!"
Jace looked at him a little oddly. "You alright?”

Cassandra Clare book City of Bones

Source: City of Bones

“Loneliness is a kind of prison.
[Vincent Van Gogh]”

Irving Stone book Lust for Life

Source: Lust for Life

Loneliness

“Faster!" Shane yelled. Eve hit the gas hard, and whipped around a slower-moving van. The firing ceased, at least for now. "You see why I didn't want you to stop?"
"Okay, your father is officially!" Eve yelled. "Oh my God, look at my car!”

Rachel Caine (1962) American writer

Source: Lord of Misrule

God, Cars

“On the other hand, even a big, '80s love van was less noticeable than six flying kids and their talking dog.
So there you go.”

James Patterson (1947) American author

Source: Saving the World and Other Extreme Sports

Love, Dogs, Flying

“Shotgun!" announced Clary as Jace came back around the side of the van.
Alec grabbed for his bow, strapped across his back. "Where?"
"She means she wants the front seat," said Jace, pushing wet hair out of his eyes.”

Cassandra Clare book City of Bones

Source: City of Bones

“He has Van Gogh’s ear for music.”

Billy Wilder (1906–2002) American filmmaker

Music

“Van Gogh.. Fascinating. The fragility of that strong spirit.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Strong

“The private ownership of great art, its seclusion from the general view of men and women, let alone from that of interested amateurs and scholars, is a curious business. The literal disappearance of a Turner or a Van Gogh into some Middle Eastern or Latin-American bank vault to be kept as investment and collateral, the sardonic decision of a Greek shipping tycoon to put an incomparable El Greco on his yacht, where it hangs at persistent risk — these are phenomena that verge on vandalism.”

George Steiner (1929–2020) American writer

"The Cleric of Treason".
George Steiner: A Reader (1984)

Women, Men, Art, Business

“I knew van Gogh less intimately. I spoke to him for the first time in 1887 in a popular eatery near 'La Fourche', Avenue de Clichy, [Paris], (closed). A huge windowed room was decorated with his canvases. He exhibited at the 'Independants', [Paris] in 1888, 1889, 1890..”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Time

“Early every morning a van calls to take his brief bag up to the Parliament House, where his papers are trustingly displayed in his box in the public corridor of the Courts and whence they are brought home again after the day's work.”

Hugh Macmillan, Baron Macmillan (1873–1952) British judge

Source: A Man of Law's Tale (1952), At the Scottish bar, p. 44

Home, Housing, Box

“I am searching for the proper harmony of rhythm and unchanging proportion, as I wrote in the article. And I cannot tell you how difficult it is. [Mondrian is reacting on Van Doesburg criticism of the strong domination of the regular grid in Mondrian's latest paintings]”

Piet Mondrian (1872–1944) Peintre Néerlandais

In Mondrian's letter to Theo van Doesburg, Paris, 16 September 1919; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 171
1910's

Search, Strong, Painting

“Arms, hands [of the two van Gogh brothers, Vincent and Theo], like rifles, thrust out like non-stop ideas thoughts. Enormous thick veins like the ropes of a ship through which flow thoughts and inspirational excitement. They join the two brothers like nerve connections that pass from one body to the other, channeling the waves and opening up both in a magnetic ring of work and passion.”

Ossip Zadkine (1890–1967) French sculptor

quote, c. 1955; as quoted in: Zadkine and Van Gogh, ed. Garance Schabert and Ron Dirven (transl. Anne Porcelijn), Vincent van Goghhuis, Zundert & Scriptum Art, Schiedam 2008, p. 64
1940 - 1960

Idea, Passion

“I repeatedly told myself that the life of Vincent van Gogh and his colossal oeuvre – are not an individual outburst but a special and rare occurrence based on the special bond between the two brothers, only broken by Vincent's suicide.”

Ossip Zadkine (1890–1967) French sculptor

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, p. 66

Life, Suicide

“[On chat-up lines]Well, stick around love, cos I've got worse. The worst being, simply, "Get in the van."”

Russell Brand (1975) British comedian, actor, and author

Shame [Live DVD] (2006)

Love

“In 1946 it was the first time I saw a Van Gogh, a painting from his years in France. It was excactly what I had always felt here [in the fields of Friesland]: infinity, the unimaginable. I was bewildered and thought: who has been painting here for God's sake? Pink stripes in a green sky, you can't imagine! Ultramarine and carmine in the soil with a big yellow sun behind it..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..
Mens & Gevoelens: Jopie Huisman', 1993

God, Imagination, Time, Sun

“Why do I need this protection? I am not a president or a king; I am a mere member of the Dutch Parliament, one of 150 elected parliamentarians in the Tweede Kamer, the House of Representatives of the Netherlands, a small country of 16.5 million in Western Europe. However, I have joined Westergaard in a rapidly growing group of individuals throughout the world who have been marked for death for criticizing Islam. For asserting our rights to say what we really think about this political ideology that disguises itself as a religion, we have been hounded by Muslims seeking to make an example of us. Offend us, they are saying to the world, and you will end up in hiding like Wilders, attacked like Westergaard, or dead like van Gogh.”

Geert Wilders (1963) Dutch politician

Source: 2010s, Marked for Death (2012), Ch. 1, p. 5

Death, World, Religion, Thinking

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1423 of Psycho (1998). One-and-a-half star reviews

Money, People, Understanding, Success

“Greta Van Susteren: What would you do about Libya?
Gingrich: Exercise a no-fly zone this evening, communicate to the Libyan military that Gaddafi was gone and that the sooner they switch sides, the more likely they were to survive, provided help to the rebels to replace him. I mean, the idea that we're confused about a man who has been an anti-American dictator since 1969 just tells you how inept this administration is. They were very quick to jump on Mubarak, who was their ally for 30 years, and they were confused about getting rid of Gaddafi. This is a moment to get rid of him. Do it. Get it over with.”

Newt Gingrich (1943) Professor, Speaker of the United States House of Representatives

On the Record
Fox News
2011-03-07
2010s

Exercises, Communication, Idea, Help

“Like my friend is saying the fans are saying that. No, the fans are saying "Louis Van Gaal's army! Louis Van Gaal's army!" So also the fans are satisfied with Louis Van Gaal and my players are also satisfied with me”

Louis van Gaal (1951) Dutch footballer and manager

Manchester United F.C.

“The terrorists are the van-guard of Mohammedanism. They set out to cow the non-Mohammedan population, so that the ‘moderate Muslims’ can get on establishing Sharia courts, forcing halal food in school and works canteens, and making the authorities look the other way regarding criminal activities for fear of being called racist and Islamophobic. A phobia is an irrational fear. A normal non Mohammedan should have a perfectly rational fear of ‘Islam’. The question is: what is our Government going to do about it? Or will they take the Mayor of London’s view that terrorist attacks are just ‘part and parcel of living in a major city’.”

Gerard Batten (1954) British politician

Yesterday’s attack has everything to do with Islam or rather ‘Mohammedanism' http://gerardbattenmep.co.uk/2017/03/23/yesterdays-attack-has-everything-to-do-with-islam-or-rather-mohammedanism/ (March 23, 2017) 2017

Fear, School, Food, Way

“The whole of French art is a matter of seeing Nature as beautiful, very beautiful, in fact. But on the whole this is not enough. You have to create your own Nature – Van Gogh!”

Alexej von Jawlensky (1864–1941) Russian painter

Jawlensky is looking back on his encounter with French art through his voyage with Marianne Werefkin to Normandy and Paris, in 1903 when he discovered Van Gogh
1900 - 1935
Source: Expressionism: A Revolution in German Art, Dietmer Elger, Taschen, 2002, p. 166

Beauty, Art, Nature

“About 1500 it seemed as if Europe was about to cast off at one effort the slough of feudal barbarism, and to step at once into the fair inheritance of the wisdom and culture of the ancient world. The Church led the van, and smiled on free inquiry and the new learning. About the third decennium of the century the resistance of the obscurantists was organised, the Catholic reaction set in, and nascent humanism was submerged beneath the rising tide of theological passion and the fatal and fruitless controversies of Lutheran, Calvinist, and Catholic, to the rival cries of the Bible and the Church. The " sacrificio d'intelletto " of Loyola took the place of the free and rationalising spirit with which Erasmus had looked out upon the world of men.”

Mark Pattison (1813–1884) English author and Church of England priest

Source: Memoirs (1885), Chapter II, p. 100

Wisdom, Men, World, Smile

“What!?! Idiot shot the tires on my van!!”

Mr. T (1952) American actor and retired professional wrestler

Quotes from acting

“I haven't always been understood. As a footballer, as coach and also for what I did after all that. But OK, Rembrandt and Van Gogh weren't understood either. That's what you learn: people go on bothering you until you're a genius.”

Johan Cruyff (1947–2016) Dutch association football player

reported in Johan Cruyff (2016). My Turn: The Autobiography.

People, Learning, Football

“The editor of this catalog asked me to make a statement about my work. I don't have much to write:
- Be a child of your age.
- Be naturalistic against your own ego.
- Be matter-of- fact toward your inner visions
- My love is dedicated to the four great masters of masculine mysticism: Mäleskirchener ([church-painters / muralists, Grünewald, Breughel [both famous painters in the late Middle Ages, ed. ] and Van Gogh.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

a catalog-text for his first major graphic show, November 1917; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s

Love, Age

“Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins. Do not forget to make proper arrangements for your last will and testament: speaking personally, I ask that I be taken to the cemetery in a moving van. May my friends destroy every last copy of the printing of the Speech concerning the Modicum of Reality.”

André Breton (1896–1966) French writer

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Death, Secret, Reality, Memory

“It was the sort of day when people walk in the park and solve problems. "We'll simply call the taxi company, David, and request a large one, like one of those vans." Is the sort of thing you would overhear if you were overhearing in the park.”

Daniel Handler book Adverbs

Adverbs (2006), Naturally

People, Problem

“Signac told me of his death this way: 'He [= Vincent van Gogh ] gave himself a bullet in the ribs; it passed through his body and lodged in his groin. He walked for two kilometers, losing all his blood, and went on to die in his inn.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Death, Way

“How can you not sell the first three Bunnymen albums? It's like, how can you not sell the Mona Lisa, Van Gogh's Sunflowers, and The Garden of Earthly Delights by Hieronymus Bosch?”

Ian McCulloch (1959) singer, musician

Spin magazine (2008)

“This place [Breitner's new residential location at the Jacob van Campen-straat (De Pijp district), Amsterdam - a newly built street with construction activities all around], is just about the same as the Hobbema-straat, and that is precisely not the character of Amsterdam..”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Het is hier [Breitner's nieuwe woonlocatie aan de Jacob van Campenstraat in De Pijp, Amsterdam - een toen pas-gebouwde straat met bouw-activiteiten rondom], zowat net eender als de Hobbemastraat, en dat is nu juist niet 't karakter van Amsterdam..
Quote in Breitner's letter, January 1887, to his friend Herman van der Weele; as cited in George Hendrik Breitner in Amsterdam, J. F. Heijbroek, Erik Schmitz (translation from the original Dutch: Fons Heijnsbroek); uitgeverij THOTH, Bussum, 2014, p. 12
Breitner preferred the atmosphere of the old city-center of Amsterdam: like Oudeschans, the old store-houses, Jo de Bree-straat, etc.
before 1890

“I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin.”

Oscar Niemeyer (1907–2012) Brazilian architect

Quoted in "Gordon Bunshaft and Oscar Niemeyer: Pritzker Architecture Prize Laureates 1988" http://www.pritzkerprize.com/bunnei.htm#...about%20Oscar%20Niemeyer, pritzkerprize.com (1988).

School, Way, Imagination, Nature

“I think it’s a good idea to tie Peter Mandelson to a van. Such an act would be cruel and barbaric and inhuman. But it would at least cheer everyone up a bit.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times November 8, 2009 http://www.timesonline.co.uk/tol/comment/columnists/jeremy_clarkson/article6907747.ece

Idea, Thinking

“This Hungarian Van Cliburn impressed me from the outset with a deep and confident involvement in the music, a capacity for both power and delicacy, and a preference for passion over absolute accuracy.”

László Gyimesi (1948) Hungarian musician

John Bennett, Calgary Herald, 1972.
About

Music, Confidence, Passion

“Spanish for, Ask me to talk about Mexican cinema? is like requesting my autobiography, what i have not lived, what i have not seen, and in how many different ways have you seen me? without going any further tender as in "La gallina clueca", tearful as in "Cuando los hijos se van", sweet as in "El baisano Jalil", and energetic and dominant and at the same time affectionate as in "Los tres García" you have seen me very alive and very dead”

Sara García (1895–1980) Mexican actress

Pedirme a mi que hable del cine Mexicano? es como solicitar mi autobiografía, que no habré vivido, que no habré visto, y de cuantas maneras distintas me han visto a mi? sin ir mas lejos tierna como en "La gallina clueca", llorosa como en "Cuando los hijos se van", dulce como en "El baisano Jalil", y enérgica y dominante y al mismo tiempo cariñosa como en "Los tres García" me han visto muy viva y muy muerta. Sara answering when she was told to talk about Mexican cinema. Doña Sara Garcia habla del Cine Mexicano https://www.youtube.com/watch?v=DXlz7AznYxA

Way, Tear, Time, Dead

“On [defense lawyers]: "They lie, they cheat, they'll say anything. They walk a thin line that I don't even want to get near. Like in the David Westerfield case. They knew the whole time he did it, because he knew where her body was, and they used that as a bargaining chip to improve his situation. But when that didn't work [the police found the body on their own], they proceeded to drag the Van Dams through the mud. It's disgusting. Some people argue that the prosecution just wants to get a conviction. What joy would I get out of sending the wrong person to jail?"”

Nancy Grace (1959) American legal commentator, television host, television journalist, and former prosecutor

The Intervention Magazine, interventionmag.com http://www.interventionmag.com/cms/modules.php?op=modload&name=News&file=article&sid=408,

People, Lie, Time, Joy

“Actor-oriented, dynamic systems theories. This family of theories -- inspired to a great extent by Buckley -- is largely non-functionalist. It includes Buckley’s (1967, 1998) “modern systems theory,” Archer’s (1995) “morphogenetic” theory, Burns’ “actor-system-dynamics” (also ASD; Burns et al. 1985; Burns and Flam 1987), and the “” of Geyer and van der Zouwen (1978). Complex, dynamic social systems are analysed in terms of stabilizing and destabilizing mechanisms, with human agents playing strategic roles in these processes. Institutions and cultural formations of society are carried by, transmitted, and reformed through individual and collective actions and interactions.”

Tom R. Burns (1937) American sociologist

Source: Systems theories (2006), p. 3.

Family

“The free placement of the means of expression is a privilege enjoyed exclusively by painting [different opinion with Theo van Doesburg]] ]. The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, c. Oct. 1917; as cited in Letters of the great artists, Richard Friedenthal, Thames and Hudson, London, 1963 (transl. Daphne Woodward), p. 237
1910's

Art, Sister, Painting

“Weissenbruch to Anton Mauve: He [ Vincent van Gogh ] is drawing damn well, I could paint after his studies.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch, Weissenbruch tegen Anton Mauve: Hij teekent verdomd goed, ik zou naar zijn studies kunnen werken.
a remark to Anton Mauve, who asked Weissenbruch to visit Vincent van Gogh and see his work
Source: J. H. Weissenbruch', (n.d.), p. 44, note 1

Study, Drawing, Painting

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Life, God, People, Truth

“On the phone with his wife when the plane he was on stopped after hitting a deer.
Engvall: When we landed on the runway, we hit a deer with our airplane. You can't make this up. And it killed the deer, it wrecked the engine. We had to evacuate the plane. But the plane was so small it didn't have slides. The flight attendant said "Just step out." So they put us in a van and they're busing us back to the terminal and I'm laughing at this point because this is the dumbest thing I've ever seen in my life. And I got back to the terminal, I called my wife. I said "Baby, you're not gonna believe this. We just hit a deer with our airplane". There was a pause on the other end of the line, followed by…
Gail: Oh my God! Were you on the ground?

Engvall: Nope, Santa was making one last run! Here's your sign.”

Bill Engvall (1957) American comedian and actor

Here's Your Sign: Live! (2004)
Here's Your Sign

Life, God, Baby

“Talk about the Van Allen Belt or whatever is that, that forms no part of current Scientology, none whatsoever. Well, you know, quite frankly, this tape here, he's talking about the origins of the universe, and I think you're going to find that in any, any, any religion, and I think you can make the same mockery of it. I think it's offensive that you're doing it here, because I don't think you'd do it somewhere else.”

David Miscavige (1960) leader of the Church of Scientology

After being played a portion of an audiotape where L. Ron Hubbard describes the Xenu story — Scientology Leader Gave ABC First-Ever Interview: David Miscavige, Scientology Leader and Best Man at Tom Cruise's Wedding, Spoke to ABC News' 'Nightline' in 1992, ABC News, November 18, 2006, 2010-07-03 http://abcnews.go.com/print?id=2664713,.

Religion, Thinking, Universe, Parting

“We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a colour, a surface. [quote of Van Doesburg, c. 1925]”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

quoted in 'Abstract Art', Anna Moszynska, Thames and Hudson 1990, p. 107
Hans Arp used some years earlier already this new term: 'concrete art' as a rejection of the term 'abstract art'
1920 – 1926

Quotes, Painting

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475 1920s and later

Life, Sense, Painting

“Josh (footage): Y'all ready to see Foo Fighters?
Nick Oliveri (footage): God damn, I thought they were here to see us!
Josh (footage): Well, I thought they were too! Well, not yet. You got a minute, you're a little early.
Troy Van Leeuwen: Sorry I'm late, I was just getting beer.
Josh: But they were early.
Josh (footage): Oh yeah… I'll see you all wherever you are. Uhhhh…
Josh: No, I'm not high there. Not at all.”

Josh Homme (1973) American musician

Over the Years and Through the Woods, ("How to Handle a Rope") commentary footage (2005)
Over the Years and Through the Woods

God, Beer

“Today I visited Van Gogh's exhibition. I can not help it, but I think it's art for Eskimos, I can not enjoy it. I find it fairly crude and obnoxious, without the slightest distinction, and besides that everything is stolen from Millet and others.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Vandaag ben ik op de expositie van Van Gogh geweest. Ik kan het niet helpen, maar ik vind het kunst voor Eskimo's, ik kan er niet van genieten. Ik vind het eerlijk grof en onhebbelijk, zonder de minste distinctie, en buitendien alles nog een gestolen goedje van Millet en anderen. Breitner's quote in his letter to Mrs. Van der Weele, (nr. 36) 25 Dec. 1892; as cited by P.H. Hefting, 'Brieven van G.H. Breitner aan H.J. van der Weele' https://dspace.library.uu.nl/handle/1874/245951, in Nederlands Kunsthistorisch Jaarboek 27 1976, pp. 112-172 Breitner wrote his letter after visiting the large Van Gogh-exhibition in the Panorama Room, December 1892 1890 - 1900

Art, Thinking, Help

“If Palin lawyer thomas van flein thinks palin has been "defamed" he is delusional. Birds of a feather….”

David Shuster (1967) American television journalist

7:41 PM - 5 Jul 09 http://twitter.com/DavidShuster/status/2484698606 On Twitter

Bird, Thinking

“I believe psychics are either kooks or they're tapping into a real power. But it is not, it's not a holy power, it's an evil power. No offense to James [Van Praagh], because I think that he has a good heart and he really believes that what he is doing is good, and perhaps you are deceived…”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

TV appearances

Thinking, Evil, Heart

“I think that's why I gravitated toward slightly broader… ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.”

Kate Beckinsale (1973) English actress

On the effect the arrival of her daughter had on her acting work. Allure magazine, March 2008.

Thinking, Animals

“Greta Van Susteren: And Governor, last night, there was a lot of talk about the "Sputnik moment" that the President talked about, um… Do you agree with him? Do you f— And is this our moment?”

Sarah Palin (1964) American politician

2014

Night

“Ambassador Taylor and, and, and, and me, and I, we had a very bad moment together at that day in the general staff. Ambassador want to see me uh because he uh made what we called a young turk at that time, a young general officer, namely Nguyen Cao Ky, and Nguyen Van Thieu, and other general. And uh… to kind of to insult them uh for, you know, being changing what we call the civilian government at that time.”

Nguyen Khanh (1927–2013) South Vietnamese soldier

Confrontation with Maxwell Taylor in November 1964: On conflict with Maxwell D. Taylor in November 1964
1980s, Interview with Nguyen Khanh (1981)

Change, Time

“The terrorist kills because he cannot compete with his adversaries. Instead of responding to Salman Rushdie’s ill-structured and unreadable novel with a novel that is well-plotted and properly written, the terrorist calls for his murder. The terrorist cannot challenge Theo van Gogh’s controversial documentary with a better one and thus decides to stab him to death. The history of contemporary Islamist terrorism is full of instances of cold-blooded murder ordered by those who could not compete in literary, political, social or even theological fields against those better than them. With the advent of globalisation, Islamist terrorism is now able to strike beyond the frontiers of the Muslim world. But the same lazy mentality is at work. The terrorist knows that he is incapable of building an alternative civilisation capable of competing with the one he despises. So he tries to destroy what becomes the cause of his humiliation.”

Amir Taheri (1942) Iranian journalist

"Terrorism Cannot Win: This is Why", Elaph.com, (January 16, 2014).

Death, World, History

“Look at why Jesus strictly avoided speaking the language of the theologians of his day. It’s plain to see what an enormous liberation there lies in hearing something about God in the words of poetry. Imagine that we would speak about God in the music of Mozart and Beethoven or in the pictures of van Gogh… It would be impossible to fight wars over the true faith in the Name of Mozart or van Gogh… The language of poetry, the parables of Jesus, is international. You can’t and mustn’t pour them into dogmas.”

Eugen Drewermann (1940) German psychologist and theologian

"Heil und Heilung - Theologie und Psychoanalyse," speech at a conference of therapists in Basel, Switzerland (1977-05-21)

God, War, Faith, Music

“Fruit trees in this world are ancient and exhausted sticks coming out of poor soil; the people of the village are worn down to their skulls, caricatures of some ultimate grotesque typology of basic human feature types. How is it, then, that in Van Gogh such things as apple trees explode into a hallucinatory surface of color, while his village stereotypes are suddenly and garishly overlaid with hues of red and green?”

Fredric Jameson (1934) American academic

Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter 1: The Cultural Logic of Late Capitalism

People, World, Color, Tree

“In the early eighties, savvy Japanese had been scouring Melrose for old leather jackets and jukeboxes, and nervous tourists would drive by to look at the punks with green mohawks; now the funny hairstyles looked as if they’d been done at the Beverly Center. Like a government-subsidized avant-garde, Sullivan had thought as he’d tooled his old van down the crowded avenue, affluent disenfranchisement is just galvanic twitching in a dead frog’s leg.”

Tim Powers book Expiration Date

Source: Expiration Date (1995), Chapter 15 (p. 100)

Dead

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908 1860's

School, Dreams, Soul, Courage

“He wandered for a long time along the canals and over the bridges... Steam rose from one boat where men were heating their tea water. He shouted to them and asked them to give him some tea. They asked who he was and he said that he was from Iceland, where Hell is. They invited him out to the boat and gave him something to drink and questioned him about Mount Hekla. He said that he was born and raised at the foot of the mountain and for that reason was called van Hekkenfeld. They asked whether a man could see down into Hell from the summit of Hekla, through the swarm of noxious birds that hovers eternally, shrieking and quarreling, over the crater. He said no, but added that he'd once caught one of these birds with a hooked pole that he'd brought with him up onto the mountain; they were similar to ravens, he said, except for their claws and beaks, which were iron. They asked whether such birds could be eaten and he laughed at their foolishness, but said on the other hand that one could use the claws for hooks and the beak for a pick.”

Halldór Laxness (1902–1998) Icelandic author

Íslandsklukkan (Iceland's Bell) (1946), Part I: Iceland's Bell

Men, Mountain, Hell, Drink

“.. every day I can benefit from Mr. B [his teacher, Van de Sande Bakhuyzen ] is another profit…. day by day my ambition is growing.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(translation from original Dutch: Fons Heijnsbroek, original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..elken dag die ik bij den heer B [zijn leermeester ] kan profiteren is alweder gewonnen.. ..van dag tot dag wordt mijn ambitie grooter.

In a letter to his parents, August 1840; as cited by Marjan van Heteren in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006; ISBN13 * 978 90 6868 4322 - p. 23
1840' + 1850's

Teachers

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea, Sense, Time, Future

“This exchange – mainly in the form of letters [between the brothers van Gogh] – was not only about painting and art, but covered everything to do with one's existence and the philosophical or religious colouring, in a word: for the reader of the letters written by Vincent to his brother a total of human behaviour is revealed that of the dual being of van Gogh. This is how my first wish and then obsession was started, to build a monument for the two van Gogh brothers.”

Ossip Zadkine (1890–1967) French sculptor

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

Art, Painting

“Van Gogh is congenial to me, 'Vincent' in his letters. Perhaps nature does have something. There is no need, after all, to speak of the smell of earth; it has too peculiar a savor. The words we use to speak about it, I mean, have too peculair a savor. Too bad that the early Van Gogh was so fine a human being, but not so good as a painter, and that the later, wonderful artist is such a marked man. A mean should be found between these four points pf comparison: then, yes!”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 808, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html 1903 - 1910

Nature

“Today it's possible to paint one canvas with the calmness of an ancient Greek and the next with the anxiety of a Van Gogh. Either of these emotions, and any in between, is valid to me... I work on many canvasses at once. In the morning I line them up against the wall of my studio. Some speak, some do not. They are my mirrors. They tell me what I am like at that moment.”

William Baziotes (1912–1963) American painter

I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
1940s

Painting

“in a letter to Constantijn Huygens (Amsterdam, February 1636) on a Passion Cycle of 3 paintings, commissioned already in 1635 by the imperial court, as quoted in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 129”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

What Rembrandt is referring to in his phrase "I cannot refrain from presenting you, [dear] Sir, my latest work." is very probably one or more recent etchings, Rembrandt made.
1630 - 1640

Books, Quotes, Passion, Painting

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

People, Stupidity, Art, Painting

“It was van Gogh's madness that prevented him from working; the paintings themselves are ineffably sane, if sanity is to be defined in terms of exact judgment of ends and means and the power of visual analysis.”

Robert Hughes (1938–2012) Australian critic, historian, writer

"Vincent van Gogh, Part I" (1984)
Nothing If Not Critical (1991)

Painting, Madness

“For one who has not lived even a single lifetime, you are a wise man, Van Helsing.”

Garrett Fort (1900–1945) screenwriter

Dracula, to Van Helsing, who has discovered his secret
Dracula (1931)

“About Van Gogh.. a man who is on fire, a torch. His sincerity is absolute. His best painting is the grain field where he kills himself. There we find ourselves at the border of the art of painting. We cannot go further.”

Bram van Velde (1895–1981) Dutch painter

1980's
Source: Je peins l'Impossibilité de peindre, by M. Nuridsany, newspaper Le Figaro, 24-10-1989, p. 35, as quoted in Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 40 (English translation: Charlotte Burgmans)

Art, Painting, Sincerity

“I hope that with the help of van Van Gogh and Durand we will be able to emerge from this situation [selling nothing]. It seems to me that I deserve no less, since I have worked conscientiously. I do not believe that anyone could devote - if not more talent - more care and good will to the service of his art; it takes me hours of reflection to decide on the slightest detail. Is this impatience?... I think not! For I do not wish to make a brush stroke when I do not feel complete mastery of my subject, there's the rub - that is the great difficulty; without sensation, nothing, absolutely nothing valid... I believe I have hit my stride. I have begun a series of things which will really be in my style.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Eragny, 26 April 1888, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 124
Theo van Gogh was working in the Paris' art-gallery Goupil & Cie and selling Impressionist artists
1880's

Hope, Art, Feeling, Thinking

“Light is something very special. It has nothing to do with white. Either you see it or you don't. [George] de la Tour doesn't have light; Monet hasn't any light. Matisse, Goya, Chardin, Van Gogh, Sam Francis, Kline have it. But it has nothing to do with being the best painter at all.”

Joan Mitchell (1925–1992) American painter

Quote of Mitchel in Marcia Tucker's Whitney catalogue (1974); as cited in Jane Livingstone‘ in The Paintings of Joan Mitchel, ed. Jane Livingstone, Joan Mitchell, Linda Nochlin, p. 35
1975 - 1992

Light

“It is true that other people can help you, and to lasting effect... If I hadn't had Beckett in 1940 [in Paris, when Van Velde was strongly demoralized by the death of his wife], I'm not sure I could have stood it. I am really not sure... At that time he [Beckett] he was driven by an extremely aggressive and fiery Irish spirit. That has lessened as time has gone on... I don't know anywhere in modern art any more faithful or more impressive picture of contemporary humanity than the one he offers us in 'The Unamable.”

Bram van Velde (1895–1981) Dutch painter

2 November 1970; p. 79
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Death, People, Faith, Art

“We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it… It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing… Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 1919/20; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1916 - 1919

Love, Dreams, Soul, Question

“It was very, very hard work organizing that Wall concert but everyone was fabulous to work with - Bryan Adams, Van Morrison, Cyndi Lauper, bloody brilliant. All brilliant. Except for Sinead O'Connor… She doesn't understand anything. She's just a silly little girl. You can't just lie in the corner and shave your bloody head and stick it up your arse and occasionally pull it out to go (_"brogue"_) 'Oh, I tink this is wrong and dat is wrong' and burst into tears.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Q magazine, November 1992
Music

Lie, Girl, Understanding, Tear