Quotes about underneath

A collection of quotes on the topic of underneath, likeness, people, thing.

Quotes about underneath

Johnny Depp photo
Omar Khayyám photo

“A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread — and Thou
Beside me singing in the Wilderness —
Oh, Wilderness were Paradise enow!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859)
A book, a woman, and a flask of wine:
The three make heaven for me; it may be thine
Is some sour place of singing cold and bare —
But then, I never said thy heaven was mine.
As translated by Richard Le Gallienne (1897)
Give me a flagon of red wine, a book of verses, a loaf of bread, and a little idleness. If with such store I might sit by thy dear side in some lonely place, I should deem myself happier than a king in his kingdom.
As translated by Justin McCarthy (1888).
The Rubaiyat (1120)

Edward FitzGerald photo

“A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread — and Thou
Beside me singing in the Wilderness —
Oh, Wilderness were Paradise enow!”

Edward FitzGerald (1809–1883) English poet and writer

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859).
The Rubaiyat of Omar Khayyam

Martin Luther photo
Matt Groening photo
Michael Jackson photo
George Orwell photo
Terry Pratchett photo
Matthew Perry (actor) photo
Friedrich Nietzsche photo

“Underneath this reality in which we live and have our being, another and altogether different reality lies concealed…”

Der philosophische Mensch hat sogar das Vorgefühl, dass auch unter dieser Wirklichkeit, in der wir leben und sind, eine zweite ganz andre verborgen liege...
Source: The Birth of Tragedy (1872), p. 23, William Haussmann translation

Black Elk photo
Jordan Peterson photo
José Saramago photo

“[…] the skin is only what we want others to see of us, underneath it not even we know who we are, […]”

Senhor José's ceiling; p. 132
All the Names (1997)

Jeff Lynne photo
Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

José Saramago photo
Jordan Peterson photo

“There's an insistence that the Being that's spoken into being through Truth is Good. This is the most profound ever. It is also the most believable idea ever. What cures in therapy is Truth. Of course, you must encounter the things that you're afraid of, but this is enacted Truth, because if you know that there's something you need to do by your own set of rules and you're avoiding it, then you're enacting a lie. You're not speaking the lie, but you're enacting it, and that's the same thing: untruth. If you can confront If I can get you to face what it is that you know you shouldn't be avoiding, then what's happening is that we're both partaking in the process of you attempting to act out your deepest truth. That improves people's lives radically. The clinical evidence for that is overwhelming. We know that if you expose people to the things that they're afraid of and are avoiding, they get better. You have to do it carefully, cautiously, and with their approval and participation. Of all the things that clinicians have established that's credible, that's #1. It's redemptive insofar as both people are telling the truth. The difference between deception and repression is very small. People can handle earthquakes and cancer and even death, but they can't handle deception. They can't handle the rug being pulled out from underneath them by people who they love and trust. This does them in. It makes them ill, it hurts them psycho-physiologically, and worse than that it makes them cynical, bitter, vicious, and resentful. And then they also start to act all that out in the world, and that makes it worse.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Jordan Peterson photo
Kurt Vonnegut photo
Lyndon B. Johnson photo

“If we succeed, it will not be because of what we have, but it will be because of what we are; not because of what we own, but, rather because of what we believe. For we are a nation of believers. Underneath the clamor of building and the rush of our day's pursuits, we are believers in justice and liberty and union, and in our own Union. We believe that every man must someday be free. And we believe in ourselves.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Inaugural address (1965)
Context: In each generation, with toil and tears, we have had to earn our heritage again. If we fail now, we shall have forgotten in abundance what we learned in hardship: that democracy rests on faith, that freedom asks more than it gives, and that the judgment of God is harshest on those who are most favored. If we succeed, it will not be because of what we have, but it will be because of what we are; not because of what we own, but, rather because of what we believe. For we are a nation of believers. Underneath the clamor of building and the rush of our day's pursuits, we are believers in justice and liberty and union, and in our own Union. We believe that every man must someday be free. And we believe in ourselves.

Erykah Badu photo
Bertrand Russell photo
Eckhart Tolle photo
Eckhart Tolle photo
Sara Shepard photo
Darren Shan photo
Anne Fadiman photo
Joan Rivers photo
Marya Hornbacher photo
Sinclair Lewis photo
Jean Rhys photo
Miranda July photo
Amy Tan photo
Chuck Klosterman photo
Jenny Han photo

“Underneath my lashes I watched him, and I thought, Come back. Be the you I love and remember”

Jenny Han (1980) American writer

Source: It's Not Summer Without You

Marya Hornbacher photo
Khaled Hosseini photo
Jamaica Kincaid photo
Brandon Sanderson photo

“Oh, Wax has always been solemn, but when he's at his best, there's a smirk underneath.”

Brandon Sanderson (1975) American fantasy writer

Source: The Alloy of Law

Anna Kamieńska photo
Melissa de la Cruz photo
Joe Hill photo

“You know someone for a while and then one day a hole opens underneath them, and they fall out of your world.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: 20th Century Ghosts

Armistead Maupin photo
Francesca Lia Block photo
Kelley Armstrong photo
Richard Siken photo
Deb Caletti photo

“I began to learn the importance of lifting things up and looking underneath.”

Deb Caletti (1963) American writer

Source: The Secret Life of Prince Charming

Milan Kundera photo
Jodi Picoult photo
Jodi Picoult photo
Michael Morpurgo photo
David Levithan photo

“underneath all that denial, you're someone who's deeply, deeply nice.”

Source: Will Grayson, Will Grayson

Holly Black photo
Ben Jonson photo

“Underneath this stone doth lie
As much beauty as could die;
Which in life did harbor give
To more virtue than doth live.”

Ben Jonson (1572–1637) English writer

CXXIV, Epitaph on Elizabeth, Lady H—, lines 3-6
The Works of Ben Jonson, First Folio (1616), Epigrams

Madeline Kahn photo

“Mel is sensual with me. He treats me like an uncle - a dirty uncle. He's an earthy man and very moral underneath. He has traditional values.”

Madeline Kahn (1942–1999) American actress

Paul D. Zimmerman, (February 17, 1975) "The Mad Mad Mel Brooks", Newsweek

Alexander McCall Smith photo
Theodore L. Cuyler photo
Ralston Bowles photo
Henry Wadsworth Longfellow photo
John Fante photo
Van Morrison photo

“Laying underneath the stars
Can be so much fun
Especially when you're feeling good
When you're with the one you love.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Gypsy
Song lyrics, Saint Dominic's Preview (1972)

Sue Monk Kidd photo
Denis Leary photo

“Coffee doesn't need a menu, it needs a cup! That's all it needs! Maybe a saucer underneath the cup- that's it!”

Denis Leary (1957) American actor and comedian

Standup routines, Lock 'n Load (1997)

Koichi Tohei photo
Christopher Hitchens photo

“If you examine the record of the so-called the anti-war movement in this country and imagine what would have happened had its counsel been listened to over the last 15 and more years, you would have a world in which the following would be the case:Saddam Hussein would be the owner and occupier of Kuwait, he would have succeeded in the annexation, not merely the invasion, but the abolition of an Arab and Muslim state that was a member of the Arab League and of the United Nations. And with these resources as we now know because he lost that war, he was attempting to equip himself with the most terrifying arsenal that it was possible for him to lay his hands on. That's one consequence of anti-war politics, that's what would have happened.In the meanwhile, Slobodan Milošević would have made Bosnia part of a greater Serbia, and Kosovo would have been ethnically cleansed and also annexed. The Taliban would be still in power in Afghanistan if the anti-war movement had been listened to, and al-Qaeda would still be their guests. And Saddam Hussein, with his crime family, would still be privately holding ownership over a terrorized people in a state that's been most aptly described as a concentration camp above ground and a mass grave underneath it.Now if I had that record politically, I would be extremely modest, I wouldn't be demanding explanations from those of us who said it's about time that we stop this continual capitulation to dictatorship, to racism, to aggression and to totalitarian ideology. That we will not allow to be appeased in Iraq, the failures in Rwanda, and in Bosnia, and in Afghanistan, and elsewhere. And we take pride in having taken that position, and we take pride in our Iraqi and Kurdish friends who are conducting this struggle, on our behalves I should say.”

Christopher Hitchens (1949–2011) British American author and journalist

Christopher Hitchens vs. George Galloway debate http://www.seixon.com/blog/archives/2005/09/galloway_vs_hit.html, New York City (2005-09-14): On the 2003 invasion of Iraq
2000s, 2005

Neal Stephenson photo
Aaliyah photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Emily Dickinson photo
Kent Hovind photo

“If the Lord has you saved, you're saved, ok? You can't get out of God's hand. Then this 300 degree below zero ice meteor came flying through the solar system. Some of it broke apart. It made craters on Mercury and craters on the Moon. Four of the planets today still have rings around them. And the rings around these planets are made of rock and ice. Very interesting. Now Walt Brown thinks some of the craters on the Moon were formed when the fountains of the deep broke open and rocks went flying up out of Earth's gravitational pull, drifted around for a while, and clobbered into the Moon. He may be right on that. I don't know but it's interesting. He thinks the comets came from Earth, and water on Mars came from Earth, when the fountains of the deep broke upon. You could read about it for yourself if you would like. The super cold snow would land mostly around the north and south poles because super cold ice is not only affected by the magnetic field, it is easily statically charged. […] As this ice meteor came flying towards the earth it broke apart, pieces would settle in around the poles mostly, causing the earth to wobble for a few hundred years. Or maybe even a few thousand years. The canopy of water overhead collapsed, then it rained 40 days, the water underneath the bottom, under the crust came shooting to the surface, and the water kept going up for 150 days. And everybody drowned. It probably took six or eight months to kill everybody during that flood. We all get the idea, "Well it rained and everybody died first day."”

Kent Hovind (1953) American young Earth creationist

No, it took a long time for people to die. People would be running and fighting for higher ground. As that got more and more rare as the water keeps coming up, and up, and up, for 150 days, the water increased. By the way, they are still discovering chunks of ice flying around in space.
Creation seminars (2003-2005), The Hovind theory

Ben Jonson photo

“Underneath this sable hearse
Lies the subject of all verse,—
Sidney's sister, Pembroke's mother.
Death, ere thou hast slain another,
Learn'd and fair and good as she,
Time shall throw a dart at thee.”

Ben Jonson (1572–1637) English writer

Epitaph on the Countess of Pembroke, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This epitaph is generally ascribed to Ben Jonson. It appears in the editions of his Works; but in a manuscript collection of Browne's poems preserved amongst the Lansdowne MS. No. 777, in the British Museum, it is ascribed to Browne, and awarded to him by Sir Egerton Brydges in his edition of Browne's poems.

Matthew Hayden photo
Kent Hovind photo

“I think the Earth got struck by a meteor and the water underneath went shooting out to the surface. And the Earth was covered with water.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Nelson Algren photo
Ginger Stanley photo
Donald Barthelme photo

“Let's consider first Hayek's claim that prices in free market capitalism do not give people what they morally deserve. Hayek's deepest economic insight was that the basic function of free market prices is informational. Free market prices send signals to producers as to where their products are most in demand (and to consumers as to the opportunity costs of their options). They reflect the sum total of the inherently dispersed information about the supply and demand of millions of distinct individuals for each product. Free market prices give us our only access to this information, and then only in aggregate form. This is why centralized economic planning is doomed to failure: there is no way to collect individualized supply and demand information in a single mind or planning agency, to use as a basis for setting prices. Free markets alone can effectively respond to this information.
It's a short step from this core insight about prices to their failure to track any coherent notion of moral desert. Claims of desert are essentially backward-looking. They aim to reward people for virtuous conduct that they undertook in the past. Free market prices are essentially forward-looking. Current prices send signals to producers as to where the demand is now, not where the demand was when individual producers decided on their production plans. Capitalism is an inherently dynamic economic system. It responds rapidly to changes in tastes, to new sources of supply, to new substitutes for old products. This is one of capitalism's great virtues. But this responsiveness leads to volatile prices. Consequently, capitalism is constantly pulling the rug out from underneath even the most thoughtful, foresightful, and prudent production plans of individual agents. However virtuous they were, by whatever standard of virtue one can name, individuals cannot count on their virtue being rewarded in the free market. For the function of the market isn't to reward people for past good behavior. It's to direct them toward producing for current demand, regardless of what they did in the past.
This isn't to say that virtue makes no difference to what returns one may expect for one's productive contributions. The exercise of prudence and foresight in laying out one's production and investment plans, and diligence in carrying them out, generally improves one's odds. But sheer dumb luck is also, ineradicably, a prominent factor determining free market returns. And nobody deserves what comes to them by sheer luck.”

Elizabeth S. Anderson (1959) professor of philosophy and womens' studies

How Not to Complain About Taxes (III): "I deserve my pretax income" http://left2right.typepad.com/main/2005/01/how_not_to_comp_1.html (January 26, 2005)

“O for God's sake
they are connected
underneath.”

Muriel Rukeyser (1913–1980) poet and political activist

"Islands"
The Gates (1976)

Rebecca Solnit photo
Bill Bryson photo

“Well, I didn't ever think about Australia much. To me Australia had never been very interesting, it was just something that happened in the background. It was Neighbours and Crocodile Dundee movies and things that never really registered with me and I didn't pay any attention to it at all. I went out there in 1992, as I was invited to the Melbourne Writers Festival, and I got there and realised almost immediately that this was a really really interesting country and I knew absolutely nothing about it. As I say in the book, the thing that really struck me was that they had this prime minister who disappeared in 1967, Harold Holt and I had never heard about this. I should perhaps tell you because a lot of other people haven't either. In 1967 Harold Holt was prime minister and he was walking along a beach in Victoria just before Christmas and decided impulsively to go for a swim and dove into the water and swam about 100 feet out and vanished underneath the waves, presumably pulled under by the ferocious undertow or rips as they are called, that are a feature of so much of the Australian coastline. In any case, his body was never found. Two things about that amazed me. The first is that a country could just lose a prime minister — that struck me as a really quite special thing to do — and the second was that I had never heard of this. I could not recall ever having heard of this. I was sixteen years old in 1967. I should have known about it and I just realised that there were all these things about Australia that I had never heard about that were actually very very interesting. The more I looked into it, the more I realised that it is a fascinating place. The thing that really endeared Australia to me about Harold Holt's disappearance was not his tragic drowning, but when I learned that about a year after he disappeared the City of Melbourne, his home town, decided to commemorate him in some appropriate way and named a municipal swimming pool after him. I just thought: this is a great country.”

Bill Bryson (1951) American author

The pool was under construction before he disappeared and is located in the electorate he represented.
Interview with Stanford's Newsletter (June 2001)

Cyrus David Foss photo

“Underneath all the arches of Scripture history, throughout the whole grand temple of the Scriptures, these two voices ever echo, man is ruined, man is redeemed.”

Cyrus David Foss (1834–1910) American bishop

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 489.

Ellen Willis photo
Poul Anderson photo
Agatha Christie photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Jonathan Swift photo
Mitt Romney photo

“This election, this presidential election, I think has underscored underneath it several times. We want change. And it's not change in the White House so much, as change in Washington.”

Mitt Romney (1947) American businessman and politician

2008-01-04
Countdown with Keith Olbermann
MSNBC
Television
http://www.msnbc.msn.com/id/22540882/
2008