[Dodie, Bellamy, Hi Fubbi, this is Gakko: Former Eckankar Member Revisits the Movement, San Diego Reader, June 22, 1995]
Quotes about underneath
page 2
Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485.
Speech to the annual dinner of the Yorkshire Society, London (8 November 1933), quoted in This Torch of Freedom (1935), p. 137.
1933
letter to w:Alfred Stieglitz, October 9, 1919, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 68
1908 - 1920
Interview by Stephen Thompson, The A.V. Club, November 11, 1998 ( link http://www.avclub.com/content/node/23128)
Quotes from interviews
Asian Week Feb. 7 - Feb 13, 2003 http://asianweek.com/2003_02_07/opinion_emil.html
Cooper in Jeff Cooper’s Commentaries October 2003, Vol. 11, No. 12.
Source: Water Street (2006), Chapters 21-29, p. 131
Prends l'éloquence et tords-lui son cou!
Tu feras bien, en train d'énergie,
Du rendre un peu la Rime assagie.
Si l'on n’y veille, elle ira jusqu’où?
Ô qui dira les torts de la Rime!
Quel enfant sourd ou quel nègre fou
Nous a forgé ce bijou d'un sou
Qui sonne creux et faux sous la lime?
Source: "Art poétique", from Jadis et naguère (1884), Line 21; Sorrell p. 125
" The Windhover http://www.bartleby.com/122/12.html", lines 1-5
Wessex Poems and Other Verses (1918)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 526.
9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', p. 65
he painted in 1946
1972 - 1989
Source: an tape-recorded interview with Elaine de Kooning on August 27, 1981 http://www.aaa.si.edu/collections/interviews/oral-history-interview-elaine-de-kooning-11999; conducted by Phyllis Tuchman, for the Archives of American Art, Smithsonian Institution: Oral Histories.
Source: Information, The New Language of Science (2003), Chapter 8, The Oracle of Copenhagen, Science is about information, p. 64
Terry Manners, The Man Who Became Sherlock Holmes - The Tortured Mind of Jeremy Brett, p. 212. Virgin Publishing Ltd., London, 2001, ISBN 0 7535 0536 3
“Moral: In uplifting, get underneath.”
The Fable of the Good Fairy with the Lorgnette, and why She Got it Good
translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) 't is al allerheerlijkst voor me, dat ik zoo midden in Amsterdam woon. In een oogenblik kun je ergens gaan eten en weer 't huis zijn. Je hoeft nooit op de tram te gaan staan. 't is niet verder dan een minuut of zeven van de Dam. dat is voor mij zoo ongewoon en zoo prettig. Ik loop er heen, dag in en uit.. ..'t raam [van het atelier] is ongeveer 2.25 m breed en hoog, en daaronder een staand raam van zelfde breedte.
Quote of Breitner in his letter from Amsterdam, 11 May 1893, to Herman van der Weele; from the original letter in the RKD-Archive, The Hague https://rkd.nl/explore/excerpts/1154
1890 - 1900
A Metrical Version of Psalm 104, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Heavy Organ (introduction to the Bach Toccata and Fugue in Dm, BWV 565)
“Are you up to faking being sincere underneath faking being fake?”
Source: Mother of Storms (1994), p. 406
Quoted in Craig Modderno, "Newman remains animated at 81," Reuters (2006-06-12)
History of the Indies (1561)
"A bat is born," lines 1-31; reprinted as "Bats" in The Lost World (1965)
The Bat-Poet (1964)
Charles Eisenstein, 2013:The Space Between Stories http://charleseisenstein.net/2013-the-space-between-stories/, Charleseisenstein.net, 2013
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 211 in: 'What he told me – III. The Studio'
Video Interview http://www.time.com/time/specials/packages/article/0,28804,1894410_1894780_1894784,00.html to TIME (2009)
Sourced quotes
In a letter to Anita Pollitzer Abiquiu, New Mexico, (May 31, 1955), from The Complete Correspondence of Georgia O'Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 298
1950 - 1970
"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
“Strip away the phony tinsel of Hollywood and you will find the real tinsel underneath.”
As quoted in Jewish Wit (1962) by Theodor Reik, p. 104, also in Inquisition in Eden (1965) and Whatever It Is, I’m Against It (1984) by Nat Shapiro.
“My stomach was very badly burned when we filmed the shot of a truck exploding underneath Varan.”
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
"Quotes", The Educated Imagination (1963), Talk 2: The Singing School
Context: [L]iterature not only leads us toward the regaining of identity, but it also separates this state from its opposite, the world we don't like and want to get away from... We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it is still with us.... Literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows.
Katherine Mansfield (1925)
Context: Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
Broadcast from London (6 March 1934); published in This Torch of Freedom (1935), p. 21.
1934
Introductory : The Problem
Progress and Poverty (1879)
Context: It is true that wealth has been greatly increased, and that the average of comfort, leisure, and refinement has been raised; but these gains are not general. In them the lowest class do not share. I do not mean that the condition of the lowest class has nowhere nor in anything been improved; but that there is nowhere any improvement which can be credited to increased productive power. I mean that the tendency of what we call material progress is in nowise to improve the condition of the lowest class in the essentials of healthy, happy human life. Nay, more, that it is still further to depress the condition of the lowest class. The new forces, elevating in their nature though they be, do not act upon the social fabric from underneath, as was for a long time hoped and believed, but strike it at a point intermediate between top and bottom. It is as though an immense wedge were being forced, not underneath society, but through society. Those who are above the point of separation are elevated, but those who are below are crushed down.
“The face is its own fate — a man does what he must —
And the body underneath it says: I am.”
"The Knight, Death and the Devil," lines 34-39
The Seven-League Crutches (1951)
Context: Death and the devil, what are these to him?
His being accuses him — and yet his face is firm
In resolution, in absolute persistence;
The folds of smiling do for steadiness;
The face is its own fate — a man does what he must —
And the body underneath it says: I am.
"Science Fiction and a World in Crisis" in Science Fiction: Today and Tomorrow (1974) edited by Reginald Bretnor
General sources
Context: The current utopian ideal being touted by people as politically diverse (on the surface, but not underneath) as President Richard M. Nixon and Senator Edward M. Kennedy goes as follows — no deeds of passion allowed, no geniuses, no criminals, no imaginative creators of the new. Satisfaction may be gained only in carefully limited social interactions, in living off the great works of the past. There must be limits to any excitement. Drug yourself into a placid "norm." Moderation is the key word…
"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.
“We're sleeping underneath the bed to scare
The monsters out”
"The Bed"
Actor (2009)
Context: We're sleeping underneath the bed to scare
The monsters out
With our dear daddy's Smith and Wesson. We've got to teach them all a lesson.
Barry Hines 1970 interview
“Underneath the bitchy bon mots is a satirist of serious commitment.”
Jani Allan, "I'm just the dumb blonde with the jewellery", Sunday Times (1980), republished in Face Value by Jani Allan.
1941, Weird Tales, Vol. 36, p. 105
Haunted Hour
We Desperately Need Marianne Williamson’s Message. https://theintercept.com/2019/08/05/marianne-williamson-2020-presidential-campaign/ The Intercept, Jon Schwarz (5 August 2019)
"The Knight, Death and the Devil," lines 34-39
The Seven-League Crutches (1951)
On aiming to write multifaceted characters in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)
The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame
What Is Actual Yoga
Autobiography of Swami Sivananda (1958)