Quotes about underneath
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Oscar Levant photo

“It's not a pretty face, I grant you. But underneath its flabby exterior is an enormous lack of character.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485.

Mariah Carey photo
Stanley Baldwin photo
Marsden Hartley photo

“My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.”

Marsden Hartley (1877–1943) American artist

letter to w:Alfred Stieglitz, October 9, 1919, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 68
1908 - 1920

Cat Stevens photo

“Underneath her kiss I was so unguarded
Every bottle’s empty now and all those dreams are gone
Ah, but the song carries on … so holy”

Cat Stevens (1948) British singer-songwriter

Sweet Scarlet
Song lyrics, Catch Bull at Four (1972)

Mike Scott photo
Halldór Laxness photo
Kent Hovind photo
N. K. Jemisin photo
Kalpana Chawla photo
Bernard Lewis photo
KT Tunstall photo
Paul Verlaine photo

“Grip eloquence by the throat and squeeze
It to death. And while you're about it
You might corral that runaway, Rhyme,
Or you'll get Rhyme Without End, Amen.
Who will denounce that criminal, Rhyme?
Tone-deaf children or crazed foreigners
No doubt fashioned its paste jewellery,
Tinplate on top, hollow underneath.”

Paul Verlaine (1844–1896) French poet

Prends l'éloquence et tords-lui son cou!
Tu feras bien, en train d'énergie,
Du rendre un peu la Rime assagie.
Si l'on n’y veille, elle ira jusqu’où?
Ô qui dira les torts de la Rime!
Quel enfant sourd ou quel nègre fou
Nous a forgé ce bijou d'un sou
Qui sonne creux et faux sous la lime?
Source: "Art poétique", from Jadis et naguère (1884), Line 21; Sorrell p. 125

Gerard Manley Hopkins photo
James Hamilton photo

“The truth is the Tree of Life knows no seasons. High up among its branches spring warbles all the year; and they are only the poor pensioners underneath who count the months, and tell an autumn and a winter.”

James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 526.

Frida Kahlo photo
Iain Banks photo
Patrick Rothfuss photo

“Underneath the shifting appearances of the world as perceived by our unreliable senses, is there, or is there not, a bedrock of objective reality?”

Hans Christian von Baeyer (1938) American physicist

Source: Information, The New Language of Science (2003), Chapter 8, The Oracle of Copenhagen, Science is about information, p. 64

Georges Rouault photo
Henrik Ibsen photo
Jeremy Brett photo

“Holmes is the hardest part I have ever played - harder than Hamlet or Macbeth. Holmes has become the dark side of the moon for me. He is moody and solitary and underneath I am really sociable and gregarious. It has all got too dangerous.”

Jeremy Brett (1933–1995) English actor

Terry Manners, The Man Who Became Sherlock Holmes - The Tortured Mind of Jeremy Brett, p. 212. Virgin Publishing Ltd., London, 2001, ISBN 0 7535 0536 3

George Ade photo

“Moral: In uplifting, get underneath.”

George Ade (1866–1944) American writer, newspaper columnist and playwright

The Fable of the Good Fairy with the Lorgnette, and why She Got it Good

John Fante photo
George Hendrik Breitner photo

“It is just most delightful to me that I live in this way in the heart of Amsterdam. In a second you can eat somewhere and be back home again. You never have to wait for the tram. It is less than seven minutes [walking] from Dam Square. To me that is so unusual and so pleasant. I walk there daily.... the window [of his new studio] is about 2.25 m wide and high, and underneath a standing window of the same size, breadth-wise.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) 't is al allerheerlijkst voor me, dat ik zoo midden in Amsterdam woon. In een oogenblik kun je ergens gaan eten en weer 't huis zijn. Je hoeft nooit op de tram te gaan staan. 't is niet verder dan een minuut of zeven van de Dam. dat is voor mij zoo ongewoon en zoo prettig. Ik loop er heen, dag in en uit.. ..'t raam [van het atelier] is ongeveer 2.25 m breed en hoog, en daaronder een staand raam van zelfde breedte.
Quote of Breitner in his letter from Amsterdam, 11 May 1893, to Herman van der Weele; from the original letter in the RKD-Archive, The Hague https://rkd.nl/explore/excerpts/1154
1890 - 1900

“Are you up to faking being sincere underneath faking being fake?”

Source: Mother of Storms (1994), p. 406

Vanna Bonta photo
Paul Newman photo
Bartolomé de las Casas photo
George Eliot photo
Willa Cather photo
Paul Cézanne photo
M.I.A. photo
Georgia O'Keeffe photo
Ben Croshaw photo
Oscar Levant photo

“Strip away the phony tinsel of Hollywood and you will find the real tinsel underneath.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

As quoted in Jewish Wit (1962) by Theodor Reik, p. 104, also in Inquisition in Eden (1965) and Whatever It Is, I’m Against It (1984) by Nat Shapiro.

Haruo Nakajima photo

“My stomach was very badly burned when we filmed the shot of a truck exploding underneath Varan.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Northrop Frye photo

“We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it is still with us.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School
Context: [L]iterature not only leads us toward the regaining of identity, but it also separates this state from its opposite, the world we don't like and want to get away from... We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it is still with us.... Literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows.

Willa Cather photo

“Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends.”

Willa Cather (1873–1947) American writer and novelist

Katherine Mansfield (1925)
Context: Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.

Stanley Baldwin photo

“Dictatorship is like a giant beech tree—very magnificent to look at in its prime, but nothing grows underneath it.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Broadcast from London (6 March 1934); published in This Torch of Freedom (1935), p. 21.
1934

Robert Frost photo
Henry George photo

“It is as though an immense wedge were being forced, not underneath society, but through society. Those who are above the point of separation are elevated, but those who are below are crushed down.”

Introductory : The Problem
Progress and Poverty (1879)
Context: It is true that wealth has been greatly increased, and that the average of comfort, leisure, and refinement has been raised; but these gains are not general. In them the lowest class do not share. I do not mean that the condition of the lowest class has nowhere nor in anything been improved; but that there is nowhere any improvement which can be credited to increased productive power. I mean that the tendency of what we call material progress is in nowise to improve the condition of the lowest class in the essentials of healthy, happy human life. Nay, more, that it is still further to depress the condition of the lowest class. The new forces, elevating in their nature though they be, do not act upon the social fabric from underneath, as was for a long time hoped and believed, but strike it at a point intermediate between top and bottom. It is as though an immense wedge were being forced, not underneath society, but through society. Those who are above the point of separation are elevated, but those who are below are crushed down.

“The face is its own fate — a man does what he must —
And the body underneath it says: I am.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"The Knight, Death and the Devil," lines 34-39
The Seven-League Crutches (1951)
Context: Death and the devil, what are these to him?
His being accuses him — and yet his face is firm
In resolution, in absolute persistence;
The folds of smiling do for steadiness;
The face is its own fate — a man does what he must —
And the body underneath it says: I am.

Frank Herbert photo

“The current utopian ideal being touted by people as politically diverse (on the surface, but not underneath) as President Richard M. Nixon and Senator Edward M. Kennedy goes as follows — no deeds of passion allowed, no geniuses, no criminals, no imaginative creators of the new.”

Frank Herbert (1920–1986) American writer

"Science Fiction and a World in Crisis" in Science Fiction: Today and Tomorrow (1974) edited by Reginald Bretnor
General sources
Context: The current utopian ideal being touted by people as politically diverse (on the surface, but not underneath) as President Richard M. Nixon and Senator Edward M. Kennedy goes as follows — no deeds of passion allowed, no geniuses, no criminals, no imaginative creators of the new. Satisfaction may be gained only in carefully limited social interactions, in living off the great works of the past. There must be limits to any excitement. Drug yourself into a placid "norm." Moderation is the key word…

John Tyndall photo

“Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion.”

John Tyndall (1820–1893) British scientist

"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.

St. Vincent (musician) photo

“We're sleeping underneath the bed to scare
The monsters out”

St. Vincent (musician) (1982) American singer-songwriter

"The Bed"
Actor (2009)
Context: We're sleeping underneath the bed to scare
The monsters out
With our dear daddy's Smith and Wesson. We've got to teach them all a lesson.

Derek Parfit photo

“Certain actual sleeping pills cause retrograde amnesia. It can be true that, if I take such a pill, I shall remain awake for an hour, but after my night’s sleep I shall have no memories of the second half of this hour. I have in fact taken such pills, and found out what the results are like. Suppose that I took such a pill nearly an hour ago. The person who wakes up in my bed tomorrow will not be psychologically continuous with me as I was half an hour ago. I am now on psychological branch-line, which will end soon when I fall asleep. During this half-hour, I am psychologically continuous with myself in the past. But I am not now psychologically continuous with myself in the future. I shall never later remember what I do or think or feel during this half-hour. This means that, in some respects, my relation to myself tomorrow is like a relation to another person. Suppose, for instance, that I have been worrying about some practical question. I now see the solution. Since it is clear what I should do, I form a firm intention. In the rest of my life, it would be enough to form this intention. But, when I am no this psychological branch-line, this is not enough. I shall not later remember what I have now decided, and I shall not wake up with the intention that I have now formed. I must therefore communicate with myself tomorrow as if I was communicating with someone else. I must write myself a letter, describing my decision, and my new intention. I must then place this letter where I am bound to notice it tomorrow. I do not in fact have any memories of making such a decision, and writing such a letter. But I did once find such a letter underneath my razor.”

Source: Reasons and Persons (1984), pp. 287-288

Ernest Becker photo

“When we appreciate how natural it is for man to strive to be a hero, how deeply it goes in his evolutionary and organismic constitution, how openly he shows it as a child, then it is all the more curious how ignorant most of us are, consciously, of what we really want and need. In our culture anyway, especially in modern times, the heroic seems too big for us, or we too small for it. Tell a young man that he is entitled to be a hero and he will blush. We disguise our struggle by piling up figures in a bank book to reflect privately our sense of heroic worth. Or by having only a little better home in the neighborhood, a bigger car, brighter children. But underneath throbs the ache of cosmic specialness, no matter how we mask it in concerns of smaller scope. Occasionally someone admits that he takes his heroism seriously, which gives most of us a chill, as did U.S. Congressman Mendel Rivers, who fed appropriations to the military machine and said he was the most powerful man since Julius Caesar. We may shudder at the crassness of earthly heroism, of both Caesar and his imitators, but the fault is not theirs, it is in the way society sets up its hero system and in the people it allows to fill its roles. The urge to heroism is natural, and to admit it honest. For everyone to admit it would probably release such pent-up force as to be devastating to societies as they now are.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Pieter-Dirk Uys photo

“Underneath the bitchy bon mots is a satirist of serious commitment.”

Pieter-Dirk Uys (1945) South African comedian

Jani Allan, "I'm just the dumb blonde with the jewellery", Sunday Times (1980), republished in Face Value by Jani Allan.

Marianne Williamson photo

“I haven’t heard anybody on this stage who has talked about American foreign policy in Latin America... There is an injustice that continues to form a toxicity underneath the surface, an emotional turbulence, people heal when there’s some deep truth-telling.”

Marianne Williamson (1952) American writer

We Desperately Need Marianne Williamson’s Message. https://theintercept.com/2019/08/05/marianne-williamson-2020-presidential-campaign/ The Intercept, Jon Schwarz (5 August 2019)

Tomi Adeyemi photo

“The thing is that underneath we are all humans…Everyone has people they love and people they want to protect, everyone has things they are afraid of or that cause them pain.”

Tomi Adeyemi (1993) American author

On aiming to write multifaceted characters in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)

Francis Bacon photo

“The poets make Fame a monster. They describe her in part finely and elegantly, and in part gravely and sententiously. They say, look how many feathers she hath, so many eyes she hath underneath; so many tongues; so many voices; she pricks up so many ears.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame

Swami Sivananda photo
Teal Swan photo