
1961, Address at the University of Washington
1961, Address at the University of Washington
“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo
promisere jubar, nec rarescentibus umbris
longa repercusso nituere crepuscula Phoebo:
densior a terris et nulli peruia flammae
subtexit nox atra polos.
Source: Thebaid, Book I, Line 342
Edward Cullen and Bella Swan, pp. 232-233
Twilight series, Twilight (2005)
Review http://www.rogerebert.com/reviews/the-twilight-saga-new-moon-2009 of The Twilight Saga: New Moon (18 November 2009)
Reviews, One-star reviews
From the essay "After Neoconservatism" http://www.nytimes.com/2006/02/19/magazine/neo.html in the New York Times Magazine, February 19, 2006.
2000s
“So, I am in the twilight of my youth”
Anybody Want to Take Me Home
29 (2005)
The Nuts of Knowledge (1903)
“I am a tremendous optimist for someone who has grown up amid the twilight of American competence.”
Vanity Fair, "Why the Hacks Hate Michael Hastings" http://www.vanityfair.com/online/daily/2010/06/why-the-hacks-hate-michael-hastings, 23 July 2010.
From The Twilight Zone episode The Monsters Are Due On Maple Street (March 6, 1960).
The Twilight Zone
It's gonna be horrifying. It's gonna be very, very graphic. It might be hard to watch for a lot of people, but it will have a happy ending: new World Heavyweight Champion—CM Punk.
At SummerSlam
Friday Night SmackDown
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 194.
Page 80
2000s, Promises to Keep (2008)
Source: SCUM MANIFESTO (1967), p. [1] (hyphens so in original (en-dashes probably not available on most typewriters in 1967)).
Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)
"Job's Leviathan" in JD Argassy #58 (1961); re-published in Pearls From Peoria (2006)
Lytton Strachey Portraits in Miniature and Other Essays (London: Chatto & Windus, 1931) p. 24.
Criticism
Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31
1880s, 1885
Source: Philosophy of Education, p. 83.
The Winter’s Walk (c. 1840).
When Twilight Dews.
Bartlett's Familiar Quotations, 10th ed. (1919)
Letter to Lady Emerald Cunard, quoted in The Everything Wedding Vows Book : Anything and Everything You Could Possibly Say at the Altar, and then Some. (2001) by Janet Anastasio and Michelle Bevilacqua, p. 97.
A Proper Gentleman, 1977
Cracklin' Rosie
Song lyrics, Tap Root Manuscript (1970)
Source: Barbarism with a Human Face (1977), p. ix
Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.
Bridges assumes that Bacon refers here to Peter Peregrinus of Maricourt.
Source: Opus Tertium, c. 1267, Ch. 13 as quoted in J. H. Bridges, The 'Opus Majus' of Roger Bacon (1900) Vol.1 http://books.google.com/books?id=6F0XAQAAMAAJ Preface p.xxv
Stanza 1.
She Was a Phantom of Delight http://www.bartleby.com/145/ww259.html (1804)
"The Wall and the Books" ["La muralla y los libros"] (1950)
Variant translation: Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
Other Inquisitions (1952)
Source: Kindergarten Chats (1918), Ch. 36 : Another City
Context: We are rounding out our absorbing study of Democracy. Thus, turning slowly upon the momentous axis of our theme, are we coming more and more fully into the light of our sun: the refulgent and resplendent and life-giving sun of our art — an art of aspirant democracy! Let us then be on our way; for our sun is climbing ever higher. Let us be adoing; lest it set before we know the glory and the import of its light, and we sink again into the twilight and the gloom from which we have come.
“I heard them cry — the peacocks.
Was it a cry against the twilight
Or against the leaves themselves”
"Domination of Black"
Harmonium (1923)
Context: I heard them cry — the peacocks.
Was it a cry against the twilight
Or against the leaves themselves
Turning in the wind,
Turning as the flames
Turned in the fire,
Turning as the tails of the peacocks
Turned in the loud fire,
Loud as the hemlocks
Full of the cry of the peacocks?
Or was it a cry against the hemlocks?
1950s, Farewell address to Congress (1951)
Context: I address you with neither rancor nor bitterness in the fading twilight of life, with but one purpose in mind: to serve my country. The issues are global and so interlocked that to consider the problems of one sector, oblivious to those of another, is but to court disaster for the whole. While Asia is commonly referred to as the Gateway to Europe, it is no less true that Europe is the Gateway to Asia, and the broad influence of the one cannot fail to have its impact upon the other.
The bold portions are one of seven quotes inscribed on the walls at the gravesite of John F. Kennedy at Arlington National Cemetery.
1961, Inaugural Address
Context: Now the trumpet summons us again — not as a call to bear arms, though arms we need; not as a call to battle, though embattled we are — but a call to bear the burden of a long twilight struggle, year in and year out, "rejoicing in hope, patient in tribulation" — a struggle against the common enemies of man: tyranny, poverty, disease, and war itself. Can we forge against these enemies a grand and global alliance, North and South, East and West, that can assure a more fruitful life for all mankind? Will you join in that historic effort?
Pan-Worship
Pan-Worship and Other Poems (1908)
Context: O evanescent temples built of man
To deities he honoured and dethroned!
Earth shoots a trail of her eternal vine
To crown the head that men have ceased to honour.
Beneath the coronal of leaf and lichen
The mocking smile upon the lips derides
Pan's lost dominion; but the pointed ears
Are keen and prick'd with old remember'd sounds.
All my breast aches with longing for the past!
Thou God of stone, I have a craving in me
For knowledge of thee as thou wert in old
Enchanted twilights in Arcadia.
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXXII : Sublime Prince of the Royal Secret, p. 841
Context: All hypotheses scientifically probable are the last gleams of the twilight of knowledge, or its last shadows. Faith begins where Reason sinks exhausted. Beyond the human Reason is the Divine Reason, to our feebleness the great Absurdity, the Infinite Absurd, which confounds us and which we believe. For the Master, the Compass of Faith is above the Square of Reason; but both rest upon the Holy Scriptures and combine to form the Blazing Star of Truth.
All eyes do not see alike. Even the visible creation is not, for all who look upon it, of one form and one color. Our brain is a book printed within and without, and the two writings are, with all men, more or less confused.
Bewilderness (DVD, 2001)
On her initial inspiration for "The Battle Hymn of the Republic".
Reminiscences (1899)
Context: We returned to the city very slowly, of necessity, for the troops nearly filled the road. My dear minister was in the carriage with me, as were several other friends. To beguile the rather tedious drive, we sang from time to time snatches of the army songs so popular at that time, concluding, I think, with
John Brown's body lies a-mouldering in the ground;
His soul is marching on.
The soldiers seemed to like this, and answered back, "Good for you!" Mr. Clarke said, "Mrs. Howe, why do you not write some good words for that stirring tune?" I replied that I had often wished to do this, but had not as yet found in my mind any leading toward it.
I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, "I must get up and write these verses down, lest I fall asleep again and forget them." So, with a sudden effort, I sprang out of bed, and found in the dimness an old stump of a pen which I remembered to have used the day before. I scrawled the verses almost without looking at the paper. I had learned to do this when, on previous occasions, attacks of versification had visited me in the night, and I feared to have recourse to a light lest I should wake the baby, who slept near me. I was always obliged to decipher my scrawl before another night should intervene, as it was only legible while the matter was fresh in my mind. At this time, having completed the writing, I returned to bed and fell asleep, saying to myself, "I like this better than most things that I have written."
Education (1902)
Context: After the long night, and longer twilight, we envisage a dawn-era: an era in which the minor law of tradition shall yield to the greater law of creation, in which the spirit of repression shall fail to repress.
Man at last is become emancipated, and now is free to think, to feel, to act free to move toward the goal of the race.
Humanitarianism slowly is dissolving the sway of utilitarianism, and an enlight- ened unselfishness is on its way to supersede a benighted rapacity. And all this, as a deep-down force in nature awakens to its strength, animating the growth and evolution of democracy.
Under the beneficent sway of this power, the hold of illusion and suppression is passing; the urge of reality is looming in force, extent and penetration, and the individual now is free to become a man, in the highest sense, if so he wills.
The Nuts of Knowledge (1903)
Context: Where the ring of twilight gleams
Round the sanctuary wrought,
Whispers haunt me — in my dreams
We are one yet know it not.
Some for beauty follow long
Flying traces; some there be
Seek thee only for a song:
I to lose myself in thee.
The Nuts of Knowledge (1903)
Review http://www.rogerebert.com/reviews/pleasantville-1998 of Pleasantville (1 October 1998)
Reviews, Four star reviews
Context: In the twilight of the 20th century, here is a comedy to reassure us that there is hope — that the world we see around us represents progress, not decay. Pleasantville, which is one of the year's best and most original films, sneaks up on us. It begins by kidding those old black-and-white sitcoms like "Father Knows Best," it continues by pretending to be a sitcom itself, and it ends as a social commentary of surprising power.
…
The film observes that sometimes pleasant people are pleasant simply because they have never, ever been challenged. That it's scary and dangerous to learn new ways. The movie is like the defeat of the body snatchers: The people in color are like former pod people now freed to move on into the future. We observe that nothing creates fascists like the threat of freedom.
Pleasantville is the kind of parable that encourages us to re-evaluate the good old days and take a fresh look at the new world we so easily dismiss as decadent. Yes, we have more problems. But also more solutions, more opportunities and more freedom. I grew up in the '50s. It was a lot more like the world of Pleasantville than you might imagine. Yes, my house had a picket fence, and dinner was always on the table at a quarter to six, but things were wrong that I didn't even know the words for.
A line in the final stanzas is comparable to "It made and preserves us a nation" in The Flag of our Union by George Pope Morris.
The Star-Spangled Banner (1814)
Context: O say can you see by the dawn's early light,
What so proudly we hailed at the twilight's last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O'er the ramparts we watched, were so gallantly streaming?
And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O say does that star-spangled banner yet wave,
O'er the land of the free and the home of the brave?On the shore dimly seen through the mists of the deep,
Where the foe's haughty host in dread silence reposes,
What is that which the breeze, o'er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning's first beam,
In full glory reflected now shines in the stream:
'Tis the star-spangled banner, O! long may it wave
O'er the land of the free and the home of the brave. And where is that band who so vauntingly swore
That the havoc of war and the battle's confusion,
A home and a country, should leave us no more?
Their blood has washed out their foul footsteps' pollution.
No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:
And the star-spangled banner in triumph doth wave,
O'er the land of the free and the home of the brave.O thus be it ever, when freemen shall stand
Between their loved home and the war's desolation.
Blest with vict'ry and peace, may the Heav'n rescued land
Praise the Power that hath made and preserved us a nation!
Then conquer we must, when our cause it is just,
And this be our motto: "In God is our trust."
And the star-spangled banner in triumph shall wave
O'er the land of the free and the home of the brave!
are questions that assail with relentless emphasis the consciences of a great people.
"America's Apostasy", Chicago Chronicle, 6 Mar. 1899
“You were right. We should never have created science. It brought the twilight of the race.”
“I never said that. The race brought its own destruction, through misuse of science. Our culture was scientific anyway, in all except its psychological basis. It’s up to us to take that last and hardest step. If we do, the race may yet survive.”
Tomorrow's Children (p. 34)
Short fiction, The Book of Poul Anderson (1975)
Source: The Characteristics of the Present Age (1806), p. 268
Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).
Letter to John Taylor (February 27, 1818)
Letters (1817–1820)
Source: "Goodnight!", in Lamia's Winter-Quarters (London: Macmillan and Co., 1898), p. 163.