Quotes about taste
page 10

Chris Anderson photo
Roger Ebert photo
Horace Walpole photo

“He was my counsel in affairs, was my oracle in taste, the standard to whom I submitted my trifles, and the genius that presided over poor Strawberry.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

On the death of his friend John Chute (1776)
As quoted in The National Trust Magazine, Spring 2011, p. 09

George Pólya photo
John Keats photo
Frances Bean Cobain photo

“Halloween is so close I can practically taste the children's tears.”

Frances Bean Cobain (1992) American artist

18 September 2013 https://twitter.com/alka_seltzer666/status/380346681117507584
Twitter https://twitter.com/alka_seltzer666 posts

Sarah Grimké photo
Tad Williams photo
Gwendolyn Brooks photo
Benjamin Jowett photo

“Nowhere probably is there more true feeling, and nowhere worse taste, than in a churchyard”

Benjamin Jowett (1817–1893) Theologian, classical scholar, and academic administrator

Source: Letters, p. 244

Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

Jack Vance photo
D. V. Gundappa photo

“Best of feasts is the essence of the Supreme
Brahman, Nothing to beg when you have tasted it.
Vanishes the distinction of renouncer, renunciation and renounced.
And you become the monarch of the universe - Mankuthimma.”

D. V. Gundappa (1887–1975) Indian writer

A Kagga {Quatrian) of Verse 752 of Manku Thimmana Kagga in page=217
The Wisdom Of Vasistha A Study On Laghu Yoga Vasistha From A Seeker`S Point Of View

John Stuart Mill photo
Gregory Benford photo

“At least being prosperous set one apart in England; here it guaranteed nothing, not even taste.”

Source: Timescape (1980), Chapter 11 (p. 134, concerning the USA)

T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Tawakkol Karman photo

“The people have tasted it and have made great sacrifices and will not give out … We have blazed a path for ourselves … and we will win.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2010s, Nobel Prize winner highlights women’s role in Arab Spring (2011)

“I do not know whether it was the will of God, or just an evolutionary accident, but as it happens I am Afrikaans. This is a circumstance with which I am normally perfectly content. The truth is that I actually do not think about it too much, just as I do not think about it too much that I have a liver. The current flutterings about Afrikaans, however, I find disturbing. It is not doing the image of Afrikaners, and hence also of Afrikaans, any good.A mere ten years after the end of apartheid (yes, there was such a thing, and it was evil) to beat one's chest in such a self-justificatory manner, is bad taste morally.…
We are … being called up by certain parties to mobilise for Afrikaans, to fight for the survival of Afrikaans, and for minority rights. The problem is, however, that I do not see myself currently as part of a minority. When, in the 1970s and 1980s, as an Afrikaner, I resisted apartheid – and not in the 1990s when it became fashionable – then I felt myself part of a minority. At present I mainly find myself with an enormous feeling of moral relief. I would now like to carry on with my life and make a constructive contribution at the level of content. I do not wish to have to write letters like this one.”

Paul Cilliers (1956–2011) South African philosopher

Paul Cilliers. A letter to The Burger, 10 October 2005; Cited in: Chris Brink (2006) No Lesser Place: The Taaldebat at Stellenbosch. p. 133

William Cowper photo

“Society friendship and love
Divinely bestow'd upon man,
O had I the wings of a dove
How soon I would taste you again!”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 17.

Alice A. Bailey photo
Elinor Wylie photo
Jerome K. Jerome photo

“If you would taste love, drink of the pure stream that youth pours out at your feet. Do not wait till it has become a muddy river before you stoop to catch its waves.”

Idle Thoughts of an Idle Fellow (1886)
Context: It is well, dear ladies, for us old sinners that you study only books. Did you read mankind, you would know that the lad's shy stammering tells a truer tale than our bold eloquence. A boy's love comes from a full heart; a man's is more often the result of a full stomach. Indeed, a man's sluggish current may not be called love, compared with the rushing fountain that wells up when a boy's heart is struck with the heavenly rod. If you would taste love, drink of the pure stream that youth pours out at your feet. Do not wait till it has become a muddy river before you stoop to catch its waves.

Daniel Drake photo

“A religious spirit animates the infancy of our literature, and must continue to gloe in its maturity. The public taste calls for this quality, and would relish no work in which it might be supplanted by a principle of infidelity. Our best authors have written under the influence of Christian feeling; but had they been destitute of this sentiment, they would have found it necessary to accommodate themselves to the opinions of the people, and follow Christian precedents. The beneficent influence of religion on literature, is like that of our evening sun, when it awakens in the clouds those beautiful and burning tints, which clothe the firmament in gold and purple. It constitutes the heart of learning - the great source of its moral power. Religion addresses itself to the highest and holiest of our sentiments - benevolence and veneration, and their excitement stirs up the imagination, strengthens the undeerstanding, and purifies the taste. Thus, both in the mind of the author and the reader, Christianity and literature act and react on each other, with the effect of elevating both, and carrying the human character to the highest perfection which it is destined to reach. Learning should be proud of this companionship, and exert all her wisdom to render it perpetual.”

Daniel Drake (1785–1852) American physician and writer

Daniel Drake (1834). Discourse on the History, Character, and Prospects of the West: Delivered to the Union Literary Society of Miami University, Oxford, Ohio, at Their Ninth Anniversary, September 23, 1834. Truman and Smith. p. 31

Patrick Swift photo

“Its purpose is moral, that is, the evaluation of experience; in the deepest sense, the development of taste.”

Patrick Swift (1927–1983) British artist

Some Notes on Caravaggio (1956)

Friedrich Tholuck photo
Richard Holt Hutton photo

“[ John Henry Newman's earlier poems are ] unequalled for grandeur of outline, purity of taste and radiance of total effect.”

Richard Holt Hutton (1826–1897) English journalist

R.H. Hutton; cited in: Hugh Chisholm. The Encyclopaedia Britannica: A Dictionary of Arts, Sciences, Literature and General Information, Volume 19, (1911), p. 519

Cesare Pavese photo
Luís de Camões photo

“Nor do I sing for courtesy's sake
with a taste for praising, but to make
pure truths known about my former times.
Would to God they were mere dreams.”

Luís de Camões (1524–1580) Portuguese poet

Nem eu delicadezas vou cantando
Co'o gosto do louvor, mas explicando
Puras verdades já por mim passadas.
Oxalá foram fábulas sonhadas!
"Vinde cá, meu tão certo secretário", trans. by Landeg White in The Collected Lyric Poems of Luis de Camoes (2016), p. 303
Lyric poetry, Hymns (canções)

George Eliot photo

“He had a sense that the old man meant to be good-natured and neighbourly; but the kindness fell on him as sunshine falls on the wretched — he had no heart to taste it, and felt that it was very far off him.”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 10 (at page 79)

Percy Bysshe Shelley photo

“I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Source: Julian and Maddalo http://www.bartleby.com/139/shel115.html (1819), l. 14

Albrecht Thaer photo
Francois Rabelais photo
Lafcadio Hearn photo
Ralph Waldo Emerson photo
Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Richard K. Morgan photo

“Money doesn’t automatically mean taste.”

Source: Altered Carbon (2002), Chapter 21 (p. 276)

Cesare Pavese photo
Kate Chopin photo
Bob Keeshan photo

“We have respect for our audience. … We operate on the conviction that it is composed of young children of potentially good taste, and that this taste should be developed.”

Bob Keeshan (1927–2004) United States Marine

Interview with Steven V. Roberts in The New York Times (1965); as quoted in "Bob Keeshan, Creator and Star of TV's 'Captain Kangaroo,' Is Dead at 76" in The New York Times (24 January 2004)

William Burges photo

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Jim Morrison photo

“A critic is a bundle of biases held loosely together by a sense of taste.”

Whitney Balliett (1926–2007) American jazz critic

Dinosaurs in the Morning, Introduction http://books.google.com/books?id=pLROAAAAMAAJ&q=%22A+critic+is+a+bundle+of+biases+held+loosely+together+by+a+sense+of+taste%22&pg=PA11#v=onepage (1962)

Kage Baker photo
Adyashanti photo
Hilaire Belloc photo

“It cannot be said that at the time these inscriptions were set up at ANhilwãD Pãtan, Prabhas Patan, Khambat, Junagadh and other places, the Hindus of Gujarat had had no taste of what Islam had in store for them, their women, their children, their cities, their temples, their idols, their priests, and their properties. The invasion of Ulugh Khãn that was to subjugate Gujarat to a long spell of Muslim rule, was the eighth in a series which started within a few years after the Prophet’s death at Medina in AD 632. Five Islamic invasions had been mounted on Gujarat before Siddharãja JayasiMha ascended the throne of that kingdom in AD 1094 - first in AD 636 on Broach by sea; second in AD 732-35 by land; third and fourth in AD 756 and 776 by sea; and fifth by Mahmûd of Ghazni in AD 1026. Two others had materialised by the time the Muslim ship-owner set up his inscription in AD 1264 on a mosque at Prabhas Patan. The sixth invasion was by Muhammad Ghûrî in AD 1178, and the seventh was by Qutbu’d-Dîn Aibak in AD 1197. The only conclusion that can be drawn from the evidence is that either the Hindus of Gujarat had a very short memory or that they did not understand at all the inspiration at the back of these invasions. The temple of Somnath which stood, after the invasion of Mahmûd of Ghazni in AD 1026, as a grim reminder of the character of Islam, had also failed to teach them any worthwhile lesson. Nor did they visualize that the Muslim settlements in their midst could play a role other than that of carrying on trade and commerce.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Andrew Sega photo
Tim Powers photo
Thomas Carlyle photo
Elizabeth Cady Stanton photo

“In defense of the right to…marry whom we please -- we might quote some of the basic principles of our government [and] suggest that in some things individual rights to tastes should control…. If a good man from Maryland sees fit to marry a disenfranchised woman from New York, there should be no legal impediments to the union.”

Elizabeth Cady Stanton (1815–1902) Suffragist and Women's Rights activist

Statement regarding Frederick Douglass' marriage to Helen Pitts. * http://winningthevote.org/FDouglass.html
Western New York Suffragists: Frederick Douglass
Winning the Vote
2000
Rochester Regional Library Council
In defense of the right to...marry whom we please -- we might quote some of the basic principles of our government [and] suggest that in some things individual rights to tastes should control....If a good man from Maryland sees fit to marry a disenfranchised woman from New York, there should be no legal impediments to the union..

“The history of the Democratic Party can be concisely captured by referring to its steadfast allegiance to the four Ss. Slavery, Secession, Segregation, and Socialism. During the Obama presidency we have seen how hard old habits die, even for a black man whose race was the long-time victim of Democratic Party's bone-deep authoritarianism. Under this Democratic president we have seen a war waged on several fronts against America's young. Indeed, the Democrats' historic taste for and belief in slavery have resurfaced with a vengeance and indiscriminately under the Obama administration, whether white, black, yellow, red, male, or female America's young are dying and being forced to work for Obama and his lieutenants as they seek to maintain their party's hold on political power. How so? Well, America has never had a president and administration so eager to kill unborn Americans. Even with post-1973 science having proved irrefutably that the unborn are human beings, and even though American law always has defined them as U. S. citizens, Obama and his colleagues have strengthened at every point they could the absurd notion that unborn humans are the chattel property of the woman who bears them, and so can be disposed of, that is, murdered, at her whim. And, in what must be considered a masterpiece of Orwellian language, Obama and his team, and most Democrats since 1973, describe this federal government-issued license to kill as a woman's 'right', a means by which she manifests her equality with men. They then damn any one who questions the logic, sanity, or justice of this argument as an 'extremist'. Only in an America in which a political entity as devoted to the four 'Ss' as the Democratic Party could opposition to the cold-blooded murder of fellow citizens unable defend themselves be identified by the country’s best-educated as 'extremism'. If this is indeed a right, it is a right gives each woman the right to be a slave-owner and a Nazi. Such a 'right' really is no different than the rights sanctioned by the Dred Scott decision and the Nuremberg laws, each of which legally defined certain categories of people out of the human race in order to enslave or kill them. Since 1973, the application of this 'right' has produced precisely the same results as Dred Scott and the Nuremberg laws, though in numbers so immense, 55 million and climbing, that they make those acts seem rather tame and minimally destructive of humans.”

Michael Scheuer (1952) American counterterrorism analyst

As quoted in "Obama and his party offer America's young … death, misery, and slavery" http://non-intervention.com/1143/obama-and-his-party-offer-america%E2%80%99s-young-%E2%80%A6-death-misery-and-slavery/ (21 November 2013), by M. Scheuer, Michael Scheuer's Non-Intervention.
2010s

William Ewart Gladstone photo

“They are not your friends, but they are your enemies in fact, though not in intention, who teach you to look to the Legislature for the radical removal of the evils that afflict human life…It is the individual mind and conscience, it is the individual character, on which mainly human happiness or misery depends. (Cheers.) The social problems that confront us are many and formidable. Let the Government labour to its utmost, let the Legislature labour days and nights in your service; but, after the very best has been attained and achieved, the question whether the English father is to be the father of a happy family and the centre of a united home is a question which must depend mainly upon himself. (Cheers.) And those who…promise to the dwellers in towns that every one of them shall have a house and garden in free air, with ample space; those who tell you that there shall be markets for selling at wholesale prices retail quantities—I won't say are imposters, because I have no doubt they are sincere; but I will say they are quacks (cheers); they are deluded and beguiled by a spurious philanthropy, and when they ought to give you substantial, even if they are humble and modest boons, they are endeavouring, perhaps without their own consciousness, to delude you with fanaticism, and offering to you a fruit which, when you attempt to taste it, will prove to be but ashes in your mouths.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Cheers.
Speech at Blackheath (28 October 1871), quoted in The Times (30 October 1871), p. 3.
1870s

Katy Perry photo

“I kissed a girl and I liked it,
The taste of her cherry chap stick.
I kissed a girl just to try it,
I hope my boyfriend don't mind it.
It felt so wrong,
It felt so right,
Don't mean I'm in love tonight.
I kissed a girl and I liked it,
I liked it.”

Katy Perry (1984) American singer, songwriter and actress

I Kissed a Girl, written by Katy Perry, Lukasz Gottwald, Max Martin, and Cathy Dennis
Song lyrics, One of the Boys (2008)

“[the process of painting.. ].. is conceived of as an adventure, without preconceived ideas on the part of persons of intelligence, sensibility, and passion. Fidelity to what occurs between oneself and the canvas, no matter how unexpected, becomes central.... the major decisions in the process of painting are on the grounds of truth, not taste…”

Robert Motherwell (1915–1991) American artist

The School of New York, exhibition catalogue, Perls Gallery, 1951; as quoted in the New York School – the painters & sculptors of the fifties, Irving Sandler, Harper & Row Publishers, 1978, p. 46
1950s

“For their doctrine is this: That bodies are corruptible, and that the matter they are made of is not permanent; but that the souls are immortal, and continue forever; and that they come out of the most subtile air, and are united to their bodies as to prisons, into which they are drawn by a certain natural enticement; but that when they are set free from the bonds of the flesh, they then, as released from a long bondage, rejoice and mount upward. And this is like the opinions of the Greeks, that good souls have their habitations beyond the ocean, in a region that is neither oppressed with storms of rain or snow, or with intense heat, but that this place is such as is refreshed by the gentle breathing of a west wind, that is perpetually blowing from the ocean; while they allot to bad souls a dark and tempestuous den, full of never-ceasing punishments. And indeed the Greeks seem to me to have followed the same notion, when they allot the islands of the blessed to their brave men, whom they call heroes and demi-gods; and to the souls of the wicked, the region of the ungodly, in Hades, where their fables relate that certain persons, such as Sisyphus, and Tantalus, and Ixion, and Tityus, are punished; which is built on this first supposition, that souls are immortal; and thence are those exhortations to virtue and dehortations from wickedness collected; whereby good men are bettered in the conduct of their life by the hope they have of reward after their death; and whereby the vehement inclinations of bad men to vice are restrained, by the fear and expectation they are in, that although they should lie concealed in this life, they should suffer immortal punishment after their death. These are the Divine doctrines of the Essens about the soul, which lay an unavoidable bait for such as have once had a taste of their philosophy.”

Jewish War

Lope De Vega photo

“To turn your face from clear proofs of deceit,
To drink poison as if it were a soothing liquor,
To disregard gain and delight in being injured.
To believe that heaven can lie contained in hell;
To devote your life and soul to being disillusioned;
This is love; whoever has tasted it, knows.”

Huir el rostro al claro desengaño,
beber veneno por licor süave,
olvidar el provecho, amar el daño;
creer que un cielo en un infierno cabe,
dar la vida y el alma a un desengaño;
esto es amor. Quien lo probó lo sabe.
Sonnet, "Desmayarse, atreverse, estar furioso", line 9, from Rimas (1602); cited from José Manuel Blecua (ed.) Lírica (Madrid: Clásicos Castalia, [1981] 1999) p. 136. Translation from Eugenio Florit (ed.) Introduction to Spanish Poetry (New York: Dover, [1964] 1991) p. 65.

Margaret Mead photo
Alexis De Tocqueville photo
E.E. Cummings photo
Albert O. Hirschman photo

“A taste is almost defined as a preference about which you do not argue — de gustibus non est disputandum. A taste about which you argue, with others or yourself, ceases ipso facto being a taste – it turns into a value.”

Albert O. Hirschman (1915–2012) German-American economist; member of the French Resistance

Rival Views of Market Society and Other Recent Essays (1992), Ch. 6. Against Parsimony.

William Pitt, 1st Earl of Chatham photo
Camille Paglia photo
Edwin van der Sar photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Satoru Iwata photo
George Santayana photo

“Matters of religion should never be matters of controversy. We neither argue with a lover about his taste, nor condemn him, if we are just, for knowing so human a passion.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. III, Reason in Religion, Ch. VI

Iggy Azalea photo

“I'm so fancy,
You already know.
I'm in the fast lane,
From L. A. to Tokyo.
I'm so fancy,
Can't you taste this gold?
Remember my name, 'bout to blow.”

Iggy Azalea (1990) Australian rapper

Fancy, written by Amethyst Kelly, Charlotte Aitchison, Kurtis Mckenzie, George Astasio, Jon Shave, and Jason Pebworth.
Song lyrics, The New Classic (2014)

Bawa Muhaiyaddeen photo
Omar Khayyám photo

“A Moment's Halt — a momentary taste
Of Being from the Well amid the Waste —
And Lo! — the phantom Caravan has reach'd
The Nothing it set out from — Oh, make haste!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Bill McKibben photo
Pauline Kael photo
Ernest Flagg photo
Jussi Halla-aho photo
Daisy Ashford photo
Hunter S. Thompson photo

“Satan's Slaves, number three in the outlaw hierarchy, custom-bike specialists with a taste for the flesh of young dogs, flashy headbands and tender young blondes with lobotomy eyes.”

Hunter S. Thompson (1937–2005) American journalist and author

1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)

Thomas Fuller (writer) photo

“4908. There is no disputing of Tastes, Appetites and Fancies.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“No one can ever heap enough insults upon me to suit my taste. I think we all really thrive on hostility, because it's the most intense kind of massage the ego can undergo. Other people's indifference is the only horror.”

Paul Bowles (1910–1999) American composer, writer, translator

Letter to Charles Henri Ford (25 January 1948), as published in In Touch : The Letters of Paul Bowles (1995) edited by Jeffrey Miller, p. 192

James Branch Cabell photo
Kimberly Elise photo
Ivan Illich photo
Winston S. Churchill photo
Robbie Williams photo

“Screw you, I didn't like your taste anyway, I chose you,
That's all gone to waste, It's Saturday, I'll go out and find another you.”

Robbie Williams (1974) British singer and entertainer

Sexed Up
Escapology (2002)

Simone Weil photo
Willie Nelson photo
Democritus photo
Jean Metzinger photo