Quotes about tale
page 5

Mark Akenside photo

“Pall on her temper, like a twice-told tale.”

Book I, line 220
The Pleasures of the Imagination (1744)

James Branch Cabell photo
Thomas Moore photo

“Those evening bells! those evening bells!
How many a tale their music tells
Of youth and home, and that sweet time
When last I heard their soothing chime!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Those evening Bells.
Bartlett's Familiar Quotations, 10th ed. (1919)

Orson Scott Card photo

““What kind of stupid tale is that, when we just have to look at each other to know it isn’t true?”
“It has problems, I admit.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Neil Gaiman photo
Ralph Waldo Emerson photo

“I am ashamed to see what a shallow village tale our so-called History is.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), History

Elizabeth Bisland Whetmore photo
Bob Dylan photo
Richard Dawkins photo
Salman Rushdie photo
W.E.B. Du Bois photo
Bruno Schulz photo
Marc Bloch photo

“The good historian is like the giant of the fairy tale. He knows that wherever he catches the scent of human flesh, there his quarry lies.”

Marc Bloch (1886–1944) French historian, medievalist, and historiographer

The Historian's Craft, pg.26

Gloria Estefan photo

“This London, of course, with its hollow, drum-like name, is neither England nor abroad but something on its own, a walled fantasy of remembered tales.”

Laurie Lee (1914–1997) British writer

Eight-Year-Old World, p. 26.
I Can't Stay Long (1975)

Greg Bear photo
Marie-Louise von Franz photo
Don Henley photo
Nathaniel Hawthorne photo

“Nobody has any conscience about adding to the improbabilities of a marvelous tale.”

Source: The Marble Faun (1860), Chapter IV: The Spectre of the Catacomb

Ai Weiwei photo

“Only with the Internet can a peasant I have never met hear my voice and I can learn what’s on his mind. A fairy tale has come true.”

Ai Weiwei (1957) Chinese concept artist

2000-09, The Bold and the Beautiful, 2009

Jim Henson photo

“What Jim wanted to do, and it was totally his vision, was to get back to the darkness of the original Grimm’s fairy tales. He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe.”

Jim Henson (1936–1990) American puppeteer

Frank Oz, as quoted in Q&A: Frank Oz on Henson, “Dark Crystal” and the Kwik Way http://blog.sfgate.com/parenting/2007/06/28/qa-frank-oz-on-henson-dark-crystal-and-the-kwik-way/, SFGate, (June 28, 2007).
About

Jane Yolen photo
Ivan Goncharov photo
P. L. Travers photo
Paul A. Samuelson photo
Iain Banks photo
Winston S. Churchill photo
Margaret Cho photo
Margaret Atwood photo
S. S. Van Dine photo
Stewart Brand photo
Douglas Hofstadter photo
Thomas Campbell photo
Karen Lord photo

“Ansige unreeled the tale of his tribulations, thoroughly ransacking the truth and then dipping into the bag of embellishment and sprinkling with a free hand.”

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 2 “Ansige Eats Lamb and Murders a Peacock” (p. 17)

Jerry Coyne photo

“If Hawking’s world is “small,” well, at least what he found was testable, and might be true. Father de Souza’s claims are either untestable or have already been shown to be doubtful, and he has no evidence for any of them. In requiring people to believe fairy tales, de Souza’s world is not just small, but nonexistent.”

Jerry Coyne (1949) American biologist

" Catholic priest says that Hawking, while smart, didn’t solve the biggest questions of the universe https://whyevolutionistrue.wordpress.com/2018/03/22/catholic-priest-says-that-hawking-while-smart-didnt-solve-the-biggest-questions-of-the-universe/" March 22, 2018

Dara Ó Briain photo

“Even people who do cleaning work can write fairy tales. And they can even make better work than me. The problem is that no one encourages them to do so. The most essential thing that people seek is appreciation by others. That is what largely decides one's success or failure.”

Zheng Yuanjie (1955) Chiese writer

Zheng Yuanjie (2004) in: "Zheng Yuanjie's 19 years in fairy tales" on chinadaily.com.cn, May 10, 2004 ( online http://www.chinadaily.com.cn/english/doc/2004-05/10/content_329434.htm).

Philip José Farmer photo
William Morris photo

“I'm so lucky that he agreed. A fascinating tale.”

Arin Paul (1980) Indian film director

On National Award Winning Director, Nripen Ganguly
Washington Bangla Radio http://www.washingtonbanglaradio.com/content/62700211-director-arin-paul-completes-shooting-documentary-award-winning-veteran-bengali-fil (2011)

Thomas Hardy photo
Henry Howard, Earl of Surrey photo
Vincent Massey photo

“Old wives' tales are not enough in a day when old wives and old men, too, are constantly moving away from their labours.”

Vincent Massey (1887–1967) Governor General of Canada

Address to the Women's Canadian Club, Montreal, Quebec, March 26, 1958
Speaking Of Canada - (1959)

Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

William Styron photo

“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word “depression.” Depression, most people know, used to be termed “melancholia,” a word which appears in English as early as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. “Melancholia” would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated — the Swiss-born psychiatrist Adolf Meyer — had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted by offering “depression” as a descriptive noun for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its very insipidity, a general awareness of the horrible intensity of the disease when out of control.
As one who has suffered from the malady in extremis yet returned to tell the tale, I would lobby for a truly arresting designation. “Brainstorm,” for instance, has unfortunately been preempted to describe, somewhat jocularly, intellectual inspiration. But something along these lines is needed. Told that someone’s mood disorder has evolved into a storm — a veritable howling tempest in the brain, which is indeed what a clinical depression resembles like nothing else — even the uninformed layman might display sympathy rather than the standard reaction that “depression” evokes, something akin to “So what?” or “You’ll pull out of it” or “We all have bad days.””

The phrase “nervous breakdown” seems to be on its way out, certainly deservedly so, owing to its insinuation of a vague spinelessness, but we still seem destined to be saddled with “depression” until a better, sturdier name is created.
Source: Darkness Visible (1990), IV

Jane Yolen photo
Gloria Estefan photo

“[As of November 17, 2006] 'Noelle's Treasure Tale' has remained at No. 3 on the New York Times children's best seller list since its October 10 release.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Gloria Estefan photo

“[To beginning readers (ages 4 to 8) at a reading of "Noelle's Treasure Tale"]: If you discover a word in my book that you don't understand, ask your parents so they can look it up in the dictionary for you.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment to audience at book signing at Macy's in New York City (November 21, 2006
2007, 2008

Henry Kissinger photo

“Every civilization that has ever existed has ultimately collapsed … History is a tale of efforts that failed, of aspirations that weren’t realized... So, as a historian, one has to live with a sense of the inevitability of tragedy.”

Henry Kissinger (1923–2023) United States Secretary of State

Cited in "Identifying the Wild Beast and Its Mark" http://wol.jw.org/en/wol/d/r1/lp-e/2004241?q=durant&p=par, in The Watchtower (1 March 2004)
2000s

Joseph Campbell photo
Bruce Fein photo
Natalie Merchant photo
Dejan Stojanovic photo

“Two forces create eternity – a fairy tale and a dream from the fairy tale.”

Dejan Stojanovic (1959) poet, writer, and businessman

“A Fairy Tale and the End,” p. 40
The Sun Watches the Sun (1999), Sequence: "Forgotten Place”

Hartley Coleridge photo
Henry James photo
Yvette Cooper photo

“I have to say, Mr. Deputy Speaker, the Ministers are like fraudsters in the fairy tale, telling gullible Liberal Democrat MPs about the beautiful progressive clothes that the emperor is wearing, if only they are clever enough and loyal enough to see them. And desperately, we have Liberal Democrats clinging to shreds of invisible cloth, reaching deep into their Liberal and Conservative history to pretend that they can be progressive now. They are claiming that Keynes might have backed the Budget. They are calling on Beveridge for support, kidding themselves that they can call on their history and that they are following in the footsteps of great liberal Conservatives like Winston Churchill, who supported the minimum wage, but the truth is that the emperor has no clothes.
The truth is that if you look at the detail, the Budget is nastier than any brought in by Margaret Thatcher. Instead of Churchill, Keynes or the founders of the welfare state, the Liberal Democrats have signed up, with the Right Honourable Member for Chingford and his Chancellor, to cut support for the poor. It is perhaps apt that in this week of World Cup disappointments, it was actually a footballer who got it right. In 2002, after England were defeated in the World Cup by Brazil, Gareth Southgate reflected ruefully on England's performance and said:
"We were expecting Winston Churchill and instead got Iain Duncan Smith."
That is the reality for the Liberal Democrats now. With all their high hopes, they have betrayed the poor and the vulnerable, whom they stood up to defend.
[The Minister of State, Department for Work and Pensions (Steve Webb) rose]
I will give way to the hon. Gentleman because I know he has a history of supporting people on low incomes and I do not know why he is betraying it now.”

Yvette Cooper (1969) British politician

During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010. Link to the video http://www.youtube.com/watch?v=NtORBuxY0MU.

Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

William Golding photo
Neil Diamond photo

“I thought love was only true in fairy tales
Meant for someone else but not for me …”

Neil Diamond (1941) American singer-songwriter

I'm a Believer, first performed by The Monkees in 1966
Song lyrics, Just for You (1967)

Thomas Sturge Moore photo

“Shells with lip, or tooth, or bleeding gum,
Tell-tale shells, and shells that whisper 'Come',
Shells that stammer, blush, and yet are dumb – "
"O let me hear!”

Thomas Sturge Moore (1870–1944) British playwright, poet and artist

"A Duet", line 5; from The Sea is Kind (London: Grant Richards, 1914) p. 78.

Daniel Handler photo
L. Frank Baum photo

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

“Don Quixote, The Tale of Genji, The Dream of the Red Chamber, the Satyricon, these are the world's major works of prose fiction.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

"Moll Flanders", in With Eye and Ear (1970), p. 13

Walter Scott photo
Angelique Rockas photo
Francis Galton photo
Rudyard Kipling photo
Clive Staples Lewis photo

“Some day you will be old enough to start reading fairy tales again.”

The Lion, the Witch and the Wardrobe (1950), Dedication: "To Lucy Barfield"
The Chronicles of Narnia (1950–1956)

Nathaniel Hawthorne photo
Gracie Allen photo
Robert Fulghum photo

“To insist on one's place in the scheme of things and to live up to that place.
To empower others in their reaching for some place in the scheme of things.
To do these things is to make fairy tales come true.”

Robert Fulghum (1937) American writer

Uh-Oh: Some Observations from Both Sides of the Refrigerator Door (2001), p. 43, frameless QOTD 2008·06·04 Sound file

Stephen Baxter photo
Robert Louis Stevenson photo
James Macpherson photo
Peter Greenaway photo
Marie-Louise von Franz photo

“Just as the mother influence is formative with a man's anima, the father has a determining influence on the animus of a daughter. The father imbues his daughter's mind with the specific coloring conferred by those indisputable views mentioned above, which in reality are so often missing in the daughter. For this reason the animus is also sometimes represented as a demon of death. A gypsy tale, for example, tells of a woman living alone who takes in an unknown handsome wanderer and lives with him in spite of the fact that a fearful dream has warned her that he is the king of the dead. Again and again she presses him to say who he is. At first he refuses to tell her, because he knows that she will then die, but she persists in her demand. Then suddenly he tells her he is death. The young woman is so frightened that she dies. Looked at from the point of view of mythology, the unknown wanderer here is clearly a pagan father and god figure, who manifests as the leader of the dead (like Hades, who carried off Persephone). He embodies a form of the animus that lures a woman away from all human relationships and especially holds her back from love with a real man. A dreamy web of thoughts, remote from life and full of wishes and judgments about how things "ought to be," prevents all contact with life. The animus appears in many myths, not only as death, but also as a bandit and murderer, for example, as the knight Bluebeard, who murdered all his wives.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 319 - 320

Karen Blixen photo
G. K. Chesterton photo
Ludovico Ariosto photo

“But that he wrought so high the specious tale,
As manifested plainly, 'twas a lie.”

Se non volea pulir sua scusa tanto,
Che la facesse di menzogna rea.
Canto XVIII, stanza 84 (tr. W. S. Rose)
Orlando Furioso (1532)

Walter Scott photo
Al-Biruni photo
Charles Kettering photo

“More Tales of Boss Ket: An Informal and Unpublished Sequel to the Book, "Professional Amateur, the Biography of Charles Franklin Kettering", Thomas Alvin Boyd, 1969”

Charles Kettering (1876–1958) American inventor, engineer, businessman, and the holder of 140 patents

References

Paul Karl Feyerabend photo
Luís de Camões photo