Quotes about tale
page 5

“Pall on her temper, like a twice-told tale.”

Mark Akenside book The Pleasures of the Imagination

Book I, line 220
The Pleasures of the Imagination (1744)

“American literature was enriched with Men Who Loved Allison…. Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent.”

James Branch Cabell book The Cream of the Jest

Author's Note (1929 edition)
The Cream of the Jest (1917)

Love, Men, Books, Way

“Those evening bells! those evening bells!
How many a tale their music tells
Of youth and home, and that sweet time
When last I heard their soothing chime!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Those evening Bells.
Bartlett's Familiar Quotations, 10th ed. (1919)

Youth, Music, Home, Time

““What kind of stupid tale is that, when we just have to look at each other to know it isn’t true?”
“It has problems, I admit.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Stupidity, Problem

“Books are the way that we communicate with the dead. The way that we learn lessons from those who are no longer with us, that humanity has built on itself, progressed, made knowledge incremental rather than something that has to be relearned, over and over. There are tales that are older than most countries, tales that have long outlasted the cultures and the buildings in which they were first told. I think we have responsibilities to the future. Responsibilities and obligations to children, to the adults those children will become, to the world they will find themselves inhabiting. All of us – as readers, as writers, as citizens – have obligations.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

Children, Books, World, Way

“I am ashamed to see what a shallow village tale our so-called History is.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), History

History

“Even in my childhood my sympathy for the heroes in the fairy tales was always keenest at the moment when they waved their hands in farewell and turned their faces at last towards the magical adventures that stalked about impatiently awaiting their advent in the strange countries where their havens lay.”

Elizabeth Bisland Whetmore (1861–1929) American writer and journalist

Seven Stages: A Flying Trip Around the World http://digital.library.upenn.edu/women/bisland/stages/stages.html

Childhood, Country

“I love these tales because, in more reasonable attributions of motive, they so beautifully embody a fundamental theme of historical explanation - that consequences of substantial import often arise from triggers of entirely different intent. In other words, current utility bears no necessary relationship with historical origin.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 302
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Love, Motivation

“I can only look from the outside (or cut into the inside, but flesh and genes do not reveal organic totality). I am stuck with a panoply of ineluctably indirect methods - some very sophisticated to be sure. I can atomize, experiment, and infer. I can record reams of data about behaviors and responses. But if I could be a beetle or a bacillus for that one precious minute - and live to tell the tale in perfect memory - then I might truly fulfill Darwin's dictum penned into an early notebook containing the first full flowering of his evolutionary ideas during the late 1830's: "He who understands the baboon would do more towards metaphysics than Locke."”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Can We Truly Know Sloth and Rapacity?" pp. 376
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Behavior, Flowers, Idea, Understanding

“If your mem'ry serves you well, we were gonna meet again and wait, so I think I'll just unpack my bags and sit before it gets too late.
No man alive will come to you with another tale to tell, but you know that we shall meet again, if your mem'ry serves you well.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Basement Tapes (1975), This Wheel's on Fire (recorded in 1967)

Thinking, Waiting

“Like computer viruses, successful mind viruses will tend to be hard for their victims to detect. If you are the victim of one, the chances are that you won't know it, and may even vigorously deny it. Accepting that a virus might be difficult to detect in your own mind, what tell-tale signs might you look out for? I shall answer by imaging how a medical textbook might describe the typical symptoms of a sufferer”

Richard Dawkins book Viruses of the Mind

arbitrarily assumed to be male
Viruses of the Mind (1993)

Suffering, Chance, Success

“Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination of the heart.”

Salman Rushdie (1947) British Indian novelist and essayist

The Hindu (26 February 1995)

Truth, Hope, Imagination, Literature

“The Soviet Union does not allow any church of any kind to interfere with education, and religion is not taught in public schools. It seems to me that this is the greatest gift of the Russian Revolution to the modern world. Most educated modern men no longer believe in religious dogma. If questioned they will usually resort to double-talk before admitting the fact. But who today actually believes that this world is ruled and directed by a benevolent person of great power who, on humble appeal, will change the course of events at our request? Who believes in miracles? Many folk follow religious ceremonies and services and allow their children to learn fairy tales and so-called religious truth, which in time the children come to recognize as conventional lies told by their parents and teachers for the children's good. One can hardly exaggerate the moral disaster of the custom. We have to thank the Soviet Union for the courage to stop it.”

W.E.B. Du Bois (1868–1963) American sociologist, historian, activist and writer

The Autobiography of W.E. Burghardt Du Bois (1968), Ch. IV : The Soviet Union; he later states in Ch. XVI : My Character: "I think the greatest gift of the Soviet Union to modern civilization was the dethronement of the clergy and the refusal to let religion be taught in the public schools."

Men, Children, Truth, World

“Ah! And in writing down these stories of mine, arranging these tales of my father in the used up margin of its text, do I not yield to the secret hope that, someday, they will strike root imperceptibly between the faded leaves of that most magnificent, scattering book; that they will fall into the great rustle of its pages, which will enfold them?”

Bruno Schulz (1892–1942) Polish novelist and painter

“A Night of the High Season” http://www.schulzian.net/translation/shops/night.htm His father, Books

Secret, Books, Hope

“The good historian is like the giant of the fairy tale. He knows that wherever he catches the scent of human flesh, there his quarry lies.”

Marc Bloch (1886–1944) French historian, medievalist, and historiographer

The Historian's Craft, pg.26

“The magical proposition of the gospel, once free from the clasps of fairy tale, was very adult to me, very gritty like something from Hemingway or Steinbeck, like something with copious amounts of sex and blood. Christian spirituality was not a children's story. It wasn't cute or neat. It was mystical and odd and clean, and it was reaching into the dirty. There was wonder in it and enchantment.
Perhaps, I thought, Christian spirituality really was the difference between illusion and magic.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

Children, Sex

“"Noelle's Treasure Tale" is based on the historical fact that three Spanish galleons full of treasure sunk off Florida's treasure coast and have never been recovered. I have a beach house on the Treasure Coast, and I'm out there with my snorkel looking for the treasure.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment to audience at book signing at Macy's in New York City (November 21, 2006)
2007, 2008

Housing

“This London, of course, with its hollow, drum-like name, is neither England nor abroad but something on its own, a walled fantasy of remembered tales.”

Laurie Lee (1914–1997) British writer

Eight-Year-Old World, p. 26.
I Can't Stay Long (1975)

“There is nothing finer in the world than the telling of tales. Split atoms if you wish, but splitting an infinitive—and getting away with it—is far nobler. Lance boils if you wish, but pricking pretensions is often cleaner and always more fun.”

Greg Bear (1951) American writer best known for science fiction

Short fiction, The White Horse Child (1979)

World

“There is a beautiful tale among the Australian aborigines which says that the bow and arrow were not man's invention, but an ancestor God turned himself into a bow and his wife became the bowstring, for she constantly has her hands around his neck, as the bowstring embraces the bow. So the couple came down to earth and appeared to a man, revealing themselves as bow and bowstring, and from that the man understood how to construct a bow. The bow ancestor and his wife then disappeared again into a hole in the earth. So man, like an ape, only copied, but did not invent, the bow and arrow. And so the smiths originally, or so it seems from Eliade's rather plausible argument, did not feel that they had invented metallurgy; rather, they learned how to transform metals on the basis of understanding how God made the world.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Creation Myths (1972), Deus Faber

God, World, Beauty, Feeling

“When happily ever after fails
And weve been poisoned by these fairy tales
The lawyers dwell on small details
Since daddy had to fly
But I know a place where we can go
Thats still untouched by man
Well sit and watch the clouds roll by
And the tall grass wave in the wind.
You can lay your head back on the ground
And let your hair fall all around me.
Offer up your best defense
But this is the end
This is the end of the innocence.”

Don Henley (1947) American singer, lyricist, producer and drummer

"The End of the Innocence" (co-written with Bruce Hornsby)
Song lyrics, The End of the Innocence (1989)

Grass, Flying

“Nobody has any conscience about adding to the improbabilities of a marvelous tale.”

Nathaniel Hawthorne book The Marble Faun

Source: The Marble Faun (1860), Chapter IV: The Spectre of the Catacomb

“Only with the Internet can a peasant I have never met hear my voice and I can learn what’s on his mind. A fairy tale has come true.”

Ai Weiwei (1957) Chinese concept artist

2000-09, The Bold and the Beautiful, 2009

Learning

“What Jim wanted to do, and it was totally his vision, was to get back to the darkness of the original Grimm’s fairy tales. He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe.”

Jim Henson (1936–1990) American puppeteer

Frank Oz, as quoted in Q&A: Frank Oz on Henson, “Dark Crystal” and the Kwik Way http://blog.sfgate.com/parenting/2007/06/28/qa-frank-oz-on-henson-dark-crystal-and-the-kwik-way/, SFGate, (June 28, 2007). About

Children, Feeling, Thinking

“It has been fashionable in the twentieth century not only to debunk myth, … but to pretend that that reasonable and educated people could avoid the embarrassment of religion and the risk of metaphysics by sticking close to demonstrable facts and testable hypotheses. However, in the course of reducing our beliefs and hopes to certainties and proofs, we impoverished and deluded ourselves. The modern anti-myth reduced human life to a story without a point, a tale told by an idiot, a process without a purpose, a journey without a goal, an affair without a climax (Godot never comes), an accidental collision of mindless atoms. … We have hardly noticed that economics, technology and politics have become the new myth and metaphysic. We haven’t avoided myth and metaphysics, only created demeaning ones.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 22

Life, People, Education, Religion

““Will you write the story?”
“If there is one.”
“Happy ending or no?” He was serious.
She attempted a smile. “Fairy tales always have a happy ending.”
He leaned back in his chair. “That depends.”
“On what?”
“On whether you are Rumplestiltskin or the Queen.””

Jane Yolen book Briar Rose

Source: Briar Rose (1992), Chapter 16 (p. 91)

Happiness, Smile, Dependency

“To this day the Russian, though surrounded by a stern, unimaginative world of reality, loves to believe the seductive tales of antiquity. And long will it be before he will have been weaned from that belief.”

Ivan Goncharov book Oblomov

"Oblomov", Part I Chapter V by I. Goncharov, translated by C. J. Hogarth

Love, World, Reality

“The Book of Boz is neither a novel nor a poem nor a tale. Even less is it a drama or an essay.
It is nothing except the style that inspires it and haunts it, to excess.
No points of reference here.
No beacon.
You sail wherever the wind blows.
Stories are woven, end, are reborn, with the flow, before a storm comes up to carry us further away, to the threshold of a new vision.
For, that is The Book of Boz : a work outside of norms, indefinable, created by a wanderer for other wanderers.”

Julien Friedler (1950) artist, writer

The Book of Boz http://www.spiritofboz.org/en/spirit-of-boz/the-book-of-boz/ The Spirit of Boz

Books

“I read myths and fairy tales and books about them a great deal now, but I very seldom read novels. I find modern novels bore me. I can read Tolstoy and the Russians, but mostly I read comparative mythology and comparative religion. I need matter to carry with me.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

The Paris Review interview (1982)

Books, Religion, Reading

“The proof of the pudding is in the eating. There was a widespread myth of the 1970s, a myth along Tom Kuhn’s (1962) Structure of Scientific Revolutions lines. The Keynesianism, which worked so well in Camelot and brought forth a long epoch of price-level stability with good Q growth and nearly full employment, gave way to a new and quite different macro view after 1966. A new paradigm, monistic monetarism, so the tale narrates, gave a better fit. And therefore King Keynes lost self esteem and public esteem. The King is dead. Long live King Milton!
Contemplate the true facts. Examine 10 prominent best forecasting models 1950 to 1980: Wharton, Townsend–Greenspan, Michigan Model, St. Louis Reserve Bank, Citibank Economic Department under Walter Wriston’s choice of Lief Olson, et cetera. … M did matter as for almost everyone. But never did M alone matter systemically, as post-1950 Friedman monetarism professed.”

Paul A. Samuelson (1915–2009) American economist

New millennium, An Interview with Paul A. Samuelson, 2003

Way, Dead

“Embarrassing cricket tales. When I was about 14, my school team played against a school called Langdon, somewhere or other in the wilds of East London. They batted first and racked up 180-3 off 20 overs. We got 13. My PE teacher called it the most humiliating day of his life. Years later, he got done for sex offences. I wonder what he thinks now.”

Ben Dirs journalist

Cricket England v West Indies, First test, day five as it happened, 2007-05-21, 2007-05-26, BBC http://news.bbc.co.uk/sport1/hi/cricket/england/6675703.stm,

Life, School, Sex, Thinking

“Death, he remembered somebody saying once, was a kind of victory. To have lived a long good life, a life of prodigious pleasure and minimal misery, and then to die; that was to have won. To attempt to hang on forever risked ending up in some as-yet-unglimpsed horror future. What if you lived forever and all that had gone before, however terrible things had sometimes appeared to be in the past, however badly people had behaved to each other throughout history, was nothing compared to what was yet to come? Suppose in the great book of days that told the story of everything, all the gone, done past was merely a bright, happy introduction compared to the main body of the work, an unending tale of unbearable pain scraped in blood on a parchment of living skin?
Better to die than risk that.
Live well and then die, so that the you that is you now can never be again, and only tricks can re-create something that might think it is you, but is not.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 8 “Killing Time” section V (pp. 259-260).

Life, Death, Pain, Happiness

“When the next year the raiders returned and landed near Jarrow they were stoutly attacked while harassed by bad weather. Many were killed. Their "king" was captured and put to a cruel death, and the fugitives carried so grim a tale back to Denmark that for forty years the English coasts were unravaged.”

Winston S. Churchill book A History of the English-Speaking Peoples

On a Viking Raid in 794 A.D.; Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

Death, Weather

“The people I choose to admire are not necessarily popular, not necessarily terribly well known, but they each have something to offer me, a lesson, a cautionary tale, an idea, an inspiration.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, ACTIVISM

People, Idea

“After I wrote Handmaid’s Tale, people came up to me and asked why weren’t there any protests. And I said, “You don’t understand totalitarianism.” A real totalitarianism doesn’t fool around with protests in the streets.”

Margaret Atwood (1939) Canadian writer

The Progressive interview (2010)

People, Fools, Understanding

“A fairy tale in terms of blood—a world in anamorphosis—a perversion of all rationality.… It’s unthinkable, senseless, like black magic and sorcery and thaumaturgy. It’s downright demented.”

S. S. Van Dine book The Bishop Murder Case

Ch 1
The Bishop Murder Case (1929)

World

“Every interview with a public figure should include the question "What have you been wrong about, and how did that change your views?" The answer will tell us if the person is intellectually honest or a tale spinner with delusions of infallibility.”

Stewart Brand book Whole Earth Discipline

Whole Earth Discipline (2009), page 230.

Question, Change, Personality

“Seventeen years after its initial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw2.html of Star Wars Episode V: The Empire Strikes Back (1980). Four star reviews

War, Hope, Star, Science

“The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.”

Douglas Hofstadter book Gödel, Escher, Bach: an Eternal Golden Braid

"Recursive Structures and Processes"
Gödel, Escher, Bach: an Eternal Golden Braid (1979)

“Oh! once the harp of Innisfail
Was strung full high to notes of gladness;
But yet it often told a tale
Of more prevailing sadness.”

Thomas Campbell (1777–1844) British writer

O'Connor's Child, st. 1 (1810)

Sadness

“Ansige unreeled the tale of his tribulations, thoroughly ransacking the truth and then dipping into the bag of embellishment and sprinkling with a free hand.”

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 2 “Ansige Eats Lamb and Murders a Peacock” (p. 17)

Truth

“If Hawking’s world is “small,” well, at least what he found was testable, and might be true. Father de Souza’s claims are either untestable or have already been shown to be doubtful, and he has no evidence for any of them. In requiring people to believe fairy tales, de Souza’s world is not just small, but nonexistent.”

Jerry Coyne (1949) American biologist

" Catholic priest says that Hawking, while smart, didn’t solve the biggest questions of the universe https://whyevolutionistrue.wordpress.com/2018/03/22/catholic-priest-says-that-hawking-while-smart-didnt-solve-the-biggest-questions-of-the-universe/" March 22, 2018

People, World

“Science knows it doesn't know everything; otherwise, it'd stop. But just because science doesn't know everything doesn't mean you can fill in the gaps with whatever fairy tale most appeals to you.”

Dara Ó Briain (1972) Irish comedian and television presenter

Dara Ó Briain Talks Funny: Live in London (2008)

Science

“Even people who do cleaning work can write fairy tales. And they can even make better work than me. The problem is that no one encourages them to do so. The most essential thing that people seek is appreciation by others. That is what largely decides one's success or failure.”

Zheng Yuanjie (1955) Chiese writer

Zheng Yuanjie (2004) in: "Zheng Yuanjie's 19 years in fairy tales" on chinadaily.com.cn, May 10, 2004 ( online http://www.chinadaily.com.cn/english/doc/2004-05/10/content_329434.htm).

People, Failure, Problem, Success

“Burton sighed, laughed loudly, and said, “Plus ça change, plus c’est la même chose.” Another fairy tale to give men hope. The old religions have been discredited — although some refuse to face even that fact — so new ones must be invented.””

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 23 (p. 179)

Men, Religion, Hope, Change

“Wilt thou not save me? once in every year
This rightful form of mine that thou dost see
By favour of the Goddess have I here
From sunrise unto sunset given me,
That some brave man may end my misery.
And thou — art thou not brave? can thy heart fail,
Whose eyes e'en now are weeping at my tale?”

William Morris (1834–1896) author, designer, and craftsman

The Earthly Paradise (1868-70), The Lady of the Land

Art, Heart

“I'm so lucky that he agreed. A fascinating tale.”

Arin Paul (1980) Indian film director

On National Award Winning Director, Nripen Ganguly Washington Bangla Radio http://www.washingtonbanglaradio.com/content/62700211-director-arin-paul-completes-shooting-documentary-award-winning-veteran-bengali-fil (2011)

“In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn; then, and only then, did it tell its true tale.”

Thomas Hardy book The Return of the Native

Bk. I, ch. 1
The Return of the Native (1878)

Lying, Understanding, Time

“The soote season, that bud and bloom forth brings,
With green hath clad the hill, and eke the vale:
The nightingale with feathers new she sings;
The turtle to her make hath told her tale;
Summer is come, for every spray now springs.”

Henry Howard, Earl of Surrey (1516–1547) English Earl

"Description of Spring", line 1

Spring, Singing, Summer, Season

“Old wives' tales are not enough in a day when old wives and old men, too, are constantly moving away from their labours.”

Vincent Massey (1887–1967) Governor General of Canada

Address to the Women's Canadian Club, Montreal, Quebec, March 26, 1958
Speaking Of Canada - (1959)

Men

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Pleasure, Smile, Music, Imagination

“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word “depression.” Depression, most people know, used to be termed “melancholia,” a word which appears in English as early as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. “Melancholia” would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated — the Swiss-born psychiatrist Adolf Meyer — had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted by offering “depression” as a descriptive noun for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its very insipidity, a general awareness of the horrible intensity of the disease when out of control.
As one who has suffered from the malady in extremis yet returned to tell the tale, I would lobby for a truly arresting designation. “Brainstorm,” for instance, has unfortunately been preempted to describe, somewhat jocularly, intellectual inspiration. But something along these lines is needed. Told that someone’s mood disorder has evolved into a storm — a veritable howling tempest in the brain, which is indeed what a clinical depression resembles like nothing else — even the uninformed layman might display sympathy rather than the standard reaction that “depression” evokes, something akin to “So what?” or “You’ll pull out of it” or “We all have bad days.””

William Styron book Darkness Visible

The phrase “nervous breakdown” seems to be on its way out, certainly deservedly so, owing to its insinuation of a vague spinelessness, but we still seem destined to be saddled with “depression” until a better, sturdier name is created.
Source: Darkness Visible (1990), IV

People, Disease, School, Way

““We are all sleeping princesses some time. But it is better to be fully awake, don’t you think?”…“Americans do not want to be awake?”
“Oh,” Becca said, “we like the truth all right. When it’s tidy.”
“Truth is never tidy. Only fairy tales.””

Jane Yolen book Briar Rose

Source: Briar Rose (1992), Chapter 32 (p. 196; ellpsis represents elision of a brief narrative section)

Truth, Thinking, Sleep, Time

“Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder.”

John S. Hall (1960) Poet, author, singer, lawyer

"Leather Clown"
Lyrics, They (1988)

Sex, Cars, Time

“[As of November 17, 2006] 'Noelle's Treasure Tale' has remained at No. 3 on the New York Times children's best seller list since its October 10 release.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Children, Time

“[To beginning readers (ages 4 to 8) at a reading of "Noelle's Treasure Tale"]: If you discover a word in my book that you don't understand, ask your parents so they can look it up in the dictionary for you.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment to audience at book signing at Macy's in New York City (November 21, 2006
2007, 2008

Books, Age, Understanding, Parent

“The tale survives of two men
Who fell in love "at first sight";
Who shared everything
In unbounded intimacy
Including the pillow
And the red embroidered coverlet
Which had been in the family
For generations.
Whether they had bad days,
Domestic arguments
Or inappropriate dreams
We do not know –
No doubt such burrs
Were worked away by time
Polishing its story;
How they found each other
And lived together all their lives,
And died on the same day,
And were buried by the grieving town
On Mount Luofo's peak
With their pillow and red coverlet;
And a pine tree grew
Out of the grave
Like the character for longevity
And true love.Such is the legend.
I like to think of them,
Pan Zhang and Wang Zhangxian,
In the crowd of well-wishers
Waiting in the April sunshine,
Yes, under white cherry trees
In full bloom, for us
Here and now, on this day
Early in the century,
In our very best suits and ties,
With our new rings
Growing warm on our fingers
Like keepsakes of light
Saved from the stars.”

Nick Drake (poet) (1961) British writer

From the Song Dynasty

Love, Men, Family, Dreams

“Meet me by moonlight alone,
And then I will tell you a tale
Must be told by the moonlight alone,
In the grove at the end of the vale!
You must promise to come, for I said
I would show the night-flowers their queen.
Nay, turn not away that sweet head,
'T is the loveliest ever was seen.”

J. Augustine Wade (1796–1845) Irish composer

Meet me by Moonlight, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Flowers, Night

“Every civilization that has ever existed has ultimately collapsed … History is a tale of efforts that failed, of aspirations that weren’t realized... So, as a historian, one has to live with a sense of the inevitability of tragedy.”

Henry Kissinger (1923–2023) United States Secretary of State

Cited in "Identifying the Wild Beast and Its Mark" http://wol.jw.org/en/wol/d/r1/lp-e/2004241?q=durant&p=par, in The Watchtower (1 March 2004) 2000s

History, Sense, Effort

“Sober, modern Occidental judgement is founded on a total misunderstanding of the realities depicted in the fairy tale, the myth, and the divine comedies of redemption. These, in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete.”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 2

Truth, World, Reality

“Armenians have a genuine tale of woe. It largely overlaps with the tale of tragedy and suffering that can be told by Ottoman Muslims during the war years.”

Bruce Fein (1947) American lawyer

Lies, Damn Lies, and Armenian Deaths (2009)

War, Suffering

“I saw my first Henry Darger collage/paintings in the early 1980’s when the tale of Henry’s life was just emerging through rumor and scattered fragments of his book. He lived and died a recluse in Chicago where no one knew of his writings or paintings. There was a folk art gallery in New Orleans that had acquired a small pile of Realms of the Unreal illustrations. I was on tour with REM at the time, Michael Stipe and I visited the gallery where we had a first look at these images of seven little horrified girls pursued by a purple and orange winged cats or evil professors on horseback or resting peacefully under giant sunflowers. I was completely captivated and intrigued.”

Natalie Merchant (1963) American singer-songwriter

Quotes from NatalieMerchant.com

Life, Books, Art, Girl

“Two forces create eternity – a fairy tale and a dream from the fairy tale.”

Dejan Stojanovic (1959) poet, writer, and businessman

“A Fairy Tale and the End,” p. 40
The Sun Watches the Sun (1999), Sequence: "Forgotten Place”

Dreams

“Are we not bold to bid a god repent;
To break upon his slumbers with our prayers;
To watch him day and night; to wear him out
With endless supplication? Perhaps to beg
His kind attention to a pleasant tale;
To cheat him into pity, and conclude
Each story with Prometheus?”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

Sylphs
Poems (1851), Prometheus

God, Cheating, Night

“…I had the view of a castle of romance inhabited by a rosy sprite, such a place as would somehow, for diversion of the young idea, take all colour out of storybooks and fairy tales. Wasn't it just a storybook over which I had fallen a-doze and a-dream? No; it was a big, ugly, antique, but convenient house, embodying a few features of a building still older, half replaced and half utilised, in which I had the fancy of our being almost as lost as a handful of passengers in a great drifting ship. Well, I was, strangely, at the helm!”

Henry James book The Turn of the Screw

Source: The Turn of the Screw (1898), Ch. I.

Dreams, Idea, Housing

“My older cousins teased us—my sisters and brothers—with tales that Erasmus Flattery was a mage. We were all struck dumb in his presence, terrified that he would practice some enchantment upon us. In truth, we always hoped to see some magic, but of course we never did.”

Sean Russell (1952) author

She laughed again. “Children do love to believe such things.”
Source: World Without End (1995), Chapter 24 (p. 343)

Love, Children, Truth, Hope

“I have to say, Mr. Deputy Speaker, the Ministers are like fraudsters in the fairy tale, telling gullible Liberal Democrat MPs about the beautiful progressive clothes that the emperor is wearing, if only they are clever enough and loyal enough to see them. And desperately, we have Liberal Democrats clinging to shreds of invisible cloth, reaching deep into their Liberal and Conservative history to pretend that they can be progressive now. They are claiming that Keynes might have backed the Budget. They are calling on Beveridge for support, kidding themselves that they can call on their history and that they are following in the footsteps of great liberal Conservatives like Winston Churchill, who supported the minimum wage, but the truth is that the emperor has no clothes.
The truth is that if you look at the detail, the Budget is nastier than any brought in by Margaret Thatcher. Instead of Churchill, Keynes or the founders of the welfare state, the Liberal Democrats have signed up, with the Right Honourable Member for Chingford and his Chancellor, to cut support for the poor. It is perhaps apt that in this week of World Cup disappointments, it was actually a footballer who got it right. In 2002, after England were defeated in the World Cup by Brazil, Gareth Southgate reflected ruefully on England's performance and said:
"We were expecting Winston Churchill and instead got Iain Duncan Smith."
That is the reality for the Liberal Democrats now. With all their high hopes, they have betrayed the poor and the vulnerable, whom they stood up to defend.
[The Minister of State, Department for Work and Pensions (Steve Webb) rose]
I will give way to the hon. Gentleman because I know he has a history of supporting people on low incomes and I do not know why he is betraying it now.”

Yvette Cooper (1969) British politician

During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010. Link to the video http://www.youtube.com/watch?v=NtORBuxY0MU.

People, Truth, World, Beauty

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“Young Prokofiev was attentive to new musical trends. We can find traces of various influences in his early compositions. Some of the piano works from the set Visions fugitives, op. 22 (1915–17), are reminiscent of Debussy; the Andante assai section of the First Piano Concerto, op. 10 (1911–12), sounds like Rachmaninov; and the harmonies of the symphonic poem Osen neye(Autumnor Autumnal Sketch), op. 8 (1910), harken back to Scriabin. These, however, were rather passing influences. Others proved to be more enduring.
One of them was the fairy-tale streak in Russian music. Russians have always been fond of fairy tales, which to this day continue to be an important part of every child’s upbringing. …
Another significant influence was the Classical style.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Music, Autumn, Parting

“You know how a boy is. There comes a time for departure, a point where he sees confirmed the suspicion he’d had for some time that his father is not a god, not even a oracle. He sees that he no longer has any right to any such father. So Vheissu becomes a bedtime story or fairly tale after all, and the boy a superior version of his merely human father.”

Thomas Pynchon book V.

Source: V. (1963), Chapter Seven, Part VII

God, Boy, Departure, Time

“The man who tells the tale if he has a tale worth telling will know exactly what he is about and this business of the artist as a sort of starry-eyed inspired creature, dancing along, with his feet two or three feet above the surface of the earth, not really knowing what sort of prints he's leaving behind him, is nothing like the truth.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Interview with Frank Kermode, BBC Third Programme (28 April 1959)

Truth, Business, Dance

“Included in this “almost nothing,” as a kind of geological afterthought of the last few million years, is the first development of self-conscious intelligence on this planet—an odd and unpredictable invention of a little twig on the mammalian evolutionary bush. Any definition of this uniqueness, embedded as it is in our possession of language, must involve our ability to frame the world as stories and to transmit these tales to others. If our propensity to grasp nature as story has distorted our perceptions, I shall accept this limit of mentality upon knowledge, for we receive in trade both the joys of literature and the core of our being.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Literary bias on the slippery slope", p. 252
Bully for Brontosaurus (1991)

World, Intelligence, Literature, Nature

“I thought love was only true in fairy tales
Meant for someone else but not for me …”

Neil Diamond (1941) American singer-songwriter

I'm a Believer, first performed by The Monkees in 1966
Song lyrics, Just for You (1967)

Love

“Shells with lip, or tooth, or bleeding gum,
Tell-tale shells, and shells that whisper 'Come',
Shells that stammer, blush, and yet are dumb – "
"O let me hear!”

Thomas Sturge Moore (1870–1944) British playwright, poet and artist

"A Duet", line 5; from The Sea is Kind (London: Grant Richards, 1914) p. 78.

“Like all fairy tales, the story of Sleeping Beauty begins with "Once upon a time," and continues with a foolish young princess who makes a witch very angry, and then takes a nap until her boyfriend wakes her up with a kiss and insists on getting married, at which point the story ends with the phrase "happily ever after."”

Daniel Handler book The Hostile Hospital

Lemony Snicket
The Hostile Hospital (2001)

Beauty, Kiss, Sleep, Time

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

People, Books, School, Search

“Don Quixote, The Tale of Genji, The Dream of the Red Chamber, the Satyricon, these are the world's major works of prose fiction.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

"Moll Flanders", in With Eye and Ear (1970), p. 13

World, Dreams

“T is an old tale and often told;
But did my fate and wish agree,
Ne'er had been read, in story old,
Of maiden true betray'd for gold,
That loved, or was avenged, like me.”

Walter Scott Marmion

Canto II, stanza 27.
Marmion (1808)

Love, Fate, Reading

“A key moment of my spiritual epiphany was the tale told by the property manager of our apartment block, Mrs Marina. Every year on All Saints Day if I remember correctly, she commemorated the death of her son who died from an overdose. She baked some holy bread, antidoro, and then took it to her parish Church as an offering for evening vespers. When I asked Mrs Marina why she was doing this, she replied simply, "So that Christ speaks to my son and takes pity", as it is on this particular day it is believed that the Christ descends once again into the bowels of hell, not to defeat death this time as in Holy Saturday, but to keep company with the so called damned. For mothers like Mrs Marina fearful that their dead children might inhabit this nether world because of their sins, despair of redemption etc, Christ's visit provides some hope- that He might take pity on them and relieve them of their eternal punishment. Christ as the God that Unshackles the power of Hell and Death, the Resurrected Christ that even reaches out to the damned, and not the Christ of Deo Satisfactio of the heretical western Churches is one of the great glories of Greek Orthodoxy and of Orthodoxy as a whole.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

Interview on Helenism .net (September 2011)

Death, God, Children, World

“I HAVE no patience with the hypothesis occasionally expressed, and often implied, especially in tales written to teach children to be good, that babies are born pretty much alike, and that the sole agencies in creating differences between boy and boy, and man and man, are steady application and moral effort. It is in the most unqualified manner that I object to pretensions of natural equality. The experiences of the nursery, the school, the University, and of professional careers, are a chain of proofs to the contrary.”

Francis Galton Hereditary Genius

Hereditary Genius (1869; 2005), p. 56
Hereditary Genius (1869)

Children, School, Boy, Nature

“Back and forth the fantastic tableaux would spin, past his cruel plebe hazing, the self-discovery at the West Texas Military Academy, the patriarchal Judge MacArthur, all beard and cigar smoke, presiding over dynastic feats at Washington's 1201 N Street; the chimes of the drawing-room clock there telling off the quarters; the ceremonial changing of the guard at Leavenworth; his father's tales of Sherman's dauntless Boys in Blue; his mother's imperious commands to fight and fight and never lower his blade short of victory; the clean crack of Krag rifles and the warm prickling of desert sand as he played with his brother outside the fort stockade; the rumbling of the sunset gun and Pinky's face tilting downward, her lambent smile gilding the child's upturned features while he clutched at her cascading skirts; the yellow notes of the bugles as he stirred in his cradle; the chant of sergeants hawking cadence on the parade ground outside; and, snapping proudly in the overarching sky above him, the flag, and the flag, and the flag.”

William Manchester (1922–2004) (April 1, 1922 – June 1, 2004) American author, journalist and historian

Source: American Caesar: Douglas MacArthur 1880-1964 (1978), p. 709

Smile, Boy, Change, Past

“And oft-times cometh our wise Lord God, master of every trade,
And tells them tales of His daily toil, of Edens newly made;
And they rise to their feet as He passes by, gentlemen unafraid.”

Rudyard Kipling book Barrack-Room Ballads

Dedication, Stanza 5.
Barrack-Room Ballads (1892, 1896)

God, Time

“Some day you will be old enough to start reading fairy tales again.”

Clive Staples Lewis The Chronicles of Narnia

The Lion, the Witch and the Wardrobe (1950), Dedication: "To Lucy Barfield"
The Chronicles of Narnia (1950–1956)

Reading

“The white-haired father now approached Ethan Brand, and gazed steadily into his face.
"They tell me you have been all over the earth," said he, wringing his hands with earnestness. "You must have seen my daughter, for she makes a grand figure in the world, and everybody goes to see her. Did she send any word to her old father, or say when she was coming back?"
Ethan Brand's eye quailed beneath the old man's. That daughter, from whom he so earnestly desired a word of greeting, was the Esther of our tale, the very girl whom, with such cold and remorseless purpose, Ethan Brand had made the subject of a psychological experiment, and wasted, absorbed, and perhaps annihilated her soul, in the process.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

World, Soul, Girl, Daughters

“This country needs room to grow and expand. In all my own newspapers I read frightful tales of the shameful atrocities being perpetrated on our Democratic minorities in Maine and Vermont. My patience is almost at an end, and if provoked much further I will place both countries under American protection, even if I have to send in my tourists to start trouble so I’ll have to send in a force to restore order.”

Gracie Allen (1902–1964) American actress and comedienne

Source: How to Become President (1940), Ch. 7 : Buying a good used platform

Reading, Patience, Country

“To insist on one's place in the scheme of things and to live up to that place.
To empower others in their reaching for some place in the scheme of things.
To do these things is to make fairy tales come true.”

Robert Fulghum (1937) American writer

Uh-Oh: Some Observations from Both Sides of the Refrigerator Door (2001), p. 43, frameless QOTD 2008·06·04 Sound file

“Her story was a creation myth, a legend already more than twenty thousand years old. Such tales—which said that Jahna’s people were the pinnacle of creation, that theirs was the only right way, and that all others were less than human—taught the people to care passionately about themselves, their kin, and a few treasured ideals.
But to the exclusion of all other humans, let alone such non-people as the Old Man’s kind.”

Stephen Baxter book Evolution

Source: Evolution (2002), Chapter 13 “Last Contact” section III (p. 432)

People, Way, Passion

“I shall doubtless outlive some troublesome desires; but I am in no hurry about that; nor, when the time comes, shall I plume myself on the immunity just in the same way, I do not greatly pride myself on having outlived my belief in the fairy tales of Socialism. Old people have faults of their own; they tend to become cowardly, niggardly, and suspicious. Whether from the growth of experience or the decline of animal heat, I see that age leads to these and certain other faults; and it follows, of course, that while in one sense I hope I am journeying towards the truth, in another I am indubitably posting towards these forms and sources of error.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Crabbed Age and Youth.
Virginibus Puerisque and Other Papers (1881)

People, Truth, Age, Hope

“Pleasant are the words of the song," said Cuthullin, "and lovely are the tales of other times. They are like the calm dew of the morning on the hill of roes, when the sun is faint on its side, and the lake is settled and blue in the vale.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Book III
The Poems of Ossian, Fingal, an ancient Epic Poem

Love, Time, Sun

“Counting is the most simple and primitive of narratives -- 1 2 3 4 5 6 7 8 9 10 -- a tale with a beginning, a middle and an end and a sense of progression -- arriving at a finish of two digits -- a goal attained, a dénouement reached.”

Peter Greenaway (1942) British film director

Fear of Drowning By Numbers

Sense

“Just as the mother influence is formative with a man's anima, the father has a determining influence on the animus of a daughter. The father imbues his daughter's mind with the specific coloring conferred by those indisputable views mentioned above, which in reality are so often missing in the daughter. For this reason the animus is also sometimes represented as a demon of death. A gypsy tale, for example, tells of a woman living alone who takes in an unknown handsome wanderer and lives with him in spite of the fact that a fearful dream has warned her that he is the king of the dead. Again and again she presses him to say who he is. At first he refuses to tell her, because he knows that she will then die, but she persists in her demand. Then suddenly he tells her he is death. The young woman is so frightened that she dies. Looked at from the point of view of mythology, the unknown wanderer here is clearly a pagan father and god figure, who manifests as the leader of the dead (like Hades, who carried off Persephone). He embodies a form of the animus that lures a woman away from all human relationships and especially holds her back from love with a real man. A dreamy web of thoughts, remote from life and full of wishes and judgments about how things "ought to be," prevents all contact with life. The animus appears in many myths, not only as death, but also as a bandit and murderer, for example, as the knight Bluebeard, who murdered all his wives.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 319 - 320

Love, Life, Death, God

“I do not know if you remember the tale of the girl who saves the ship under mutiny by sitting on the powder barrel with her lighted torch … and all the time knowing that it is empty? This has seemed to me a charming image of the women of my time. There they were, keeping the world in order … by sitting on the mystery of life, and knowing themselves that there was no mystery.”

Karen Blixen book Seven Gothic Tales

"The Old Chevalier"
Seven Gothic Tales (1934)

Life, Women, World, Girl

“We may summarize the main line of this complexly meandering tale as a list of ironies - invoking the technical definition of irony as a statement where, for humorous or sarcastic effect, the intended meaning of a word becomes directly opposite to the usual sense…”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 313
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Sense

“Even the tyrant never rules by force alone; but mostly by fairy tales. And so it is with the modern tyrant, the great employer. The sight of a millionaire is seldom, in the ordinary sense, an enchanting sight: nevertheless, he is in his way an enchanter. As they say in the gushing articles about him in the magazines, he is a fascinating personality. So is a snake. At least he is fascinating to rabbits; and so is the millionaire to the rabbit-witted sort of people that ladies and gentlemen have allowed themselves to become.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Source: Utopia of Usurers (1917), p. 19

People, Way, Sense, Personality

“But that he wrought so high the specious tale,
As manifested plainly, 'twas a lie.”

Ludovico Ariosto book Orlando Furioso

Se non volea pulir sua scusa tanto,
Che la facesse di menzogna rea.
Canto XVIII, stanza 84 (tr. W. S. Rose)
Orlando Furioso (1532)

Lie

“England was merry England, when
Old Christmas brought his sports again.
‘Twas Christmas broach’d the mightiest ale;
‘Twas Christmas told the merriest tale;
A Christmas gambol oft could cheer
The poor man’s heart through half the year.”

Walter Scott Marmion

Canto VI, introduction, st. 3.
Marmion (1808)

Sport, Heart, Christmas

“Mahmud utterly ruined the prosperity of the country, and performed there wonderful exploits, by which the Hindus became like atoms of dust scattered in all directions, and like a tale of old in the mouth of the people. Their scattered remains cherish, of course, the most inveterate aversion towards all Muslims…. Hindu sciences have retired far away from those parts of the country conquered by us, and have fled to places which our hand cannot yet reach, to Kashmir, Benaras and other places. And there the antagonism between them (the Hindus) and all foreigners receives more and more nourishment both from political and religious sources”

Al-Biruni book Alberuni's India

Alberuni's India, vol. I, p. 22. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
From Alberuni's India

People, Science, Parting, Country

“More Tales of Boss Ket: An Informal and Unpublished Sequel to the Book, "Professional Amateur, the Biography of Charles Franklin Kettering", Thomas Alvin Boyd, 1969”

Charles Kettering (1876–1958) American inventor, engineer, businessman, and the holder of 140 patents

References

Books

“The members of the Japanese enlightenment of the early 1870's, Fukuzawa among them, now reasoned as follows: Japan can keep its independence only if it becomes stronger. It can become stronger only with the help of science. It will use science effectively only if it does not just practice science but also believes in the underlying ideology. To many traditional Japanese this ideology-the scientific worldview- was barbaric. But, so the followers of Fukuzawa argued, it was necessary to adopt barbaric ways, to regard them as advanced, to introduce the whole of Western civilization in order to survive. Having been thus prepared, Japanese scientists soon branched out as their Western colleagues had done before and falsified the uniform ideology that had started the development. The lesson I draw from this sequence of events is that a uniform 'scientific view of the world' may be useful for people doing science… However, it is a disaster for outsiders(philosophers, fly-by-night mystics, prophets of a new age, the (educated public"), who, being undisturbed by the complexities of research, are liable to fall for the most simpleminded and most vapid tale.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 160.
Conquest of Abundance (2001 [posthumous])

People, Age, World, Education

“As long as Fortune wanted me
to keep on hoping for happiness
I took pleasure in amorous thoughts
and wrote down how they made me feel.
But Love, afraid that what I write
might serve free hearts as a warning,
clouded my inspiration with torment
to keep his deceits from coming to light.
O you whom Love has made the slaves
of various passions! When you read
in one small book such varied cases
know that they're pure truths, not tales,
and that your own experience in love
will lead you through my verses' meaning.”

Luís de Camões (1524–1580) Portuguese poet

Richard Zenith, Sonnets and Other Poems (2009)
Lyric poetry, Sonnets, Enquanto quis Fortuna que tivesse

Love, Happiness, Pleasure, Truth

Quotes about tale page 5

Quotes about tale
page 5