Quotes about sunrise

A collection of quotes on the topic of sunrise, sunset, light, day.

Quotes about sunrise

Michael Jackson photo
Tove Jansson photo
Alexis Karpouzos photo
Max Lucado photo
Jean-Baptiste-Camille Corot photo
Rabindranath Tagore photo
George Steiner photo
Richard Bach photo
Claude Monet photo
Cheryl Strayed photo
Jack London photo
David Foster Wallace photo
Robert G. Ingersoll photo

“With their backs to the sunrise they worship the night.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Source: Individuality From 'The Gods and Other Lectures'

Karen Marie Moning photo
Rachel Cohn photo
Karen Marie Moning photo
Ansel Adams photo
Anne Rice photo
William Carlos Williams photo
Tad Williams photo
Mindy Kaling photo
Allen Ginsberg photo

“Who can live with this Consciousness and not wake frightened at sunrise?”

Allen Ginsberg (1926–1997) American poet

Source: The Fall of America: Poems of These States 1965-1971

Jerry Spinelli photo
William Blake photo

“He who binds to himself a joy
Does the wingèd life destroy;
But he who kisses the joy as it flies
Lives in eternity's sunrise.”

William Blake (1757–1827) English Romantic poet and artist

No. 1, He Who Binds
1790s, Poems from Blake's Notebook (c. 1791-1792), Several Questions Answered

Nikos Kazantzakis photo
Victor Hugo photo

“It is man's consolation that the future is to be a sunrise instead of a sunset.”

Que l'avenir soit un orient au lieu d'être un couchant, c'est la consolation de l'homme.
Part I, Book II, Chapter II, Section V
William Shakespeare (1864)
Source: Les Misérables

Jo Walton photo
Billy Graham photo
Karen Marie Moning photo

“I see God in a sunrise, not in repetitious ritual.”

Karen Marie Moning (1964) author

Source: Bloodfever

Rick Riordan photo
Jeannette Walls photo
Henry Van Dyke photo
George S. McGovern photo
Harry Chapin photo

“All my life's a circle;
Sunrise and sundown;
Moon rolls thru the nighttime;
Till the daybreak comes around.”

Harry Chapin (1942–1981) American musician

Circle
Song lyrics, Sniper and Other Love Songs (1972)

William Ernest Henley photo
Shi Nai'an photo

“A man should not marry after thirty years of age; should not enter the government service after the age of forty; should not have any more children after the age of fifty; and should not travel after the age of sixty. This is because the proper time for those things has passed. At sunrise the country is bright and fresh, and you dress, wash, and eat your breakfast, but before long it is noon. Then you realize how quickly time passes. I am always surprised when people talk about other people's ages, because what is a lifetime but a small part of much greater period? Why talk about insects when the whole world is before you? How can you count time by years? All that is clear is that time passes, and all the time there is a continual change going on. Some change has taken place ever since I began to write this. This continual change and decay fills me with sadness.”

Shi Nai'an (1296–1372) Chinese writer

Variant translation by Lin Yutang: "A man should not marry after thirty if he is not already married, and should not enter the government service if he is not already in the service. At fifty, he should not start to raise a family, and at sixty should not travel abroad. This is because there is a time for everything; done out of season and time, there may be more disadvantages than advantages. One wakes up at dawn completely refreshed, washes his face and puts on the headdress, has his breakfast; chews willow branches [for brightening his teeth], and attends to various things. Before he knows it he asks is it noon, and is told it is long past noon. As the morning goes, so goes the afternoon, and as one day passes, so pass the 36,000 days of one's life. If one is going to be upset by this thought, how can one ever enjoy life? I often wonder at a statement that such and such a person is so many years old. By this one means an accumulation of years. But where have the years accumulated? Can one lay hold of them and count them? This shows that the me of the past has long vanished. Moreover, when I have completed this sentence, the preceding sentence has already vanished. That is the tragedy." (The Importance of Understanding, 1960; pp. 83–84)
Preface to Water Margin

Clive Staples Lewis photo
Anthony Burgess photo
Ralph Waldo Emerson photo
Nicolas Bouvier photo

“First stage: small stage", say the Persian caravaneers who know so well that, the first evening, everyone realises that he's forgotten something at home. Normally, one covers no more than a "pharsar" (around 6km). The careless should be able to go home and come back before sunrise. This concession to distraction is one more thing I love about Persia. I don't think there's a single practical measure in this country that neglects the irreducible imperfection of man.”

Première étape : petite étape », disent les caravaniers persans qui savent bien que, le soir du départ, chacun s'aperçoit qu'il a oublié quelque chose à la maison. D'ordinaire, on ne fait qu'un pharsar. Il faut que les étourdis puissent encore aller et revenir avant le lever du soleil. Cette part faite à la distraction m'est une raison de plus d'aimer la Perse. Je ne crois pas qu'il existe dans ce pays une seule disposition pratique qui néglige l'irréductible imperfection de l'homme.
Un pharsar représente environ 6 kilomètres. L'Usage du monde (1963), Nicolas Bouvier, éd. Payot, coll. « Petite Bibliothèque Payot/Voyageurs », 1992 (ISBN 2-228-88560-6), p. 259

Ursula K. Le Guin photo
Ahmed Shah Durrani photo
Alfred Horsley Hinton photo
Halldór Laxness photo
Sarah Morgan Bryan Piatt photo
Charles Stross photo
O. Henry photo
Derek Walcott photo
Jack Johnson (musician) photo
Vitruvius photo
Alexander Calder photo

“It was early one morning on a calm sea, off Guatemala, when over my couch - a coil of rope - I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.”

Alexander Calder (1898–1976) American artist

Quote in his autobiography (1922); as cited in 'Calder' 1966, pp. 54–55; as quoted on Wikipedia: Alexander Calder
In June 1922, Calder found work as a mechanic on the passenger ship H. F. Alexander. Calder slept on deck and awoke one early morning off the Guatemalan Coast; he saw both the sun rising and the full moon setting on opposite horizons
1920s

James Anthony Froude photo

“We start with enthusiasm — out we go each of us to our task in all the brightness of sunrise, and hope beats along our pulses; we believe the world has no blanks except to cowards, and we find, at last, that, as far as we ourselves are concerned, it has no prizes; we sicken over the endless unprofitableness of labour most when we have most succeeded, and when the time comes for us to lay down our tools we cast them from us with the bitter aching sense, that it were better for us if it had been all a dream. We seem to know either too much or too little of ourselves — too much, for we feel that we are better than we can accomplish; too little, for, if we have done any good at all, it has heen as we were servants of a system too vast for us to comprehend. We get along through life happily between clouds and sunshine, forgetting ourselves in our employments or our amusements, and so long as we can lose our consciousness in activity we can struggle on to the end. But when the end comes, when the life is lived and done, and stands there face to face with us; or if the heart is weak, and the spell breaks too soon, as if the strange master-worker has no longer any work to offer us, and turns us off to idleness and to ourselves; in the silence then our hearts lift up their voices, and cry out they can find no rest here, no home. Neither pleasure, nor rank, nor money, nor success in life, as it is called, have satisfied, or can satisfy; and either earth has nothing at all which answers to our cravings, or else it is something different from all these, which we have missed finding — this peace which passes understanding — and from which in the heyday of hope we had turned away, as lacking the meretricious charm which then seemed most alluring.
I am not sermonizing of Religion, or of God, or of Heaven, at least not directly.”

Confessions Of A Sceptic
The Nemesis of Faith (1849)

Eugene V. Debs photo

“The political solidarity of the working class means the death of despotism, the birth of freedom, the sunrise of civilization.”

Eugene V. Debs (1855–1926) American labor and political leader

The Socialist Party and the Working Class (1904)

David Bowie photo

“Who'll love Aladdin Sane?
Battle cries and champagne just in time for sunrise.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Aladdin Sane
Song lyrics, Aladdin Sane (1973)

Conrad Aiken photo
Anastacia photo
Samuel Butler photo
Conor Oberst photo

“For a sunrise or a sunset, you're manic or you’re depressed.
Will you ever feel ok?”

Conor Oberst (1980) American musician

Sunrise, Sunset
Fevers and Mirrors (2000)

Ernst Bloch photo
Ayaan Hirsi Ali photo
Vitruvius photo

“Even peasants wholly without knowledge of the quarters of the sky believe that oxen ought to face only in the direction of the sunrise.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter VI, Sec. 1

Sher Shah Suri photo

“…Upon this, Sher Shah turned again towards Kalinjar… The Raja of Kalinjar, Kirat Sing, did not come out to meet him. So he ordered the fort to be invested, and threw up mounds against it, and in a short time the mounds rose so high that they overtopped the fort. The men who were in the streets and houses were exposed, and the Afghans shot them with their arrows and muskets from off the mounds. The cause of this tedious mode of capturing the fort was this. Among the women of Raja Kirat Sing was a Patar slave-girl, that is a dancing-girl. The king had heard exceeding praise of her, and he considered how to get possession of her, for he feared lest if he stormed the fort, the Raja Kirat Sing would certainly make a jauhar, and would burn the girl…
“On Friday, the 9th of RabI’u-l awwal, 952 A. H., when one watch and two hours of the day was over, Sher Shah called for his breakfast, and ate with his ‘ulama and priests, without whom he never breakfasted. In the midst of breakfast, Shaikh NizAm said, ‘There is nothing equal to a religious war against the infidels. If you be slain you become a martyr, if you live you become a ghazi.’ When Sher Shah had finished eating his breakfast, he ordered Darya Khan to bring loaded shells, and went up to the top of a mound, and with his own hand shot off many arrows, and said, ‘Darya Khan comes not; he delays very long.’ But when they were at last brought, Sher Shah came down from the mound, and stood where they were placed. While the men were employed in discharging them, by the will of Allah Almighty, one shell full of gunpowder struck on the gate of the fort and broke, and came and fell where a great number of other shells were placed. Those which were loaded all began to explode. Shaikh Halil, Shaikh Nizam, and other learned men, and most of the others escaped and were not burnt, but they brought out Sher Shah partially burnt. A young princess who was standing by the rockets was burnt to death. When Sher Shah was carried into his tent, all his nobles assembled in darbAr; and he sent for ‘Isa Khan Hajib and Masnad Khan Kalkapur, the son-in-law of Isa Khan, and the paternal uncle of the author, to come into his tent, and ordered them to take the fort while he was yet alive. When ‘Isa Khan came out and told the chiefs that it was Sher Shah’s order that they should attack on every side and capture the fort, men came and swarmed out instantly on every side like ants and locusts; and by the time of afternoon prayers captured the fort, putting every one to the sword, and sending all the infidels to hell. About the hour of evening prayers, the intelligence of the victory reached Sher Shah, and marks of joy and pleasure appeared on his countenance. Raja Kirat Sing, with seventy men, remained in a house. Kutb Khan the whole night long watched the house in person lest the Raja should escape. Sher Shah said to his sons that none of his nobles need watch the house, so that the Raja escaped out of the house, and the labour and trouble of this long watching was lost. The next day at sunrise, however, they took the Raja alive…””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Tarikh-i-Sher Shahi of Abbas Khan Sherwani in Elliot and Dowson, History of India as told by its own Historians, Volume IV, pp. 407-09. Quoted in S.R.Goel, The Calcutta Quran Petition

Muhammad bin Tughluq photo

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

Percy Bysshe Shelley photo
John Dos Passos photo
Horace Mann photo

“Lost — Yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered, for they are gone forever.”

Horace Mann (1796–1859) American politician

Published as "A Beautiful Thought … we clip from an exchange paper" in Universalist Union (16 March 1844) this is often quoted as an advertisement originally written by Mann, attributed to him in Getting on in the World (1874) by William Mathews, p. 268; and most publications since that date, and sometimes titled "Lost, Two Golden Hours".
Variants:
Lost,
Two golden hours:
Each with a set of
Sixty diamond minutes!
No reward
Is offered, for they are .
Lost for ever!
Published as "Loss of Time" in The Church of England Magazine (28 June 1856) without any crediting of authorship.
Lost, yesterday, somewhere between sunrise and sunset...
The most commonly quoted variant simply begins with a comma rather than a dash.

S. I. Hayakawa photo
William Morris photo
Roger Ebert photo
Charles Boarman photo

“Navy Department, Washington, Sept. 16, 1879.
General Order: The Acting Secretary of the Navy announces, with regret, to the Navy and Marine Corps, the death of Rear-Admiral Charles Boarman, on the 13th instant, at his home in Martinsburg, West Virginia, in the eighty-fourth year of his age, and after an honorable service of over sixty-eight years. Rear-Admiral Boarman entered the Navy, June 9, 1811, and at the time of his death had been longer in the service than any other Officer borne on the Navy Register. He was a participant in the War of 1812, and during his long career in the Navy had many important commands. On March 4, 1879, he was promoted from a Commodore to a Rear-Admiral on the retired list, from August 15, 1876, under the law authorizing such promotion, where an officer, being at the outbreak of the Rebellion, a citizen of a State engaged in such rebellion, exhibited marked fidelity to the Union in adhering to the flag of the United States. In respect to his memory it is hereby ordered, that, on the day after the receipt hereof, the flags of the Navy Yards and Stations, and vessels in commission, be displayed at half mast, from sunrise to sunset, and thirteen minute guns be fired at noon from the Navy Yards and Stations, flagships, and vessels acting singly.”

Charles Boarman (1795–1879) US Navy Rear Admiral

William N. Jeffers, Acting Secretary of the Navy 1879
Historical Records and Studies, Vol. VI (1911)

John Muir photo

“This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.”

John Muir (1838–1914) Scottish-born American naturalist and author

page 438
Last lines of the documentary film series " The National Parks: America's Best Idea http://www.pbs.org/nationalparks/" by Ken Burns.
John of the Mountains, 1938

Charles Dickens photo
Moinuddin Chishti photo

“The Chishtiyya school was foisted on India by Muin-ud-din who had settled down in Ajmer before the Second Battle of Tarain. According to the sufi lore, he had made a few converts from among the local Hindus and started issuing orders to Prithivi Raj Chauhan, the Hindu king, for the benefit of these converts. When the king ignored him, he invited Muhammad Ghuri to invade the Chauhan Kingdom. Sir-ul-Awliya, the most famous history of the Chishtiyya school written by Khwaja Amir Khurd, another disciple of Nizam-ud-din Awliya, tells the following story:
“His [Muin-ud-din’s] blessed tongue uttered spontaneously, ‘We have handed over Pithora alive to the army of Islam.’ In those very days, Sultan Muiz-ud-din Sam arrived in Ajmer from Ghazni. Pithora had to face the army of Islam. He was captured alive by Sultan Muiz-ud-din… The Khwaja [Muinud-din] was a worker of great wonders. Before he reached Hindustan, all its cities right upto the point of sunrise were sunk in tumult and infidelity and were involved with idols and idolatry. Everyone among the rabble [Gods] of Hindustan claimed to be the great God and a co-sharer in the divinity of Allah. The people paid homage to stones, sods of clay, trees, quadrupeds, cows and bulls and their dung. The darkness of infidelism had made still more firm the seals on their hearts… Muin-ud-din was indeed the very sun of the true faith. As a result of his arrival, the darkness that had spread over this country was dispelled. It became bright and glowed in the light of Islam… Anyone who has become a Musalman in this country will stay a Musalman till the Day of Dissolution. His progeny will also remain Musalman… The people [of Hindustan] will be brought out of dAr-ul-harb into dAr-ul-IslAm by means of many wars."”

Moinuddin Chishti (1142–1236) Sufi saint

Amir Khurd, Siyar-ul-Awliya, New Delhi, 1985, pp. 111-12. Quoted in S.R.Goel, The Calcutta Quran Petition (1999) ISBN 9788185990583

Alan Watts photo
Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

François-René de Chateaubriand photo

“I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.”

Book XLII: Ch. 18: A summary of the changes which have occurred around the globe in my lifetime
Mémoires d'outre-tombe (1848 – 1850)
Context: New storms will arise; one can believe in calamities to come which will surpass the afflictions we have been overwhelmed by in the past; already, men are thinking of bandaging their old wounds to return to the battlefield. However, I do not expect an imminent outbreak of war: nations and kings are equally weary; unforeseen catastrophe will not yet fall on France: what follows me will only be the effect of general transformation. No doubt there will be painful moments: the face of the world cannot change without suffering. But, once again, there will be no separate revolutions; simply the great revolution approaching its end. The scenes of tomorrow no longer concern me; they call for other artists: your turn, gentlemen!
As I write these last words, my window, which looks west over the gardens of the Foreign Mission, is open: it is six in the morning; I can see the pale and swollen moon; it is sinking over the spire of the Invalides, scarcely touched by the first golden glow from the East; one might say that the old world was ending, and the new beginning. I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.

Celia Thaxter photo

“What though our eyes with tears be wet?
The sunrise never failed us yet.The blush of dawn may yet restore
Our light and hope and joy once more.”

Celia Thaxter (1835–1894) American writer

"The Sunrise Never Failed Us Yet" in Drift-Weed (1878), p. 64.
Context: What though our eyes with tears be wet?
The sunrise never failed us yet.The blush of dawn may yet restore
Our light and hope and joy once more.
Sad soul, take comfort, nor forget
That sunrise never failed us yet!

George Henry Lewes photo
Rumi photo

“The ruby and the sunrise are one.”

Rumi (1207–1273) Iranian poet

As quoted in Head and Heart : A Personal Exploration of Science and the Sacred (2002) by Victor Mansfield
Context: He says, "There’s nothing left of me.
I’m like a ruby held up to the sunrise.
Is it still a stone, or a world
made of redness? It has no resistance
to sunlight." This is how Hallaj said, I am God,
and told the truth!The ruby and the sunrise are one. Be courageous and discipline yourself.
Completely become hearing and ear, and wear this sun-ruby as an earring.

Gerald Durrell photo

“I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

Letter to his fiancée Lee, (31 July 1978), published in Gerald Durrell: An Authorized Biography by Douglas Botting (1999)
Context: I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. … I have known silence: the cold earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. … I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills fling home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their winds smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.

Alfred, Lord Tennyson photo

“And Freedom rear'd in that august sunrise
Her beautiful bold brow,
When rites and forms before his burning eyes
Melted like snow.”

The Poet (1830)
Context: p>Thus truth was multiplied on truth, the world
Like one great garden show'd,
And thro' the wreaths of floating dark up-curl'd,
Rare sunrise flow'dAnd Freedom rear'd in that august sunrise
Her beautiful bold brow,
When rites and forms before his burning eyes
Melted like snow.</p

Toni Morrison photo
Mari Alkatiri photo

“Given Greater Sunrise falls within Timor Leste, why does Australia get any (oil royalties)? It was 50-50 when there were no (sea) boundaries. After they agreed on the boundaries everything was different.”

Mari Alkatiri (1949) Prime Minister of East Timor

Mari Alkatiri (2019) cited in: " Timor’s former PM: Australia’s spies didn’t fool me https://www.theaustralian.com.au/nation/timors-former-pm-australias-spies-didnt-fool-me/news-story/d684911f8a2e1d41bc8ec38685d22e91" in The Australian, 28 August 2019.

Aryabhata photo
Townes Van Zandt photo
Ralph Waldo Emerson photo

“Plato was synthesis of Europe and Asia, and a decidedly Oriental element pervades his philosophy, giving it a sunrise color.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: Abhedananda, Swami India and her people, a study in the social. political, educational and religious conditians of India. [6th ed.] Calcutta, Ramakrishna Vedanta Math [1945]

Mwanandeke Kindembo photo

“I see foreboding and foreshadowing… Sunrise to sunset in your eyes.”

Source: SHADES OF VANITY: Shades and Shadows of Eroticism