Quotes about story
page 13

Benjamin Franklin photo

“Franklin is a good type of our American manhood. Although not the wealthiest or the most powerful, he is undoubtedly, in the versatility of his genius and achievements, the greatest of our self-made men. The simple yet graphic story in the Autobiography of his steady rise from humble boyhood in a tallow-chandler shop, by industry, economy, and perseverance in self-improvement, to eminence, is the most remarkable of all the remarkable histories of our self-made men. It is in itself a wonderful illustration of the results possible to be attained in a land of unequaled opportunity by following Franklin's maxims.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

Written by Frank Woodworth Pine in his introduction to the 1916 publication of The Autobiography of Benjamin Franklin https://www.gutenberg.org/files/20203/20203-h/20203-h.htm. Pine, F.W. (editor). Henry Holt and Company via Gutenberg Press. (1916). Introduction.
The Autobiography (1818), The Autobiography (1916)

Jeff Koons photo
William Shatner photo

“I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So, I made boxes..”

Adolph Gottlieb (1903–1974) American artist

Variant: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Chuck Palahniuk photo
Vitruvius photo
Ursula K. Le Guin photo

“Unless physical action reflects psychic action, unless the deeds express the person, I get very bored with adventure stories; often it seems that the more action there is, the less happens.”

Ursula K. Le Guin (1929–2018) American writer

Introduction to the story “Vaster Than Empires and More Slow” p. 166
Short fiction, The Wind’s Twelve Quarters (1975)

Roger Ebert photo
Patrick Fitzgerald photo
Seth Godin photo

“The second person to write a story about a young boy and an escaped slave on the Mississippi wasn't a novelist, he was a typist.”

Seth Godin (1960) American entrepreneur, author and public speaker

[http://sethgodin.typepad.com/seths_blog/2012/07/the-importance-of-going-first.html "The importance of going first" "Seth's Blog" (2012-07-18)

Mickey Spillane photo
John Fante photo
Bret Easton Ellis photo
Alexis Bledel photo
Amir Taheri photo

“When I asked Bhutto what he thought of Assad, he described the Syrian leader as “The Levanter.” Knowing that, like himself, I was a keen reader of thrillers, the Pakistani Prime Minister knew that I would get the message. However, it was only months later when, having read Eric Ambler’s 1972 novel The Levanter that I understood Bhutto’s one-word pen portrayal of Hafez Al-Assad. In The Levanter the hero, or anti-hero if you prefer, is a British businessman who, having lived in Syria for years, has almost “gone native” and become a man of uncertain identity. He is a bit of this and a bit of that, and a bit of everything else, in a region that is a mosaic of minorities. He doesn’t believe in anything and is loyal to no one. He could be your friend in the morning but betray you in the evening. He has only two goals in life: to survive and to make money… Today, Bashar Al-Assad is playing the role of the son of the Levanter, offering his services to any would-be buyer through interviews with whoever passes through the corner of Damascus where he is hiding. At first glance, the Levanter may appear attractive to those engaged in sordid games. In the end, however, the Levanter must betray his existing paymaster in order to begin serving a new one. Four years ago, Bashar switched to the Tehran-Moscow axis and is now trying to switch back to the Tel-Aviv-Washington one that he and his father served for decades. However, if the story has one lesson to teach, it is that the Levanter is always the source of the problem, rather than part of the solution. ISIS is there because almost half a century of repression by the Assads produced the conditions for its emergence. What is needed is a policy based on the truth of the situation in which both Assad and ISIS are parts of the same problem.”

Amir Taheri (1942) Iranian journalist

Opinion: Like Father, Like Son http://www.aawsat.net/2015/02/article55341622/opinion-like-father-like-son, Ashraq Al-Awsat (February 20, 2015).

Mary Wollstonecraft Shelley photo
Jerry Coyne photo
Arthur Schopenhauer photo
Larry Solov photo
Ani DiFranco photo

“I am writing graffiti on your body.
I am drawing the story of how hard we tried.”

Ani DiFranco (1970) musician and activist

Both Hands
Song lyrics

“The science fiction stories are not for the promotion of science and are not only science stories; but stories.”

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: Iranian Students News Agency, 2004 http://www.isna.ir/news/8307-08004/%D9%85%D8%AF%D9%8A%D8%A7-%D9%83%D8%A7%D8%B4%D9%8A%DA%AF%D8%B1-%D9%82%D8%B1%D8%A7%D8%B1-%D8%A8%D8%B1-%D8%A7%D9%8A%D9%86-%D9%86%D9%8A%D8%B3%D8%AA-%D9%83%D9%87-%D8%AA%D9%88%D8%B3%D8%B7-%D9%86%D9%88%D9%8A%D8%B3%D9%86%D8%AF%DA%AF%D8%A7%D9%86-%D8%A7%D9%8A%D8%B1%D8%A7%D9%86%D9%8A-%D8%B4%D8%A7%D9%87%D9%83%D8%A7%D8%B1

Robert Louis Stevenson photo
Zia Haider Rahman photo

“Now that I've let go of my story, I can let go of my life.”

Traudl Junge (1920–2002) secretary to Adolf Hitler

As quoted in her obituary in The Guardian (14 February 2002) http://www.guardian.co.uk/news/2002/feb/14/guardianobituaries.humanities.

“My story is very boring. Mostly about hair loss.”

Mike Murphy (political consultant) (1962) American political consultant

As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard
2010s

Francis Escudero photo
Dave Barry photo
William Saroyan photo
M. R. James photo

“A ghost story of which the scene is laid in the twelfth or thirteenth century may succeed in being romantic or poetical: it will never put the reader into the position of saying to himself: "If I'm not careful, something of this kind may happen to me!"”

M. R. James (1862–1936) British writer

Preface to More Ghost Stories of an Antiquary (1911); cited from Michael Cox (ed.) Casting the Runes and Other Ghost Stories (Oxford: Oxford University Press, 1998) pp. 337-8.

“When you hide another story in a story, that’s the story I am telling the children.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

Quoted in an interview, "Sendak on Sendak," Rosenbach Museum & Library, Philadelphia (2007/2008)

Louis C.K. photo
Rex Stout photo
Albert O. Hirschman photo
Dana Gioia photo
William Saroyan photo
Lord Dunsany photo
Fali Sam Nariman photo
Paul Joseph Watson photo
David Fleming photo
Thomas Moore photo

“Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Desmond's Song, st. 4
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Jennifer Beals photo
R. A. Lafferty photo

“The best time to write a story is yesterday. The next best time is today.”

R. A. Lafferty (1914–2002) American writer

It's Down the Slippery Cellar Stairs (1995)

Arthur Ponsonby photo
Carl Rowan photo

“I knew that the stories of the two murders would immediately grab the glands of millions of American white men, prejudicing them in ways they would never admit publicly.... (It) would enliven the insecurities of millions of white male psyches. The old college girl's chant, “Once you go black you never go back!””

Carl Rowan (1925–2000) American journalist

surely would take on feverish new meaning.
Quoington Star article entitled "Has President Nixon Gone Crazy?", "The Coming Race War in America: A Wake-up Call" (1996)

Joan Miró photo

“Let's transplant the primitive soul to the ultramodern New York, inject his soul with the noise of the subway, of the 'el', and may his brain become a long street of buildings 224 stories high.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Barcelona - Dada, 1917
1915 - 1940
Source: a letter to Enric C. Ricart, 1 October 1917; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 47

Carole King photo
Tim Parks photo
Michael Chabon photo
Chuck Palahniuk photo
Michelle Obama photo

“When I look out at all these young women, I see myself. In so many ways your story is my story.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

As quoted in "Prince Harry has Tea with Michelle Obama at Kensington Palace" in Parade (16 June 2015) https://parade.com/405676/roisinkelly/prince-harry-has-tea-with-michelle-obama-at-kensington-palace/; also in "Michelle Obama UK visit: 'When I look at young British Muslim women, I see myself'" by Mikey Smit, Mirror Online (16 June 2015) http://www.mirror.co.uk/news/uk-news/michelle-obama-uk-visit-when-5892335 — the misquotation used in this particular headline was widely re-quoted as an actual quote of Michelle.
2010s

Lauren Duca photo
Connie Willis photo

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Gene Simmons photo

“Someday I'd like to read a story about competent people on Mars.”

James Nicoll (1961) Canadian fiction reviewer

[c3i93p$iu$1@panix3.panix.com, 2004]: About First Landing by Robert Zubrin:
2000s

Alexandra Kollontai photo
Quentin Crisp photo
Garth Brooks photo

“It's midnight Cinderella time that you should know,
There's gonna be some changes in the way this story goes.
It's midnight Cinderella but don't you worry none,
'Cause I'm Peter Peter the Pumpkin Eater
And the party's just begun.”

Garth Brooks (1962) American country music artist

It's Midnight Cinderella, written by Kim Williams, Kent Blazy, and G. Brooks.
Song lyrics, Fresh Horses (1995)

Mario Vargas Llosa photo
Michelle Obama photo
Phil Brooks photo
George Bancroft photo
Nicholas Serota photo
James Taylor photo

“Where do those golden rainbows end?
Why is this song so sad?
Dreaming the dreams I've dreamed my friend
Loving the love I love
To love is just a word I've heard when things are being said
Stories my poor head has told me cannot stand the cold
And in between what might have been and what has come to pass
A misbegotten guess alas and bits of broken glass…”

James Taylor (1948) American singer-songwriter and guitarist

"Long Ago and Far Away" · Early performance on Youtube (before he had given it a title) https://www.youtube.com/watch?v=LuvO2Vw-M2Y
Song lyrics, Mud Slide Slim and the Blue Horizon (1971)

Alain de Botton photo
Jordan Peterson photo
Donald J. Trump photo

“And in fact, when I decided to just do it, I said to myself, I said, "You know, this Russia thing, with Trump and Russia, is a made-up story, it's an excuse by the Democrats for having lost an election."”

Donald J. Trump (1946) 45th President of the United States of America

Trump admitting in an interview with NBC's Lester Holt http://www.nbcnews.com/nightly-news/video/president-trump-this-russia-thing-is-a-made-up-story-941962819745 that annoyance at federal investigations was a motivation for firing FBI Director James Comey (11 May 2017)
2010s, 2017, May

Ben Bernanke photo
Lawrence Lessig photo
Lily Tomlin photo
Cyrano de Bergerac photo
Lucy Maud Montgomery photo
Akira Toriyama photo
Anthony Burgess photo
Norman Rockwell photo
Nat King Cole photo
Byron Katie photo

“Reality is always the story of a past, and what I love about the past is—it’s over.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Mike Huckabee photo
Denise Scott Brown photo
Mitch Albom photo
Tad Williams photo

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

George Packer photo
Anna Sui photo

“I love the whole story of why something happened when it did and that’s what I put into the collections.”

Anna Sui (1964) American fashion designer

New York Times Interview (November 11, 2010)

Sam Harris photo

“Almost everywhere and at all times the saying of St. Augustine aptly described the situation: "et paupera et inops est ecclesia — the Church is poor and helpless." The Church was powerful only when the state wanted it to be so or when pious laymen had a burning desire to make it so. In the Middle Ages especially the Church was sedulously oppressed: Popes were frequently imprisoned, made the pawns of secular rulers, persecuted, ridiculed, besieged, plundered, exiled, imprisoned and insulted. What about Canossa? People forget how the story ended, and the words of Gregory VII on his death-bed in exile: "Dilexi iustitiam et odi iniquitatem, propterea morior in exilio [I loved justice and hated injustice, therefore I die in exile]." Finally there came the Babylonian Captivity at Avignon. It is true that all of this looks quite different in the elementary schools of Kazachstan, in McKinley High and to our intellectuals, whose grasp of history is almost nil.
The situation altered very little in the nineteenth century. Once again there was a prisoner in the Vatican, Pius IX, whose body the mob yelling "Al fiume la carogna!" wanted to throw into the Tiber. This brings us to the twentieth century: Mexico City, Moabit, Dachau, Plötzensee, Auschwitz, Struthof, Carcel Modelo, Andrássy-út 66, Sremska Mitrovica, Vorkuta, Karaganda, Magadan, Lubyanka, Ocnele Mare — these are the modern Stations of the Cross of our clergy. (Pg 128)”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

The Timeless Christian (1969)

China Miéville photo

“Ori supposed there were as many unspeakable stories as there were men come back from war.”

Part 4 “The Hainting”, chapter 15 (p. 314)
Iron Council (2004)

Harvey Milk photo
Matthew Stover photo
Mike Rosen photo
David Horowitz photo