Quotes about stage
page 8

“To make the record, we now push a pencil or tap a typewriter. Then comes the process of digestion and correction, followed by an intricate process of typesetting, printing, and distribution. To consider the first stage of the procedure, will the author of the future cease writing by hand or typewriter and talk directly to the record?”

Vannevar Bush book As We May Think

As We May Think (1945)

Future

“These seven stages we shall name as follows:
1. Mixture
2. Gestation
3. Expansion
4. Age of Conflict
5. Universal Empire
6. Decay
7. Invasion”

Carroll Quigley (1910–1977) American historian

Source: The Evolution of Civilizations (1961) (Second Edition 1979), Chapter 5, Historical Change in Civilizations, p. 146

Age, Universe

“SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. […] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, pp. 27-28

People, Imagination, Appearance

“It is only in the period between adolescence and maturity and not during the earlier stages of development that any organism can unfold its full strength.”

Elie Munk (1900–1981) French rabbi

page 96
The World of Prayer, vol. 2

“In recent years, Britain has withdrawn from the world. On Syria, on Europe, on Ukraine this government has been on the periphery: all victim of the same lack of long-term strategic thinking about British foreign policy and the absence of a moral compass. It is time for the left to revive its ethical foreign policy and carve out a new long-term narrative that puts human rights and the protection of civilians centre stage once again.”

Jo Cox (1974–2016) UK politician

A new progressive internationalism (17 June 2016)

World, Thinking, Time

“During the early period of British rule in India, the administrators tended to look askance at the growth of the printing press in this country. Indians had not sufficiently advanced at this stage to participate effectively in journalism, and the press was in the hands of the compatriots of the rulers. But these people were often extremely critical of the admini- strators. This was not only embarrassing at the moment, but it was feared that it might result in accelerating the growth of political consciousness among Indians, a prospect which many administrators were not prepared to view with equanimity. Fortunately, there were far-sighted statesmen like Elphinstone, who held that the immediate practical advantages of the press as an instrument of popular education far outweighed the remote political risks, and they sought a solution of the difficult problem in the establishment of a controlled press.”

Anant Priolkar (1895–1973) historian

The Printing Press in India: Its Beginnings and Early Development, Being a Quatercentenary Commemoration Study of the Advent of Printing in India

People, Education, Fear, Problem

“People who pass from stage two hallucination to stage three often experience a sensation of a vortex or rotating tunnel around them, and soon have hallucinations filled with iconic images, not just signs. …It is here that "monsters" appear, part human, part beast, known as therianthropes.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

People, Appearance, Parting

“First we had the legs race. Then we had the arms race. Now we're going to have the brain race. And, if we're lucky, the final stage will be the human race.”

John Brunner The Shockwave Rider

Bk. 1, Ch. "The Number You Have Reached"
The Shockwave Rider (1975)

“It is my thesis that the physical functioning of the living individual and the operation of some of the newer communication machines are precisely parallel in their analogous attempts to control entropy through feedback. Both of them have sensory receptors as one stage in their cycle of operation: that is, in both of them there exists a special apparatus for collecting information from the outer world at low energy levels, and for making it available in the operation of the individual or of the machine. In both cases these external messages are not taken neat, but through the internal transforming powers of the apparatus, whether it be alive or dead. The information is then turned into a new form available for the further stages of performance. In both the animal and the machine this performance is made to be effective on the outer world. In both of them, their performed action on the outer world, and not merely their intended action, is reported back to the central regulatory apparatus. This complex of behavior is ignored by the average man, and in particular does not play the role that it should in our habitual analysis of society; for just as individual physical responses may be seen from this point of view, so may the organic responses of society itself. I do not mean that the sociologist is unaware of the existence and complex nature of communications in society, but until recently he has tended to overlook the extent to which they are the cement which binds its fabric together.”

Norbert Wiener book The Human Use of Human Beings

Source: The Human Use of Human Beings (1950), p. 26-27 as cited in: Felix Geyer, Johannes van der Zouwen, (1994) " Norbert Wiener and the Social Sciences http://www.critcrim.org/redfeather/chaos/024Weiner.htm", Kybernetes, Vol. 23 Iss: 6/7, pp.46 - 61

World, Behavior, Communication, Nature

“In seeking victory, those who direct a war cannot overstep the limitations imposed by the objective conditions. Within these limitations, however, they can and must play a dynamic role in striving for victory. The stage of action for commanders in a war must be built upon objective possibilities, but on that stage they can direct the performance of many a drama, full of sound and color, power and grandeur.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Original: (zh-CN) 指导战争的人们不能超越客观条件许可的限度期求战争的胜利，然而可以而且必须在客观条件的限度之内，能动地争取战争的胜利。战争指挥员活动的舞台，必须建筑在客观条件的许可之上，然而他们凭借这个舞台，却可以导演出很多有声有色、威武雄壮的戏剧来。

War, Color, Victory

“The Americans never use the word peasant, because they have no idea of the class which that term denotes; the ignorance of more remote ages, the simplicity of rural life, and the rusticity of the villager have not been preserved among them; and they are alike unacquainted with the virtues, the vices, the coarse habits, and the simple graces of an early stage of civilization.”

Alexis De Tocqueville book Democracy in America

Source: Democracy in America, Volume I (1835), Chapter XV-IXX, Chapter XVII.

Life, Age, Idea

“Imagination draws on memory. Memory and imagination combined can stage a Servants' Ball or even write a book, if that's what they want to do.”

Thornton Wilder book Theophilus North

Theophilus North (1973)

Books, Imagination, Memory, Drawing

“Of obvious appeal to the humourless is the writer who comes on stage in a clown outfit or King Kong suit, with party hat and harem slippers, with banana skins and custard pies… It remains a sound rule that funny journalism can only flourish as the offshoot or sideline of something larger. No funny journalist who is that and nothing more will ever write anything lastingly funny.”

Martin Amis (1949) Welsh novelist

Review of The Best of Modern Humour edited by Mordecai Richler, p. 364
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“At first, I felt this thing coming up in myself, just really physically growing in myself and happening, but it was a jungle, so I couldn't distinguish things so much. I knew there were, in myself, the souls of millions of people who lived centuries ago - not just people but animals, plants, the elements, things, even, matter - that all of these exist in me, and I felt this. OK, this pushed and pushed and pushed. OK, that was the beginning… And through the years it became clearer and clearer, this thing; it started to separate itself. I could make it come when I had to concentrate on, let's say, a person I had to become - this thing became stronger. And took more of me. In this moment, I let it do it, because I wanted, I had to be this person. And as I was led to doing it, there was then no way back. And the more I tried to do it, the more I hated it. But there was no way back anymore; it was always going farther and farther and farther. Until one day, when I was walking through the streets of Paris, I started crying, because I could look at a man, a woman, a dog, anything, and receive it, anything, everything; there was no difference between physical and psychological. I felt like I was breaking out, breaking up, receiving everything, every moment, even things I did not see. There is no turning back from this. But this danger is the power you have. It is this same power that lets you hold an audience when you are on a stage. Then it is a concentration, the same concentration that in kung fu is used for the kick that kills or to break a table with your hand. It means that you are sure of the power and that you relinquish yourself to it”

Klaus Kinski (1926–1991) German actor

Playboy interview

Hate, People, Dogs, Way

“Perhaps no Australian politician, to this day, has made such a mark for so long on the global stage as Hughes achieved in the first half of 1919.”

Geoffrey Blainey (1930) Australian historian

The Story of Australia's People: The Rise and Rise of a New Australia (2016)

“Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting. The reason is rather apparent: If you know that a situation is 'imaginary,' you are not going to come to grips with it.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 184, quoting from Seth Session 31

Problem, Forgetting

“#The availability of high-quality Model Compilers and Virtual Execution Environments (VEEs) that provide "out of the box" platforms upon which Executable UML models can execute. These VEEs, which exist today in a somewhat incipient stage, will someday soon reduce low-level system architectures to near-commodity status.”

Grady Booch (1955) American software engineer

Cited in: Gerry Boyd (2003) " Executable UML: Diagrams for the Future http://www.devx.com/enterprise/Article/10717." published at devx.com, February 5, 2003. The Limits of Software

Box

“As the great words of freedom and fulfillment are pronounced by campaigning leaders and politicians, on the screens and radios and stages, they turn into meaningless sounds which obtain meaning only in the context of propaganda, business, discipline, and relaxation. This assimilation of the ideal with reality testifies to the extent to which the ideal has been surpassed. It is brought down from the sublimated realm of the soul or the spirit or the inner man, and translated into operational terms and problems. Here are the progressive elements of mass culture. The perversion is indicative of the fact that advanced industrial society is confronted with the possibility of a materialization of ideals. The capabilities of this society are progressively reducing the sublimated realm in which the condition of man was represented, idealized, and indicted. Higher culture becomes part of the material culture. In this transformation, it loses the greater part of its truth.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 57-58

Truth, Soul, Business, Problem

“Democracy, in this late stage of capitalism, has been replaced with a system of legalized bribery. All branches of government, including the courts, along with the systems of entertainment and news, are wholly owned subsidiaries of the corporate state. Electoral politics are elaborate puppet shows.”

Chris Hedges (1956) American journalist

"Reform or Revolution" (2016)

Democracy

“Since the 1970s, thanks to a North Korean-style cult of personality, the [Syrian] presidency has been a kind of supranational institution, above anything as vulgar as the competition for power. But now it has lost its mystique: The president is a lonely man who dares not venture beyond his palace in the outskirts of a besieged capital. Syria’s history since independence in 1947 shows that whenever a ruler calls in the army to crush the street, he ends up the loser. It happened three times in 1949 alone, when the army staged three coups, each time after being ordered to crush the street.”

Amir Taheri (1942) Iranian journalist

"The loneliest man in Syria" http://nypost.com/2011/05/10/the-loneliest-man-in-syria/, New York Post (May 10, 2011). New York Post

History, Time, Personality

“Fellow citizens, the fourteenth day of April 1865, of which this is the eleventh anniversary, is now and will ever remain a memorable day in the annals of this republic. It was on the evening of this day, while a fierce and sanguinary rebellion was in the last stages of its desolating power; while its armies were broken and scattered before the invincible armies of Grant and Sherman; while a great nation, torn and rent by war, was already beginning to raise to the skies loud anthems of joy at the dawn of peace, it was startled, amazed, and overwhelmed by the crowning crime of slavery, the assassination of Abraham Lincoln. It was a new crime, a pure act of malice. No purpose of the rebellion was to be served by it. It was the simple gratification of a hell-black spirit of revenge. But it has done good after all. It has filled the country with a deeper abhorrence of slavery and a deeper love for the great liberator.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Love, War, Peace, Hell

“There are three stages to a battle: First you’re bored. Then you’re terrified. Then you’re dead. Each is necessary, and they must all come in the proper order.”

Michael Swanwick book Jack Faust

Source: Jack Faust (1997), Chapter 14, “Dreadnought” (pp. 248-249)

Dead

“It was terribly difficult. It's not something I ever wanted in my life. Naively I just thought, 'oh I've got this great part'. I never thought about the reality of all the stuff that went with it. I'm actually quite a shy person when I'm not on stage.”

Elaine Paige (1948) English singer and actress

Regarding Paige's fame after Evita
Rock and pop (2006)

Life, Reality, Parting, Personality

“Anyone who criticisms Islam publicly can expect to be threatened with physical violence. If that's not terrorism, then what is it? In the world of the cultural terrorist, if you oppose the oppression of women and minorities, you're an enemy of religious freedom; if you despise violent superstition, you're a racist; and if you reject religious totalitarianism, you have a mental illness. Let me tell you something, when you get to the stage where anyone criticising your beliefs is automatically deemed to have a mental illness, that is a sure sign of mental illness.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Islamic cultural terrorism" (15 June 2011) http://youtube.com/watch?v=377kKBi6anQ 2011

Women, World, Freedom

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food, Wedding, Dance, Flying

“A defeat at any stage, whether in the first round or in the final of a major tournament, is always disappointing. But as sportsmen, we learn to pick ourselves up to bounce back and move on for the next challenge.”

Sania Mirza (1986) Indian tennis player

In Zee News: "Winning Grand Slams is Sania's motivation after London Games"

Disappointment, Learning

“For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.”

Peter Chung (1961) Korean-American animator

Re: Utopia or Deuteranopia? http://ilx.wh3rd.net/thread.php?msgid=6622756

Communication, Failure, Thinking, Appearance

“Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.”

George Steiner (1929–2020) American writer

"A Season in Hell".
In Bluebeard's Castle (1971)

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Death, Men, War, Youth

“At this stage of man’s evolution, our scientists have been like little children facing a table piled high with the pieces of a jigsaw puzzle. One piece is picked up and its holder says, “This is the important piece. I hold the one key to everything in my hands.” Well, of course, he does. Because every piece is a key piece.”

Mark Clifton book They'd Rather Be Right

Source: They'd Rather Be Right (1954), p. 177.

Children

““(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas… Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: www.uga.edu/farleyrichmond/projects/trivandrum%20speech.pdf

Age, Home, Lovers, Study

“writers by whom, more than by any others, a new mode of political thinking was brought home to me, were those of the St. Simonian school in France. In 1829 and 1830 I became acquainted with some of their writings. They were then only in the earlier stages of their speculations. They had not yet dressed out their philosophy as a religion, nor had they organized their scheme of Socialism. They were just beginning to question the principle of hereditary property. I was by no means prepared to go with them even this length; but I was greatly struck with the connected view which they for the first time presented to me, of the natural order of human progress; and especially with their division of all history into organic periods and critical periods.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/163/mode/1up p. 163

Nature, Time, Question, Religion

“The "universe" is an hypothesis, like the atom, and must be allowed the freedom to have properties and to do things which would be contradictory and impossible for a finite material structure. What we observe are the stars and nebulae constituting "our neighbourhood." All that goes beyond that, in time or in space, or both, is pure extrapolation. The conclusions derived about the expanding universe depend on the assumed homogeneity and isotropy, i. e. on the hypothesis that the observed finite material density and expansion of our neighbourhood are not local phenomena, but properties of the "universe." It is not inconceivable that this hypothesis may at some future stage of the development of science have to be given up, or modified, or at least differently interpreted.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932), Above is Beginning Quote of the Last Chapter: Relativity and Modern Theories of the Universe -->

Star, Freedom, Universe, Science

“They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture.
It could rain in a room this big.”

Hugh Laurie book The Gun Seller

The Gun Seller (1996)

Game, Time

“There comes a stage, however, as the system becomes larger and larger, when the reception of all the information is impossible by reason of its sheer bulk. Either the recording channels cannot carry all the information, or the observer, presented with it all, is overwhelmed. When this occurs, what is he to do? The answer is clear: he must give up any ambition to know the whole system. His aim must be to achieve a partial knowledge that, though partial over the whole, is none the less complete within itself, and is sufficient for his ultimate practical purpose”

W. Ross Ashby (1903–1972) British psychiatrist

Source: An Introduction to Cybernetics (1956), Part I: Mechanism, p. 106, as quoted in: " An Introduction to Cybernetics http://www.ecotopia.com/webpress/nurcap/cybernetics198803.htm," at ecotopia.com

Knowledge

“He was my mentor in a way -- as a musician and as a businessman. He came to Turkey once and saw me on stage performing, and then he came up to me and said, "You've got to call me." I said, I would love to. And that was the first thing I did when I came to New York. Then we did an agreement, a deal, with him for the English albums.”

Tarkan (1972) Turkish singer

About Ahmet Ertegün

Love, Way

“I staged the coup because uh…the leaders in Saigon at that time did not keep their word. Uh, you know, by example, not killing Diem. Uh, they killed Diem. Uh… secondly, by example… to try to do something better in the fight, in fighting the Communists. But, you remember, I mean uh, at that time, everybody remember that they are a good time in Saigon, you know uh…uh, just enjoy the victory over Diem. And also, the main thing is leader at that time, we feel, was for the French solution of Indochina, for DeGaulle at that time, you know, he want to neutralize South Vietnam and to impose a French solution for the whole Indochina. And leaders at that time were in Saigon, we feel, it was true later on, like by example, Duong Van Minh, you know, who surrender to the Communists at '75 and we know that now we tory we know that Minh was one of the men of the policemen in Saigon who took, took over. So, I think we were ah, ah right, we were right at that time to change the leadership in Saigon.”

Nguyen Khanh (1927–2013) South Vietnamese soldier

Nguyen Khanh stages the 1946 coup: On the 1964 South Vietnamese coup
1980s, Interview with Nguyen Khanh (1981)

Men, Feeling, Thinking, Change

“Fame has earned me great applause, thanks to our generous people. of course, this fortune brought my financial situation. and the increasing love of the people who did not decline for years. Everything is mutual. I liked it very much, too many listeners, my followers … I paid my price with my heart, unfortunately. my heart is tired and said that this event comes from the stress of the scene that lasts for 25 years; doctors. And I said goodbye to the stage for 4 years. I gave my heart. I bought a lot but I gave it my heart, sir.”

Zeki Müren (1931–1996) Turkish musician

What did your honor stole from you? https://www.youtube.com/watch?v=Fq_jdymMh1U

Love, People, Heart

“Here, I thought, I had found the human race in its final stages of decadence—perverse, insouciant, without ambition. And I could not blame them. After all, they had no future.”

Michael Moorcock book Phoenix in Obsidian

Phoenix in Obsidian (1970)
Source: Book 2 “The Champion’s Road” Chapter 3 “The Lord Spiritual” (p. 354)

Future

“Conduct, of course, is possible without science. Humans carried on in their daily affairs long before the first spark of science had been struck. And today there are millions of people living whose actions are not determined by anything we call science. Science, however, could not but gain an increasing influence on human behaviour. To describe this influence roughly and briefly will throw a new light on science. Exaggerating and schematizing the differences, we can say: in the prescientific stage man behaves in a situation as the situation tells him to behave. To primitive man each thing says what it is and what he ought to do with it: a fruit says, "Eat me"; water says, "Drink me"; thunder says, "Fear me," and woman says, "Love me."”

Kurt Koffka (1886–1941) German psychologist

Source: Principles of Gestalt Psychology, 1935, p. 7

Love, People, Fear, Drink

“She and Stephen were in that stage of courtship which makes the most exquisite moment of youth, the freshest blossom-time of passion, — when each is sure of the other's love, but no formal declaration has been made, and all is mutual divination, exalting the most trivial word, the lightest gesture, into thrills delicate and delicious as wafted jasmine scent.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

Love, Youth, Passion, Time

“Awards at each different stage have a special meaning and significance. They mean differently to everyone. When you get an award at the start of your career, it definitely is a stepping stone, and in the middle stages, awards become a source of inspiration, a source of happiness. It is a memento of something that is probably well deserved for the amount of effort put in. Filmfare Awards are something to be proud of. When one gets a Filmfare Award, people know an actor has arrived.”

Rani Mukerji (1978) Indian film actress

[filmfare.com, What do Filmfare Awards mean to me?, http://www.filmfare.com/awards2001/spotpoll.html, 23 April, 2006]
Famous Quotes

People, Effort, Happiness

“She got convinced in her crazy head that I had sex with this girl in Columbus, Ohio…and I did, and I'll tell you why. When you enter into a monogamous relationship with somebody, you usually do it at a point in the relationship when you're having a lot of sex. So you're willing to sign the papers. "I'll only have sex with you, ever-ever-ever…ever." Well, if that person stops having sex altogether… why, you find yourself in quite a pickle. I'm a pretty good dog, but if you don't pet me every once in awhile, it's hard to keep me under the porch. I'm not as flexible as real dog. And I'll tell you what happened, too. I was in Columbus, Ohio, and I haven't been laid in three months. Three months! You can't go three months without having sex with me. I'll go have sex with somebody else. I know, I've seen me do it. I did a show one night. I came offstage, there's gorgeous woman, maybe 35, 40 years old, long black dress, slit up to her waist, GORGEOUS. Gimme a second. Just…And I walk off stage, she goes, "I thought you were hilarious. I wanna buy you a drink." I'm like, "I can't do that, I'm married." And she says, "I didn't ask if you wanna have sex, big boy. I asked if you wanna have a drink at my place."…Alright. Now, you know of that little guy that sits on your shoulder and reminds you of your prior commitments and your moral fortitude? I didn't hear a peep out of that guy. He hadn't been laid in 3 months either. He was speechless for like 20 minutes then he was like, "Suck her titty!"…"I was gonna!" I was having a 3-way with my conscience. Soon as the whole thing's over, he's back at his post, saying, "That was wrong, mister!" "Hey! 15 minutes ago, you were beating off on my shoulder, monkey boy!"”

Ron White (1956) American comedian

I hate him. He smokes pot. He burned a hole in my other jacket.
They Call Me Tater Salad

Hate, Dogs, Sex, Way

“If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.”

Edith Evans (1888–1976) British actress

As quoted in Dame Edith Evans, ch. 12, by Bryan Forbes (1977)

“You can see, therefore, that as a life story mine does not matter much. As a means, however, of proving certain facts which I know to be essential to the future happiness and progress of humanity—the fact of the Masters, the unfolding future for which the world war (just ended) is but a preparatory stage, and the possibility of telepathic and direct spiritual contacts and knowledge—what I say may prove to be of service. Many isolated mystics, disciples and aspiring men and women down the ages have known all these things. The time has now come when the masses of men everywhere must know them too.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

The Introduction
The Unfinished Autobiography (1951)

Life, Women, Men, War

“I am convinced that the decisive factor in dramatic effect will be a smaller orchestra, which does not drown out the human voice as does a large orchestra…The orchestra of the opera of the future is the chamber orchestra which, by painting in the background of the action on the stage with crystalline clearness, can alone realise precisely the intention of the composer with regard to the vocal parts. It is after all an important desideratum that the audience should not only hear the sounds but should also be able to follow the words closely.”

Richard Strauss (1864–1949) German composer and orchestra director

On composing and conducting (page 39-40) (1929).
Recollections and Reflections

Decision, Future, Parting, Painting

“Brother Leon arrived late for the performance. His late entrance was not a surprise. Everybody knew that Leon hated the student skits and sketches. Too often there had been hilarious takeoffs on the faculty and, a few years ago, a devastating burlesque of Brother Leon by a student named Henry Boudreau. Boudreau had minced across the stage, speaking in a prissy voice, wielding an oversized baseball bat the way Leon used his teacher's pointer, as a weapon. The performance had become a legend at Trinity. But funny thing about Boudreau: He had flunked out at the end of the year.”

Robert Cormier book Beyond the Chocolate War

Source: Beyond the Chocolate War (1985), p. 246-247

Hate, Way, Teachers

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Life, People, World, Color

“He loved hitherto-unthought-of, thereafter-unthinkable combinations of instruments. When some extraordinary array of players filed half-proudly, half-sheepishly on to the stage, looking like the Bremen Town Musicians—if those were, as I think they were, a rooster, a cat, a dog, and a donkey—you could guess beforehand that it was to be one of Gottfried’s compositions. His Joyous Celebration of the Memory of the Master Johann Sebastian Bach had a tone-row composed of the notes B, A, C, and H (in the German notation), of these inverted, and of these transposed; and there were four movements, the first played on instruments beginning with the letter b, the second on instruments beginning with the letter a, and so on. After the magnificent group that ushered in the piece (bugle, bass-viol, bassoon, basset-horn, bombardon, bass-drum, baritone, and a violinist with only his bow) it was sad to see an Alp horn and an accordion come in to play the second movement. Gottfriend himself said about the first group: “Vot a bunch!””

Randall Jarrell book Pictures from an Institution

When I asked him how he had thought of it he said placidly: “De devil soldt me his soul.”
Source: Pictures from an Institution (1954) [novel], Chapter 4: “Constance and the Rosenbaums”, p. 136

Love, Sadness, Dogs, Soul

“Lastly, there are Idols which have immigrated into men's minds from the various dogmas of philosophies, and also from wrong laws of demonstration. These I call Idols of the Theater, because in my judgment all the received systems are but so many stage plays, representing worlds of their own creation after an unreal and scenic fashion.”

Francis Bacon book Novum Organum

Aphorism 44
Novum Organum (1620), Book I

Men, World, Law, Fashion

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Thomas Frank book What's the Matter with Kansas?

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Money, War, People, World

“Lo where the stage, the poor, degraded stage,
Holds its warped mirror to a gaping age.”

Charles Sprague (1791–1875) Boston businessman and poet

Curiosity, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Age

“The civil war in Rwanda and other ethnic massacres were an integral part of US foreign policy, carefully staged in accordance with precise strategic and economic objectives.”

Michel Chossudovsky (1946) Canadian economist

Source: The Globalization of Poverty and the New World Order - Second Edition - (2003), Chapter 7, Economic Genocide in Rwanda, p. 120

War, Parting

“Superior forms of thought have a fatal tendency of later becoming revealed law: and all philosophy ends, in its last stages, by becoming religion.”

José Maria Eça de Queiroz book Cartas de Inglaterra

As formas superiores do pensamento tem uma tendência fatal a tornar-se na futura lei revelada: e toda a filosofia termina, nos seus velhos dias, por ser religião.
"Israelismo"; "Israelism" p. 50.
Cartas de Inglaterra (1879–82)

Religion, Law

“Earlier one person would do a sam and the audience ten feet away knew that a new tukda was about to begin but now fifty of us did the same movement with the same precision; the audience even two hundred feet away knew and understood. Yes, we connected to many because we were many presenting one. We simply enlarged ourselves by being many more of us and we engulfed the stage.”

Birju Maharaj (1938) Indian dancer

When he changed over from solo form to group ballet of synchronized action and rhythm thus creating a dynamic impact on the audience in [Raksha Bharadia, Me A Handbook For Life, http://books.google.com/books?id=J3BwcatTTZIC&pg=PT179, 2006, Rupa & Company, 978-81-291-1058-9, 179–]

Personality

“At every stage of my career, I sought out the most influential people around me and asked for their help and guidance.”

Keith Ferrazzi (1966) American businessman and writer

Never Eat Alone

People, Help

“Trust yourselves, my brethren, to the immortal love and perfect work of the Divine Saviour, and by His dear might your days will advance by peaceful stages, whereof each gathers up and carries forward the blessings of all that went before, to a death which shall be a birth.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 590.

Love, Death, Peace, Birth

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Women, Men, Art, Music

“My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.”

Arthur Symons (1865–1945) British poet

In The Stalls , st. 1.

Life, Music, Rage, Dance

“We can assume that in a relatively short time — perhaps within 100 million years — the one celled organism evolved into a colony of cells. With the further passage of time, groups of cells within those colonies assumed specialized functions of food-gathering, digestion, the structural features of an outer skin, and so on; thus began the stage of evolution leading to the complex, many-celled creatures which dominate life today.
The fossil record contains no trace of these preliminary stages in the development of many-celled organisms. The first clues to the existence of relatively advanced forms of life consist of a few barely discernible tracks, presumably made in the primeval slime by soft, wriggling wormlike animals. These are found in rocks about one billion years old. These meager remains are the earliest traces of many-celled animal life on the planet.”

Robert Jastrow (1925–2008) American astronomer

Red Giants and White Dwarfs : Man's Descent from the Stars (1971), p. 249.

Life, Food, Time, Animals

“He swore repeatedly, ever the more violently the unsteadier his legs became, but to steel his senses he kept his mind fixed persistently on the world-famous battles of the rhymes. He recited the most powerful passages one after another over and over again, dwelling especially on the devilish heroes, Grimur Ægir and Andri. It was Grimur he was fighting now, he thought... but now an end would be put to the deadly feud, for now the stage was set for the final struggle.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers

World, Sense, Fight

“I also want to talk to you, quite frankly, on a very grave matter. Among ourselves it should be mentioned quite frankly, and yet we will never speak of it publicly. Just as we did not hesitate on June 30th, 1934 to do the duty we were bidden, and stand comrades who had lapsed, up against the wall and shoot them, so we have never spoken about it and will never [p. 65] speak of it. It was that tact which is a matter of course and which I am glad to say, is inherent in us, that made us never discuss it among ourselves, never to speak of it. It appalled everyone, and yet everyone was certain that he would do it the next time if such orders are issued and if it is necessary. I mean the evacuation out of the Jews, the extermination of the Jewish race. It's one of those things it is easy to talk about - "The Jewish race is being exterminated", says one party member, "that's quite clear, it's in our program - elimination of the Jews, and we're doing it, exterminating them." And then they come, 80 million worthy Germans, and each one has his decent Jew. Of course the others are vermin, but this one is an A-1 Jew. Not one of all those who talk this way has witnessed it, not one of them has been through it. Most of you must know what it means when 100 corpses are lying side by side, or 500 or 1000. To have stuck it out and at the same time - apart from exceptions caused by human weakness - to have remained decent fellows, that is what has made us hard. This is a page of glory in our history which has never been written and is never to be [p. 66] written, for we know how difficult we should have made it for ourselves, if - with the bombing raids, the burdens and the deprivations of war - we still had Jews today in every town as secret saboteurs, agitators and trouble-mongers. We would now probably have reached the 1916/17 stage when the Jews were still in the German national body.”

Heinrich Himmler (1900–1945) Nazi officer, Commander of the SS

The Posen speech to SS officers (4 October 1943), original translation from "International Military Trials - Nurnberg Nazi Conspiracy and Aggression Volume IV", US Govt Printing Offc 1946 pp. 563-4.

War, Secret, Way, History

“The proper limits of Government interference are relative to the nature of each particular state and the stage of its civilisation. It is a matter of great importance at the present day for us to discover what these limits are in our own case, for administration bids fair to claim a large share of our attention in the future.”

Arnold Toynbee (1852–1883) British economic historian

Source: Lectures on The Industrial Revolution in England (1884), p. 31

Nature, Future

“Wealth, power, the struggle for ephemeral social and political prestige, which so absorb our attention and energy, are but the passing phase of every age; ninety-day wonders which pass from man’s recollection almost before the actors who have striven from them have passed from the stage. … What is significant in the record of man’s development is none of these. It is rather those forces in society and the lives of those individuals, who have, in each generation, added something to man’s intellectual and moral attainment, that lay hold on the imagination and compel admiration and reverence in each succeeding generation.”

Harlan F. Stone (1872–1946) United States federal judge

Reported in Alpheus Thomas Mason, Harlan Fiske Stone, Pillar of the Law (1956), p. 209
Attributed

Age, Imagination, Wealth

“To work on stage these days with all the advanced tools developed by the electronic industry, you can’t sit down like in the old days and start noodling around on a three-chord basis. Today you need a kind of structure or even a very complex composition for communicating properly between a bunch of people. Nevertheless, there is still room for musical freedom and even improvisation.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

People, Music, Communication, Freedom

“Only a few years ago one could observe, at least among German psychologists, a quite pessimistic mood. After the initial successes of experimental psychology in its early stages, it seemed to become clearer and clearer that it would remain impossible for experimental method to press on beyond the psychology of perception and memory to such vital problems as those with which psychoanalysis was concerned. Weighty 'philosophical' and 'methodological' considerations seemed to make such an undertaking a priori impossible.”

Kurt Lewin (1890–1947) German-American psychologist

Source: 1930s, A Dynamic Theory of Personality, 1935, p. v.

Mood, Problem, Memory, Success

“In human history it seems that the idea of using a pictograph in the new function of representing sound may have occurred only three times: once in Mesopotamia, perhaps by the Sumerians, once in China, apparently by the Chinese themselves, and once in Central America, by the Mayas. (Conceivably it was invented only once, but there is no evidence that the Chinese or the Mayas acquired the idea from elsewhere.) The idea that was independently conceived by these three peoples was taken over, as were at times even the symbols themselves, though often in a highly modified form, by others who made adaptations to fit a host of totally different languages. One of the major adaptations, generally attributed to the Greeks, was the narrowing of sound representation from syllabic representation to phonemic representation (Gelb 1963; Trager 1974), after an earlier stage of mixed pictographic and syllabic writing (Chadwick 1967).”

John DeFrancis book The Chinese Language: Fact and Fantasy

The Chinese Language: Fact and Fantasy (1984, p. 139) http://www.pinyin.info/readings/texts/ideographic_myth.html The Chinese Language: Fact and Fantasy (1984)

People, History, Idea, Time

“The struggle against imperialism, for liberation from colonial or neocolonial shackles, which is being carried out by means of political weapons, arms, or a combination of the two, is not separate from the struggle against backwardness and poverty. Both are stages on the same road leading toward the creation of a new society of justice and plenty.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Afro-Asian Conference (1965)

Justice

“The thing about Wagner is we’re always wrong about him, because he always embraces opposites … There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can’t represent both views on stage at once.”

Daniel Barenboim (1942) Israeli Argentine-born pianist and conductor

Q&A: Daniel Barenboim http://www.telegraph.co.uk/culture/music/classicalmusic/10044601/Proms-2013-Daniel-Barenboim-interview.html, 2 November 2012.

Way, Problem

“The word addiction is used far too liberally in our society and I shy away from it. If I have any addiction, it would be nicotine. I would say alcohol is more of a compulsive habit for me. I have used different narcotics for roughly 20 years and I have always used them socially, sporadically and usually sparingly. I use cocaine occasionally and sometimes medicinally - before a third show Saturday, a bump of coke can make the difference between a strong performance and just phoning it in - and I've never developed any type of habit, never craved it the next day. I will use hallucinogens a few times a year as well, always in a safe environment. So far as an "early grave," I'm more concerned with quality of life. No sense in having a mint condition classic car if you're afraid to take it out of the garage. I look as sadly at people awash in hand-sanitizer and surgical masks in elevators as they might see me when I'm pouring booze down my head on stage.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

On his drug use. Doug Stanhope interview http://markprindle.com/stanhope-i.htm, MarkPrindle.com, 2007 Miscellaneous

Life, People, Alcohol, Cars

“I don’t believe in acting. I think that people in life act, but when you are on the stage, or in my case also on screen, you have to be true.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Spartacus Schoolnet biography http://www.spartacus.schoolnet.co.uk/USArainer.htm

Life, People, Thinking

“At a very early stage in history we are encountering "survivorship bias" - the fact that only the best results tend to show up in the history books.”

William J. Bernstein (1948) economist

Source: The Four Pillars of Investing (2002), Chapter 1, No Guts, No Glory, p. 8.

Books, History

“One of the things that was introduced to me at an early stage in life was to try to make stuff happen. But nothing ever worked that way for me. What I learned on my own was that to try and play God with your life will wreck your brain and your nervous system, and mess up your natural direction in the course that's already there…But look, I just don't want to read about me being made into a basket case because of my work. It's self-pity that I hate. I mean, it comes with the territory. An actor with any conviction goes the extra mile.”

River Phoenix (1970–1993) American actor, musician, and activist

Movieline (1991)

Life, God, Hate, Way

“Charismatic Lithuanian baritone Vytautas Juozapaitis was a spirited, energetic Don Giovanni who held the audience's rapt attention whenever he was on stage. He had an authoritative sound that could be romantically enticing in an attempt to seduce a lady, but could change instantly into a commanding tone when anyone attempted to thwart his will.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Maria Nokin, "Mozart's 'Don Giovanni'". Ensemble (November 26, 2006) http://www.mvdaily.com/articles/2006/11/don-giovanni3.htm

Change

“I shall never forget the sight of that beautiful boat as she went down, the orchestra playing to the last, the lights burning until they were extinguished by the waves. It sounds so unreal, like a scene on the stage.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 152

Beauty, Light, Forgetting

“I understand and sympathize with the reasonable needs of a reasonable number of people on a finite continent. All life depends upon other life. But what is happening today, in North America, is not rational use but irrational massacre. Man the Pest, multiplied to the swarming stage, is attacking the remaining forests like a plague of locusts on a field of grain.”

Edward Abbey (1927–1989) American author and essayist

“The Crooked Wood” p. 208
The Journey Home (1977)

Life, People, Understanding, Dependency

“Prokofiev was not alone among the leading composers of the twentieth century in changing his style repeatedly in the course of his career: Stravinsky, Schoenberg, Bartók, and others modified their musical language drastically at various stages of their creative lives. In Prokofiev’s case, he always maintained certain stylistic facets throughout the transformations of his musical language.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Music, Change

“The nation has been, and is still being, eroded and hollowed out from within by the implantation of large unassimilated and unassimiliable populations—what Lord Radcliffe once in a memorable phrase called "alien wedges"—in the heartland of the state…The disruption of the homogeneous "we", which forms the essential basis of parliamentary democracy and therefore of our liberties, is now approaching the point at which the political mechanics of a "divided community"…take charge and begin to operate autonomously. Let me illustrate this pathology of a society that is being eaten alive…The two active ingredients are grievance and violence. Where a community is divided, grievance is for practical purposes inexhaustible. When violence is injected—and quite a little will suffice for a start—there begins an escalating competition to discover grievance and to remove it. The materials lie ready to hand in a multiplicity of agencies with a vested interest, more or less benevolent, in the process of discovering grievances and demanding their removal. The spiral is easily maintained in upward movement by the repetitions and escalation of violence. At each stage alienation between the various elements of society is increased, and the constant disappointment that the imagined remedies yield a reverse result leads to growing bitterness and despair. Hand in hand with the exploitation of grievance goes the equally counterproductive process which will no doubt, as usual, be called the "search for a political solution"…Indeed, attention has already been drawn publicly to the potentially critical factor of the so-called immigrant vote in an increasing number of worthwhile constituencies. The result is that the political parties of the indigenous population vie with one another for votes by promising remedy of the grievances which are being uncovered and exploited in the context of actual or threatened violence. Thus the legislature finds itself in effect manipulated by minorities instead of responding to majorities, and is watched by the public at large with a bewildering and frustration, not to say cynicism, of which the experience of legislation hitherto in the field of immigration and race relations afford some pale idea…I need not follow the analysis further in order to demonstrate how parliamentary democracy disintegrates when the national homogeneity of the electorate is broken by a large and sharp alteration in the composition of the population. While the institutions and liberties on which British liberty depends are being progressively surrendered to the European superstate, the forces which will sap and destroy them from within are allowed to accumulate unchecked. And all the time we are invited to direct towards Angola or Siberia the anxious attention that the real danger within our power and our borders imperatively demand.”

Enoch Powell (1912–1998) British politician

Speech the Hampshire Monday Club in Southampton (9 April 1976), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), pp. 165-166
1970s

Lie, Disappointment, Democracy, Imagination

“The task of making more exact a vague or not quite exact concept used in everyday life or in an earlier stage of scientific or logical development, or rather of replacing it by a newly constructed, more exact concept, belongs among the most important tasks of logical analysis and logical construction. We call this the task of explicating, or of giving an explication for the earlier concept; this earlier concept, or sometimes the term used for it, is called the explicandum; and the new concept, or its term, is called an explicatum of the old one.”

Rudolf Carnap (1891–1970) German philosopher

Source: Meaning And Necessity (1947), p. 7-8 as cited in: Erich Reck (2011) " Carnapian Explication: A Case Study and Critique http://www.faculty.ucr.edu/~reck/Reck-C'ian%20Explic.%20(3rd.%20rev.).pdf"

Life

“Every institution goes through three stages — utility, privilege, and abuse.”

François-René de Chateaubriand (1768–1848) French writer, politician, diplomat and historian

As quoted in Culture and Progress (1930) by Wilson Dallam Wallis.

“You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here.”

Bono (1960) Irish rock musician, singer of U2

On his father
Rolling Stone interview (2005)

Life, Dreams, Disappointment, Guy

“Lots of people make the stage and it can seem very violent and over the top, but it's not really. It's always a kind of gentle ballet.”

Morrissey (1959) English singer

From "LA Confidential", interview by Jaan Uhelszki, Mojo (April 2001)
In interviews etc., About himself and his work

People

“I have found that there are three stages in every great work of God: first, it is impossible, then it is difficult, then it is done.”

James Hudson Taylor (1832–1905) Missionary in China

(Leslie T. Lyall. A Passion for the Impossible: The Continuing Story of the Mission Hudson Taylor Began. London: OMF Books, 1965, 5).

God

“She saw that in all wars, the first stage was to dehumanize the enemy, reduce the enemy to a lower level so that he might be killed without compunction. When the enemy was not human to begin with, the task was easier.”

Greg Bear (1951) American writer best known for science fiction

Source: Short fiction, Hardfought (1983), p. 76

War

“Today, many of us picked up our newspapers, and we were horrified to see the sight of 10 American sailors on their knees, with their hands on their heads. In that State of the Union, President Obama didn't so much as mention the 10 sailors that had been captured by Iran. President Obama's preparing to send $100 billion or more to the Ayatollah Khamenei. And I'll tell you, it was heartbreaking. But the good news is the next commander-in-chief is standing on this stage. And I give you my word, if I am elected president, no service man or service woman will be forced to be on their knees, and any nation that captures our fighting men will feel the full force and fury of the United States of America.”

Ted Cruz (1970) American politician

Sixth Republican Presidential Debate http://time.com/4182096/republican-debate-charleston-transcript-full-text/ (January 14, 2016) 2010s

Men, Feeling, Fight

“In the early stages of modern European history the absolute monarch was freed from the limitations based on medieval natural law. No longer subject to the control of any contract, he was able to raise himself from being a mere protector of order (Defensor Pads) to being its creator (Creator Pacis), and thereby he emerged as the first 'free' individual in the modern period. What happened at the beginning of modern Japanese history (that is, in the Meiji Restoration) was very different indeed. The amalgamation of spiritual authority with political power was regarded not as any new departure in the concept of sovereignty, but simply as a return to 'the ancient days of the Jimmu Foundation.”

Masao Maruyama (scholar)

Though the Emperor was regarded as the embodiment of ultimate value, he was infinitely removed from the possibility of creating values out of nothing.
Thought and Behaviour in Modern Japanese Politics (1963), Ch. 1 : Theory and Psychology of Ultra-Nationalism

Law, History, Departure, Nature

“As there was no open opposition to Aryanism from the beginning, it grew in stages and made us degraded”

Periyar E. V. Ramasamy (1879–1973) Tamil politician and social reformer

Quoted in Collected Works of Thanthai Periyar E.V. Ramasami, Volume 1 http://books.google.co.in/books?id=I2xDAAAAYAAJ, p. 56. Aryanism

“My favourite memories involve the actual process of writing sketches - just a few guys lounging around in a room talking nonsense, until suddenly an idea would start to coalesce, and you'd start nudging it toward fruition. I've never laughed so much before or since. Also, there were those very, very few nights where you'd be on a stage and some strange contract developed between performers and audience, and everything you did was funny. That was magical - and a direct visceral experience that you never really get from writing prose.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

On his time with the Cambridge Footlights
Associated Content Interview (October 23, 2006)

Guy, Idea, Memory, Night

“I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Music, Way, Idea, Change

“We live in a stage of politics, where legislators seem to regard the passage of laws as much more important than the results of their enforcement.”

William Howard Taft (1857–1930) American politician, 27th President of the United States (in office from 1909 to 1913)

Source: Our Chief Magistrate and His Powers (Columbia University Press, 1916), Chapter 6.

Law

“In a Stage I survival-focused world, a father needed to be a problem-solver. He needed to “tough it out” by denying feelings. He needed to persuade, argue, debate, set rules, distinguish right from wrong without flexibility. These skills made him “eligible,” they brought him a wife and children. In every sense of the word, these skills were his relationship language. Problem is, “toughing it out” fed his loved ones’ mouths, but didn’t nurture his loved ones’ souls.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 116.

Love, Children, World, Feeling

“Do you remember when you were young, and you’d stare at someone on-stage and think ‘Oh my God—he looked right at me?’ I do, so I have this kind of rescue-fantasy thing. When I see kids in the audience I think, ‘Okay, that’s me, and it would be kind of cool if the person on-stage would come down and save me.’ I’m not going to be able to save every one of them, but I’ll do my best, because I genuinely like kids. If I didn’t have my lust for my art, I probably would have ended up working with them.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her teenaged fans, interview with The Georgia Straight (1999)
1996–2005

God, Art, Thinking, Personality

“Leonard D. White's desire "to organize his own knowledge" reminds us of how much hacking away at a jungle has to be done at such an early stage in the study of and reporting on a new field.”

John M. Gaus (1894–1969) American political scientist

John M. Gaus, 1958. "Leonard Dupee White—1891–1958." Public Administration Review 18(2): p. 233

Knowledge, Study

“We are told that we have to accept the Treaty of Rome. I have read the Treaty of Rome pretty carefully, and it expresses an outlook entirely different from our own. It may be that I am insular, but I value our Parliamentary outlook, an outlook which has extended throughout the Commonwealth. That is not the same position that holds on the Continent of Europe. No one of these principal countries in the Common Market has been very successful in running Parliamentary institutions: Germany, hardly any experience; Italy, very little; France, a swing between a dictatorship and more or less anarchic Parliament, and not very successfully. As I read the Treaty of Rome, the whole position means that we shall enter a federation which is composed in an entirely different way. I do not say it is the wrong way. But it is not our way. In this set-up it is the official who really puts up all the proposals; the whole of the planning is done by officials. It seems to me that the Ministers come in at a later stage—and if there is anything like a Federal Parliament, at a later stage still. I do not think that that is the way this country has developed, or wishes to develop. I am all for working in with our Continental friends. I was one of those who worked to build up NATO; I have worked for European integration. But that is a very different thing from bringing us into a close association which, I may say, is not one for defence, or even just for foreign policy. The fact is that if the designs behind the Common Market are carried out, we are bound to be affected in every phase of our national life. There would be no national planning, except under the guidance of Continental planning—we shall not be able to deal with our own problems; we shall not be able to build up the country in the way we want to do, so far as I can see. I think we shall be subject to overall control and planning by others. That is my objection.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/lords/1962/nov/08/britain-and-the-common-market in the House of Lords on the British application to join the Common Market (8 November 1962). 1960s

Life, Way, Problem, Thinking

“If somebody blocks you when you're walking, you're positively Edwardian in your manners. You do this sheepish little smile together, and you step aside. And you both do it at the same time, and you go "for goodness sake, what a to-do! Oh-ho-ho, dear me! I'll just eh, I'll just—oh, we did it again, can you believe it, I can't believe it! We should be on the stage! One more time, I'll just—oh, how did we ever get this far as a species!" But, for some reason, in a car, that becomes "YOU SPUNK BUCKET!"…. from, you know, an eighty nine year-old church warden.”

Dylan Moran (1971) Irish actor and comedian

On behaviour displayed on foot and in cars.
Like, Totally (2006)

Smile, Cars, Time

“I staged a coup d’état and the workers staged the revolution, occupying the factories, becoming partners instead of employees, eliminating the monarchic administration and setting up people’s committees. In short, they liberated themselves. Students did the same. Today in Libya, only the people count.”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

Interview with Oriana Fallaci (2 December 1979), Corriere della Sera
Interviews

People

“[Republicans in Hess's youth] represented the only strong anti-imperalist political position. Anti-imperialist? Republicans? Uh-huh. But Republicans were not smart enough to call it that. They let it be labeled isolationism, as though they wanted the United States to sneak off the world stage, slam the doors, and bolt the windows. The underlying Republican argument, that we should trade with everyone but not interfere with or intervene in their internal politics, was lost behind that unattractive label.”

Karl Hess (1923–1994) American journalist

Jeff Riggenbach, "Karl Hess and the Death of Politics," http://mises.org/library/karl-hess-and-death-politics-0 ( text http://mises.org/library/karl-hess-and-death-politics) The Libertarian Tradition (6 May 2010).

Youth, World, Strong

““Our sense of alternative is the sense that the transcending view which connects us with our Divine Ideal, and which moves us evermore toward harmony with that, is really ever-living, and so affords resources to reduce our defective difference and carry us beyond all temporal actualities. So that when we halt in any stage of these, and act as if our aim and object ended there, and we were there fulfilled, we know that this is false. We know that we have belied our real being, that in our true nature is a fountain out-measuring every possible actuality, that therefore we might have done differently, and that consequently we have contracted guilt”

George Holmes Howison (1834–1916) American philosopher

guilt, not simply before some external tribunal, be it even God's, but guilt before the more inexorable bar of our own soul.”
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.370-1

God, Soul, Nature, Sense

“While thinking when sober, our success at reaching our goals by using the First Baltic Front troops, the Memel operation, it can't be disregarded, that they [the troops] not only honorably accomplished their powerful strategic operation, but also an infusion of victory for the Soviet armed forces and an entrance into the final stages of the war.”

Hovhannes Bagramyan (1897–1982) Soviet military commander

Quoted in "I. C. Bagramyan: A Photo Album About A Soviet Marshal" - Yerevan - 1987

War, Thinking, Success, Victory

“The Declaration of Independence I always considered as a Theatrical Show. Jefferson ran away with all the stage effect of that; i. e. all the Glory of it.”

John Adams (1735–1826) 2nd President of the United States

Letter to Benjamin Rush (21 June 1811); published in Old Family Letters: Copied from the Originals for Alexander Biddle (1892), p. 287 http://books.google.com/books?id=5d8hAAAAMAAJ&dq=%22Jefferson+ran+away+with+all+the+stage+effect+of+that%22; also quoted in TIME magazine (25 October 1943) http://www.time.com/time/magazine/article/0,9171,796192-2,00.html 1810s

Quotes about stage page 8

Quotes about stage
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