Quotes about spacing
page 13

“If there is one single area of economics in which path dependence is unmistakable, it is in economic geography – the location of production in space.”

Paul Krugman (1953) American economist

"History and Industry Location: The Case of the Manufacturing Belt", The American Economic Review, Vol. 81, No. 2, (May, 1991)

Dependency

“My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

Truth, Passion, Painting

“Freedom means free speech, not politically correct safe spaces. Freedom means religious freedom, whether you are Christian, Jew, Muslim, or atheist. Whether you are gay, or straight, the Bill of Rights protects the rights of all of us to live according to our conscience. Freedom means the right to keep and bear arms, and to protect your family. Freedom means that every human life is precious and must be protected. Freedom means Supreme Court Justices who don't dictate policy, but instead follow the Constitution. And, freedom means recognizing that our Constitution allows states to choose policies that reflect local values. Colorado might decide something different than Texas. New York different than Iowa. That's the way it's supposed to be, diversity. If not, what's the point of having states to begin with?”

Ted Cruz (1970) American politician

2010s, Speech at the Republican National Convention (July 20, 2016)

Life, Family, Justice, Way

“Love is that orbit of the restless soul
Whose circle grazes the confines of space,
Bounding within the limits of its race
Utmost extremes.”

George Henry Boker (1823–1890) American poet, playwright, and diplomat

Sequence on Profane Love (posthumously published, 1927).

Love, Soul

“From the union of power and money,
from the union of power and secrecy,
from the union of government and science,
from the union of government and art,
from the union of science and money,
from the union of ambition and ignorance,
from the union of genius and war,
from the union of outer space and inner vacuity,
the Mad Farmer walks quietly away.”

Wendell Berry (1934) author

"The Mad Farmer, Flying the Flag of Rough Branch, Secedes from the Union" in Entries (1997).
Poems

Money, War, Art, Science

“The telegraph press mosaic is acoustic space as much as an electric circus.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

“What place do we occupy in the "universe"? A point, if that! Why reproach ourselves when we are evidently so insignificant? Once we make this observation, we grow calm at once: henceforth, no more bother, no more frenzy, metaphysical or otherwise. And then that point dilates, swells, substitutes itself for space. And everything begins all over again.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

The New Gods (1969)

Universe

“Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog. (p. 13)
Source: 1960s, Counterblast (1969), p. 13

World

“Such is the citadel of loving Souls where all pure intellects are united, in one simple Purity. This is the habitation of God in us, where none can operate but God alone; its Purity is eternal, there is neither time nor space, past nor future, always present and ready to be revealed to those pure intelligences raised to it.”

John Ruysbroeck (1293–1381) Flemish mystic

Source: The Seven Steps of the Ladder of Spiritual Love, p. 149

Love, God, Soul, Intelligence

“All his studies had been for extraterrestrial exploration. There was no place for him on Earth; and now he was barred from space.”

Robert Sheckley book The Status Civilization

Source: The Status Civilization (1960), Chapter 8 (p. 41)

Study

“My eyes close and uncomprehendingly see the dream in the infinite space that stretches away, elusive, before me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Original: Mes yeux se ferment pour voir sans comprendre le rêve dans l'espace infini qui fuit devant moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 184-185: Letter to André Fontainas, March 1899

Dreams

“Like it or not, the modern marvel that was South Africa—with its space program and skyscrapers—was not the handiwork of the black nationalist movement now dismantling it; but the creation of those persecuted, pale, patriarchal Protestants.”

Ilana Mercer South African writer

"Erasing The Afrikaner Nation," http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=58 WorldNetDaily.com, November 23, 2007. 2000s, 2007

“Euclidean geometry is only one of several congruence geometries… Each of these geometries is characterized by a real number K, which for Euclidean geometry is 0, for the hyperbolic negative, and for the spherical and elliptic geometries, positive. In the case of 2-dimensional congruence spaces… K may be interpreted as the curvature of the surface into the third dimension—whence it derives its name…”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“We have time travel," she said, "and none of us, I am sure, really understands it. We stole it from the Infinites. To steal time travel was the one way we could fight back, the one way we could flee. The human race had far space travel before the Infinites showed up. I think it was our far travel that aroused the interest of the Infinites in us. I've often wondered if some of the very primitive principles of time might not have made our many-times-faster-than-light travel possible. Time is somehow tied into space, but I have never known quite how.”

Clifford D. Simak Highway of Eternity

Highway of Eternity (1986)

Way, Travel, Understanding, Thinking

“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”

Pierre Teilhard De Chardin book The Phenomenon of Man

pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/, The Phenomenon of Man (1955)

Love, Life, Death, God

“It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

Color, Feeling, Light, Appearance

“And the substance out of which this bubble is blown, the soap-film, is empty space welded onto empty time.”

James Jeans book The Mysterious Universe

Source: The Mysterious Universe (1930), p. 100, 1937 ed.

Time

“Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share. Composition is the art of arranging in a decorative manner the diverse elements at the painter's command to express his feelings. In a picture every part will be visible and will play its appointed role, whether it be principal or secondary. Everything that is not useful in the picture is, it follows, harmful. A work of art must be harmonious in its entirety: any superfluous detail would replace some other essential detail in the mind of the spectator.”

Henri Matisse (1869–1954) French artist

1905 - 1910, Notes of a Painter' (1908)

Art, Feeling, Passion, Parting

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), pp. 18-19

Life, Beauty

“The concepts which now prove to be fundamental to our understanding of nature—a space which is finite; a space which is empty, so that one point [of our 'material' world] differs from another solely in the properties of space itself; four-dimensional, seven- and more dimensional spaces; a space which for ever expands; a sequence of events which follows the laws of probability instead of the law of causation—or alternatively, a sequence of events which can only be fully and consistently described by going outside of space and time—all these concepts seem to my mind to be structures of pure thought, incapable of realisation in any sense which would properly be described as material.”

James Jeans book The Mysterious Universe

Source: The Mysterious Universe (1930), p. 122, 1937 ed.

World, Law, Understanding, Nature

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive. An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Life, World, Fear, Beauty

“We cannot predict the new forces, powers, and discoveries that will be disclosed to us when we reach the other planets and set up new laboratories in space. They are as much beyond our vision today as fire or electricity would be beyond the imagination of a fish.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

Space and the Spirit of Man (1965)

Imagination, Fish

“Metaphors of space have always been introduced into painting, the play of fullness and emptiness, volumes, surfaces, light and shade... And, in recent painting, in particular, the notion of 'emptiness' has assumed great significance... This interest in emptiness, in nothingness, is found in many disciplines, in particular in an important sector of modern philosophy. We know, for example, that the philosophers such as Heidegger or Sartre have, at a given moment, made nothingness the center of their thought…”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
1991 - 2000

Light, Painting

“I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Art, Way, Thinking, Time

“The main interest of physical statistics lies in fact not so much in the distribution of the phenomena in space, but rather in their succession in time.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

Sixth Lecture, Statistical Problems in Physics, p. 187
Probability, Statistics And Truth - Second Revised English Edition - (1957)

Time, Success

“Roman influence seeds itself, sprouting mighty oaks right through the modern forest of computers, digital disks, microviruses and space satellites.”

Anne Rice book Pandora

Pandora (1998)

“With the maturity of his soul, a man desires to probe the depths of life, he desires to discover the power latent within him, he longs to know the sources and goal of his life, he yearns to understand the aim and meaning of his life, he wishes to understand the inner significance of things, and he wants to uncover all that is covered by name and form. He seeks insight into cause and effect, he wants to touch the mystery of time and space, and he wishes to find the missing link between God and man — where man ends, where God begins.”

Hazrat Inayat Khan (1882–1927) Indian Sufi

The Unity of Religious Ideals, Part I : Seeking for the Ideal.
The Spiritual Message of Hazrat Inayat Khan

Life, God, Soul, Understanding

“At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.”

Harold Rosenberg (1906–1978) American writer and art critic

"The American Action Painters" (1952) in Art News 51/8, Dec. 1952, p. 22; then published in Tradition of the New, 1959.

Imagination, Appearance

“Entrepreneurs often are organizational products… The capital required, human resources, space, information, permits and licenses are all provided, perhaps grudgingly, by existing organizations.”

John H. Freeman (1944–2008) (1944-2008) US-American sociologist and organizational theorist

John H. Freeman, "Entrepreneurs as Organizational Products: Semiconductor Firms and Venture Capital Firms," Advances in the Study of Entrepreneurship, Innovation, and Economic Growth, 1 (1986): 33-52

“Entering through the double doors, I had to make my way through room after room of African masks and voodoo dolls dating from no particular time, as well as clay pots and things crafted by all sorts of third-world people. I'm happy for these people that they have their ways, though some of it gave me the creeps. But I want to know: why is all this primitive nonsense in a prestigious museum? Even more absurdly, why does it take up the first three rooms in a place that surely lacks sufficient space for exhibits? Clearly the nutty multiculturalists had prevailed here.”

Jeffrey Tucker (1963) American writer

Source: Letter From New England, archive.lewrockwell.com, 2016-05-22 http://archive.lewrockwell.com/orig/tucker5.html,

Happiness, People, World, Way

“The continent had to be discovered emotionally. It had to become a homeland and feel like home. The sense of overpowering space, the isolation, the warmth of summer, the garish light, the shiny-leafed trees, the birds and insects, the smell of air filled with dust, the strange silences, and the landscapes in all their oddness had to become familiar.”

Geoffrey Blainey (1930) Australian historian

A Land Half Won (1980)

Feeling, Home, Bird, Sense

“1) Différance is the systematic play of differences, of the traces of differences, of the spacing by means of which elements are related to each other. This spacing is the simultaneously active and passive (the a of différance indicates this indecision as concerns activity and passivity, that which cannot be governed by or distributed between the terms of this opposition) production of the intervals without which the "full" terms would not signify, would not function.”

Jacques Derrida book Positions

Source: Positions (1982), p. 21

Indecision

“Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of to-morrow….
In this world – as I have known it – we are made to suffer without the shadow of a reason, of a cause or of guilt….
There is no morality, no knowledge and no hope; there is only the consciousness of ourselves which drives us about a world that… is always but a vain and fleeting appearance….
A moment, a twinkling of an eye and nothing remains – but a clod of mud, of cold mud, of dead mud cast into black space, rolling around an extinguished sun. Nothing. Neither thought, nor sound, nor soul. Nothing.”

Joseph Conrad (1857–1924) Polish-British writer

Letter to Robert Bontine Cunninghame Graham, quoted in Joseph Conrad: A Biography (1991) by Jeffrey Meyers, p. 166

World, Faith, Hope, Soul

“All these our Lord shewed me in the first Sight, with time and space to behold it. And the bodily sight stinted, but the spiritual sight dwelled in mine understanding, and I abode with reverent dread, joying in that I saw. And I desired, as I durst, to see more, if it were His will, or else longer time the same.”

Julian of Norwich (1342–1416) English theologian and anchoress

The First Revelation, Chapter 8

Understanding, Time, Joy

“In my vision, space-age objects, in the form of small computers, will cross these cultural barriers to enter the private worlds of children everywhere. They will do so not as mere physical objects. This book is about how computers can be carriers of powerful ideas and of the seeds of cultural change, how they can help people form new relationships with knowledge that cut across the traditional lines separating humanities from sciences and knowledge of the self from both of these. It is about using computers to challenge current beliefs about who can understand what and at what age. It is about using computers to question standard assumptions in developmental psychology and in the psychology of aptitudes and attitudes. It is about whether personal computers and the cultures in which they are used will continue to be the creatures of "engineers" alone or whether we can construct intellectual environments in which people who today think of themselves as "humanists" will feel part of, not alienated from, the process of constructing computational cultures.”

Seymour Papert book Mindstorms: Children, Computers, and Powerful Ideas

Introduction
Mindstorms: Children, Computers, and Powerful Ideas (1980)

Children, People, Books, Age

“Then silence is sawn in half by a dragonfly
as eels sign their names along the bottom-sand
when the sunrise brightens the river's memory and waves of huge ferns are nodding to the sea's sound.
Although the smoke forgets the earth from which is ascends
and the nettles guard the holes where the laurels were killed an iguana hears the axes, clouding each lens
over its lost name, when the hunched island was called
'Iounalao' 'Where it iguana is from' But, taking its own time, the iguana will scale
the rigging of vines in a year, its dewlap fanned,
its elbows akimbo, its deliberate tail moving with the island. The slit pods of its eyes
ripened in a pause that lasted for centuries,
that rose with the Aruacs' smoke till a new race unknown to the lizard stood measuring the trees.
These were their pillars that fell, leaving a blue space
for a single God where the old gods stood before, The first god was a gommier. The generator
began with a whine, and a shark, with sidewise jaw,
sent the chips flying like mackrel over water into trembling weeds”

Derek Walcott book Omeros

"A Far Cry from Africa" (1962), Omeros

God, Tree, Silence, Water

“Picture yourself when you were five. In fact, dig out a photo of little you at that time and tape it to your mirror. How would you treat her, love her, feed her? How would you nurture her if you were the mother of little you? I bet you would protect her fiercely while giving her space to spread her itty-bitty wings. She'd get naps, healthy food, imagination time, and adventures into the wild. If playground bullies hurt her feelings, you'd hug her tears away and give her perspective. When tantrums or meltdowns turned her into a poltergeist, you'd demand a loving time-out in the naughty chair. From this day forward I want you to extend the same compassion to your adult self.”

Kris Carr (1971) American actress and filmmaker

Source: Crazy Sexy Diet (2011), Ch. 7

Love, Food, Feeling, Imagination

“In dreams you are so 'dumb' that you believe there is a commerce between the living and the dead. You are so 'irrational' as to imagine that you sometimes speak to parents who are dead. You are so 'unrealistic' that it seems to you that you visit old houses, long ago torn down, or that you travel in exotic foreign cities that you have actually never visited. In dreams you are so 'insane' you do not feel yourself locked in a closet of time and space, but feel instead as if all infinity but waited your beckoning.”

Jane Roberts (1929–1984) American Writer

Session 758, Page 25
The Nature of the Psyche: Its Human Expression (1979)

Dreams, Travel, Feeling, Imagination

“At least some Americans are still having children. Unfortunately, many of those children spend their formative years being taught how to surrender. The emasculation of American boys is one step short of suicide. […] Schoolyards used to be filled with kids at recess playing games like "kill the guy with the ball." Nobody died. Boys played with G. I. Joes and girls played with dolls. Kids played freeze tag without a single incident of sexual harassment. […] Not too many years ago, cartoons were filled with violence. Bugs Bunny tied a gun barrel in a knot and Elmer Fudd's gun went kaboom, covering his own head in black soot. Wile E. Coyote chased the Road Runner and fell off a cliff to his destruction. We as children watched Superman cartoons, but we knew not to try and jump off the roof. Teenage boys watched Rocky and Rambo and Conan films. Then they went home without trying to kill anybody. […] We did not need liberals to tell us the difference between pretend and real life. Common sense and our parents handled that. Now schools across the country are canceling gym class. Dodgeball apparently promotes aggression […]. Even rock-paper-scissors is too violent. Rocks and scissors could be used by children to harm each other. Paper requires murdering trees. It's no wonder that Islamists produce strapping young men while America produces sensitive crybabies […]. Muslim children are taught hate in madrassas. They are taught how to kill infidels and the blasphemers. American boys are suspended from school for arranging their school lunch vegetables in the shape of a gun. […] During World War II, young boys volunteered to go overseas to save the world. […] Now American kids on college campuses retreat to their safe spaces to escape from potential microagressions. Islamists cut off heads and limbs and our young boys shriek at the drop of a microaggression. And we haven't seen the worst of it.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Scorched Earth: Restoring the Country after Obama (2016)

Life, Men, Hate, War

“Harry Dresden: Murphy had found a spot on the street, which made me wonder if she didn't have some kind of magical talent after all. Only some kind of precognitive ESP could have gotten us a parking space on the street, in the shadow of a building, with both of us in sight of the apartment building's entrance.”

Jim Butcher The Dresden Files

The Dresden Files, White Night (2007)

“Spaces that trigger emotions alter the behaviour of people. Architecture aims at influencing human behaviour by space creations.”

Justus Dahinden (1925) Swiss architect

Räume, die Empfindungen auslösen, verändern das Verhalten des Menschen. Die Verhaltensbeeinflussung des Menschen durch die gestaltete Umwelt ist eine qualitative Zielsetzung des architektonischen Entwurfs.
Man and Space - Mensch und Raum 2005

People

“And don't tell me there isn't one bit of difference between null and space, because that's exactly how much difference there is.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[10209@jpl-devvax.JPL.NASA.GOV, 1990]
Usenet postings, 1990

“Space, as my work evolved, really became my subject.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

“Every measurable thing except numbers is imagined in the manner of a continuous quantity. Therefore, for the mensuration of such a thing, it is necessary that points, lines, and surfaces, or their properties, be imagined. For in them… measure or ratio is initially found… Therefore, every intensity which can be acquired successively ought to be imagined by a straight line perpendicularly erected on some point of the space or subject of the intensible thing, e. g., a quality… And since the quantity or ratio of lines is better known and is more readily conceived by us—nay the line is in the first species of continua, therefore such intensity ought to be imagined by lines… Therefore, equal intensities are designated by equal lines, a double intensity by a double line, and always in the same way if one proceeds proportionally.”

Nicole Oresme (1323–1382) French philosopher

Tractatus de Configurationibus et Qualitatibus et Motuum (c. 1350)

Way, Imagination, Success

“The complete closed world consists of three parts-substratum, phenomenal world, and observer. By our experiments we drag up activities from the substratum into the phenomenal world of space and time, but there is no clear line of demarcation between subject and object, and by performing observations on the world, we alter it, much as a fisherman dragging up fish from the depths of the seas disturbs the waters and also damages the fish.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

World, Fish, Water, Time

“Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner... Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's unpublished writing: 'The struggle for the new', 1929-30; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 187
Van Doesburg's quote is proposing here the sensuous-tactile expression of space as essential for modern architecture
1926 – 1931

Effort, Science, Future

“A nebulous matter, diffused in such exuberance throughout the regions of space, must surely draw our attention to the purpose for which it probably may exist; and it must be the business of a critical inquirer to attend to all the appearances under which it will be exposed to his view…”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

p, 125
Astronomical Observations relating to the Construction of the Heavens... (1811)

Business, Appearance, Drawing

“These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.”

Sylvia Plath book Crossing the Water

"Blackberrying" http://www.angelfire.com/tn/plath/berry.html Crossing the Water (1971)

Light

“Essential to the Catholic mind is what I would characterize as a keen sense of the prolongation of the Incarnation throughout space and time, an extension that is made possible through the mystery of the church. Catholics see God’s continued enfleshment in the oil, water, bread, imposed hands, wine, and salt of the sacraments; they appreciate it in the gestures, movements, incensations, and songs of the Liturgy; they savor it in the texts, arguments, and debates of the theologians; they sense it in the graced governance of popes and bishops; they love it in the struggles and missions of the saints; they know it in the writings of Catholic poets and in the cathedrals crafted by Catholic architects, artists, and workers. In short, all of this discloses to the Catholic eye and mind the ongoing presence of the Word made flesh, namely Christ.”

Robert Barron (bishop) (1959) priest of the Roman Catholic Church, author, scholar and Catholic evangelist.

Father Barron, Robert. Catholicism: A Journey to the Heart of the Faith (Kindle Locations 75-81). The Crown Publishing Group. Kindle Edition.

Love, God, Sense, Water

“I am not a morose person, but I would rather not be here. I don’t have any reverence for life, only for the entities themselves. I would rather see a blank space where I am. This will sound like fruitcake stuff again but at least I wouldn’t be harming anything”

Ingrid Newkirk (1949) British-American activist

The Washington Post, 1983 November 13

Life, Personality

“At the level of firms, therefore, only those whose cultural repertoire gives them transactional capacity throughout the I-Space can summon and adequate learning response to any emerging gaps between technology and culture. Those operating from too narrow a cultural base in the space, however, must of necessity lose control of the SLC unless they can complement their limited cultural repertoire through carefully selected interfirm and intercultural collaborations – i. e. through an externalization of transactions that link them with agents located elsewhere in the space. However, they will then confront the same problems of integration that more culturally diverse firms encounter inside their organization when trying to coordinate the activities of different functions or businesses. There is no cheap grace.”

Max Boisot (1943–2011) British academic and educator

Source: Knowledge Assets, 1998, p. 151; As cited in: Ortiz et al. (2006)

Business, Problem, Learning

“We had nothing to say to one another, and while I was manufacturing my phrases I felt that earth was falling through space and that I was falling with it at a speed that made me dizzy.”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

Speed

“In the network society, the space of flows dissolves time by disordering the sequence of events and making them simultaneous in the communication networks, thus installing society in structural ephemerality: being cancels becoming.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Communication Power, 2009, p. 1510

Communication, Time

“Before anything else the One must exist eternally; from his power derives everything that always is or will ever be. He is the Eternal and embraces all times. He knows profoundly all events and He himself is everything. He creates everything beyond any beginning of time and beyond any limit of place and space. He is not subject to any numerical law, or to any law of measure or order. He himself is law, number, measure, limit without limit, end without end, act without form.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

VIII 2, as quoted in The Acentric Labyrinth (1995) by Ramon Mendoza
De immenso (1591)

Law, Time

“Minkowski… supposed that this fourth dimension of time was not detached from and independent of the three dimensions of space. He introduced a new four-dimensional space to which ordinary space contributed three dimensions, and time one; we may call it 'space-time'…. The succession of positions which a particle occupied in ordinary space at a succession of instants of time would be represented by a line in space-time; this he called the 'world-line' of the particle…. Newton's absolute space and absolute time fell out of science, and they carried much with them in their fall. First to go was the concept of simultaneity…. It now became necessary to find a way of treating gravitation which should not involve simultaneity. Einstein found through the medium of his 'Principle of Equivalence'.”

James Jeans (1877–1946) British mathematician and astronomer

The Growth of Physical Science (1947)

World, Way, Science, Time

“The new discovery that I have made in painting is the following. There are chords of colors, let's say a certain red and green, which move, shimmer when you look at them. Now if you're looking at a tree in a landscape, you can either look at the tree, or at the landscape, but not both, because of the stereoscopic effect. Now, when you are painting something three-dimensional, the chromatic sound which shimmers is the three-dimensional effect of colour, and when you paint a landscape, and the green foliage shimmers a little with the blue sky showing through it, that happens because the green is on a different plane from the sky in nature too. Finding the space-shaping energies of colour, instead of contenting ourselves with a dead chiaroascuro, is our finest task.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

in a letter to artist de:Hans Thuar, 1913, from Lake Thun in Switzerland; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145

Color, Nature, Tree, Painting

“[O]nly in a homogeneous and isotropic space can the traditional concept of a rigid body be maintained.”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“Any individual entity that pretends to understand the rules that guide this space is under an illusion.”

Ze Frank (1972) American online performance artist

"The Show" (www.zefrank.com/theshow/)

Understanding

“You should never send an expert to a movie about his specialty. Boxers hate boxing movies. Space buffs said 'Apollo 13' showed the wrong side of the moon. The British believe Mel Gibson's scholarship was faulty in 'Braveheart' merely because some of the key characters hadn't been born at the time of the story. 'Hackers' is, I have no doubt, deeply dubious in the computer science department. While it is no doubt true that in real life no hacker could do what the characters in this movie do, it is no doubt equally true that what hackers can do would not make a very entertaining movie.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/hackers-1995 of Hackers (15 September 1995) Reviews, Three star reviews

Life, Hate, Science, Time

“I like working on sponge because it's a simple, light material and always ready to use. The colour and texture meet my aesthetic requirements and it has a lolof volume and physically, is very present in the space. The ink or paint is immediately absorbed into the foam surface, making any corrections almost impossible. It is a material which lends itself to quick, fast application and is particularly good for spontaneous sketching with paint squeezed directly from the tube. The fact that these works will not last (sponge is not a very durable material) does not deter me; it suits the character of the work very well and to an extent reflects my ideas about art.”

Tomasz Vetulani (1965) Polish artist

At the time of writing exhibition catalogue, the Center for Contemporary Art Ujazdowski Castle in Warsaw, 1998.

Art, Idea, Light, Painting

“Can you make honey, from nothing? How about a glass of milk, from nothing? How about a living leaf? Can you make a living frog, or a cat, a horse or a cow, from nothing? How about an eye? Make me a fully functioning eye, using no materials. Can you? Of course you can't. You don't even have an intelligent answer for how those came about. You would probably say that evolution is responsible for everything, but that it didn't make it from nothing. It made it from gases in space. Then where did the gases come from? You have to keep saying that there was something in the beginning, because basic science says that nothing can come from nothing.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Intelligence, Cats, Science, Horse

“We consider an organization to be a set of constraints on the activities performed by agents. This view follows that of Weber, who views the process of bureaucratization as a shift from management based on self-interest and personalities to one based on rules and procedures.
Mintzberg [1983] provides an early (and informal) analysis of organization structure distinguishing among ﬁve basic parts of an organization and ﬁve distinct organization conﬁgurations that are encountered in practice. This “ontology” includes several mechanisms that together achieve coordination, like goals, work processes, authority, positions and communication. The various parts of an organization are distinguished by the speciﬁc roles they play in achieving coordination with the above means.
The “language/action perspective” (Winograd 1987) on cooperative work in organizations provides an ontology that emphasizes the social activity by which “agents” generate the space of cooperative actions in which they work, rather than the mental state of individuals. The basic idea is that social activity is carried out by language and communication.”

Mark S. Fox (1952) Canadian computer scientist and Professor of Industrial Engineering

Source: An Organization Ontology for Enterprise Modelling (1997), p. 2-3

Communication, Idea, Parting, Personality

“There were three known existing sapphires. One was in the Conquest of Space Museum on Terra, one was in the hands of United System President Polonius Delph—he was the richest man in seven worlds, or had been until he’d paid cash for his jewel. The other had been stolen soon after its discovery. Maybe Delph had it…
“From what I understand of your world, Delph isn’t the only one who wants the sapphires. He has rivals in the Plutocracy. Another mysterious collector? Or those rivals are competing for the presidency or they think they can ruin him. As you know, it’s a vicious circle in politics. You can’t get to be president unless you have the wealth and you can’t really make massive sums until you’re president.””

Michael Moorcock (1939) English writer, editor, critic

Source: Short fiction, The Lost Canal (2013), p. 355

World, Understanding, Thinking, Wealth

“Light signals alone provide the metrical structure of the four-dimensional space-time continuum. The construction may be called light axioms.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Light, Time

“The world took a shape which he could grasp, though he could not comprehend it. Above him, on both sides, below him, as far as he could see, bodies floated. They were arranged in vertical and horizontal rows. The up-and-down ranks were separated by red rods, slender as broomsticks, one of which was twelve inches from the feet of the sleepers and the other twelve inches from their heads. Each body was spaced about six feet from the body above and below and on each side.
The rods came up from an abyss without bottom and soared into an abyss without ceiling. That grayness into which the rods and the bodies, up and down, right and left, disappeared was neither the sky nor the earth. There was nothing in the distance except the lackluster of infinity.”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 3)

World

“Eventually space environments could be created to provide the best of both worlds, such as, for one example, settlements or habitats designed to create their own gravity, with chambers where reduced gravity or weightlessness can also be experienced optionally.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

World

“There’s no such thing as a DDoS [distributed denial of service] ‘attack’,” Leiderman said. “A DDoS is a protest, it’s a digital sit it. It is no different than physically occupying a space. It’s not a crime, it’s speech.”

Jay Leiderman (1971) lawyer

As stated in, DDOS Attacks and Protest Speech. http://talkingpointsmemo.com/idealab/homeless-hacker-lawyer-ddos-isn-t-an-attack-it-s-a-digital-sit-in
Variant: There’s no such thing as a DDoS [distributed denial of service] ‘attack’,” Leiderman said. “A DDoS is a protest, it’s a digital sit it. It is no different than physically occupying a space. It’s not a crime, it’s speech.

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Parting

“[Experimental Physicist] Phys. I cannot imagine myself perceiving non-Euclidean space!
Math. Look at the reflection of the room in a polished doorknob, and imagine yourself one of the actors in what you see going on there.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

p, 125
Space, Time and Gravitation (1920)

Imagination

“!-- Most of the effects described in classical magical tradition I believe I can duplicate with art, possibly drugs – or some other means of integrating myself more deeply with that sort of reality, that sort of consciousness – I believe I could do most of the things that are described in traditional magic. This opens up wider possibilities. It also enables me to understand myself on a deeper level. -->By accepting the idea of endless pantheons of gods, I somehow accept these creatures as being distinct and separate from me, and not as being, to some degree, higher functions of me. Iain Sinclair was asking me about this: he asked me ‘do you think they are inside you, or outside you?’ The only answer I could come up with was, the more I think about it the inside is the outside. That the objective world and the non-objective world are the same thing, to some degree. Ideaspace and this space are the same space. Just different ends of the scale. That’s not a very good explanation, but the best I can come up with so far.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

God, World, Art, Idea

“Standing on the bare ground, — my head bathed by the blithe air, and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.”

Ralph Waldo Emerson book Nature

Source: 1830s, Nature http://www.emersoncentral.com/nature.htm (1836), Ch. 1, Nature

God, Universe, Parting

“It occurs to me that I really need a picture of Patrick Stewart as Captain Picard driving Optimus Prime through space. I would follow either of them into the gates of hell without question or hesitation.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060622

Hell, Question

“By August, 1913, all links in the chain of moving assembly lines were complete except the last and most spectacular one - the one we had first experimented with one Sunday morning just five years before. Again a towrope was hitched to a chassis, this time pulled by a capstan. Each part was attached to the moving chassis in order, from axles at the beginning to bodies at the end of the line. Some parts took longer to attach than others; so, to keep an even pull on the towrope, there must be differently spaced intervals between delivery of the parts along the line. This called for patient timing and rearrangement until the flow of parts and the speed and intervals along the assembly line meshed into a perfectly synchronized operation throughout all stages of production. Before the end of the year a power-driven assembly line was in operation, and New Year's saw three more installed. Ford mass production and a new era in industrial history had begun.”

Charles E. Sorensen (1881–1968) American businessman

Source: My Forty Years with Ford, 1956, p. 130-131 ; As cited in: EyeWitness to History (2005)

History, Time, Parting, Speed

“I speak to these people, and I speak to you because I cannot help it. It gives me strength, almost unbelievable strength, to know that you are there. I covet your eyes, your ears, the collapsible space between us. How blessed are we to have each other? I am alive and you are alive so we must fill the air with our words. I will fill today, tomorrow, every day until I am taken back to God. I will tell stories to people who will listen and to people who don’t want to listen, to people who seek me out and to those who run. All the while I will know that you are there. How can I pretend that you do not exist? It would be almost as impossible as you pretending that I do not exist.”

Dave Eggers (1970) memoirist, novelist, short story writer, editor, publisher

Source: What is the What: The Autobiography of Valentino Achak Deng (2006), Ch. 26, pp. 474-475

God, People, Help

“The way of the superior man may be compared to what takes place in traveling, when to go to a distance we must first traverse the space that is near, and in ascending a height, when we must begin from the lower ground.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

Source: The Doctrine of the Mean

Way, Travel

“The contributions of Freud to the effects of early experiences upon later behaviors and consequences of repressed sexuality have been well established. Unfortunately time and space do not permit a discussion here of his differences with Wilhelm Reich concerning his Beyond the Pleasure Principle.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

Pleasure, Behavior, Time

“The mind of sentient beings as it is in itself has neither marks nor nature. It is like the ocean, like space. Since it is like space, there are no marks that are not subsumed within it. How could it contain a direction such as east or west? Since it is like the ocean, there is no nature that is preserved.”

Wonhyo (617–686) Korean buddhist philosopher

佛說阿彌陀經疏 Bulseol Amitagyeong so (prolegomenon to the Commentary on the Amitabha Sutra Spoken by the Buddha)
Translated by A. Charles Muller

Nature

“Space is not the vague and undetermined medium which Kant imagined; if purely and absolutely homogeneous, it would be of no use, and could not be grasped by the mind. Spatial representation consists essentially in a primary coordination of the data of sensuous experience. But this coordination would be impossible if the parts of space were qualitatively equivalent, if they were really interchangeable.”

Émile Durkheim book The Elementary Forms of the Religious Life

Source: The Elementary Forms of the Religious Life, 1912, p. 10

Imagination, Parting

“I conceive the essential relationship between God and the world to be not one of power and violence, as might think the primitive man, who worships physical strength and imagines that it is a superior power shaking the earth with earthquakes or hurling a thunderbolt through space; it is nearness, something which might seem insignificant but which brings spiritual awareness.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

God, World, Imagination, Thinking

“We can not gaze into space and understand that space has no end. There is no brick wall at the end of space, because if there was, what would be behind the brick wall? It just goes on and on……never ending. The thought of infinity hurts my brain – I can not understand it. The Bible teaches us that God is eternal, without beginning and without end. We being finite, can not understand a world without time. Time is just a dimension that God has created and subjected man to Eternity and infinity are too much for our tiny brains to comprehend.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

Cults, Sects and Questions (c. 1979)

God, World, Understanding, Time

“[A]dventures befall the unadventurous as readily, if not as frequently, as the bold. Adventures are a logical and reliable result—and have been since at least the time of Odysseus—of the fatal act of leaving one's home, or trying to return to it again. All adventures happen in that damned and magical space, wherever it may be found or chanced upon, which least resembles one's home. As soon as you have crossed your doorstep or the county line, into that place where the structures, laws, and conventions of your upbringing no longer apply, where the support and approval (but also the disapproval and repression) of your family and neighbors are not to be had: then you have entered into adventure, a place of sorrow, marvels, and regret.”

Michael Chabon book Gentlemen of the Road

Afterword
Gentlemen of the Road (2007)

Family, Law, Home, Support

“So you're sayin that it's easy to send somat up to space, but you don't believe there's a little banana machine?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 1
On Monkeys

“What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 41

Life, Music, Painting

“Ideologically, Pelosi is a far-left talking points machine. Tactically, she knows nothing else other than how to attack. Her worldview admits of no compromise and there seems to be no space in her imagination for new ideas. She has refashioned her dwindling caucus in her image, as the moderate, red-state Democrats have been steadily decimated, leaving nothing but the bicoastal liberals representing the inner city poor and the elite suburban gentry. She feels no pressure to change or to improve.”

Joel Pollak (1977) Politician, writer

Nancy Pelosi Is Leading Her Party into Oblivion http://www.breitbart.com/california/2017/01/31/nancy-pelosi-leading-party-oblivion/ (January 31, 2017)

Feeling, Imagination, Idea, Change

“A man is a fabulous nuisance in space right now. He's not worth all the cost of putting him up there and keeping him comfortable and working.”

James Van Allen (1914–2006) American nuclear physicist

On men in space, Reach Into Space http://www.time.com/time/magazine/article/0,9171,892531,00.html, Time, 1959-05-04.

“It's a simple fact, when you move from one color space to another color space, that if there's a value contrast you get a strong optical illusion. Strong value contrast can be expressive and dramatic. Like the difference between high or low volume or the low key and the high keys on the piano... Actually, if you're moving from one flat color to another flat color, if there's a difference of color – if one is matte and the other is shiny – that contrast of tactility can keep them visually in the same dimension. It keeps them adjacent – side by side... Another reason is that a matte color and a shiny, transparent color are emotionally different. If something is warm and fuzzy and dense we have a kind of emotional response to that. If something is clear and you can see through it, like yellow or green or red can be, we have a different emotional sensation from that. So there's an expressive difference you can get that gives you more expressive range.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Color, Strong

“We've fallen way behind. Building one space station for everyone was and is insane: we should have built a dozen.”

Larry Niven (1938) American writer

Space.com interview (2000)

Way

“Any region of space-time that has no gravitating mass in its vicinity is uncurved, so that the geodesics here are straight lines, which means that particles move in straight courses at uniform speeds (Newton's first law). But the world-lines of planets, comets and terrestrial projectiles are geodesics in a region of space-time which is curved by the proximity of the sun or earth… No force of gravitation is… needed to impress curvature on world-lines; the curvature is inherent in the space…”

James Jeans (1877–1946) British mathematician and astronomer

The Growth of Physical Science (1947)

World, Law, Time, Sun

“Reputation runs in a vicious circle, and Merit limps behind it, mortified and abashed at its own insignificance. It has been said that the test of fame or popularity is to consider the number of times your name is repeated by others … So, if you see the same name staring you in the face in great letters at the corner of every street, you involuntarily think the owner of it must be a great man to occupy so large a space in the eye of the town. The appeal is made, in the first instance, to the senses, but it sinks below the surface into the mind. There are various ways of playing one's-self off before the public, and keeping one's name alive. The newspapers, the lamp-posts, the walls of empty houses, the shutters of windows, the blank covers of magazines and reviews, are open to every one.”

William Hazlitt (1778–1830) English writer

"On Patronage and Puffing" Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Way, Thinking, Sense, Time

“The economic function of space industrialization is to generate jobs on Earth, not in space.”

Krafft Arnold Ehricke (1917–1984) German aerospace engineer

The Extraterrestrial Imperative (1978)

“The conclusion seems to be irresistible that such laws of nature as the principle of conservation of energy, the principle of conservation of momentum and the law of gravitation are necessary consequences of our modes of measurement. They are, in fact, elaborately disguised identities which could have been predicted a priori by a being of sufficiently powerful analytical insight who fully understood all that is implied in the way we measure space-time intervals.”

Ernest Barnes (1874–1953) English mathematician and clergyman

As quoted by Gerald James Whitrow, The Structure of the Universe: An Introduction to Cosmology (1949)

Law, Way, Nature, Time

“For the record if someone did that to me I'd hitch a ride to the International Space Station straight away; of course who am I kidding, they would never let me in, I've got spiders for hands! Internet is mean!”

John Oliver (1977) English comedian

Last Week Tonight: Online Harassment https://www.youtube.com/watch?v=PuNIwYsz7PI Last Week Tonight: Online Harassment (21 June 2015) Last Week Tonight (2014&ndash;present)

“In conclusion, it appears to me that nothing can be more improving to a young naturalist, than a journey in distant countries. It both sharpens, and partly likewise allays that want and craving, which, as Sir J. Herschel remarks, a man experiences although every corporeal sense is fully satisfied. The excitement from the novelty of objects, and the chance of success, stimulate him to increased activity. Moreover as a number of isolated facts soon become uninteresting, the habit of comparison leads to generalization. On the other hand, as the traveller stays but a short space of time in each place, his descriptions must generally consist of mere sketches, instead of detailed observation. Hence arises, as I have found to my cost, a constant tendency to fill up the wide gaps of knowledge, by inaccurate and superficial hypotheses.”

Charles Darwin book The Voyage of the Beagle

Source: The Voyage of the Beagle (1839), chapter XXIII: "Mauritius To England", pages 607-608 http://darwin-online.org.uk/content/frameset?pageseq=626&itemID=F10.3&viewtype=image

Travel, Knowledge, Sense, Distant

“The vestiges of the bicameral mind do not exist in any empty psychological space.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book III, Chapter 2, p. 355
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Georges Braque (1882–1963) French painter and sculptor

the letters
Source: posthumous quotes, Braque', (1968), p. 68

Art

“It isn't necessary to make things large to make them monumental; a head by Giacometti one inch high would be able to vitalize this whole space.”

Hans Hofmann (1880–1966) American artist

As quoted in Can Painting be Taught by Dorothy Seckler, Art News No. 50 (March 1951), p. 64
1950s

“Space and space again, is the infinite deity which surrounds us and in which we are ourselves contained.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 12

“Thus, the distance between any two galaxies increases in time, creating the illusion of mechanical motion. But in reality, galaxies just sit there, contemplating the spectacle of the universe creating more and more space in between them.”

João Magueijo (1967) Portuguese scientist

pg. 87
Faster than the Speed of Light

Reality, Universe, Time

“Spherical space is not very easy to imagine. We have to think of the properties of the surface of a sphere—the two-dimensional case—and try to conceive something similar applied to three-dimensional space. Stationing ourselves at a point let us draw a series of spheres of successively greater radii. The surface of a sphere of radius r should be proportional to r2; but in spherical space the areas of the more distant spheres begin to fall below the proper proportion. There is not so much room out there as we expected to find. Ultimately we reach a sphere of biggest possible area, and beyond it the areas begin to decrease. The last sphere of all shrinks to a point—our antipodes. Is there nothing beyond this? Is there a kind of boundary there? There is nothing beyond and yet there is no boundary. On the earth's surface there is nothing beyond our own antipodes but there is no boundary there.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

p, 125
Space, Time and Gravitation (1920)

Imagination, Thinking, Distant, Success

“I must now explain what I mean by the quantity of action. A certain action is necessary for the carrying of a body from one point to another: this action depends on the velocity which the body has and the space which it describes; but it is neither the velocity nor the space taken separately. The quantity of action varies directly as the velocity and the length of path described; it is proportional to the sum of the spaces, each being multiplied by the velocity with which the body describes it. It is this quantity of action which is here the true expense (dépense) of nature, and which she economizes as much as possible in the motion of light.”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

Histoire de l'Academie (1744) p. 423; Les Oeuvres De Mr. De Maupertuis (1752) vol. iv p. 17; as quoted by Philip Edward Bertrand Jourdain, The Principle of Least Action https://books.google.com/books?id=y3UVAQAAIAAJ (1913) p. 5.

Nature, Light, Dependency

Quotes about spacing page 13

Quotes about spacing
page 13