Quotes about spacing
page 14

Anish Kapoor photo
Joseph Silk photo

“The Infinite has to be a relative concept. Go any distance: an infinite space means that there is more to be explored.”

Joseph Silk (1942) British-American astronomer

The Infinite Cosmos, Page 1

Frank Wilczek photo

“Before we can proceed to a formal definition of conflict we must examine another concept, that of behavior space. The position of a behavior unit at a moment of time is defined by a set of values (subset, to be technical) of a set of variables that defines the behavior unit. These variables need not be continuous or quantitatively measurable. The different values of a variable must, however, be capable of simple ordering; that is, of any two values it must be possible to say that one is 'after' (higher, lefter, brighter than) the other.”

Kenneth E. Boulding (1910–1993) British-American economist

Peace Science Society (International) (1975) Papers - Volumes 24-29. p. 53 summarized: "Boulding begins by explaining what he believes are the four basic concepts to describe a conflict in an analytical way : (1) the party; (2) the behavior space; (3) competition; (4) conflict."
Source: 1960s, Conflict and defense: A general theory, 1962, p. 3

Gerhard Richter photo
John Wallis photo
Salvador Dalí photo
Hans Reichenbach photo
Poul Anderson photo
Allan Kaprow photo

“Pollock.... left us [c. 1958] at the point where we must be preoccupied with and even dazzled by the space and objects of our everyday life, either our bodies, clothes, rooms, or, if need be, the vastness of Forty-Second Street [New York].... Objects of every sorts are materials for the new art, paints, chairs, food, electric and neon-lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.... All will become materials for this new concrete art.”

Allan Kaprow (1927–2006) American artist

In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism

Stanley Baldwin photo
Ellsworth Kelly photo

“Like the postcard collages, the colors are shapes in a landscape. In this case [his collage 'Napoleon at Würtsburg'] it is a painting of a landscape, not a photo as in the postcards [collages], and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21

Arshile Gorky photo

“.. it was the Cubist painters who created the new magic of space and color that everywhere today confronts our eyes in new architecture and design. Since then the various branches of modern art through exhaustive experiment and research have created a vast laboratory whose discoveries unveiled for all the secrets of form, line and color..”

Arshile Gorky (1904–1948) Armenian-American painter

Quote from Gorky's text: 'Camouflage', 1942; an announcement for a teaching program [set up by Gorky and the director of the Grand Central School of Art, Edmund Greasen]
1942 - 1948

Alan Shepard photo

“The same way people are now paying a couple thousand dollars to fly to other parts of the world, people will be paying $50,000 to spend a weekend on a space station.”

Alan Shepard (1923–1998) American astronaut

Malcolm Howard (April 30, 1987) "The Day the Earth Stood Still - On Film, Anyway", The Record, p. B08.

Jack Kerouac photo
John Muir photo

“I wish I had space to write more of the surpassing beauty of this favorite spruce. … The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.”

John Muir (1838–1914) Scottish-born American naturalist and author

[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:]
Source: 1890s, The Mountains of California (1894), chapter 8: The Forests

Helen Sharman photo

“There is very little difference between men and women in space.”

Helen Sharman (1963) British chemist who became the first Briton in space

Independent on Sunday, 9 June 1991

Ted Hughes photo
Ambrose photo

“But it is not only of the space in the Church which we ought to be jealous, but also of the interiors of the house of God in us, so that it might not become a house of merchandise, or a den of robbers.”
Sed non solum locum Ecclesiae zelare debemus, sed hanc quoque interiorem in nobis domum Dei; ne sit domus negotiationis, aut spelunca latronum.

Ambrose (339–397) bishop of Milan; one of the four original doctors of the Church

Commentary on John 2:16, Exposition of the Psalms of David 118 (PL 15 1457B)

T. E. Lawrence photo

“WHERE and WHEN
 Are lost in space.
THERE and THEN
 Do not embrace.
So before we disappear
Come sweet NOW and kiss the HERE.”

Yip Harburg (1896–1981) American song lyricist

"Adverbs" in Laughing Space : Funny Science Fiction (1982) edited by Isaac Asimov & ‎J. O. Jeppson , p. 503.

Fred Hoyle photo

“Space isn't remote at all. It's only an hour's drive away if your car could go straight upwards.”

Fred Hoyle (1915–2001) British astronomer

"Sayings of the Week", The Observer (9 September 1979)

Walt Whitman photo

“To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Miracles
Bartlett's Familiar Quotations, 10th ed. (1919)

John F. Kennedy photo
Manuel Castells photo

“Infinite product spaces are the natural habitat of probability theory.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter V, Conditional Probability, Stochastic Independence, p. 130

Frank Stella photo

“The aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.”

Frank Stella (1936) American artist

Quoted in: Alan D. Bryce (2007) Art Smart: Art Smart: The Intelligent Guide to Investing in the Canadian Art Market. p. 55
Quotes, 1971 - 2000

Hans Reichenbach photo
Paul R. Ehrlich photo
Brian W. Aldiss photo
Henry David Thoreau photo
Corrado Maria Daclon photo
Ursula K. Le Guin photo
Jacques Derrida photo
Kevin Kelly photo

“The capacity to evolve must be evolved itself. Evolution has been, and will keep on, exploring the space of possible evolutions. Organisms, memes, the whole ball of wax are only evolution's way to keep evolving.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Alfred Denning, Baron Denning photo

“In summertime village cricket is a delight to everyone. Nearly every village has its own cricket field where the young men play and the old men watch. In the village of Lintz in the County of Durham they have their own ground, where they have played these last 70 years. They tend it well. The wicket area is well rolled and mown. The outfield is kept short. It has a good clubhouse for the players and seats for the onlookers. The village team plays there on Saturdays and Sundays. They belong to a league, competing with the neighbouring villages. On other evenings they practice while the light lasts. Yet now after these 70 years a judge of the High Court has ordered that they must not play anymore. He has issued an injunction to stop them. He has done it at the instance of a newcomer who is no lover of cricket. This newcomer has built, or has had built for him, a house on the edge of the cricket ground which four years ago was a field where cattle grazed. The animals did not mind the cricket, but now this adjoining field has been turned into a housing estate. The newcomer bought one of the houses on the edge of the cricket field. No doubt the open space was a selling point. Now he complains that when a batsman hits a six the ball has been known to land in his garden or on or near his house. His wife has got so upset about it that they always go out at weekends. They do not go into the garden when cricket is being played. They say that this is intolerable. So they asked the judge to stop the cricket being played. And the judge, much against his will, has felt that he must order the cricket to be stopped: with the consequence, I suppose, that the Lintz Cricket Club will disappear. The cricket ground will be turned to some other use. I expect for houses or a factory. The young men will turn to other things instead of cricket. The whole village will be much poorer. And all this because of a newcomer who has just bought a house there next to the cricket ground.”

Alfred Denning, Baron Denning (1899–1999) British judge

Miller v. Jackson [1977] QB 966 at 976.
Judgments

Phil Brooks photo

“I told you so. Seems like I'm out here a lot saying that to you people, right? I know it seems like a lot, but the truth is i said that i would beat Jeff, and i did. I told you so. I said that i would get rid of Jeff Hardy FOREVER, and i did. I told you so. And then i said i would make The Undertaker tap out to the Anaconda Vice, and you laughed! But then i did just that. And contrary to what you people believe, i didn't come out here to brag about becoming the first and ONLY man in history to make the Phenom, The Undertaker, tap out. I came out here to confront The Undertaker. I came out here to confront The Undertaker in MY ring, or my yard, if you will. I came out here to stick MY World Heavyweight Championship in his face, and look him in the eye, and say to him, I TOLD YOU SO! But, of course, he's conveniently not here right now, so instead, i think i'll address all of you people. It's come to my attention that you people think I have been preaching to you. Alright, we'll call a space a spade. The truth is, YES i have. Because you people need a good preaching to. You people need somebody you can look up to, you need a leader who isn't morally corrupt, and you need someone that's righteous, not self-righteous. And i know what your all gonna do next, your gonna do exactly what your hero, the Undertaker, did, your gonna give up! Hell, by the looks at half of you, you already have. I mean, what kind of life is it that you live? What kind of existence do you have where you wake up in the morning and you have to pop a pill to help crawl out of bed? And then, then you ravage your body with pitchers of beer, and that's supposed to somehow heal your broken self-worth. And then you just make excuses about inhaling poison into your lungs just to calm your nerves. And then, at the end of your sad, pathetic, lonely day, your in need of another pill to make you forget everything. You need a pill to help you sleep. (The crowd boos as Punk mouths "you make me sick") You are all just a legion of inebriated zombies, waiting in line at the pharmacy with your hand out, begging and pleading for that newest anti-depressant that you think is going to put an artificial smile on your face. You scratch and you claw for scapegoats for all of your inadequacies, and believe me, you have a LOT of inadequacies. And don't tell me that you self medicate yourself to forget about it all, don't tell me you don't self medicate to hide from all your inadequacies, don't tell me you don't do it. Because if you do, well then your a liar too. Your lying to yourself, your lying to yourselves right now. Your lying to the person next to you, you go home and you lie to your family, and it's insulting because right now your lying to ME. And i can see right through all of you people and your lies, because i am not a liar. I am a man who means what he says and says what he means. What i am is a prophet, i am the choice of a new generation, i am a champion that everybody can finally be proud of, i am the first and only straight-edge World Heavyweight Champion in history. And if your not straight-edge like me, well, that just means i'm better than you!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

September 18, 2009
Friday Night SmackDown

Daniel Buren photo
Fernand Léger photo
Richard Rodríguez photo
Arthur Stanley Eddington photo
Emilio Insolera photo

“You can see the existence of these beautiful signed languages which are incredibly visual, and they require space, they require space to grow.”

Emilio Insolera (1979) Actor and film producer

Transcript of Emilio Insolera on BBC Radio (October 9, 2017)

Martin Luther King, Jr. photo
William Winwood Reade photo
Willem de Sitter photo
Johann Gottlieb Fichte photo

“The infinitely smallest part of space is always a space, something endowed with continuity, not at all a mere point or the boundary between specified places in space.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Grundriss des Eigenthümlichen der Wissenschaftslehre in Rücksicht auf das theoretische Vermögen (1795) GA I.3, as quoted/translated by Erhard Scholz, "Philosophy as a Cultural Resource and Medium of Reflection for Hermann Weyl" http://arxiv.org/abs/math/0409596 (2004).

Marshall McLuhan photo

“Tactility is the space of the interval; acoustic space is spherical and resonant.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1980s, Laws of Media: The New Science (with Eric McLuhan) (1988)

“The integers, the rationals, and the irrationals, taken together, make up the continuum of real numbers. It's called a continuum because the numbers are packed together along the real number line with no empty spaces between them.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 11, Identity Crisis, p. 206 (See also: George Cantor)

Teresa de Lauretis photo
Billy Joel photo
Tony Blair photo

“I understand there is a need for a stable and orderly transition to that leadership, but that people should give me the space to ensure that happens and that this debate is not best conducted in the pages of the Mail on Sunday.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Michael White, "I will go in my own time – Blair", The Guardian, 12 May 2005, p. 2.
Speech to the Parliamentary Labour Party, 11 May 2005; the 'leadership' referred to was that of his successor, who was widely assumed to be Gordon Brown.
2000s

Peter Hitchens photo

“They reach the realms of tranquil bliss.
Green spaces folded in with trees,
A paradise of pleasances.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 215

Svetlana Alexievich photo

“Many of the most fundamental claims of science are against common sense and seem absurd on their face. Do physicists really expect me to accept without serious qualms that the pungent cheese that I had for lunch is really made up of tiny, tasteless, odorless, colorless packets of energy with nothing but empty space between them? Astronomers tell us without apparent embarrassment that they can see stellar events that occurred millions of years ago, whereas we all know that we see things as they happen. … Our willingness to accept scientific claims that are against common sense is the key to an understanding of the real struggle between science and the supernatural. We take the side of science in spite of the patent absurdity of some of its constructs, in spite of its failure to fulfill many of its extravagant promises of health and life, in spite of the tolerance of the scientific community for unsubstantiated just-so stories, because we have a prior commitment, a commitment to materialism. It is not that the methods and institutions of science somehow compel us to accept a material explanation of the phenomenal world, but, on the contrary, that we are forced by our a priori adherence to material causes to create an apparatus of investigation and a set of concepts that produce material explanations, no matter how counter-intuitive, no matter how mystifying to the uninitiated. Moreover, that materialism is absolute, for we cannot allow a Divine Foot in the door. The eminent Kant scholar Lewis Beck used to say that anyone who could believe in God could believe in anything. To appeal to an omnipotent deity is to allow that at any moment the regularities of nature may be ruptured, that miracles may happen.”

Richard C. Lewontin (1929) American evolutionary biologist

" Billions and Billions of Demons http://www.nybooks.com/articles/archives/1997/jan/09/billions-and-billions-of-demons/" in: The New York Review of Books, 9 January 1997, p. 31
Review of The Demon-Haunted World: Science as a Candle in the Dark by Carl Sagan
Quote often taken out of context, see Lewontin on materialism http://evolutionwiki.org/wiki/Lewontin_on_materialism on evolutionwiki.org, and for example this example http://wol.jw.org/en/wol/d/r1/lp-e/102006325?q=Lewontin&p=par at Watchtower Online Library.

Naomi Klein photo
Herbert Spencer photo
Wole Soyinka photo
Isaac Barrow photo
Andy Warhol photo
Richard Walther Darré photo

“The concept of Blood and Soil gives us the moral right to take back as much land in the East as is necessary to establish a harmony between the body of our Volk and the geopolitical space.”

Richard Walther Darré (1895–1953) Nazi SS General

Quoted in "Ecofascism: Lessons from the German Experience" - Page 19 - by Janet Biehl, Peter Staudenmaier - 1995

John Banville photo
Frank Wilczek photo
John McCarthy photo
John F. Kennedy photo
Ann B. Davis photo
Edsger W. Dijkstra photo
Nayef Al-Rodhan photo
Nastassja Kinski photo

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

Henry Temple, 3rd Viscount Palmerston photo

“Nothing is so difficult to change as the traditional habits of a free people in regard to such things. Such changes may be easily made in despotic countries like Russia, or in countries where notwithstanding theoretical freedom the government and the police are all powerful as in France… Can you expect that the people of the United Kingdom will cast aside all the names of space and weight and capacity which they learnt from their infancy and all of a sudden adopt an unmeaning jargon of barbarous words representing ideas and things new to their minds. It seems to me to be a dream of pedantic theorists… I see no use however in attempting to Frenchify the English nation, and you may be quite sure that the English nation will not consent to be Frenchified. There are many conceited men who think that they have given an unanswerable argument in favour of any measure they may propose by merely saying that it has been adopted by the French. I own that I am not of that school, and I think the French have much to gain by imitating us than we have to gain by imitating them. The fact is there are a certain set of very vain men like Ewart and Cobden who not finding in things as they are here, the prominence of position to which they aspire, think that they gain a step by oversetting any of our arrangements great or small and by holding up some foreign country as an object of imitation.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to Thomas Milner Gibson (5 May 1864), quoted in Jasper Ridley, Lord Palmerston (London: Constable, 1970), p. 507.
1860s

John Dalberg-Acton, 1st Baron Acton photo

“What greater challenge today…. to disorder and insensitivity; what greater propaganda for integration than this emotionally intense, dramatic division of space? [quote in 1943, discussing the art of Piet Mondrian ]”

Ad Reinhardt (1913–1967) American painter

Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955

Aga Khan III photo
Felix Adler photo
Kazimir Malevich photo

“At the present time man's path lies through space, and Suprematism is a colour metaphor in its infinite abyss.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

1916
Quote in 'On space and Suprematism', Kasimir Malevich, 1916; as cited in Abstract Art, Anna Moszynska, Thames and Hudson, London 1990, p. 58
1910 - 1920

Max Ernst photo

“Mixed feelings when he [Max Ernst frequently writes about himself in the third person] enters the forest for the first time: delight and oppression. And what the Romantics spoke of as 'being at one with Nature'. Wonderful joy in breathing freely in an open space, but also anxiety at being encircled by hostile trees. Outside and inside at the same time, free and trapped.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Room 6, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is describing an early childhood experience, in the third person
posthumous

Alphonse Daudet photo

“It is clever the way death reaps and gathers its harvests, but what somber harvests. Whole generations do not fall at once; that would be too sad, too visible. But bit by bit. The meadow is attacked on several sides at the same time. One day, one will go; the other, some time after; one must reflect, glance about oneself to notice the empty spaces, the vast contemporary killing.”

Alphonse Daudet (1840–1897) French novelist

Habile façon dont la mort fauche, fait ses coupes, mais seulement des coupes sombres. Les générations ne tombent pas d'un coup; ce serait trop triste, trop visible. Par bribes. Le pré attaqué de plusieurs côtés à la fois. Un jour, l'un; l'autre, quelque temps après; il faut de la réflexion, un regard autour de soi pour se rendre compte du vide fait, de la vaste tuerie contemporaine.
La doulou: (la douleur), 1887-1895 (Paris: Librairie de France, 1930) p. 29; Milton Garver (trans.) Suffering, 1887-1895 (New Haven: Yale University Press, 1934) pp. 29-30.

Alfred Binet photo

“When we attempt to understand the inmost nature of the outer world, we stand before it as before absolute darkness. There probably exists in nature, outside of ourselves, neither colour, odour, force, resistance, space, nor anything that we know as sensation. Light is produced by the excitement of the optic nerve, and it shines only in our brain; as to the excitement itself, there is nothing to prove that it is luminous; outside of us is profound darkness, or even worse, since darkness is the correlation of light. In the same way, all the sonorous excitements which assail us, the creakings of machines, the sounds of nature, the words and cries of our fellows are produced by excitements of our acoustic nerve; it is in our brain that noise is produced, outside there reigns a dead silence. The same may be said of all our other senses.

...In short, our nervous system, which enables us to communicate with objects, prevents us, on the other hand, from knowing their nature. It is an organ of relation with the outer world; it is also, for us, a cause of isolation. We never go outside ourselves. We are walled in. And all we can say of matter and of the outer world is, that it is revealed to us solely by the sensations it affords us, that it is the unknown cause of our sensations, the inaccessible excitant of our organs of the senses, and that the ideas we are able to form as to the nature and the properties of that excitant, are necessarily derived from our sensations, and are subjective to the same degree as those sensations themselves.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Source: The Mind and the Brain, 1907, p. 25

Robert Hunter photo
Barbara Hepworth photo
Joss Whedon photo

“I'm working on Buffy: Deep Space Nine. It will be dark and badly received.”

Joss Whedon (1964) American director, writer, and producer for television and film

Entertainment Weekly Angel TV Preview, published in issue #727-728 (12 September 2003)

Alan Shepard photo

“We need a continuing presence in space.”

Alan Shepard (1923–1998) American astronaut

Bill Kaczor, Associated Press (May 8, 1993) "Astronauts advocate return to the moon, space flights beyond", The Tampa Tribune, p. 7.

Robert E. Howard photo
Wonhyo photo
Georg Brandes photo
Jorge Luis Borges photo

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)

Hans Freudenthal photo