“What I am about to say may sound provocative, but I feel more and more strongly that even these ideas are not enough, that we must go farther and deeper.”

— Václav Havel

The Need for Transcendence in the Postmodern World (1994)
Context: I am referring to respect for the unique human being and his or her liberties and inalienable rights and to the principle that all power derives from the people. I am, in short, referring to the fundamental ideas of modern democracy.
What I am about to say may sound provocative, but I feel more and more strongly that even these ideas are not enough, that we must go farther and deeper.

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Václav Havel126

playwright, essayist, poet, dissident and 1st President of … 1936–2011

Daniel Keyes book Flowers for Algernon

Flowers for Algernon (1966)

“I may not be smart enough to debate you point-for-point on this, but I have the feeling about 60% of what you say is crap.”

David Letterman (1947) American comedian and actor

Source: To Bill O'Reilly, in discussion about the supposed War on Christmas, as quoted in "In Letterman appearance, O'Reilly repeated false claim that school changed 'Silent Night' lyrics" http://mediamatters.org/items/200601040009, Media Matters for America, (4 January 2006).

“I certainly will not persuade myself to feel more than I do. I am quite enough in love. I should be sorry to be more”

Jane Austen book Emma

Source: Emma

“I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.”

John Cage (1912–1992) American avant-garde composer

1952, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
1950s

“When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic — here on Sixth Avenue, for instance — I don't have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don't need sound to talk to me.”

John Cage (1912–1992) American avant-garde composer

Quote of Cage, in an interview with Miroslav Sebestik, 1991; in Listen, documentary by Miroslav Sebestik. ARTE France Développement, 2003; as quoted on Wikipedia, note 54
1990s

“Because we cannot discover God's throne in the sky with a radiotelescope or establish (for certain) that a beloved father or mother is still about in a more or less corporeal form, people assume that such ideas are "not true." I would rather say that they are not "true" enough, for these are conceptions of a kind that have accompanied human life from prehistoric times, and that still break through into consciousness at any provocation.”

C.G. Jung book Man and His Symbols

Man and His Symbols (1964)

“people diminish me;
the longer I sit and listen to them
the more empty I feel but I don't get
the idea that they feel empty, I feel
that they enjoy the sound from their
mouths.”

Charles Bukowski (1920–1994) American writer

Source: Bone Palace Ballet

“There cannot be a greater error than to suppose that the poet does not feel what he writes. What an extraordinary, I might say, impossible view, is this to take of an art more connected with emotion than any of its sister sciences. What — the depths of the heart are to be sounded, its mysteries unveiled, and its beatings numbered by those whose own heart is made by this strange doctrine — a mere machine wound up by the clock-work of rhythm! No; poetry is even more a passion than a power, and nothing is so strongly impressed on composition as the character of the writer. I should almost define poetry to be the necessity of feeling strongly in the first instance, and the as strong necessity of confiding in the second.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

“I feel queasy about the idea of having non-Asians taking center stage in one of my books. I would feel guilty about it, as if I were trying to deny my ethnic heritage, even though this is precisely what I am suggesting we should be free to do.”

Don Lee (author) (1959) American writer

On the writing dilemmas that he faces in “Don Lee: The Ethnic Literature Box” https://www.guernicamag.com/don-lee-the-ethnic-literature-box/ in Guernica Magazine (2012 Jun 25)

“As I have said many times, for me an artist is a person who says he's an artist, and an artwork is what an artist says is an artwork. Although for myself, I am not interested in ideas as the burden of art.... the important thing about art is how it stimulates us. I think the more you are stimulated by more different kinds of art, the more demanding you're going to become on the level of your stimulation. The key to art is experience of it and proximity to it.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 14

“What I am about to say may sound provocative, but I feel more and more strongly that even these ideas are not enough, that we must go farther and deeper.”

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Václav Havel126

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