Quotes about somewhere
page 9

Willie Nelson photo

“(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.”

Willie Nelson (1933) American country music singer-songwriter.

Source: Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

George W. Bush photo

“Those weapons of mass destruction have got to be somewhere… Nope, no weapons over there… Maybe under here.”

George W. Bush (1946) 43rd President of the United States

Narrating a humorous slide show at the Radio and Television News Correspondents Association, with a series of photos depicting himself searching through the Oval Office of the White House for the weapons of mass destruction which his administration had claimed to exist, but ultimately failed to find, in Iraq. http://www.wherearethewmd.org/evolutionary_rhetoric.php, March 25, 2004
2000s, 2004

Anish Kapoor photo

“It is precisely in those moments when I don’t know what to do, boredom drives one to try …a host of possibilities… [to] either get somewhere or not get anywhere.”

Anish Kapoor (1954) British contemporary artist of Indian birth

[Grant, Jennifer, MOMumental: Adventures in the Messy Art of Raising a Family, http://books.google.com/books?id=8Iu1QtZR_X8C&pg=PT184, 1 May 2012, Worthy Publishing, 978-1-61795-099-5, 184–]

James Comey photo
Walker Percy photo
Morarji Desai photo
John Crowley photo
Huston Smith photo

“Reserved as he [Confucius] was about the supernatural, he was not without it; somewhere in the universe there was a power that was on the side of right.”

Arguing that Confucianism ought to be considered a religion and not a 'moralistic rationalism.'
The World's Religions (1991)

Anna Akhmatova photo
Aron Ra photo

“So, Kent Hovind gets out of prison and every atheist wants a piece of him. I understand that; I hate liars, I hate anyone who deceives even little old ladies and especially other people's children. So, of course I'd love to have the opportunity to get into it with Mister (not Doctor) Kent Hovind, as would every other atheist activist with a passion for science and a concern for truth. Understand though that this charlatan is every kind of fraud. He just wants to reestablish his racket. His schtick is to pretend to be more important than he is; we all know that his thesis was just as bogus as the PHD that he bought from a mail order catalog for about $100, he also claims to have taught high school science for about 15 years, hoping that folks will think that he has some verifiable connection to a high school somewhere (an actual school), but what I suspect is really the case is he may have preached to homeschooled kids at his house (which he used as a church sometimes). I can understand Atheist Podcast wanting to have this guy on to take him to task, but remember, he is a conman, a professional fraud. In his mind, he gains merit and financial supporters as a result of being "oppressed in the face of adversity", so go ahead and have him on, but only as a sideshow freak, someone to gawk at; show him the contempt he deserves. Don't treat him like an opponent, as if he had something to bring to the table.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Debating Dr Dunno https://www.youtube.com/watch?v=mKw8K7o-vwY (August 4, 2015)

T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Calvin Coolidge photo
Robert Baden-Powell photo
Alan Moore photo
Julian (emperor) photo

“Is it not absurd when a human being tries to find happiness somewhere outside himself, and thinks that wealth and birth and the influence of friends… is of the utmost importance?”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

As quoted in The Works of the Emperor Julian (1923) by Wilmer Cave France Wright, p. 41
General sources

“somewhere within sight
of the tree of poetry
that is eternity wearing
the green leaves of time.”

R.S. Thomas (1913–2000) Welsh poet

"Prayer"
Later Poems (1983)

Chinmayananda Saraswati photo

“Divinity should not be given to you from somewhere else. The Upanishad thunders "Thou Art That.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

In Efficiency is the ability to bring expertise in speech. http://books.google.co.in/books?id=mArVw7yUkCsC&pg=PA338, p. 338

Malcolm Gladwell photo
Zero Mostel photo
George Hendrik Breitner photo

“It is just most delightful to me that I live in this way in the heart of Amsterdam. In a second you can eat somewhere and be back home again. You never have to wait for the tram. It is less than seven minutes [walking] from Dam Square. To me that is so unusual and so pleasant. I walk there daily.... the window [of his new studio] is about 2.25 m wide and high, and underneath a standing window of the same size, breadth-wise.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) 't is al allerheerlijkst voor me, dat ik zoo midden in Amsterdam woon. In een oogenblik kun je ergens gaan eten en weer 't huis zijn. Je hoeft nooit op de tram te gaan staan. 't is niet verder dan een minuut of zeven van de Dam. dat is voor mij zoo ongewoon en zoo prettig. Ik loop er heen, dag in en uit.. ..'t raam [van het atelier] is ongeveer 2.25 m breed en hoog, en daaronder een staand raam van zelfde breedte.
Quote of Breitner in his letter from Amsterdam, 11 May 1893, to Herman van der Weele; from the original letter in the RKD-Archive, The Hague https://rkd.nl/explore/excerpts/1154
1890 - 1900

George Bird Evans photo
David Suzuki photo
L. Ron Hubbard photo

“So we listen. We add up associations of people with people. When a push against Scientology starts somewhere, we go over the people involved and weed them out. Push vanishes.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

Manual Of Justice (1959).

Arlo Guthrie photo
Taslima Nasrin photo

“Every ban and censorship hurt. But banishment hurts the most. Banishment took away the ground from beneath my feet. What I need now most is a firm footing to stand up somewhere to fight for the freedom of expression. I was banished from both East and West Bengal.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin, Inteview with Firstpost, http://www.firstpost.com/living/taslima-nasrin-on-being-a-writer-in-exile-bans-and-censorship-hurt-but-banishment-hurt-the-most-3136796.html (2016)

Ryū Murakami photo

“His fiction – radical, satirical, polyvalent, sexually courageous, global – extended the mainstream novel, and led it somewhere else. Still not fully recognized, he was one of Britain's greatest late-twentieth-century writers.”

Angus Wilson (1913–1991) british author

Malcolm Bradbury, in the Oxford Dictionary of National Biography http://www.oxforddnb.com/view/article/50701
Criticism

Andrus Ansip photo

“I cannot imagine that someone could go to Tõnismägi and in the darkness of the night, put the Bronze Soldier on the hook of the crane, and drive it away somewhere. This is not a solution acceptable for a constitutional state.”

Andrus Ansip (1956) Estonian chemist and politician

At a press conference of the Estonian Government http://www.postimees.ee/290606/esileht/siseuudised/207552.php (2006-06-29).

Jeremy Clarkson photo
Richard Dawkins photo
Mahmoud Ahmadinejad photo
Nigel Farage photo

“If Brexit is a disaster, I will go and live abroad, I'll go and live somewhere else.”

Nigel Farage (1964) British politician and former commodity broker

Responding to a caller's question on his talk radio show http://www.independent.co.uk/news/uk/politics/nigel-farage-i-will-emigrate-if-brexit-is-a-disaster-a7653786.html, LBC, 27 March 2017
2017

Orson Scott Card photo
James K. Morrow photo
Josiah Warren photo

“It has now become a very common sentiment, that there is some deep and radical wrong somewhere, and that legislators have proved themselves incapable of discovering, or of remedying it.”

Josiah Warren (1798–1874) American individualist anarchist, inventor, musician, and author

pg 105
Equitable Commerce (1848)

Colum McCann photo
Charles Taze Russell photo
Roger Ebert photo

“Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/rollerball-2002 of the 2002 film Rollerball (8 February 2002)
Reviews, Half-star reviews

André Maurois photo
Bill Cosby photo

“We see a successful, elegant man now, but as a child, an adolescent, his life was not a done deal. Sidney respected his mistakes. When failure came, he never said, "This is too difficult, too hard," he had the resiliency to try again. His life is somewhere between astounding and unbelievable.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

Comment on Sidney Poitier, as quoted in a press release at AARP (24 July 2008) http://cq5.share.aarp.org/aarp/presscenter/pressrelease/articles/exclusive_hollywood_legend_sidney_poitier_opens_up.html

Steven Pressfield photo
Robert Charles Wilson photo

“Everybody falls, and we all land somewhere.”

Source: Spin (2005), p. 1 (opening words)

James Howard Kunstler photo
Nigella Lawson photo

“While I am sure there are a number of women who secretly wonder whether they are lesbian, most simply have, somewhere, a fantasy about having sex, in a non-defining, non-exclusive way, with other women.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

As written in "Sapphism is more than designer-dykery" by Nigella Lawson in The Guardian http://observer.guardian.co.uk/comment/story/0,6903,416467,00.html (31 December 2000)

Ashlee Simpson photo

“I can make $4 million somewhere else. My body is for me and for whoever my love interest is at that moment, and that's the only person who gets to see it.”

Ashlee Simpson (1984) American singer, actress, dancer

Ashlee Simpson in Popdirt, quoted in: ashlee-star.com http://ashlee-star.com/2006/07/page/3, 2006/07
On Why she did not pose nude for Playboy.

Imre Kertész photo
Jeremy Corbyn photo
Arthur C. Clarke photo
Gabrielle Roy photo
Ursula K. Le Guin photo
Jay Nordlinger photo

“[T]he nutcase Left and the nutcase Right are alike in virtually every particular. They should get a room somewhere -- far from here.”

Jay Nordlinger (1963) American journalist

Twitter post https://twitter.com/jaynordlinger/status/1037178490376863744 (4 September 2018)
2010s

Paul Davidson photo

“I quote somewhere a correspondence with Ken Arrow, after he wrote Arrow and Hahn. I wrote to him and I said that the trouble is that neoclassical economists confuse risk with uncertainty. Uncertainty means non-probabilistic. And he said, 'Quite true, you're quite correct that Keynes is much more fruitful, but the trouble with the General Theory is, those things that were fruitful couldn't be developed into a nice precise analytical statement, and those things that could were retrogressions from Keynes but could be developed into a nice precise analytical statement.' That's why mainstream economics went that route. And my answer is, I would hope that even Nobel Prize winners didn't believe that regression is growth, which it clearly isn't. But that's right. The fear that everybody has, you see, is nihilism: you won't be able to say what's going to happen. Well, evolutionists don't worry about being unable to predict. You ask the evolutionists, who tell you what happened in the past, just what next species is going to appear, and the answer is, anything could. Right? Does that bother people? Explanation is the first thing in science. If you can't explain, you don't have anything. But you needn't necessarily predict. Now, if you know the future's uncertain, what does that mean? It means basically, the way Hicks put it in his later years, that humans have free will. The human system isn't deterministic or stochastic, which is deterministic with a random error. Humans can do thins to change the world.”

Paul Davidson (1930) Post Keynesian economist

quoted in Conversations with Post Keynesians (1995) by J. E. King

John Dos Passos photo
Stella Vine photo

“My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.”

Stella Vine (1969) English artist

Williams-Akoto. "My Home: Stella Vine, artist" http://www.independent.co.uk/life-style/house-and-home/property/my-home-stella-vine-artist-517456.html, The Independent, (2005-11-30)
On working in London.

John Danforth photo
Horace Mann photo

“Lost — Yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered, for they are gone forever.”

Horace Mann (1796–1859) American politician

Published as "A Beautiful Thought … we clip from an exchange paper" in Universalist Union (16 March 1844) this is often quoted as an advertisement originally written by Mann, attributed to him in Getting on in the World (1874) by William Mathews, p. 268; and most publications since that date, and sometimes titled "Lost, Two Golden Hours".
Variants:
Lost,
Two golden hours:
Each with a set of
Sixty diamond minutes!
No reward
Is offered, for they are .
Lost for ever!
Published as "Loss of Time" in The Church of England Magazine (28 June 1856) without any crediting of authorship.
Lost, yesterday, somewhere between sunrise and sunset...
The most commonly quoted variant simply begins with a comma rather than a dash.

Heidi Klum photo

“We went somewhere very nice for dinner — it was very good but I can't tell you exactly what we did. It would be too naughty and you can’t run it anyway. It would just be bloop bleep bloop bloop bleep. But it was a very good first date.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

On her first date with Seal, quoted by Hollie McKay in "Heidi Klum's 'Naughty' First Date With Seal" http://www.foxnews.com/story/0,2933,352078,00.html

Conor Oberst photo

“I swear that I'm dying
slowly but it's happening,
and if the perfect spring is waiting somewhere…
just take me there.”

Conor Oberst (1980) American musician

If Winter Ends
Letting Off the Happiness (1998)

Terence McKenna photo

“What we call imagination is actually the universal library of what’s real. You couldn’t imagine it if it weren’t real somewhere, sometime.”

Terence McKenna (1946–2000) American ethnobotanist

Trialogue #24: The Heavens https://www.youtube.com/watch?v=yWqvY7CGaHw Esalen, California (1992)

André Maurois photo
Brad Paisley photo
Patrick Swift photo
Andrei Sakharov photo
Jacqueline Kennedy Onassis photo

“To think that I very nearly didn’t go… What if I’d been here — out riding in Virginia or somewhere — Thank God I went with him.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Quoted in The Unknown Wisdom of Jacqueline Kennedy Onassis (1994) edited by Bill Adler

“It is lost, lovely child, somewhere in the ragbag that I laughingly refer to as my memory.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

A Conversation about Dr. Canon's Cure (1982).

Richard Rorty photo
Kent Hovind photo
Václav Havel photo
David Brin photo

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

David Berg photo
Aron Ra photo
David Attenborough photo
Neil Gaiman photo
Joseph Goebbels photo

“After supper we are sitting close to the church in a quiet spot. As if from a distance we hear prayers and singing. The monks are holding their vesper services. Then it falls silent, wonderfully silent!
The sun has already set. … We are quiet, too. … A door is closed somewhere. A man's, then a woman's voice. Children are praying! My dear Jesus! Then it falls silent again. Wonderfully silent!
The night spreads its wide, black wings over the land.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Nach dem Abendbrot sitzen wir an der Kirche in einem stillen Winkel. Wie von ferne hören wir Gebet und Singen. Die Mönche halten ihre Abendandacht. Und dann wird es still, wunderbar still!
Die Sonne ist schon untergegangen. … Auch wir schweigen. … Irgendwo wird eine Tür geschlossen. Eine Männer-, dann eine Frauenstimme. Kinderbeten! Du lieber Jesus mein! Dann wird es wieder still. Wunderbar still!
Die Nacht legt ihre breiten, schwarzen Flügel auf das Land.
Michael: a German fate in diary notes (1926)

Neal Stephenson photo
H. G. Wells photo

“We are now in the middle of a long process of transition in the nature of the image which man has of himself and his environment. Primitive men, and to a large extent also men of the early civilizations, imagined themselves to be living on a virtually illimitable plane. There was almost always somewhere beyond the known limits of human habitation, and over a very large part of the time that man has been on earth, there has been something like a frontier…
Gradually, however, man has been accustoming himself to the notion of the spherical earth and a closed sphere of human activity. A few unusual spirits among the ancient Greeks perceived that the earth was a sphere. It was only with the circumnavigations and the geographical explorations of the fifteenth and sixteenth centuries, however, that the fact that the earth was a sphere became at all widely known and accepted. Even in the thirteenth century, the commonest map was Mercator's projection, which visualizes the earth as an illimitable cylinder, essentially a plane wrapped around the globe, and it was not until the Second World War and the development of the air age that the global nature of tile planet really entered the popular imagination. Even now we are very far from having made the moral, political, and psychological adjustments which are implied in this transition from the illimitable plane to the closed sphere.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, The Economics of the Coming Spaceship Earth, 1966, p. 3

Iain Banks photo
Emil M. Cioran photo
Eric Hoffer photo

“Our passionate preoccupation with the sky, the stars, and a God somewhere in outer space is a homing impulse. We are drawn back to where we came from.”

Eric Hoffer (1898–1983) American philosopher

On the first moon-landing, as quoted in The New York Times (21 July 1969)

Gino Severini photo

“Ladies and gentlemen, every path leads somewhere. That is what a path is all about. The path of segregation leads to lynching every time. The path of antisemitism leads to Auschwitz every time. The path of the cults leads to Jonestown and we watch it at our peril.”

Maurice Davis (1921–1993) American rabbi

Variant: We know, and we must never forget, that every path leads somewhere. The path of segregation leads to lynching. The path of anti-Semitism leads to Auschwitz. The path of cults leads to Jonestown. We ignore this fact at our peril. As quoted in "How Many Jonestowns Will It Take?" in The Cult Observer (1992), p. 123

Ref: en.wikiquote.org - Maurice Davis / Quotes / Address on the Cult Phenomenon in the United States (1979)

Jeanette Winterson photo
Comte de Lautréamont photo

“I hail you, old ocean! Old ocean, you are the symbol of identity: always equal unto yourself. In essence, you never change, and if somewhere your waves are enraged, farther off in some other zone they are in the most complete calm. You are not like man — who stops in the street to see two bulldogs seize each other by the scruff of the neck, but does not stop when a funeral passes. Man who in the morning is affable and in the evening ill-humoured. Who laughs today and weeps tomorrow. I hail you, old ocean!”

Vieil océan, tu es le symbole de l'identité: toujours égal à toi-même. Tu ne varies pas d'une manière essentielle, et, si tes vagues sont quelque part en furie, plus loin, dans quelque autre zone, elles sont dans le calme le plus complet. Tu n'es pas comme l'homme, qui s'arrête dans la rue, pour voir deux boule-dogues s'empoigner au cou, mais, qui ne s'arrête pas, quand un enterrement passe; qui est ce matin accessible et ce soir de mauvaise humeur; qui rit aujourd'hui et pleure demain. Je te salue, vieil océan!
Les Chants de Maldoror (1972 ed.), p. 13.

Milan Kundera photo
Carol Ann Duffy photo

“Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon.”

Carol Ann Duffy (1955) British writer and professor of contemporary poetry

Words, Wide Night, from The Other Country (1990).

Phil Brooks photo
Rudy Rucker photo

“I had formed a vague idea that the sex sphere was a hypersphere extending into the fourth dimension. Which meant that if the sphere's giant cunt swallowed me I could end up somewhere very... different.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 84

Allan Kaprow photo
Shahrukh Khan photo