Quotes about room
page 18

Anita Pallenberg photo
Mickey Spillane photo
Gyles Brandreth photo

“On the Conservative-Liberal Democrat coalition government: I think it should be made clear that the Conservatives and the Liberal Democrats, they have not got into bed together; they are merely sharing a room.”

Gyles Brandreth (1948) British writer, broadcaster and former Member of Parliament

The News Quiz series 72, episode 1 (BBC Radio 4, 24 September 2010).

“To produce 1 lb. of feedlot beef requires 7 lbs. of feed grain, which takes 7,000 lbs. of water to grow. Pass up one hamburger, and you'll save as much water as you save by taking 40 showers with a low-flow nozzle. Yet in the U. S., 70% of all the wheat, corn and other grain produced goes to feeding herds of livestock. Around the world, as more water is diverted to raising pigs and chickens instead of producing crops for direct consumption, millions of wells are going dry. … In the U. S., livestock now produce 130 times as much waste as people do. Just one hog farm in Utah, for example, produces more sewage than the city of Los Angeles. These megafarms are proliferating, and in populous areas their waste is tainting drinking water. In more pristine regions, from Indonesia to the Amazon, tropical rain forest is being burned down to make room for more and more cattle. … We, at least, have the flexibility—the omnivorous stomach and creative brain—to adapt. We can do it by moving down the food chain: eating foods that use less water and land, and that pollute far less, than cows and pigs do. In the long run, we can lose our memory of eating animals, and we will discover the intrinsic satisfactions of a diverse plant-based diet, as millions of people already have.”

Ed Ayres (1941) American magazine editor

"Will We Still Eat Meat?", in Time magazine (8 November 1999), pp. 1 http://content.time.com/time/subscriber/article/0,33009,992523-1,00.html- 2 http://content.time.com/time/subscriber/article/0,33009,992523-2,00.html.

Jean-François Millet photo
Yogi Adityanath photo

“Sun has never deprived anyone of its light and energy irrespective of their caste and religion. Despite this, if it is being linked to communalism then I request such people to stay in their rooms during the day without sunlight.”

Yogi Adityanath (1972) Indian politician

On religious groups claiming that Surya Namaskar would cause communal disharmony, as quoted in "People opposed to 'Surya Namaskar' should lock themselves in 'dark room': Yogi Adityanath" http://zeenews.india.com/news/india/people-opposed-to-surya-namaskar-should-lock-themselves-in-dark-room-yogi-adityanath_1610111.html, Zee News (9 June 2015).

Theo van Doesburg photo

“The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”

Charles Williams (1886–1945) British poet, novelist, theologian, literary critic, and member of the Inklings

War in Heaven (1930), Ch. 1, first sentence

Lewis Black photo
Margaret Atwood photo

“The sitting room is subdued, symmetrical; it’s one of the shapes money takes when it freezes.”

Margaret Atwood (1939) Canadian writer

Source: The Handmaid’s Tale (1985), Chapter 14 (p. 79)

Gaurav Sharma (author) photo

“There are a lot of grown ups who, should be sent up to their rooms, and told they must stay there, until they learn they can play fair.”

Dawud Wharnsby (1972) Canadian musician

"Hi Neigbour, Salam Neighbour"
For Whom The Troubadour Sings (2010)

Harry Harrison photo
Heath Ledger photo

“I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices — it was important to try to find a somewhat iconic voice and laugh. I ended up landing more in the realm of a psychopath — someone with very little to no conscience towards his acts … just an absolute sociopath, a cold-blooded, mass-murdering clown …. [being given] free rein [by director Christopher Nolan was] fun, because there are no real boundaries to what The Joker would say or do. Nothing intimidates him, and everything is a big joke.”

Heath Ledger (1979–2008) Australian actor

Interview remarks published in Empire, from interviews conducted in November 2007.
[Dan Jolin, Fear Has a Face, http://www.empireonline.com/magazine/covers/image.asp?id=24227&gallery=1365&caption=%23223%20%28January%202008%29, Empire, 223, January, 2008, 87–88, Bauer Verlagsgruppe, 2008-07-08]
[Dan Jolin, The Dark Knight, http://www.empireonline.com/magazine/covers/image.asp?id=27819&gallery=1365&caption=%23229+%28July+2008%29, Empire, 229, July, 2008, 92–100, Bauer Verlagsgruppe, 2008-08-18]
[Olly Richards, World Exclusive: The Joker Speaks: He's a Cold-blooded Mass-murdering Clown, http://www.empireonline.com/news/story.asp?nid=21560, Empire, Web, Bauer Verlagsgruppe, November 28, 2007, 2008-08-18]

Lillian Gish photo
William Cowper photo

“I cannot talk with civet in the room,
A fine puss-gentleman that's all perfume.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Conversation (1782), Line 283.

John Doe photo
Gracie Allen photo
Newton Lee photo
Alexander Ovechkin photo
P.G. Wodehouse photo
Pete Doherty photo

“Each person's greatest room for growth is in the areas of his or her greatest strength.”

Marcus Buckingham (1966) British writer

Source: Now, Discover Your Strengths (2001), p. 8

Robert Charles Wilson photo

“To open the window and let a wasp out of the room. Ah, is this not happiness?”

Jin Shengtan (1610–1661) Chinese writer

"Thirty-three Happy Moments"

Craig Venter photo
Christine O'Donnell photo

“What's next? Orgy rooms? Menage a trois rooms? All this coedness is outside normal life. Most average American adults don't use coed bathrooms — if they had the option of a coed bathroom at a public restaurant, they wouldn't choose it.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

Taming Animal House; Students find ways to keep morals in college life.
2003-09-18
Washington Times
http://goliath.ecnext.com/coms2/gi_0199-3130739/Taming-Animal-House-Students-find.html
on coed dormitory rooms

Tim Powers photo
Anthony Burgess photo
John Betjeman photo

“The test of an abstract picture, for me, is not my first reaction to it, but how long I can stand it hanging on the wall of a room where I am living.”

John Betjeman (1906–1984) English poet, writer and broadcaster

John Piper (Penguin Books, 1944), p. 12.

Zoran Đinđić photo
Robert Ley photo

“The Weimar system appeared to me like a father who locks his little boys in a room and stirs them up against one another and says: 'Beat each other up as much as you want.”

Robert Ley (1890–1945) Nazi politician

Leipzig, 1939. Quoted in Robert Ley: Hitler's Labor Front Leader - Page 24 - by Ronald Smelser - 1988

Hugh Macmillan, Baron Macmillan photo
Gloria Estefan photo
Hugh Macmillan, Baron Macmillan photo

“And as for their piety towards God, it is very extraordinary; for before sun-rising they speak not a word about profane matters, but put up certain prayers which they have received from their forefathers, as if they made a supplication for its rising. After this every one of them are sent away by their curators, to exercise some of those arts wherein they are skilled, in which they labor with great diligence till the fifth hour. After which they assemble themselves together again into one place; and when they have clothed themselves in white veils, they then bathe their bodies in cold water. And after this purification is over, they every one meet together in an apartment of their own, into which it is not permitted to any of another sect to enter; while they go, after a pure manner, into the dining-room, as into a certain holy temple, and quietly set themselves down; upon which the baker lays them loaves in order; the cook also brings a single plate of one sort of food, and sets it before every one of them; but a priest says grace before meat; and it is unlawful for any one to taste of the food before grace be said. The same priest, when he hath dined, says grace again after meat; and when they begin, and when they end, they praise God, as he that bestows their food upon them; after which they lay aside their [white] garments, and betake themselves to their labors again till the evening; then they return home to supper, after the same manner; and if there be any strangers there, they sit down with them. Nor is there ever any clamor or disturbance to pollute their house, but they give every one leave to speak in their turn; which silence thus kept in their house appears to foreigners like some tremendous mystery; the cause of which is that perpetual sobriety they exercise, and the same settled measure of meat and drink that is allotted them, and that such as is abundantly sufficient for them.”

Jewish War

Chris Rea photo
Roy Jenkins photo
Ben Croshaw photo
Ben Croshaw photo

“Perfectly coloured to be camouflaged totally in a 60's living room, the zebra has powerful legs and a thirst for blood!”

Ben Croshaw (1983) English video game journalist

Fight or Flight?
Fully Ramblomatic, Features

John Constable photo

“Only think that I am now writing in a room full of Claudes… almost of the summit of my earthly ambitions.”

John Constable (1776–1837) English Romantic painter

As quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 512
posthumous, undated

Thomas Eakins photo

“My figures at least are not a bunch of clothes with a head and hands sticking out but more nearly resemble the strong living bodies that most pictures show. And in the latter end of a life so spent in study, you at least can imagine that painting is with me a very serious study. That I have but little patience with the false modesty which is the greatest enemy to all figure painting. I see no impropriety in looking at the most beautiful of Nature's works, the naked figure. If there is impropriety, then just where does such impropriety begin? Is it wrong to look at a picture of a naked figure or at a statue? English ladies of the last generation thought so and avoided the statue galleries, but do so no longer. Or is it a question of sex? Should men make only the statues of men to be looked at by men, while the statues of women should be made by women to be looked at by women only? Should the he-painters draw the horses and bulls, and the she-painters like Rosa Bonheur the mares and cows? Must the poor old male body in the dissecting room be mutilated before Miss Prudery can dabble in his guts?Such indignities anger me. Can not anyone see into what contemptible inconsistencies such follies all lead? And how dangerous they are? My conscience is clear, and my suffering is past.”

Thomas Eakins (1844–1916) American painter

Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).

Jay Leno photo

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Henry Scott Holland photo
James D. Watson photo

“Never be the brightest person in the room. … We're all imperfect.”

James D. Watson (1928) American molecular biologist, geneticist, and zoologist.

James Watson: How we discovered DNA, TED talk (February 2005) http://www.youtube.com/watch?v=2HgL5OFip-0

Anthony Burgess photo
John Witherspoon photo

“Mistake me not, my brethren: I am not speaking against learning in itself; it is a precious gift of God, and may be happily improved in the service of the gospel; but I will venture to say, in the spirit of the apostle Paul's writings in general, and of this passage in particular, Accursed be all that learning which sets itself in opposition to the cross of Christ! Accursed be all that learning which disguises or is ashamed of the cross of Christ! Accursed be all that learning which fills the room that is due to the cross of Christ! and once more, Accursed be all that learning which is not made subservient to the honour and glory of the cross of Christ!”

John Witherspoon (1723–1794) Scottish-American Presbyterian minister and a Founding Father of the United States

From the sermon "Glorying in the Cross", published in 1768. Misquoted since 1845 as "Cursed be all that learning that is contrary to the cross of Christ; cursed be all that learning that is not coincident with the cross of Christ; cursed be all that learning that is not subservient to the cross of Christ." So quoted by S. S. Cox in October 1845, in Permanent Documents of the Society for the Promotion of Collegiate and Theological Education at the West, Volume 1, p. 30.

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Bill Maher photo
Ellen Page photo
Umberto Boccioni photo

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Jessica Drake photo
Ilana Mercer photo
Mario Cuomo photo
Robert G. Ingersoll photo
Bruce Springsteen photo
Jerome David Salinger photo
Robert Murray M'Cheyne photo

“When you are reading a book in a dark room, and come to a difficult part, you take it to a window to get more light. So take your Bibles to Christ.”

Robert Murray M'Cheyne (1813–1843) British writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 39.

James K. Morrow photo
Stevie Nicks photo

“That’s the words: "So I’m back to the velvet underground"—which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff—”back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009

Jean-François Millet photo

“They [the Paris art-critics] wish to force me into their drawing-room art, to break my spirit. No, no! I was born as a peasant and a peasant I will die. I say what I feel. I paint things as I see them, and I will hold my ground without retreating one sabot; if necessary, I will fight for honour.”

Jean-François Millet (1814–1875) French painter

Quote from his letter, March 1859; as quoted by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 53
his now famous picture 'Death and the Woodcutter' https://upload.wikimedia.org/wikipedia/commons/d/dd/Death-and-the-woodcutter-jean-francois-millet3.jpg, had been rejected at the Salon, and the important and conservative journal 'Gazette des Beaux Arts' was most indignant. The well known Hedouin engraved this work.
1851 - 1870

Gloria Estefan photo
Scott McClellan photo

“This relationship is built on trust, and you know very well that I have worked hard to earn the trust of the people in this room, and I think I've earned it -- and I think I've earned it with the American people.”

Scott McClellan (1968) Former White House press secretary

Source: Press briefing http://georgewbush-whitehouse.archives.gov/news/releases/2005/10/20051031-3.html, October 31, 2005

Cesare Pavese photo
John Fante photo
Lindsey Graham photo

“Everything I know about the Iranians I learned at the pool room," [Graham] said. "I met a lot of liars, and I know the Iranians are lying.”

Lindsey Graham (1955) United States Senator from South Carolina

As quoted in "Republican conference: Day two - Bush 'proud' of family" http://www.bbc.com/news/world-us-canada-32850481 (22 May 2015), by Anthony Zurcher, BBC News, United Kingdom: British Broadcasting Corporation
2010s

Dave Barry photo
Anthony Burgess photo
Allen West (politician) photo
Neil Peart photo
Mark Tobey photo
Camille Paglia photo
Neil Young photo

“I'm singin' this borrowed tune I took from the Rolling Stones,
Alone in this empty room, too wasted to write my own.”

Neil Young (1945) Canadian singer-songwriter

Borrowed Tune
Song lyrics, Tonight's the Night (1975)

Jackie DeShannon photo
Paulo Coelho photo
Lewis Black photo

“Can somebody explain to me why Pepsi and Coke advertise? Are we missing something? Seriously, everyone in this room has drank enough Pepsi and Coke in their lifetime they could piss it for a week.”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The End of the Universe (2002)

Peter Cook photo

“The thing that makes you know that Vernon Ward is a good painter is if you look at his ducks, you can see the eyes follow you around the room.”

Peter Cook (1937–1995) British architect

"At The Art Gallery" (1965)
Not Only... But Also (1965 - 1970)

“[People who play RPGs are] "depressed gamers who like to sit alone in their dark rooms and play slow games."”

Hiroshi Yamauchi (1927–2013) Japanese businessman

"Top 10 Tuesday: Wildest Statements Made by Industry Veterans" ign.com http://www.ign.com/articles/2006/03/14/top-10-tuesday-wildest-statements-made-by-industry-veterans

Abul A'la Maududi photo

“[Islam] leaves no room of human legislation in an Islamic state, because herein all legislative functions vest in God and the only function left for Muslims lies in their observance of the God-made law.”

Abul A'la Maududi (1903–1979) Indian theologian, politician and philosopher

1960s
Source: 1967 Islamic Law and Constitution, Mawdudi's writings collected and translated into English by Khurshid Ahmad, p. 77; quoted in: Charles J. Adam, "Mawdudi and the Islamic State," in John L. Esposito, ed., Voices of Resurgent Islam, (New York: Oxford University Press, 1983) on page 125.

Winston S. Churchill photo

“Unless Germany is beaten in a manner which leaves no room for doubt or dispute, unless she is convinced by the terrible logic of events that the glory of her people can never be achieved by violent means, unless her war-making capacity after the war is sensibly diminished, a renewal of the conflict, after an uneasy and malevolent truce, seems unavoidable.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

The War by Land and Sea, Part IV, The London Magazine, January 1917.
Reproduced in The Collected Essays of Sir Winston Churchill, Vol I, Churchill at War, Centenary Edition (1976), Library of Imperial History, p. 147-8.
Early career years (1898–1929)
Context: The German hope is that if the frontiers can be unshakeably maintained for another year, a peace can be obtained which will relieve Germany from the consequences of the hideous catastrophe in which she has plunged the world, and leave her free to scheme and prepare a decisive stroke in another generation. Unless Germany is beaten in a manner which leaves no room for doubt or dispute, unless she is convinced by the terrible logic of events that the glory of her people can never be achieved by violent means, unless her war-making capacity after the war is sensibly diminished, a renewal of the conflict, after an uneasy and malevolent truce, seems unavoidable.

Emily Brontë photo

“There is not room for Death,
Nor atom that his might could render void:
Thou — Thou art Being and Breath,
And what Thou art may never be destroyed.”

Emily Brontë (1818–1848) English novelist and poet

No Coward Soul Is Mine (1846)
Context: p>With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.Though earth and moon were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee. There is not room for Death,
Nor atom that his might could render void:
Thou — Thou art Being and Breath,
And what Thou art may never be destroyed.</p

George Gamow photo

“I decided to get Ph. D. in experimental physics because experimental physicists have their own room in the Institute where they can hang their coat, whereas theoretical physicists have to hang their coat at the entrance.”

George Gamow (1904–1968) Russian-American physicist and science writer

"Interview with George Gamow" http://www.aip.org/history/ohilist/4325.html, by Charles Weiner at Professor Gamow's home in Boulder, Colorado (25 April 1968)

Michelle Obama photo

“He never stopped smiling and laughing — even while struggling to button his shirt, even while using two canes to get himself across the room to give my mom a kiss. He just woke up a little earlier and worked a little harder.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2000s, Democratic National Convention speech (2008)
Context: My dad was our rock. Although he was diagnosed with multiple sclerosis in his early 30s, he was our provider, our champion, our hero. As he got sicker, it got harder for him to walk, it took him longer to get dressed in the morning. But if he was in pain, he never let on. He never stopped smiling and laughing — even while struggling to button his shirt, even while using two canes to get himself across the room to give my mom a kiss. He just woke up a little earlier and worked a little harder.

Lois McMaster Bujold photo

“The really unforgivable acts are committed by calm men in beautiful green silk rooms, who deal death wholesale, by the shipload, without lust, or anger, or desire, or any redeeming emotion to excuse them but cold fear of some pretended future.”

Vorkosigan Saga, Shards of Honor (1986)
Context: The really unforgivable acts are committed by calm men in beautiful green silk rooms, who deal death wholesale, by the shipload, without lust, or anger, or desire, or any redeeming emotion to excuse them but cold fear of some pretended future. But the crimes they hope to prevent in that future are imaginary. The ones they commit in the present — they are real.

Richard Rodríguez photo

“The scholarship boy does not straddle, cannot reconcile, the two great opposing cultures of his life. His success is unromantic and plain. He sits in the classroom and offers those sitting beside him no calming reassurance about their own lives. He sits in the seminar room—a man with brown skin, the son of working-class Mexican immigrant parents.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)
Context: To many persons around him, he appears too much the academic. There may be some things about him that recall his beginnings—his shabby clothes; his persistent poverty; or his dark skin (in those cases when it symbolizes his parents’ disadvantaged condition)—but they only make clear how far he has moved from his past. He has used education to remake himself. They expect—they want—a student less changed by his schooling. If the scholarship boy, from a past so distant from the classroom, could remain in some basic way unchanged, he would be able to prove that it is possible for anyone to become educated without basically changing from the person one was. The scholarship boy does not straddle, cannot reconcile, the two great opposing cultures of his life. His success is unromantic and plain. He sits in the classroom and offers those sitting beside him no calming reassurance about their own lives. He sits in the seminar room—a man with brown skin, the son of working-class Mexican immigrant parents.

Wallace Stevens photo

“If there must be a god in the house, must be,
Saying things in the room and on the stair,”

Wallace Stevens (1879–1955) American poet

"Less and Less Human, O Savage Spirit"
Transport to Summer (1947)
Context: p> If there must be a god in the house, must be,
Saying things in the room and on the stair,Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghostOr Aristotle's skeleton. Let him hang out
His stars on the wall. He must dwell quietly.He must be incapable of speaking, closed,
As those are: as light, for all its motion, is;As color, even the closest to us, is;
As shapes, though they portend us, are.It is the human that is the alien,
The human that has no cousin in the moon.It is the human that demands his speech
From beasts or from the incommunicable mass.If there must be a god in the house, let him be one
That will not hear us when we speak: a coolnessA vermillioned nothingness, any stick of the mass
Of which we are too distantly a part.</p

Epictetus photo
David Brin photo

“The advance of human knowledge has become — at long last — a vividly enjoyable spectator sport! And a growing movement toward amateur science shows there is room for participants at every level.”

David Brin (1950) novelist, short story writer

Orbit interview (2002)
Context: I maintain contacts with researchers in dozens of fields, both for fun and to keep up. In fact, any well-read citizen can stay reasonably current nowadays, by reading any of the popular science magazines that describe remarkable advances every week, in terms non-specialists can understand. The advance of human knowledge has become — at long last — a vividly enjoyable spectator sport! And a growing movement toward amateur science shows there is room for participants at every level.

Polybius photo