Quotes about real
page 55

John Pilger photo
Carolina de Robertis photo

“Writing can be a way of honoring those who’ve suffered real traumas and often surmounted them. And when a story has not yet been fully reflected in formal histories, the telling has a purpose, or so we hope…”

Carolina de Robertis (1975) American writer

On writing and history in “Interviews: Carolina de Robertis” https://bookpage.com/interviews/24365-carolina-de-robertis-fiction#.Xebr8_lKjcs in BookPage (2019 Sep 3)

Laila Lalami photo

“There’s a disconnect between how people imagine their families and how families are in real life.”

Laila Lalami (1968) American writer

On her novel The Other Americans in “Migrant State of Mind: A Q&A With Novelist Laila Lalami” https://www.thenation.com/article/laila-lalami-interview-the-other-americans/ in The Nation (2019 Apr 23)

Bernie Sanders photo
Dave Lindorff photo

“World War II, at least in Europe, may have had some moral justification, though there can be some legitimate debate as to whether the US and its freedoms were ever really threatened, and certainly many of the Americans who died in that war saw their struggle as worthy, so that we may at least in good conscience honor their deaths. But Khe Sanh? Mosul? And for god’s sake, Marjah? Let’s get real. Khe Sanh, one of the major battles in the Vietnam War, was just one little piece of a huge malignant disaster in a war that was criminal from its inception, and that had no purpose beyond perpetuating the neocolonialist control by the US of a long-subjugated people who were fighting to be free, just as our own ancestors had done. The over 58,000 Americans who died in that war, who contributed to the killing of over 2 million Vietnamese, many or most of them civilians, may have engaged in personal acts of bravery, but they were not, as a group, heroes. Nor were they over there fighting for American freedom. Some, like Lt. William Calley, who did not die, were no doubt murderers. Most, though, were simply victims–victims of their own government’s years of lying and deceit. If we memorialize them, it should be by vowing never again to allow our government to commit such crimes, and to send Americans to fight and die for such criminal policies. Sadly, we’ve already allowed that to happen, though, over and over again–in the Panama, in Grenada, in Iraq, and now in Afghanistan and perhaps, before long, Iran and/or Pakistan.”

Dave Lindorff (1949) Award winning American journalist

The Glorification of War, 2010

Petina Gappah photo

“A lot of my writing is triggered by something true, either something I read in the papers, something I overheard—I am an inveterate eavesdropper—or something that happened in my very large, and very extended, family. And yet it is precisely those things that no one believes are real.”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On what she typically writes about in “Exclusive interview: Petina Gappah speaks about the highs and lows of her writing career, and reveals details of her next book” https://johannesburgreviewofbooks.com/2017/09/04/exclusive-interview-petina-gappah-speaks-about-the-highs-and-lows-of-her-writing-career-and-reveals-details-of-her-next-book/ in the Johannesburg Review of Books (2017 Sep 4)

Amit Shah photo
Liz Phair photo

“Intimacy—real honest intimacy—is one of the most radical things you can do right now. It’s like an endangered species to connect to your feelings and actually be present…”

Liz Phair (1967) American musician

On being open and vulnerable emotionally in music in “A Candid Conversation Between Liz Phair and Snail Mail’s Lindsey Jordan” https://pitchfork.com/features/interview/a-candid-conversation-between-liz-phair-and-snail-mails-lindsey-jordan/ in Pitchfork (2018 May 9)

Robert Sheckley photo

“My dear Dahl, the first, the primary, task is to bring the earth back into ecological balance. That’s your task, you and the Bahamas Corporation. Ours is to give people something exciting to do other than war while that is going on. Without us and our Hunt, you and your high-minded scientists will just be another group of dreamers living in an imaginary kingdom of sweet reason while the madness of real politics rages all around you. Be practical, Dahl, let’s do something together.”

“There is something in what you say,” Dahl admitted. “I’ve been aware for some time of the shortcomings inherent in the sane, dispassionate thinking that we scientists advocate. People don’t pay any attention. Unless there’s an emergency like Love Canal or Chernobyl, the idea of maintaining and upgrading the earth and its ecosystems is not exactly box-office.”
Source: Hunter/Victim (1988), Chapter 65 (p. 259)

Newton Lee photo
Vinayak Damodar Savarkar photo

“Till now we Maharashtrians kept saying that Shivaji Utsav is only a historical commemoration and it has no political colour. But the festival that we have organized here in Nashik is both historical and political. Only those people, who have the capability to struggle for the freedom of their country just like Shivaji Maharaj, have the real right to organize and celebrate a festival commemorating his memory. Our main objective must therefore be to strive towards breaking the shackles of colonial rule. If our only aims are finding solace in foreign rule, earning fat salaries, be peaceful negotiators with the government on inconsequential issues such as lowering taxes, diluting some laws here and there, and secure ourselves enough to eat, lead comfortable lives, earn pensions and privileges—then this Utsav is not for you or for Shivaji, but that of the last Peshwa Baji Rao who capitulated to British might! Here we are invoking the god of revolution, Shivaji Maharaj, so that he may inspire and instil that energy in all of us. Depending on circumstances our means might change, but the end is non-negotiable and that end is total and complete freedom for our motherland.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

From a speech by V. D. Savarkar, quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

Vanessa Hua photo

“Characters, even though they’re minor, shouldn’t be a device. No person should be a device to move the plot along. That’s when you run into problems with stereotypes. I strive, in my journalism and my fiction, to make characters as complex and complicated as they are in real life…”

Vanessa Hua American journalist and writer

On how she writes characters in “Motherhood and Migration: An Interview with Vanessa Hua on ‘A River of Stars’” https://lareviewofbooks.org/article/motherhood-and-migration-an-interview-with-vanessa-hua-on-a-river-of-stars/ in Los Angeles Review of Books (2018 Sep 13)

Harold Macmillan photo
Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Maximilien Robespierre photo

“Citizens, did you want a revolution without a revolution? What is this spirit of persecution that has come to revise, so to speak, the one that broke our chains? But what sure judgement can one make of the effects that can follow these great commotions? Who can mark, after the event, the exact point at which the waves of popular insurrection should break? At that price, what people could ever have shaken off the yoke of despotism? For while it is true that a great nation cannot rise in a simultaneous movement, and that tyranny can only be hit by the portion of citizens that is closest to it, how would these ever dare to attack it if, after the victory, delegates from remote parts could hold them responsible for the duration or violence of the political torment that had saved the homeland? They ought to be regarded as justified by tacit proxy for the whole of society. The French, friends of liberty, meeting in Paris last August, acted in that role, in the name of all the departments. They should either be approved or repudiated entirely. To make them criminally responsible for a few apparent or real disorders, inseparable from so great a shock, would be to punish them for their devotion.”

Maximilien Robespierre (1758–1794) French revolutionary lawyer and politician

Citoyens, vouliez-vous une révolution sans révolution?
"Answer to Louvet's Accusation" (5 November 1792) Réponse à J.- B. Louvet http://www.royet.org/nea1789-1794/archives/discours/robespierre_reponse_louvet.htm, a speech to the National Convention (5 November 1792)

Chris Martin photo
Vivek Agnihotri photo
Vivek Agnihotri photo

“Their strategy was simple. Moral domination. Nehru was a thinker. But Rajiv, Sonia, and Rahul are no intellectuals. They took a different route. They redefined morality. Secularism included. Anti-Congress was new immoral. Pro-Hindu became anti-Muslim. India was morally polarized. Morality is subjective. No one can say with guarantee what is pure morality. Masses were forced to choose between moral standards (Secularism, unity in diversity, inclusive etc.) and quality of life (development). People who wanted quality of life were made to feel guilty. Hindus who wanted to celebrate their religious freedom were made to feel guilty. Muslims who wanted to be part of mainstream India were made to feel guilty. They filled India’s psyche with fear, hate and guilt. They hated all indigenous, grassroots thinkers. They hated Sardar Patel, Lal Bahadur Shastri, Morarji Desai, Charan Singh, Chandrashekhar, P.V. Narsimha Rao, Atal Bihari Vajpayee, and now Modi. They are the land grabbers of Sainik Farms and Adarsh Societies of India. They run NGOs. They run media. They coin useless and irrelevant jargon to confuse the masses. They have designations but no real jobs. They are irrelevant NRIs who want us to see a reality which doesn’t exist. They want a plebiscite in Kashmir. They defend stone-pelters. They want Maoists to participate in mainstream politics. They want Tejpal to be freed. Yaqub to be pardoned. But they want Modi to be hanged. They are the hijackers of national morality. Secularism included. They are the robbers of Indian treasury. They are the brokers of power. They are the pimps of secularism. They are the Intellectual Mafia.”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

Franz Bardon photo
Jacob Bekenstein photo

“There is a prescription that works well, MOND, but the reason it works so well is not known. You may say that MOND tells us how the real theory of gravity should look.”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

as quoted in: [Milgrom, Mordehai, MOND from a brane-world picture, arXiv preprint arXiv:1804.05840, 2018, https://arxiv.org/abs/1804.05840] (p. 2)

Daniel Abraham photo
Jane Roberts photo
Richard Feynman photo
Jorge Luis Borges photo

“And yet, and yet... Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.”

And yet, and yet … Negar la sucesión temporal, negar el yo, negar el universo astronómico, son desesperaciones aparentes y consuelos secretos. Nuestro destino no es espantoso por irreal: es espantoso porque es irreversible y de hierro. El tiempo es la sustancia de que estoy hecho. El tiempo es un río que me arrebata, pero yo soy el río; es un tigre que me destroza, pero yo soy el tigre; es un fuego que me consume, pero yo soy el fuego. El mundo desgraciadamente es real; yo, desgraciadamente, soy Borges.
"A New Refutation of Time" (1946) [" Nueva refutación del tiempo http://www.monografias.com/trabajos11/filoylit/filoylit.shtml"]
Variant translations:
And yet, and yet... Denying temporal succession, denying the self, denying the astronomical universe, are obvious acts of desperation and secret consolation. Our fate (unlike the hell of Swedenborg or the hell of Tibetan mythology) is not frightful because it is unreal; it is frightful because it is irreversible and ironclad. Time is the thing I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger that tears me apart, but I am the tiger; it is a fire that consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.
Time is the substance from which I am made. Time is a river which carries me along, but I am the river; it is a tiger that devours me, but I am the tiger; it is a fire that consumes me, but I am the fire.
Other Inquisitions (1952)

Koenraad Elst photo
Koenraad Elst photo
Koenraad Elst photo
Sarojini Naidu photo

“God presses not pride but humility in His service. Man knows how to destroy, it is woman`s prerogative to construct. May Sarojini be the instrument in God`s hands for constructing real unity between Hindus and Mussalmans.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Mahatma Gandhi, "Sarojini the Singer", 1 December 2013, MK Gandhi Organization http://www.mkgandhi.org/Selected%20Letters/Sarojini/singer.htm,

Sarojini Naidu photo

“Her work has a real beauty. Some of her lyrical work is likely, I think, to survive among the lasting things in English literature and by these, even if they are fine rather than great, she may take her rank among the immortals.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Aurobindo said on her poetry quoted in Critical Response To Indian Poetry In English, p123/xxxx

Nao Bustamante photo

“I’m really interested in reality TV as a format for storytelling, as a way of communicating humanity, of seeing ourselves, of seeing our scripted selves perform as ourselves. It’s simulacral, this removal of the self while performing the self in a quote-unquote real life situation…”

Nao Bustamante (1969) American artist

On her appearance on Bravo’s television show Work of Art in “INSIDE THE ARTIST’S STUDIO: NAO BUSTAMANTE” https://www.interviewmagazine.com/culture/nao-bustamante-work-of-art-bravo in Interview Magazine (2010 Jun 11)

Bhimrao Ramji Ambedkar photo
Bhimrao Ramji Ambedkar photo

“There can thus be no manner of doubt that the Muslim Society in India is afflicted by the same social evils as afflict the Hindu Society. Indeed, the Muslims have all the social evils of the Hindus and something more. That something more is the compulsory system of purdah for Muslim women. As a consequence of the purdah system, a segregation of the Muslim women is brought about. The ladies are not expected to visit the outer rooms, verandahs, or gardens; their quarters are in the back-yard. All of them, young and old, are confined in the same room. …She cannot go even to the mosque to pray, and must wear burka (veil) whenever she has to go out. These burka women walking in the streets is one of the most hideous sights one can witness in India. Such seclusion cannot but have its deteriorating effects upon the physical constitution of Muslim women. They are usually victims to anaemia, tuberculosis, and pyorrhoea. Their bodies are deformed, with their backs bent, bones protruded, hands and feet crooked. Ribs, joints and nearly all their bones ache. Heart palpitation is very often present in them. The result of this pelvic deformity is untimely death at the time of delivery. Purdah deprives Muslim women of mental and moral nourishment. Being deprived of healthy social life, the process of moral degeneration must and does set in. Being completely secluded from the outer world, they engage their minds in petty family quarrels, with the result that they become narrow and restricted in their outlook. They lag behind their sisters from other communities, cannot take part in any outdoor activity and are weighed down by a slavish mentality and an inferiority complex. They have no desire for knowledge, because they are taught not to be interested in anything outside the four walls of the house. Purdah women in particular become helpless, timid, and unfit for any fight in life. … Not that purdah and the evils consequent thereon are not to be found among certain sections of the Hindus in certain parts of the country. But the point of distinction is that among the Muslims, purdah has a religious sanctity which it has not with the Hindus. Purdah has deeper roots among the Muslims than it has among the Hindus, and can only be removed by facing the inevitable conflict between religious injunctions and social needs. The problem of purdah is a real problem with the Muslims—apart from its origin—which it is not with the Hindus. Of any attempt by the Muslims to do away with it, there is no evidence.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Pakistan or The Partition of India (1946)

Alfred North Whitehead photo

“There is nothing in the real world which is merely an inert fact. Every reality is there for feeling: it promotes feeling; and it is felt.”

Source: 1920s, Process and Reality: An Essay in Cosmology (1929), Chapter IV, p. 310 https://books.google.com/books?id=uJDEx6rPu1QC&pg=PA310.

Chris Martin photo
Chris Martin photo

“It does something to your brain which is odd… you have to work really hard not to be a real d**k (in personal life).”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.rte.ie/amp/613168/ source
Martin on being a lead singer.

Chris Martin photo
Adolf Hitler photo
Ahdaf Soueif photo

“Maybe not a hydra because that’s really, really nasty. I think there was almost a false head: we ripped open the packaging and now we’re faced with the real thing that’s there in the box…”

Ahdaf Soueif (1950) Egyptian novelist

On the state of Egypt after the ousting of Mubarak in “INTERVIEW WITH AHDAF SOUEIF” http://www.thewhitereview.org/feature/interview-with-ahdaf-soueif/ in The White Review (March 2012)

P. V. Narasimha Rao photo
Milton Friedman photo

“Deep in my psyche, I am no different than any American—I have a greater command of their language than they do. I am a composite of all of the heroines in the books I’ve read—legendary, mythological, fictional ones. I wonder if I am real? I want to be!”

Estela Portillo-Trambley (1936–1998) American writer

On how she would describe herself (as quoted in the book Chicana Ways: Conversations with Ten Chicana Writers https://books.google.com/books?id=yq0PkmCGWoEC&pg=PA205&lpg=PA205&dq)

David Foster Wallace photo
David Foster Wallace photo
María Irene Fornés photo
Nicolás Maduro photo
Ursula K. Le Guin photo

“I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality.”

Ursula K. Le Guin (1929–2018) American writer

Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is not profit. Its name is freedom.
National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin

Adam West photo
Lauretta Bender photo
David Ricardo photo
Charles Stross photo
Charles Stross photo
Charles Stross photo
Vladimir Lenin photo

“When a real army is in retreat, machine guns are kept ready, and when an orderly retreat degenerates into a disorderly one, the command to fire is given, and quite rightly, too.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

"Communism and New Economic Policy",(April 1921)
1920s

Vladimir Lenin photo
Mary McCarthy photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
Albert Einstein photo
Assata Shakur photo
Michael Parenti photo
Giovanni Morassutti photo

“For me personally, The Organic Creative Process helped me to discover what kind of actor I want to be; but this is a process that goes beyond acting. It actually revealed to me what I want to do in my life and that I have to work hard to make it real.”

Giovanni Morassutti (1980) Italian actor, theatre director and cultural entrepreneur.

Foreword https://www.academia.edu/39237479/Prefazione_di_Per_scelta_per_caso._Oltre_l_Actors_studio_by_John_Strasberg to Per scelta, per caso. Oltre l'Actors Studio by John Strasberg, published by Dino Audino editore (2016) https://www.audinoeditore.it/libro/9788875273347.

Carl Sagan photo
Carl Sagan photo

“I have no choice. I am not in the position to, alone, go into the ghetto and fight. I chose Charleston because it is most historic city in my state, and at one time had the highest ratio of blacks to Whites in the country. We have no skinheads, no real KKK, no one doing anything but talking on the internet. Well someone has to have the bravery to take it to the real world, and I guess that has to be me.”

Dylann Roof (1994) American mass murderer

archived 20 June 2015 https://web.archive.org/web/20150620135047/http://lastrhodesian.com/data/documents/rtf88.txt on website registered 9 February 2015, published 21 June 2015 https://www.nytimes.com/2015/06/21/us/dylann-storm-roof-photos-website-charleston-church-shooting.html in NYT, original date of authorship unknown

Dhyan Chand photo
Kwame Nkrumah photo
Tony Benn photo
Ralph Waldo Emerson photo
Roy Jenkins photo
Frantz Fanon photo
Étienne de La Boétie photo
Claude Louis Hector de Villars photo

“Do you want to know where Prince Eugene’s real enemies are? They are in Vienna, while mine are in Versailles.”

Claude Louis Hector de Villars (1653–1734) Marshal General of France

Also quoted by Voltaire ("Voulez-vous que je vous dise où sont les vrais ennemis du Prince Eugene? Ils sont à Vienne, et les miens à Versailles.")
Source: https://www.bartleby.com/344/391.html

Immanuel Kant photo
Immanuel Kant photo
Immanuel Kant photo
Jair Bolsonaro photo
H.L. Mencken photo
Robert A. Heinlein photo

“Earth, seen from space, looked as it had looked in color-stereo pictures, but he found that the real thing is as vastly more satisfying as a hamburger is better than a picture of one.”

Robert A. Heinlein (1907–1988) American science fiction author

A Tenderfoot in Space (p. 689)
Short fiction, Off the Main Sequence (2005)

Robert A. Heinlein photo
Robert A. Heinlein photo
Mustafa Kemal Atatürk photo

“The Republic of Turkey cannot be a country of sheikhs, dervishes, and disciples. The truest, most real order is the order of civilisation.”

Mustafa Kemal Atatürk (1881–1938) Turkish army officer, revolutionary, and the first President of Turkey

As quoted in Atatürk'ün Söylev ve Demeçleri, Volume II, p. 215

Mustafa Kemal Atatürk photo

“Science is the most real guide for civilisation, for life, for success in the world. To search for a guide other than science is absurdity, ignorance and heresy.”

Mustafa Kemal Atatürk (1881–1938) Turkish army officer, revolutionary, and the first President of Turkey

As quoted in Atatürkçülük, Volume I, General Staff of the Republic of Turkey, Millî Eğitim Basımevi, 1984, p. 283

Boris Johnson photo

“We need to realise the depth of the problems we face. Unless we get on and do this thing, we will be punished for a very long time. There is a very real choice between getting Brexit done and the potential extinction of this great party.”

Boris Johnson (1964) British politician, historian and journalist

Tory leadership: Johnson warns party of risk of Brexit 'extinction' https://www.bbc.co.uk/news/uk-politics-48521389, BBC News, 5 June 2019
2010s, 2019

Mahatma Gandhi photo
Mahatma Gandhi photo
William Quan Judge photo
William Quan Judge photo
Charles Webster Leadbeater photo
Alfred Percy Sinnett photo