
1920s, The Press Under a Free Government (1925)
1920s, The Press Under a Free Government (1925)
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):Als verf gebruik ik lichtechte drukinkt, meestal puur, ook wel gemengd. Het mengen is wel geen kunst maar kan zeer verschillend gebeuren. Geheime middelen worden niet toegepast, maar ik kan er niet aan werken, dan alleen in eenzaamheid (bij zonneschijn). Door niemand wordt op deze wijze gewerkt., ik geloof dat ook niemand anders dezelfde kleureffecten zou kunnen krijgen dan na veel oefening en ervaring. Soms gaat één druk tot 50 maal onder de pers. Nooit meer dan één ex. Per dag.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's
“The divorce of poetry and music was first reflected by the printed page.”
Source: 1960s, The Gutenberg Galaxy (1962), p. 227
Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 15 (1973)
1970s
Source: 1960s, The Gutenberg Galaxy (1962), p. 154
As quoted in the U.S. Navy's Chips Ahoy magazine (July 1986) http://web.archive.org/web/20090114165606/http://www.chips.navy.mil/archives/86_jul/interview.html
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48
Minerva's Owl p. 29.
The Bias of Communication (1951)
Voltaire (1916)
B 52
Aphorisms (1765-1799), Notebook B (1768-1771)
Source: 2010s, Does journalism exist? (2010), p. 7; Cited in: Janet Jones, Lee Salter (2011) Digital Journalism. p. 88. Also cited in: Bob Franklin (2013) The future of journalism. p. 1969:
Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's
Commencement speech for UCSC students 1996 | UCSC Press Release http://www.ucsc.edu/news_events/press_releases/archive/95-96/06-96/061196-Graduation_ceremoni.html.
Dissenting, Poulos v. New Hampshire, 345 U.S. 395 (1953)
Judicial opinions
A Proper Gentleman, 1977
quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
1920's
How I do my computing (2006)
2000s
In the introduction, (written in 1951) of his not published book: "Line Form and Color"; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 22
1950 - 1968
On being quoted in 2004 as saying about Nicole Kidman: "She's not a legend. She's a beginner..."
"She's not a legend," Bacall said. "She can't be a legend at whatever age she is. … You have to be older."
Larry King interview (2005)
Von Glasersfeld (1989, p. 444) cited in: Wolff-Michael Roth (2011) Passibility: At the Limits of the Constructivist Metaphor. p. 110
Source: The New Drawing on the Right Side of the Brain (1979), p.237
Source: 1960s, The Gutenberg Galaxy (1962), p. 193
You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)
"Designing Literature: Creative Collaboration" http://www.danagioia.net/essays/ecreative.htm (1992)
Essays
Source: 1960s, The Gutenberg Galaxy (1962), p. 51
Quoted in Kristine Stiles & Peter Howard Selz: Theories and documents of contemporary art (1996), p. 671
Source: 1960s, The Gutenberg Galaxy (1962), p. 167
George (1960) " Automatic controls in industry http://books.google.nl/books?id=ca1QDXCpElgC&pg=PA48" in: New Scientist. 7 jan 1960. p.48
in "A Conversation with Temple Grandin" January 20, 2006 http://www.npr.org/templates/story/story.php?storyId=5165123
Page 139
No such headline has ever been found in The Times at the period in question (the spring and summer of 1929), though one paragraph reads "An earthquake was felt yesterday between Illapel, to the north, and Talca, to the south, in Chile. No damage was done." (August 6, 1929). Source: The Quote... Unquote Newsletter (October, 2000) pp. 2-3.
A Discord of Trumpets (1956)
Address By Dr. Shanker Dayal Sharma President Of India On The Occasion Of The 50th Anniversary Of The First Sitting Of The Constituent Assembly
From the Author's Note to the published script.
A Zed and Two Noughts
As "Navin R. Johnson" in The Jerk (1979)
Kennedy here references Francis Bacon’s Aphorism 129 of Novum Organum: Again, we should notice the force, effect, and consequences of inventions, which are nowhere more conspicuous than in those three which were unknown to the ancients; namely, printing, gunpowder, and the compass. For these three have changed the appearance and state of the whole world; first in literature, then in warfare, and lastly in navigation: and innumerable changes have been thence derived, so that no empire, sect, or star, appears to have exercised a greater power and influence on human affairs than these mechanical discoveries.
1961, Address to ANPA
You need a strong leader that's gonna carry the banner of the World Heavyweight Championship with honor, with pride, respect, dignity, integrity, and class. What you people need is a straight-edge World Heavyweight Champion. You need CM Punk.
August 7, 2009
Friday Night SmackDown
Source: Practical Pictorial Photography, 1898, Printing methods and their bearing on pictorial photography, p. 73
Why our future depends on libraries, reading and daydreaming (2013)
Speech http://hansard.millbanksystems.com/commons/1987/apr/08/defence in the House of Commons (8 April 1987).
1980s
Source: 1960s, Understanding Media (1964), p. 23
Source: Practical Pictorial Photography, 1898, Development of negatives, p. 106
From his keynote speech at the Maine People's Alliance 30th anniversary Rising Tide awards dinner, June 9, 2012, held at Woodford's Congregational Church in Portland.
Quoted in [Koenig, Seth, June 10, 2012, http://bangordailynews.com/2012/06/10/politics/barney-frank-tackles-gay-marriage-defense-spending-in-portland-speech/, "Barney Frank tackles gay marriage, defense spending in Portland speech", Bangor Daily News, 2012-06-11]
"The Anonymity of the Regional Poet: Ted Kooser" http://www.danagioia.net/essays/ekooser.htm, from Can Poetry Matter? Essays on Poetry and American Culture (1992)
Essays
official document, 1567; as quoted by Bruce Kohl in Titian and Venetian Painting, 1450-1590; publishers Westview Press, 1999, p. 117
In 1567 Titian applied to the Venetian senate for a fifteen-year copyright privilege for engravings, made after his work. The Dutch artist Cornelis Cort produced prints after Titian's work, all made in collaboration, in 1555-56 and 1571-72
1541-1576
The Big Ear Wow! Signal : What We Know and Don't Know About It After 20 Years (1 September 1997); section: Vast Conclusions from "Half-Vast" Data http://www.bigear.org/wow20th.htm
Foreword in "Freemasonry: Ideology, Organization, and Policy," first published in 1944.
Samuel Butler's Notebooks http://books.google.com/books?id=cjk3AAAAIAAJ&q="The+most+important+service+rendered+by+the+press+and+the+magazines+is+that+of+educating+people+to+approach+printed+matter+with+distrust" (1951)
Source: Part II : Practical Pictorial Photography, The consideration of some examples of sharp and suppressed definition, p. 39
2011-08-16
Perry: We'd Lynch Ben Bernanke In Texas
Andrew
Sullivan
The Dish
The Daily Beast
http://andrewsullivan.thedailybeast.com/2011/08/perry-wed-lynch-ben-bernanke-in-texas.html
2011
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Vanmiddag heb ik nog een druksel afgemaakt dat ik Maandag al begonnen was. We hebben hier in 't postkantoor een draaideur gekregen en dat is zoo'n mooi ding om te gebruiken.
Quote of Werkman in his letter to August Henkels, 15 Oct. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 178
1940's
A Budget of Paradoxes (1872)
George Boole in letter to a friend, 1840, cited in: R. H. Hutton, " Professor Boole http://books.google.com/books?id=pfMEAAAAQAAJ&pg=PA147," in: The British Quarterly Review. (1866), p. 147; Cited in Des MacHale. George Boole: his life and work, Boole Press, 1985. p. 52
1840s
Mother Earth News interview (1980)
quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41
Source: Argumentation and debating, 1908, p. 59; as cited in: Branham (2013, p. 77)
Waiting for the Olympians (p. 257)
Platinum Pohl (2005)
Grady Booch (2011) " The Computing Priesthood https://www.ibm.com/developerworks/community/blogs/gradybooch/entry/the_computing_priesthood?lang=en" on ibm.com/developerworks/community/blogs/gradybooch. November 14, 2011
City A.M.: "What I'm reading: Quickfire interview with Getty Images co-founder Mark Getty on his favourite books and the advice he'd give to aspiring writers" http://www.cityam.com/288100/im-reading-quickfire-interview-getty-images-co-founder-mark (25 June 2018)
Seeing things as they really are http://www.forbes.com/forbes/1997/0310/5905122a_7.html, Forbes (March 10, 1997)
1990s and later
In response to the House Un-American Activities Committee's ban on radio recording and television cameras from public hearings (1 February 1949), quoted in The New York Times http://query.nytimes.com/gst/abstract.html?res=9500E1DC173FE03ABC4E53DFB4668382659EDE&legacy=true
The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986) http://www.sino-platonic.org/complete/spp001_chinese_dictionary.pdf.
[Annette Sharp, The Diary: Painting by members, The Sun-Herald, Sydney, Australia, 29 July 2007, 2, Fairfax Media Publications Pty Limited]
About
Lost History: The Enduring Legacy of Muslim Scientists, Thinkers, and Artists
Quote of Warhol in Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467
1963 - 1967
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 389.
Source: Peter's Quotations: Ideas for Our Time (1977), p. 418
Quote from an article in 'Le Messager de l'Assemblée' (25th & 26th February 1851); as cited in 'Posterity', Musée-dOrsay http://www.musee-orsay.fr/en/collections/courbet-dossier/biography.html
1840s - 1850s
1980s and later, Interview in Silver & Gold Report (1980)
Quote of Berthe Morisot, Jan. 1891; in 'Carnet Noir'; as cited in Berthe Morisot by Monique Angoulvent, Morance, Paris, 1933, p. 97
1881 - 1895
Albergo Empedocle
The Life to Come and other stories (1972)
in Nolde's letter, c. 1910; in Alois J. Schardt, 'Nolde als Graphiker', Das Kunstblatt 11, no. 8., 1927, p. 289; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52
1900 - 1920
"Chapter II," Babe Ruth's Own Book of Baseball (1928), pp. 19-20; reprinted as "Babe Ruth's Own Story — Chapter II: Baseball Game Is Like a Battle; Two Big Divisions, Offense and Defense; What They Are," https://news.google.com/newspapers?id=rksbAAAAIBAJ&sjid=J0sEAAAAIBAJ&pg=2024%2C3275342&dq=if-read-newspapers-way-team-plays-whole in The Pittsburgh Press (December 21, 1928), p. 52
February 27, 1963, page 50.
Official Report of Proceedings of the Hong Kong Legislative Council
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Daar heb je weer de telefoon, de motor de machines [ van de drukkerij] die met hun geluiden je roepen, die mensen die met hun orders en standjes vereeren en plagen, de chefs die vragen, de wissels die betaald moeten worden, de rente die je noodzaakt tot werken.
Quote of Hendrik Werkman, c. 1920's; as cited by Martin Werkman, in Pakketten voor Dames, quoted by Doeke Sijens in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 35
1920's
“Today most maps are printed by lithography.”
1978, p. 347
Elements of Cartography (1953)
Source: Practical Pictorial Photography, 1898, Printing methods and their bearing on pictorial photography, p. 72
Quoted in The Amazing PlayStation 2, Newsweek (via PR Newswire), 2006-02-26, 2007-01-21 http://www.prnewswire.com/cgi-bin/stories.pl?ACCT=104&STORY=/www/story/02-27-2000/0001150833&EDATE,
No. 3.
The Biglow Papers (1848–1866), Series II (1866)