Quotes about printing
page 2

Dave Barry photo
Gillian Flynn photo
P.G. Wodehouse photo
Ransom Riggs photo

“I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Clinging to the Wreckage : A Part of Life (1982), p. 183

Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

William Saroyan photo
Pat Condell photo
Thomas Carlyle photo

“He who first shortened the labor of copyists by device of movable types was disbanding hired armies, and cashiering most kings and senates, and creating a whole new democratic world: he had invented the art of printing.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. I, ch. 5.
1830s, Sartor Resartus (1833–1834)

Richard Nixon photo

“Well, then, some of you will say, and rightly, "Well, what did you use the fund for, Senator? Why did you have to have it?" Let me tell you in just a word how a Senate office operates. First of all, a Senator gets $15,000 a year in salary. He gets enough money to pay for one trip a year, a round trip, that is, for himself, and his family between his home and Washington, DC. And then he gets an allowance to handle the people that work in his office to handle his mail. And the allowance for my State of California, is enough to hire 13 people. And let me say, incidentally, that that allowance is not paid to the Senator. It is paid directly to the individuals that the Senator puts on his payroll. But all of these people and all of these allowances are for strictly official business; business, for example, when a constituent writes in and wants you to go down to the Veteran's Administration and get some information about his GI policy — items of that type, for example. But there are other expenses that are not covered by the Government. And I think I can best discuss those expenses by asking you some questions.Do you think that when I or any other senator makes a political speech, has it printed, should charge the printing of that speech and the mailing of that speech to the taxpayers? Do you think, for example, when I or any other Senator makes a trip to his home State to make a purely political speech that the cost of that trip should be charged to the taxpayers? Do you think when a Senator makes political broadcasts or political television broadcasts, radio or television, that the expense of those broadcasts should be charged to the taxpayers? Well I know what your answer is. It's the same answer that audiences give me whenever I discuss this particular problem: The answer is no. The taxpayers shouldn't be required to finance items which are not official business but which are primarily political business.”

Richard Nixon (1913–1994) 37th President of the United States of America

1950s, Checkers speech (1952)

Al Gore photo
Thomas R. Marshall photo
Ron Paul photo

“Neil Cavuto: Yeah but, you can't, Congressman, we've got a pretty good economy going here, right? We've got productivity soaring. We've got retail sales that are strong. We've got corporate earnings that for, what, the 19th quarter, are up double digit? We've got a market chasing highs, I mean, this isn't happening in a vacuum, right?
Ron Paul: Yeah, that's nice, but when you have to borrow, you know… My personal finances would be very good if I borrowed a million dollars every month. But, someday, the bills will become due. And the bills will come due in this country, and then we'll have to pay for it. We can't afford this war, and we can't afford the entitlement system.
Neil Cavuto: Look, Congressman, did you say this 10 years ago, when the numbers were similarly strong…
Ron Paul: Go back and check.
Neil Cavuto: …and we were still borrowing a good deal then.
Ron Paul: That's right, that means the dollar bubble is much bigger than ever.
Neil Cavuto: So what's gonna happen?
Ron Paul: We've had the NASDAQ bubble collapse already. We have the housing bubble in the middle of a collapse, so the dollar bubble will collapse as well. We have to live within our means. You can't print money out of the blue, and think you can print your money into prosperity.”

Ron Paul (1935) American politician and physician

Your World with Neil Cavuto, FOX News, May 15, 2007 http://www.newshounds.us/2007/05/16/rep_ron_paul_tells_fox_newsrepublicans_the_truth_they_dont_like_hearing_it.php http://www.youtube.com/watch?v=MU2RK0TNbXk
2000s, 2006-2009

“The medium of printed scientific text is first of all a visual one.”

Jay Lemke (1946) American academic

Jay L. Lemke (1998) "Multiplying meaning: Visual and verbal semiotics in scientific text." In J. R. Martin & R. Veel (Eds.), Reading science: Critical and functional perspectives on discourses of science. London: Routledge. p. 95

Sarah Vowell photo
John Fante photo
Rudyard Kipling photo
Walter Benjamin photo
Thomas Jefferson photo

“The extent of our country was so great, and its former division into distinct States so established, that we thought it better to confederate as to foreign affairs only. Every State retained its self-government in domestic matters, as better qualified to direct them to the good and satisfaction of their citizens, than a general government so distant from its remoter citizens, and so little familiar with the local peculiarities of the different parts. […] There are now twenty-four of these distinct States, none smaller perhaps than your Morea, several larger than all Greece. Each of these has a constitution framed by itself and for itself, but militating in nothing with the powers of the General Government in its appropriate department of war and foreign affairs. These constitutions being in print and in every hand, I shall only make brief observations on them, and on those provisions particularly which have not fulfilled expectations, or which, being varied in different States, leave a choice to be made of that which is best. You will find much good in all of them, and no one which would be approved in all its parts. Such indeed are the different circumstances, prejudices, and habits of different nations, that the constitution of no one would be reconcilable to any other in every point. A judicious selection of the parts of each suitable to any other, is all which prudence should attempt […].”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1820s, Letter to A. Coray (1823)

Henry James photo

“Print it as it stands — beautifully.”

Henry James (1843–1916) American novelist, short story author, and literary critic

The Death of the Lion http://books.google.com/books?id=tLE_AAAAYAAJ&q="Print+it+as+it+stands+beautifully"&pg=PA63#v=onepage (1894).

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

Charles Brockden Brown photo
Milton Friedman photo
Ron Paul photo

“Question: You wanna gut that safety net…
Ron Paul: But the safety net doesn't work.
Question: Tell me why it doesn't work.
Ron Paul: It does work for some people, but overall it ultimately fails, because you spend more money than you have, and then you borrow to the hilt. Now we have to borrow $800 billion a year just to keep the safety net going. It's going to collapse when the dollar collapses, you can't even fight the war without this borrowing. And when the dollar collapses, you can't take care of the elderly of today. They're losing ground. Their cost of living is going up about 10%, even though the government denies it, we give them a 2% cost of living increase.
Question: So do you think the gold standard would fix that?
Ron Paul: The gold standard would keep you from printing money and destroying the middle class. Every country where you have runaway inflation, there's no middle class. Mexico, there's no middle class, you have a huge poor class, and a lot of wealthy people. Today we have a growing poor class, and we have more billionaires than ever before. So we're moving into third world status…
Question: Who is the safety net that you're speaking of, who does benefit from all those programs and all those agencies?
Ron Paul: Everybody on a short term benefits for a time. If you build a tenement house by the government, for about 15 or 20 years somebody might live there, but you don't measure who paid for it: somebody lost their job down the road, somebody had inflation, somebody else suffered. But then the tenement house falls down after about 20 years because it's not privately owned, so everybody eventually suffers. But the immediate victims aren't identifiable, because you don't know who lost the job, and who had the inflation, the victims are invisible. The few people who benefit, who get some help from government, everyone sees, "oh! look what we did!", but they never say instead of what, what did we lose. And unless you ask that question, we'll go into bankruptcy, we're in the early stages of it, the dollar is going down, our standard of living is going down, and we're hurting the very people that so many people wanna help, especially the liberals…”

Ron Paul (1935) American politician and physician

Interview by Mac McKoy on KWQW, December 17, 2007 http://ca.youtube.com/watch?v=x3lxo9WIR6w
2000s, 2006-2009

Alyssa Campanella photo

“I'm an animal lover and my two cats are my world, so I don't wear any fur. I don't support the fur industry. And I'm not really into animal prints either, I just don't like the idea of me saying "I'm wearing a big cat today."”

Alyssa Campanella (1990) American model

"Meet the former Miss USA turned fashion blogger, Alyssa Campanella, who is dominating NYFW" https://www.aol.com/article/2016/02/11/meet-the-former-miss-usa-turned-fashion-blogger-alyssa-campanel/21310867/?guccounter=1, interview with AOL (February 11, 2016).

George Peacock photo
William Irwin Thompson photo
Karl Kraus photo

“How is the world ruled and led to war? Diplomats lie to journalists and believe these lies when they see them in print.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Denis Diderot photo

“The decisions of law courts should never be printed: in the long run, they form a counterauthority to the law.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Observations on the Drawing Up of Laws (1774)

Narendra Modi photo
Jane Roberts photo
Uwe Boll photo

“We'll be sending a print to the MPAA, we say nothing about it and hope they sleep through the movie.”

Uwe Boll (1965) German restaurateur and former filmmaker

About getting Postal rated Uwe Boll - Transforming Games into Movies http://breakpoint.untergrund.net/torrents/BP07_Seminar_UweBoll_GamesToMovies_XVID.avi.torrent
2000s

Hugh Macmillan, Baron Macmillan photo
Montesquieu photo
Richard Stallman photo
Adlai Stevenson photo

“An editor is someone who separates the wheat from the chaff and then prints the chaff.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Quoted in The Fine Art of Political Wit by Leon Harris (1964)
Quoted in The Columbia Dictionary of Quotations https://books.google.com/books?isbn=0231071949 by Robert Andrews (1993)
"Newspaper editors are people who separate the wheat from the chaff and then print the chaff." https://books.google.com/books?id=w8_p1eGVj8gC&pg=PA568&lpg=PA568&dq=adlai+chaff#v=onepage&q=adlai%20chaff&f=false (variation)
"Newspaper editors are men who separate the wheat from the chaff, and print the chaff." https://books.google.com/books?id=OTi0DAAAQBAJ&pg=PA701&lpg=PA701&dq=print+the+chaff&hl=en&sa=X#v=onepage&q=%22print%20the%20chaff%22&f=false (variation)
"Journalists separate the wheat from the chaff... and then print the chaff." https://books.google.com/books?id=5pXjFMzIUO8C&pg=PA263&lpg=PA263&dq=adlai+chaff&hl=en&sa=X#v=onepage&q=adlai%20chaff&f=false (variation) <!-- Extended context: "...reasoning well requires a good stock of background information. This certainly is true with regard to information -- news -- about what is going on in the world. The good news about the news is that there is more and better news out there [as of 2005] than ever before in history. The bad news about the news is that not all of the more is better. The trick is to know how to separate the wheat from the chaff and, thinking of the remark, above, by Adlai Stevenson, concentrating on the wheat. (Another bit of bad news is that masses of people pay more attention to news schlock than to news pearls.) ..." -->
This statement has also been attributed https://books.google.com/books?id=d6JZryGvfxYC&pg=PA210&lpg=PA210&dq=adlai+chaff#v=onepage&q=adlai%20chaff&f=false to an earlier usage by Elbert Hubbard.

Paul Krugman photo
Lorin Morgan-Richards photo
Oscar Levant photo
Doris Lessing photo
John Morley, 1st Viscount Morley of Blackburn photo

“There is a loud cry in these days for clues that shall guide the plain man through the vast bewildering labyrinth of printed volumes.”

John Morley, 1st Viscount Morley of Blackburn (1838–1923) British Liberal statesman, writer and newspaper editor

Mr. Morley at Edinburgh: Aphorisms: an address delivered before the Edinburgh Philosophical Institution, November 11 1887, p. 3 https://babel.hathitrust.org/cgi/pt?id=hvd.32044079640421;view=1up;seq=11 (Macmillan, 1887)

Marshall McLuhan photo

“The ways of thinking implanted by electronic culture are very different from those fostered by print culture. Since the Renaissance most methods and procedures have strongly tended towards stress on the visual organization of knowledge.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1990s and beyond, "The Agenbite of Outwit" (1998)

Hendrik Werkman photo

“.. not the familiar paradise, but the unknown - somewhere in a continent that hasn’t been discovered yet by anyone from the civilized countries - I have escaped [in his prints! ] because it is almost unbearable to be in our world.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): ..niet het bekende paradijs, maar het onbekende, ergens in een werelddeel dat nog door geen mensch uit de cultuurstaten is ontdekt – daarheen ben ik gevlucht [in zijn prenten!] omdat het in onze wereld haast niet meer uit te houden is.
in his letter (nr. 143) to Julia Henkels, 15 July 1942; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 120
Werkman is referring to his series prints 'Vrouweneiland / Women-island', D-288 - D-311, he made in 1942]
1940's

Jean Cocteau photo

“Do not take up cause against the inaccuracies printed about you. They are your protection.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Peter Hitchens photo
Duncan Gregory photo
Harold Innis photo
Revilo P. Oliver photo

“In 1945 I really believed that by the year 1952 no American could hear the name of Roosevelt without a shudder or utter it without a curse. You see; I was wrong. I was right about the inevitability of exposure. Like the bodies of the Polish officers who were butchered in Katyn Forest by the Bolsheviks (as we knew at the time), many of the Roosevelt regime's secret crimes were exposed to the light of day. The exposures were neither so rapid or so complete as I anticipated, but their aggregate is far more than should have been needed for the anticipated reaction. Only about 80 per cent of the secret of Pearl Harbor has thus far become known, but that 80 per cent should in itself be enough to nauseate a healthy man. Of course I do not know, and I may not even suspect, the full extent of the treason of that incredible administration. But I should guess that at least half of it has been disclosed in print somewhere: not necessarily in well-known sources, but in books and articles in various languages, including publications that the international conspiracy tries to keep from the public, and not necessarily in the form of direct testimony, but at least in the form of evidence from which any thinking man can draw the proper and inescapable deductions. The information is there for those who will seek it, and enough of it is fairly well known, fairly widely known, especially the Pearl Harbor story, to suggest to anyone seriously interested in the preservation of his country that he should learn more. But the reaction never occurred. And even today the commonly used six-cent postage stamp bears the bloated and sneering visage of the Great War Criminal, and one hears little protest from the public.”

Revilo P. Oliver (1908–1994) American philologist

"What We Owe Our Parasites", speech (June 1968); Free Speech magazine (October and November 1995)
1960s

André Breton photo
George Eliot photo
Raymond Poincaré photo

“Who will disallow those Slovenes who live between the Mura and the Raba the right to translate these holy books into the language, in which they understand God talking to them through prophets and apostles' letters? God tells them too to read these books in order to get prepared for salvation in the faith of Jesus Christ. But they cannot receive this from Trubar's, Dalmatin's, Francel's, or other translations (versio). The language of our Hungarian Slovenes is different from other languages and unique in its own characteristics. Already in the aforementioned translations there are differences. Therefore, a man had to come who would translate the Bible and bring praise for God and salvation for his nation. God encouraged István Küzmics for this work, a priest from Surd, who translated – with the help of the Holy Spirit and with great diligence – the whole New Testament from Greek into the language you are reading and hearing. With the help (and expenses) of many religious souls, the Holy Bible was printed and given to you for the same reason Küzmics prepared Vöre Krsztsánszke krátki návuk, which was printed in 1754.”

István Küzmics (1723–1779) Hungarian translator

Sto de tak kráto naſim med Mürom i Rábom prebívajoucſim ſzlovenom tè ſz. Bo'ze knige na ſzvoj jezik, po ſterom ſzamom li vu ſzvoji Prorokov i Apoſtolov píſzmaj gucsécsega Bogà razmijo, obracsati? geto je nyim zapovidáva Goſzpodin Boug ſteti; da je moudre vcſiníjo na zvelicſanye po vöri vu Jezuſi Kriſztuſi; tou pa ni ſzTruberovòga, ni Dalmatinovoga, ni Frenczelovoga, niti znikakſega drügoga obracsanya (verſio) csakati ne morejo. Ár tej naſ Vogrſzki ſzlovenov jezik od vſzej drügi doſzta tühoga i ſzebi laſztvinoga mà. Kakti i vu naprek zracsúnani ſze veliki rázlocsek nahája. Zâto je potrejbno bilou tákſemi csloveki naprej ſztoupiti: kíbi vetom delao Bougi na díko ‘a’ ſzvojemi národi pa na zvelicsanye. Liki je i Goſzpodin Boug na tou nadigno Stevan Küzmicsa Surdánſzkoga Farara: kí je zGrcskoga pouleg premoucſi i pomáganya Dühà ſzvétoga zvelikom gyedrnoſztjom na ete, kákſega ſtés i csüjes, jezik czejli Nouvi Zákon obrnyeni i ſztroskom vnougi vörni düsícz vö zoſtámpani i tebi rávno tak za toga zroka, za ſteroga volo ti je 'z pred temtoga od nyega ſzprávleni Vöre Krſztsánſzke Krátki Návuk.Foreword of the Nouvi Zákon

Calvin Coolidge photo
Vincent Van Gogh photo
Philip Schaff photo
Robert Hooke photo
Thomas Merton photo
Don DeLillo photo
Tathagata Satpathy photo
David Foster Wallace photo
Philip K. Dick photo
Thomas Moore photo

“Though an angel should write, still 't is devils must print.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Fudges in England, Letter iii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Thomas Traherne photo

“Why is this soe long detaind in a dark manuscript, that if printed would be a Light to the World, & a Universal Blessing?”

Thomas Traherne (1636–1674) English poet

Anonymous 17th century comment on the flyleaf of the Lambeth Manuscript of Traherne’s works; cited from the Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004) vol. 55, p. 208.
Criticism

L. Frank Baum photo
William Randolph Hearst photo

“Please realize that the first duty of newspaper men is the get the news and PRINT THE NEWS.”

William Randolph Hearst (1863–1951) American newspaper publisher

Quoted in Editor & Publisher (August 12, 1944)

Alfred Horsley Hinton photo
William Cecil, 1st Baron Burghley photo

“A Pack of Spanish Lies sent abroad in the world, first printed in the Spanish tongue, and translated out of the original. Now ripped up, unfolded and by just examination condemned, as containing false, corrupt and detestable wares worthy to be damned and burned.”

William Cecil, 1st Baron Burghley (1520–1598) English statesman

Title of a pamphlet published by Burghley on Spanish claims over what happened during the Spanish Armada's attempted invasion of England in 1588.
Conyers Read, Lord Burghley and Queen Elizabeth (London: Jonathan Cape, 1960), pp. 433-4.

Jeffrey Tucker photo
Margaret Sanger photo
Alfred Horsley Hinton photo
Toni Morrison photo
Larry Wall photo

“Maybe we should take a clue from FTP and put in an option like 'print hash marks on every 1024 iterations.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199807171819.LAA13771@wall.org, 1998]
Usenet postings, 1998

Herman Cain photo
Paul Krugman photo
Lewis Mumford photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

L. Frank Baum photo
Charles Lamb photo

“For God's sake (I never was more serious), don't make me ridiculous any more by terming me gentle-hearted in print.”

Charles Lamb (1775–1834) English essayist

Letter to Coleridge (August 6, 1800)

Amit Chaudhuri photo
James Nasmyth photo
Vasil Bykaŭ photo

“The Communist-Fascists, who are managers of the press, remove unwanted editors and monopolize the printing base, as it is widely practiced today in Belarus.”

Vasil Bykaŭ (1924–2003) Belarusian writer

“Ён Прыехаў, Сам Памёр, Усё Спакойна…” Апошнія Тыдні Васіля Быкава https://www.svaboda.org/amp/24853764.html // svaboda.org
(in Belarusian)

Morrissey photo

“TF: At which point did you stop being celibate, why and who with?
M: I don't see how anyone would benefit from seeing that kind of information in print. Least of all me.”

Morrissey (1959) English singer

From "The Face Q&A", The Face (November 1999).
In interviews etc., About love

Friedrich Kellner photo

“Gutenberg, your printing press has been violated by this evil book!”

Friedrich Kellner (1885–1970) German Justice inspector

Referring to Mein Kampf, in Kellner's political speeches against the Nazis, 1926 - 1932. “Tagebücher gegen den Terror,” Mainz Allgemeine Zeitung, Mainz, Germany, September 24, 2005.
Attributed