Quotes about play
page 33

“I've always believed that any instrumentalist is basically just an accompanist to the singer and the words. That's born out of being a fan of records before I was a fan of guitar players -- I'm interested in melody, lyrics, and the overall song. I don't like to waste notes, not even one. Who was it that said, "The reason why all those guitar players play so many notes is because they can't find the right one"? I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgren's soloing, because he's so melodic. I love John Lennon's rhythm playing, and George Harrison was an incredible guitarist.
There's a lot of guitar culture that I don't like at all. I find the traditional idea of the guitar hero to be really irrelevant to the 1990s. I don't think that young people are that impressed with some guy brandishing Spandex trousers and a hideously shaped guitar, playing that kind of masturbatory, egotistical noise. Being a soloist who wants to just display virtuosity is a dated philosophy, and I don't think there's any room for it in pop music. It's the last stand of late-'60s/early-'70s rockism, and it should have gone a long time ago.”

Johnny Marr (1963) musician

from an interview by Joe Gore, Guitar Player(January 1990).

Love, People, Music, Guy

“People state that the World is marching towards a prescribed goal laid down by the Creator, which means that no matter how brilliant the achievements of man may be, he can exert no influence whatever on the final result. No doubt man is a puny and insignificant creature in contrast with God, but If I were just to play a passive part like the animals, there would be no justification in endowing him with a free will and creating him to the image and likeness of His Creator. He could have been a Superior Animal only.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Planning for a Better World

God, People, World, Animals

“Playing catch-up with the competition can only ever help you make incremental gains. It will never help you create something new.”

Eric Schmidt (1955) software engineer, businessman

Eric Schmidt: 'Playing catch-up with the competition will never help you create something new' http://macdailynews.com/2014/08/27/eric-schmidt-playing-catch-up-with-the-competition-will-never-help-you-create-something-new in MacDailyNews (28 August 2014).

Help

“The evidence … is always an exercise in suppressio veri suggestio falsi. For instance, Aurangzeb’s petty donations to 2-3 Hindu temples patronized by some pet Hindu courtiers, are played up with great fanfare. But his systematic demolition of thousands of Hindu temples and defilement of countless images of Gods and Goddesses, throughout his long reign, is never mentioned. Such pitiable attempts at pitting molehills of munificence against mountains of malevolence, go against all sense of proportion in judging a whole period of Indian history.”

Sita Ram Goel book The Story of Islamic Imperialism in India

The Story of Islamic Imperialism in India (1994)

God, Exercises, History, Mountain

“It was during that same week that I was up there [In Seattle rehearsing with Pearl Jam]. Day four maybe, or day five, they did a Temple [of the Dog] rehearsal after our afternoon rehearsal. I got to watch these songs, and watch how Chris [Cornell] was working, and watch Matt [Cameron] play drums. It got to "Hunger Strike" - I was sitting in the corner, putting duck tape on a little African drum. About two-thirds of the way though, he was having to cut off the one line, and start the other. I'm not now, and certainly wasn't then, self-assured or cocky, but I could hear what he was trying to do, so I walked up to the mic - which I'm really surprised I did - and sang the other part, "Going hungry, going hungry." The next time I was up, he asked if I'd record it - so it was just me and Chris in the same studio that we made [1991's] Ten record. I really like hearing that song. I feel like I could be real proud of it - because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time. I'm indebted to Chris time eternal for being invited onto that track.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Hunger, Dogs, Way, Feeling

“I met [Meyerbeer] at the performance of my "Battle." Most of the composers then in Vienna were kind enough to undertake something or other in my orchestra, and the young man played the big drum. Ha! ha! ha! (a peal of laughter). I had reason not to be very well satisfied with him. He was always behindhand, and I had to give it him roundly. (New peal of laughter.) He must have felt mortified by my observations; but there is no reliance to be placed in him; he has not the courage to raise his arm at the proper moment.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

10th October, 1814
In: Johann Wenzel Tomaschek, "A Talk with Beethoven", The Musical Times and Singing Class Circular, Vol. 33, Beethoven Supplement (Dec. 15, 1892)

Courage, Laughter

“In the integrated relational model presented here, sexuality and relational issues are not seen as alternative foci. Rather, sexuality is regarded as a central realm in which relational conflicts are shaped and played out.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 66

“You played and sang a snatch of song,
A song that all-too well we knew;
But whither had flown the ancient wrong;
And was it really I and you?
O, since the end of life's to live
And pay in pence the common debt,
What should it cost us to forgive
Whose daily task is to forget?”

William Ernest Henley (1849–1903) English poet, critic and editor

Source: Poems (1898), Rhymes And Rhythms, XV

Life, Forgiveness, Forgetting

“Now that I was able to play World of Warcraft at my mother’s house with no limitations, aside from school and homework, I became very addicted to the game and my character in it. It was all I cared about.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Pastimes

World, School, Game, Housing

“The Emancipation Proclamation had four enduring results. First, it gave force to the executive power to change conditions in the national interest on a broad and far-reaching scale. Second, it dealt a devastating blow to the system of slaveholding and an economy built upon it, which had been muscular enough to engage in warfare on the Federal government. Third, it enabled the Negro to play a significant role in his own liberation with the ability to organize and to struggle, with less of the bestial retaliation his slave status had permitted to his masters. Fourth, it resurrected and restated the principle of equality upon which the founding of the nation rested.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Emancipation Proclamation Centennial Address (1962)

Change

“On working at La Passione (1996): Day one, the damage was done. All it was meant to be was one hour of a little boy’s dreams. And I had things I wanted to do with the guitar that hadn’t been done before. Like, there’s one number called "Olive Oil", where I was actually playing slide guitar in the same scale as a saxophone. […] But then in came millions of executives from America. So in the end, it fell flat on its arse. And it came out the same week that Britpop took off. Blair had just won the election. Oasis. Spice Girls. So something a bit Fellini-ish – about a little boy who loved red cars – went straight over the top. It was like, ‘Well, don’t you have a 335 guitar with a Union Jack on it?’”

Chris Rea (1951) English singer-songwriter

2015

Love, Dreams, Cars, Girl

““Do you play chess, by the by?” asked Vance.
“Used to. But no more. A beautiful game, though—if it wasn't for the players.””

S. S. Van Dine book The Bishop Murder Case

Ch 11
The Bishop Murder Case (1929)

Beauty, Game

“When a man sets out upon any course of inquiry, the object of his search may be either light or fruit — either knowledge for its own sake or knowledge for the sake of good things to which it leads. In various fields of study these two ideals play parts of varying importance. In the appeal made to our interest by nearly all the great modern sciences some stress is laid both upon the light-bearing and upon the fruit-bearing quality, but the proportions of the blend are different in different sciences. At one end of the scale stands the most general science of all, metaphysics, the science of reality. Of the student of that science it is, indeed, true that "he yet may bring some worthy thing for waiting souls to see"; but it must be light alone, it can hardly be fruit that he brings. Most nearly akin to the metaphysician is the student of the ultimate problems of physics. The corpuscular theory of matter is, hitherto, a bearer of light alone. Here, however, the other aspect is present in promise; for speculations about the structure of the atom may lead one day to the discovery of practical means for dissociating matter and for rendering available to human use the overwhelming resources of intra-atomic energy.”

Arthur Cecil Pigou (1877–1959) British economist

Source: The Economics of Welfare (1920), Ch. 1 : Welfare and Economic Welfare, § 1; First lines, p. 3

Soul, Search, Knowledge, Problem

“I do not think that any composer has ever asked for octave glissandi on the black keys, but there is a recording by Moriz Rosenthal of Chopin's Black-Key Etude in which he plays the short octave passage in both hands glissando: it hurts my hands just to think about it.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 3 The Instrument and Its Discontents

Thinking, Hurt

“To see the British Prime Minister watching the company, with six or seven senses not available to ordinary men, judging character, motive, and subconscious impulse, perceiving what each was thinking and even what each was going to say next, and compounding with telepathic instinct the argument or appeal best suited to the vanity, weakness, or self-interest of his immediate auditor, was to realize that the poor President would be playing blind man's bluff in that party.”

John Maynard Keynes book The Economic Consequences of the Peace

On David Lloyd George and Woodrow Wilson, in Chapter III, p. 41
The Economic Consequences of the Peace (1919)

Men, Motivation, Thinking, Sense

“Those are useful games which exercise the hand and the eye at the same time, and thus do part of the business which the schoolmaster is too ignorant or too learned to do. Games are also played according to certain rules, and thus unruly boys are taught to respect order and discipline even in their play. I hope I shall be excused if I say that boys' play is sometimes the best thing that they do at school. But let there be reasonable limits to it. Moderation in all things is the golden precept; let there be excess in nothing, not even in book learning.”

George Long (1800–1879) English classical scholar

An Old Man's Thoughts on Many Things, Of Education I

Books, School, Hope, Exercises

“I play. But this is what I think.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Thinking

“They left me, by the side of the road, with a plastic bag and all kinds of bitterness Well, in my mind, and I can say this forever I suppose, and people might laugh at it, but I don't think I ever really left The Libertines, nor can I ever leave The Libertines, you know, having been a founder of the band with Carl, but that sounds silly, doesn't it, seeing as they played all the festivals without me and made it difficult, no - impossible, for me to play live with them.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

December 2004, Newsnight; when asked whether he left The Libertines or The Libertines left him
Music and politics

People, Thinking

“In speaking of the work of machines and of natural forces we must, of course, in this comparison eliminate anything in which activity of intelligence comes into play. The latter is also capable of the hard and intense work of thinking, which tries a man just as muscular exertion does.”

Hermann von Helmholtz (1821–1894) physicist and physiologist

"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)

Intelligence, Nature, Thinking

“This commitment to end world hunger, and my music and story songs, are ways of dealing with the world as I see it. I'm playing 200 concerts per year-- half of them benefits-- all of them attempts at getting across the footlights to people I would enjoy spending time with in non-concert situations. And over the past 4 years of musical fun, millions of dollars have been raised for things I believe in. Telling stories of our time, building a lasting body of work, new songs, new records, new audiences, new challenges, and still that painfully exciting process of growth that can make one's life into a richly woven tapestry.”

Harry Chapin (1942–1981) American musician

All My Life's a Circle, Autobiographical statement on a concert program, circa 1980 http://harrychapin.com/articles/bio.shtml

Life, Hunger, People, World

“William I’m sorry I let my brother hoist you up the mast in that crappy jury-rigged bosun’s chair while everybody laughed! William I’m sorry I could build better fires than you could! I’m sorry my stack of Christmas cards was always bigger than yours! … William I’m sorry I invented bop jogging which you couldn’t do! I’m sorry I loved Antigua! I’m sorry my mind wandered when you talked about the army! I’m sorry I was superior in argument! I’m sorry you slit open my bicycle tires looking for incriminating letters that you didn’t find! You’ll never find them! … William! I’m sorry I looked at Sam but he was so handsome, so handsome, who could not! I’m sorry I slept with Sam! I’m sorry about the library books! I’m sorry about Pete! I’m sorry I never played the guitar you gave me! I’m sorry I married you and I’ll never so it again!”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Apology”.
Great Days (1979)

Love, Books, Christmas

“One of the thrills of playing at the top tennis centres of the world is to see the Indian flag go up whenever I`m participating in these events. That's enough motivation for any Indian who has the opportunity to perform at these tournaments.”

Sania Mirza (1986) Indian tennis player

In Zee News: "Winning Grand Slams is Sania's motivation after London Games"

World, Motivation

“Seize all the joy you can that robs no other. Sleep in peace, play in jolly earnest, wag well and mean it, and finally, be happy always. The more I see of dogs the less I think of men. Whoever beats dogs loves not man.”

Arsène Houssaye (1814–1896) French writer

Source: James O'Donnell Bennett (1908) When Good Fellows Get Together, p. 109

Love, Men, Happiness, Peace

“Tis the last act which crowns the play.”

Nathaniel Cotton (1707–1788) British writer

"Death"
Visions in Verse

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, World, Art, Imagination

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times. <br class="br">As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Love, People, Books, Way

“The trope was eminently Oakeshottian. Politics was not a battle of interests, or a quest for truth, or a voyage of progress – it was an aesthetic performance, to captivate an audience. But it was not high theatre (Oakeshott had also insisted that politics was a second-rate activity). It was more like commercial theatre, the drama of the boulevards that plays to our emotions or embarrassments – Rattigan rather than Racine, he explained. On this stage, Mount has certainly given us a stylish production. We might call it the comedy of reform.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 2. "Constitutional Theatre, Ferdinand Mount" (1992), p. 48

Truth

“The history of the Austrian school remains unfinished, and what happens in the future may influence interpretations of the past as much as what has already occurred. An increasing number of economists, however, believe that a reconceptualization of the role the Austrian school has played in academic economics from the 1870s to the present would be more accurate than the prevailing view.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

School, History, Past, Future

“Give me a big enough sandbox to play in, and I'll find the part of it not being used as kitty litter.”

Andy Kessler (1958) American writer

Part VII, The Margin Surplus, Industrial Economists, p. 237.
Running Money (2004) First Edition

Parting

“California, California
Soon I'll be with you watching your sunset in the evening
Movies and show plays, beaches and free ways
California, from my home I'll be leaving”

Chuck Berry (1926–2017) American rock-and-roll musician

"California" (1979)
Song lyrics

Way, Home

“Coleman Hawkins told me never to play with someone older than me, and I never have. With older players, there's no force, no drive. With younger players, it's not that you know it all, or I know it all—it's I'm trying to learn it all.”

Miles Davis (1926–1991) American jazz musician

As quoted in Jazz-Rock Fusion: The People, The Music (1978) by Julie Coryell and Laura Friedman, p. 40
1970s

Learning

“The wind came steadily, like the rushing of a great cataract heard at a great distance, but the noises of the sea were continually changing, rising and falling, with the stupendous modulations of an orchestra played by giants.”

Liam O'Flaherty (1896–1984) Irish writer

"The Landing", from Spring Sowing (1924; New York: Alfred A. Knopf, 1926) p. 70

Change, Sea

“Flute is an instrument which gives you more power as you play. It's like the breathing exercises in yoga. I'm able to increase my lung power by playing more. But because of travelling I don't get time to practice”

Hariprasad Chaurasia (1938) Indian bansuri player

Pandit Hariprasad Chaurasia in Hinduism Today

Travel, Exercises, Time

“At first we got along very well. Esipova even boasted outside the class that she had pupils who wrote sonatas (I completed Sonata, Op. 1, and played it to Esipova, who took it home and inserted pedaling). But before long trouble began. Esipova’s method of teaching was to try to fit everyone into a standard pattern. True, it was a very elaborate pattern, and if the pupil’s temperament coincided with her own, the results were admirable. But if the pupil happened to be of an independent cast of mind Esipova would do her best to suppress his individuality instead of helping to develop it. Moreover, I had great difficulty in ridding myself of careless playing, and the Mozart, Schubert and Chopin which she insisted on were somehow not in my line. At that period I was too preoccupied with the search for a new harmonic idiom to understand how anyone could care for the simple harmonies of Mozart.”

Anna Yesipova (1851–1914) Russian pianist

Sergei Prokofiev, Autobiography

Home, Search, Understanding, Help

“A teleology directed to material ends has been substituted for the lust for adventure, variety, and play.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 148

“In a community, the constitution of which provides for a legislator and a law, it is the concern of the legislator and of the laws given by him to ascertain the mediation through calculable and attainable rules and to prevent the terror of the direct and automatic enactment of values. That is a very complicated problem, indeed. One may understand why law-givers all along world history, from Lycurgus to Solon and Napoleon have been turned into mythical figures. In the highly industrialized nations of our times, with their provisions for the organization of the lives of the masses, the mediation would give rise to a new problem. Under the circumstances, there is no room for the law-giver, and so there is no substitute for him. At best, there is only a makeshift which sooner or later is turned into a scapegoat, due to the unthankful role it was given to play.
A jurist who interferes, and wants to become the direct executor of values should know what he is doing. He must recall the origins and the structure of values and dare not treat lightly the problem of the tyranny of values and of the unmediated enactment of values. He must attain a clear understanding of the modern philosophy of values before he decides to become valuator, revaluator, upgrader of values. As a value-carrier and value-sensitive person, he must do that before he goes on to proclaim the positings of a subjective, as well as objective, rank-order of values in the form of pronouncements with the force of law.”

Carl Schmitt (1888–1985) German jurist, political theorist and professor of law

"The Tyranny of Values" (1959)

World, Law, History, Communication

“So we beat the Croations at football and I was there yelling "Ah, you Crotes!" and this guy says "It's cro-at; learn to speak English." So I was about to retort when he said "Hang on, you're Omid Djalili! You're good! I said "Aww thanks." He says "What are you going to do next?" I said "I'm in a pantomime of Wind in the Willows. I play the TO-AD, OF TO-AD HALL! I get in my BO-AT! And it sinks because it can't FLO-AT! And when I get out of the river, I'm wet and cold so I put on my CO-AT! And I can't get in my house because it's full of ferrets and STO-ATS!"”

Omid Djalili (1965) Iranian-British stand-up comedian

Amusing wordplay but ultimately leads nowhere. The Telegraph.
No Agenda (2007)

Guy, Learning, Football, Housing

“In a field of ripening corn I came to a place which had been trampled down by some ruthless foot; and as I glanced amongst the countless stalks, every one of them alike, standing there so erect and bearing the full weight of the ear, I saw a multitude of different flowers, red and blue and violet. How pretty they looked as they grew there so naturally with their little foliage! But, thought I, they are quite useless; they bear no fruit; they are mere weeds, suffered to remain only because there is no getting rid of them. And yet, but for these flowers, there would be nothing to charm the eye in that wilderness of stalks. They are emblematic of poetry and art, which, in civic life—so severe, but still useful and not without its fruit—play the same part as flowers in the corn.”

Arthur Schopenhauer book Parerga and Paralipomena

“Similes, Parables and Fables” Parerga and Paralipomena, vol. 2, § 380A
Parerga and Paralipomena (1851)

Life, Art, Flowers, Nature

“I think hockey is a game, a child's game, played by men and to play it effectively you must have fun just like children do. I've been with too many teams in sports through the years where you weren't allowed to open your mouth, you weren't allowed to laugh, you weren't allowed to question the coach or anyone in authority … You lived in fear. My players don't live in fear. They get up in the morning, they're happy and they go to bed, they're happy. And that's the type of person I am.”

Fred Shero (1925–1990) Former ice hockey player and coach

From the 1975 Stanley Cup Finals film: "A Silver Fantasy."

Men, Happiness, Children, Fear

“One of the most obvious facts about grown-ups, to a child, is that they have forgotten what it is like to be a child. The child has not yet had the chance to know what it is like to be a grownup; he believes, even, that being a grownup is a mistake he will never make—when he grows up he will keep on being a child, a big child with power. So the child and grownup live in mutual love, misunderstanding, and distaste. Children shout and play and cry and want candy; grownups say Ssh! and work and scold and want steak. There is no disputing tastes as contradictory as these. It is not just Mowgli who was raised by a couple of wolves; any child is raised by a couple of grownups. Father and Mother may be nearer and dearer than anyone will ever be again—still, they are members of a different species. God is, I suppose, what our parents were; certainly the ogre of the stories is so huge, so powerful, and so stupid because that is the way a grownup looks to a child.
Grownups forget or cannot believe that they seem even more unreasonable to children than children seem to them.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“An Unread Book’, pp. 51–52
The Third Book of Criticism (1969)

Love, God, Children, Stupidity

“Cosimo: It is only a play… with music? Does God say the same at every death? It is only a play… with music? When I die, will someone say the same? He was only a prince. He died. It was only a play… with music.”

Peter Greenaway (1942) British film director

The Baby of Mâcon

Death, God, Music

“It's like an act of murder; you play with intent to commit something.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

On jazz New York Herald Tribune (9 July 1961).

“As a professional I practice six or seven hours per day, though it depends on my schedule. That's how it is as a musician. It's only when you reach grade five you take them more serious. Until then I saw it as fun. I used to learn them by play pop tunes on the piano. They have harmonies and broken chords and can be used as building blocks to help you with scales.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
On Classical Music

Learning, Help, Dependency

“To suggest that war can prevent war is a base play on words and a despicable form of warmongering. The objective of any who sincerely believe in peace clearly must be to exhaust every honourable recourse in the effort to save the peace. The world has had ample evidence that war begets only conditions which beget further war.”

Ralph Bunche (1904–1971) American diplomat

Some Reflections on Peace in Our Time (1950)

War, World, Peace, Effort

“The disruptive powers of excessive national fecundity may have played a greater part in bursting the bonds of convention than either the power of ideas or the errors of autocracy.”

John Maynard Keynes book The Economic Consequences of the Peace

Source: The Economic Consequences of the Peace (1919), Chapter II, Section I, p. 15

Error, Idea, Parting

“Pot put me in a position where I could walk far away from my playing and hear it in the second person. It helped me step away from myself. I stopped seeing the guitar as a thing I'm holding in my hands and started seeing it as a thing that's at one with outer space and nothingness.”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

High Times Magazine, July, 1995, http://www.invisible-movement.net/articles/1993-1997/1995-07-hightimes

Help, Personality

“If a tree falls in the woods and no one’s around to hear it, it still very probably makes a sound. A baseball game that’s played with no one around to watch it, though — that’s a different proposition.”

Carson Cistulli (1979) American poet and writer

Hell Isn’t (Necessarily) Other People (2010)

Game, Tree

“Because wisdom in action in our Western democracies rests squarely upon public understanding, I have long believed that our schools have a key role to play. Peace could, I believe, be advanced through careful study of all the factors which have gone into the various incidents now historical that have marked the breakdown of peace in the past. As an initial procedure our schools, at least our colleges but preferably our senior high schools, as we call them, should have courses which not merely instruct our budding citizens in the historical sequence of events of the past, but which treat with almost scientific accuracy the circumstances which have marked the breakdown of peace and have led to the disruption of life and the horrors of war.”

George Marshall (1880–1959) US military leader, Army Chief of Staff

Essentials to Peace (1953)

Life, Wisdom, War, School

“"No communication." Baines was sweating. "In eighteen years there hasn't been any semantic bridge between you? Does he have any contact? Signs? Codes?"
"He — ignores us. He eats here, stays with us. Sometimes he plays when we play. Or sits with us. He's gone days on end. We've never been able to find out what he's doing — or where. He sleeps in the barn — by himself."”

Philip K. Dick (1928–1982) American author

The Golden Man (1954)

Communication, Sleep

“She gets rock n roll, a rock n roll station
And a rock n roll dream.
She's making movies on location.
She don't know what it means.
But the music make her wanna be the story.
And the story was whatever was the song, what it was.
Rollergirl don't worry.
D. J. plays the movies all night long.”

Mark Knopfler (1949) English guitarist

Skateaway
Song lyrics, Making Movies (1980)

Dreams, Music, Night

“So from a brazen vase the trembling stream
Reflects the lunar or the solar beam:
Swift and elusive of the dazzled eyes,
From wall to wall the dancing glory flies:
Thence to the ceiling shoot the glancing rays,
And o'er the roof the quivering splendor plays.”

Christopher Pitt (1699–1748) English poet

Book VIII, line 33
The Æneid of Virgil (1740)

Dance

“And Harry doesn't mind if he doesn't make the scene
He's got a daytime job, he's doing alright.
He can play the honky tonk like anything,
Saving it up for Friday night.
With the Sultans… with the Sultans of Swing.”

Mark Knopfler (1949) English guitarist

Sultans of Swing
Song lyrics, Dire Straits (1978)

Night

“For inspiration I look to those great players who consistently found original ways to shock their opponents. None did this better than the eighth world champion, Mikhail Tal. The "Magician of Riga" rose to become champion in 1960 at age twenty-three and became famous for his aggressive, volatile play.”

Garry Kasparov (1963) former chess world champion

Part I, Chapter 5, Talent, p. 60-61
2000s, How Life Imitates Chess (2007)

Age, World, Way

“My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

John Rubinstein — reported in Kevin Kelly (February 22, 1981) "Rubinstein a Chip Off Rubinstein: John Says His Father's Music Shaped His Approach to Acting", Boston Globe.
About

People, Truth, Music, Heart

“And as the ideal in the whole of Nature moves in an infinite process toward an Absolute Perfection, we may say that art is in strict truth the apotheosis of Nature. Art is thus at once the exaltation of the natural toward its destined supernatural perfection, and the investiture of the Absolute Beauty with the reality of natural existence. Its work is consequently not a means to some higher end, but is itself a final aim; or, as we may otherwise say, art is its own end. It is not a mere recreation for man, a piece of by-play in human life, but is an essential mode of spiritual activity, the lack of which would be a falling short of the destination of man. It is itself part and parcel of man's eternal vocation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183-4

Life, Truth, Beauty, Art

“I started questioning gender-based assumptions a long time ago. When I was eight, I was confused at being called “bossy,” because I wanted to direct the plays that we would put on for our parents — but the boys were not.”

Emma Watson (1990) British actress and model

UN Speech on the HeForShe campaign (2014)

Boy, Question, Parent, Time

“The rest of the band [Soundgarden] thought it was silly of the press to concentrate on the beefcake when I was writing songs, singing, and playing guitar for the band. Even now, some people will stick a paragraph about my hair in the body of a review.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Details Magazine, December 1996 https://pitchfork.com/features/article/10081-chris-cornell-searching-for-solitude/, <br class="br">Soundgarden Era

People, Singing

“They say the bad guys are more interesting to play but there is more to it than that — playing the good guys is more challenging because it's harder to make them interesting.”

Gregory Peck (1916–2003) American actor

As quoted in "Gregory Peck : Story of a legendary hero" in The Daily Star (15 June 2006) http://www.thedailystar.net/2006/06/15/d606151407162.htm

Guy

“The main thing is not to lose your identity and to continue working … You have a quartet. That is such joy! You can forget everything else in the world. I'm playing a lot of chamber music these days. Tomorrow we were going to give the first performance of two trios, but because of the mourning, all concerts have been canceled.”

David Oistrakh (1908–1974) Soviet violinist

The Night Stalin Died http://www.nytimes.com/1989/03/05/magazine/the-night-stalin-died.html?module=Search&mabReward=relbias:r&pagewanted=2, New York Times (March 5, 1989).

World, Music, Joy, Forgetting

“Tournaments like the World Cup, they are a bit like that -- you can't start out by thinking of how you will play the final at Lord's. You look at your first opponent and you think how to defeat him, then you think of your next opponent. It doesn't matter who you think you might meet in the final, you should only think of your next match. That is the only way to win a tournament, that is what we did in 1983, we played one match at a time…”

Kapil Dev (1959) Indian cricketer

The Rediff Cricket Interview, Kapil Dev

World, Way, Thinking, Time

“Tom is 33 years older than me. It was always a bigger deal to everyone else than it was to either of us. All a couple really needs is to have the same life philosophy. If you see things the same way, then age, race, religion-none of that comes into play. When you want and enjoy the same things, it’s more important than being born during the same presidential administration.”

Erika Jayne (1969) American singer, actress and television personality

pg. 147
Pretty Mess book (2018)

Life, Age, Religion, Way

“Taste was his world. Rilke behaved as if art were taste elevated to the highest possible degree. The armigerous chatelaines who played hostess were happy to believe it, since the idea made them artists too.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Sergei Diaghilev, p. 172
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Happiness, World, Art, Idea

“The name of a class should reﬂect its intrinsic nature and not a role that it plays in an association. For example, Owner would be a poor name for a class in a car manufacturer's database. What if a list of drivers is added later? What about persons who lease cars? The proper class is Person (or possibly Customer), which assumes various different roles, such as owner, driver, and lessee.”

James Rumbaugh (1947) Computer scientist, software engineer

Source: Object-oriented modeling and design (1990), p. 155; as cited in: Roger Chiang et al (2009, p. 165)

Cars, Nature, Personality

“I like to play any character that allows me the freedom to explore it and teach the audience something they didn't know, and show them a journey they identify with … or be inspired, or moved. Anything that touches someone's heart is important for me.”

Alicia Witt (1975) American actress

Filmcritic.com interview (2000)

Freedom, Heart

“It's difficult. [My female protagonists] immediately become the subjects of rorikon gokko (play toy for Lolita Complex males). In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict [such protagonists] as if they just want [such girls] as pets, and things are escalating more and more.”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

1988 interview with Animage, Animage, vol. 125, November 1988. Retrieved June 8, 2007.

Love, People, Girl, Sense

“Mr. Hodge plays with his accustomed ease, even carrying the thing so far as to repeat many of his lines with his eyes shut; and in a pretty spirit of reciprocity, many members of the audience sit through the play with their eyes shut. p. 175”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

“In our analysis of complex systems (like the brain and language) we must avoid the trap of trying to find master keys. Because of the mechanisms by which complex systems structure themselves, single principles provide inadequate descriptions. We should rather be sensitive to complex and self-organizing interactions and appreciate the play of patterns that perpetually transforms the system itself as well as the environment in which it operates.”

Paul Cilliers (1956–2011) South African philosopher

Source: Complexity and Postmodernism (1998), p. 107

“Everyone knows how compromised the idea of bureaucracy as a meritocratic system is. The first criterion of loyalty to any organization is therefore complicity. Career advancement is not based on merit but on a willingness to play along with the fiction that career advancement is based on merit, or with the fiction that rules and regulations apply to everyone equally, when in fact they are often deployed as an instrument of arbitrary personal power. … As whole societies have come to represent themselves as giant credentialized meritocracies, rather than as systems of predatory extraction, we bustle about, trying to curry favor by pretending we actually believe it to be true.”

David Graeber book The Utopia of Rules

The Utopia of Rules (2015)

Idea, Personality, Loyalty

“I had a trumpet, but I didn't want to be a trumpet player. I wanted to be some type of athlete or in some type of scholarly activity, be a chemist or something—I had my little chemistry set, and I like playing with it.”

Wynton Marsalis (1961) American jazz musician

Attributed

“When it comes to money, most people want to play it safe and feel secure. So passion does not direct them. Fear does.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Money, People, Fear, Feeling

“I once played charades with a couple that was deaf….. they were amazing. I mean, none of this sounds like business.”

Zach Galifianakis (1969) American actor and comedian

Saturday Night Live (May 4, 2013)

Business

“Final-offer arbitration should have great appeal for the daring (the risk seekers) who play against the timid”

Howard Raiffa (1924–2016) American academic

the risk avoiders
Part II, Chapter 8, Third Party Intervention, p. 118.
The Art and Science of Negotiation (1982)

“Piety, then, needs a counterpoise, something to prevent it from being exercised in an excessively rigid way; and this it has, in most intellectual temperaments, in the quality I would call playfulness. We speak of the play of the mind; and certainly the intellectual relishes the play of the mind for its own sake, and finds in it one of the major values in life. What one thinks of here is the element of sheer delight in intellectual activity. Seen in this guise, intellect may be taken as the healthy animal spirits of the mind, which come into exercise when the surplus of mental energies is released from the tasks required for utility and mere survival. “Man is perfectly human,” said Schiller, “only when he plays.” And it is this awareness of an available surplus beyond the requirements of mere existence that his maxim conveys to us. Veblen spoke often of the intellectual faculty as “idle curiosity”—but this is a misnomer in so far as the curiosity of the playful mind is inordinately restless and active. This very restlessness and activity gives a distinctive cast to its view of truth and its discontent with dogmas.”

Richard Hofstadter (1916–1970) American historian

Source: Anti-Intellectualism in American Life (1974), p. 30

Life, Truth, Way, Exercises

“Fortunately for America, Eurasia is too big to be politically one. Eurasia is thus the chessboard on which the struggle for global primacy continues to be played.”

Zbigniew Brzeziński book The Grand Chessboard

Source: The Grand Chessboard (1997), Chapter 2, The Eurasian Chessboard, p. 31.

“It is when we all play safe that we create a world of utmost insecurity. It is when we all play safe that fatality will lead us to our doom. It is in the "dark shade of courage" alone that the spell can be broken.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

Servant of Peace : A Selection of the Speeches and Statements of Dag Hammarskjöld, Secretary General of the United Nations (1962), p. 107; this has sometimes been paraphrased: It is in playing safe that we create a world of utmost insecurity.

World, Courage

“I only wanted to play baseball. I only wanted to play shortstop. I only wanted to play for the Yankees. My whole life. It wasn't like I wanted to play for another team and ended up in New York. It wasn't like I wanted to play another position and ended up at short. This has always been the dream of mine: to play shortstop for the New York Yankees. And I get a chance to do it.”

Derek Jeter (1974) American baseball player

Reported in Tom Verducci, " Derek Jeter: In his own words http://sportsillustrated.cnn.com/2009/magazine/specials/sportsman/2009/11/30/jeter.interview/index.html", Sports Illustrated (November 30, 2009). <br class="br">2000s, 2009

Life, Dreams, Chance

“(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.”

Willie Nelson (1933) American country music singer-songwriter.

Source: Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

“My problem is that I can't come unless Johnny Cash is playing.”

Joey Comeau (1980) writer

"The girl who couldn't come."
Anthology

Problem

“The demon of drink was as black as the demon of play, and nearly as hard to get rid of — especially as his kind friends did all they could to second the promptings of his own insatiable cravings.”

Anne Brontë book The Tenant of Wildfell Hall

Source: The Tenant of Wildfell Hall (1848), Ch. XXII : Traits of Friendship; Arthur to Helen

Drink

“Brother Matthias had the right idea about training a baseball club. He made every boy on the team play every position in the game, including the bench. A kid might pitch a game one day and find himself behind the bat the next or perhaps out in the sun-field. You see Brother Matthias' idea was to fit a boy to jump in in any emergency and make good. So whatever I have at the bat or on the mound or in the outfield or even on the bases, I owe directly to Brother Matthias.”

Babe Ruth (1895–1948) American baseball player

On the mentoring he received from Brother Matthias Boutlier, Prefect of Discipline at St. Mary's Industrial School for Boys, in "Ruth, As a Kid, Learns to Play in Any Position" http://archives.chicagotribune.com/1920/08/09/page/15/ by Ruth, as told to Westbrook Pegler (uncredited), in The Chicago Tribune (August 9, 1920), p. 15; reprinted as "We Did Everything," https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA6&dq=%22Brother+Matthias+had+the+right+idea%22&hl=en&sa=X&ved=0ahUKEwjv7_zWgLnQAhUJ7yYKHZQFA_EQ6AEIGjAB#v=onepage&q=%22Brother%20Matthias%20had%20the%20right%20idea%22&f=false in Playing the Game: My Early Years in Baseball (2011), p. 6

Game, Boy, Idea, Sun

“If you ask me to play myself, I will not know what to do. I do not know who or what I am.”

Peter Sellers (1925–1980) British film actor, comedian and singer

As quoted in Halliwell's Filmgoer's Companion (1988) by Leslie Halliwell, p. 622

“Man alone of animals plays the ape to his dreams.”

James Branch Cabell (1879–1958) American author

Manuel, in Book Four : Coth at Porutsa, Ch. XXV : Last Obligation upon Manuel
The Silver Stallion (1926)

Dreams, Animals

“All the morn a spirit gay
Breathes within my heart a rhyme,
'Tis but hide and seek we play
In and out the courts of Time.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Time, Heart

“It is remarkable that this generalization of plane geometry to surface geometry is identical with that generalization of geometry which originated from the analysis of the axiom of parallels. …the construction of non-Euclidean geometries could have been equally well based upon the elimination of other axioms. It was perhaps due to an intuitive feeling for theoretical fruitfulness that the criticism always centered around the axiom of parallels. For in this way the axiomatic basis was created for that extension of geometry in which the metric appears as an independent variable. Once the significance of the metric as the characteristic feature of the plane has been recognized from the viewpoint of Gauss' plane theory, it is easy to point out, conversely, its connection with the axiom of parallels. The property of the straight line as being the shortest connection between two points can be transferred to curved surfaces, and leads to the concept of straightest line; on the surface of the sphere the great circles play the role of the shortest line of connection… analogous to that of the straight line on the plane. Yet while the great circles as "straight lines" share the most important property with those of the plane, they are distinct from the latter with respect to the axiom of the parallels: all great circles of the sphere intersect and therefore there are no parallels among these "straight lines". …If this idea is carried through, and all axioms are formulated on the understanding that by "straight lines" are meant the great circles of the sphere and by "plane" is meant the surface of the sphere, it turns out that this system of elements satisfies the system of axioms within two dimensions which is nearly identical in all of it statements with the axiomatic system of Euclidean geometry; the only exception is the formulation of the axiom of the parallels.”

Hans Reichenbach (1891–1953) American philosopher

The geometry of the spherical surface can be viewed as the realization of a two-dimensional non-Euclidean geometry: the denial of the axiom of the parallels singles out that generalization of geometry which occurs in the transition from the plane to the curve surface.
The Philosophy of Space and Time (1928, tr. 1957)

Way, Feeling, Idea, Understanding

“But that was only a small part of the reason why I quit. The main reason was the disturbing new player-base. The game got bigger with every new expansion that was released, and as it got bigger, it brought in a vast amount of new players. I noticed that more and more “normal” people who had active and pleasurable social lives were starting to play the game, as the new changes catered to such a crowd. WoW no longer became a sanctuary where I could hide from the evils of the world, because the evils of the world had now followed me there. I saw people bragging online about their sexual experiences with girls… and they used the term “virgin” as an insult to people who were more immersed in the game than them. The insult stung, because it was true. Us virgins did tend to get more immersed in such things, because our real lives were lacking. I couldn’t stand to play WoW knowing that my enemies, the people I hate and envy so much for having sexual lives, were now playing the same game as me. There was no point anymore. My best friend Bradley, betrayed me by leaving me and going to some ginger named William. One day, I will get my revenge. I realized what a terrible mistake I made to turn my back on the world again. The world is brutal, and I need to fight for my place in it. My life was at a crucial turning point, and I couldn’t waste any more precious time.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Thoughts at 19, Quitting World of Warcraft

Life, Hate, People, Pleasure

“There is one aspect of our own mentality for which it's difficult as yet to foresee what type of explanation would even be relevant. I'm referring, of course, to consciousness. The point is that although I have no reason to believe that my consciousness is implemented by anything other than my brain, I remain convinced that there's something impenetrably mysterious about the relationship between brains and thoughts. And you can understand, therefore, why it's so hard to imagine, let alone tolerate, the idea that the death of the brain necessarily leads to the end of the personal self – and this, of course, is the "trump card" with which religion has consistently played.”

Jonathan Miller (1934–2019) British theatre director (born 1934)

Episode three: "The Final Hour".
Atheism: A Rough History of Disbelief (2004)

Death, Religion, Imagination, Idea

“Roger: We’re playing like three songs and the old stuff that everyone wants to hear too. We can’t play just all brand new songs you got to mix it up a little.”

Roger Manganelli (1973) American musician

“His theory of golf is, never play any sport that requires you to dress as your grandfather.”

Ian McDonald book River of Gods

Source: River of Gods (2006), Ch. 20 (p. 249).

Sport

“At present the national budget plays a very large role in the whole financial policy of our country.”

Ragnar Frisch (1895–1973) Norwegian economist

Frisch, (1947); Quoted in: Steinar Strøm (1998) Econometrics and Economic Theory in the 20th Century. p. 542
1940-60s

Country

“Nun 1: Sir, it is only a play… with music. Do not distress yourself.”

Peter Greenaway (1942) British film director

The Baby of Mâcon

Music

“I have been fortunate to play some fantastic roles in musicals and I find it difficult to say which is my favourite. It's generally whichever I am playing at the time. However playing Eva Peron in Evita will always be particularly special to me. Being chosen to originate the role in the premiere of a much sought after and what became a ground-breaking, award-winning musical which launched my career was a great challenge and it gave me the opportunity to play more great roles in the future.”

Elaine Paige (1948) English singer and actress

As quoted in "Angie Davidson Interviews Elaine Paige" by Angie Davidson in lupus.org.uk (2005)

Music, Time, Future

“We and the trees and the way
Back from the fields of play
Lasted as long as we could
No more walks in the wood”

John Hollander (1929–2013) American poet

Extract-last verse from 'An Old Fashioned Song' in 'Tesserae and other poems' (1993)
Poetry Quotes

Way, Tree

“I have too much brain for my head. It cannot play comfortably in its box.”

Joseph Joubert (1754–1824) French moralist and essayist

Box

“Have you ever wondered, perhaps, why opinions which the majority of people quite naturally hold are, if anyone dares express them publicly, denounced as 'controversial, 'extremist', 'explosive', 'disgraceful', and overwhelmed with a violence and venom quite unknown to debate on mere political issues? It is because the whole power of the aggressor depends upon preventing people from seeing what is happening and from saying what they see.

The most perfect, and the most dangerous, example of this process is the subject miscalled, and deliberately miscalled, 'race'. The people of this country are told that they must feel neither alarm nor objection to a West Indian, African and Asian population which will rise to several millions being introduced into this country. If they do, they are 'prejudiced', 'racialist'... A current situation, and a future prospect, which only a few years ago would have appeared to everyone not merely intolerable but frankly incredible, has to be represented as if welcomed by all rational and right-thinking people. The public are literally made to say that black is white. Newspapers like the Sunday Times denounce it as 'spouting the fantasies of racial purity' to say that a child born of English parents in Peking is not Chinese but English, or that a child born of Indian parents in Birmingham is not English but Indian. It is even heresy to assert the plain fact that the English are a white nation. Whether those who take part know it or not, this process of brainwashing by repetition of manifest absurdities is a sinister and deadly weapon. In the end, it renders the majority, who are marked down to be the victims of violence or revolution or tyranny, incapable of self-defence by depriving them of their wits and convincing them that what they thought was right is wrong. The process has already gone perilously far, when political parties at a general election dare not discuss a subject which results from and depends on political action and which for millions of electors transcends all others in importance; or when party leaders can be mesmerised into accepting from the enemy the slogans of 'racialist' and 'unChristian' and applying them to lifelong political colleagues...

In the universities, we are told that education and the discipline ought to be determined by the students, and that the representatives of the students ought effectively to manage the institutions. This is nonsense—manifest, arrant nonsense; but it is nonsense which it is already obligatory for academics and journalists, politicians and parties, to accept and mouth upon pain of verbal denunciation and physical duress.

We are told that the economic achievement of the Western countries has been at the expense of the rest of the world and has impoverished them, so that what are called the 'developed' countries owe a duty to hand over tax-produced 'aid' to the governments of the undeveloped countries. It is nonsense—manifest, arrant nonsense; but it is nonsense with which the people of the Western countries, clergy and laity, but clergy especially—have been so deluged and saturated that in the end they feel ashamed of what the brains and energy of Western mankind have done, and sink on their knees to apologise for being civilised and ask to be insulted and humiliated.

Then there is the 'civil rights' nonsense. In Ulster we are told that the deliberate destruction by fire and riot of areas of ordinary property is due to the dissatisfaction over allocation of council houses and opportunities for employment. It is nonsense—manifest, arrant nonsense; but that has not prevented the Parliament and government of the United Kingdom from undermining the morale of civil government in Northern Ireland by imputing to it the blame for anarchy and violence.

Most cynically of all, we are told, and told by bishops forsooth, that communist countries are the upholders of human rights and guardians of individual liberty, but that large numbers of people in this country would be outraged by the spectacle of cricket matches being played here against South Africans. It is nonsense—manifest, arrant nonsense; but that did not prevent a British Prime Minister and a British Home Secretary from adopting it as acknowledged fact.”

Enoch Powell (1912–1998) British politician

The "enemy within" speech during the 1970 general election campaign; speech to the Turves Green Girls School, Northfield, Birmingham (13 June 1970), from Still to Decide (Eliot Right Way Books, 1972), pp. 36-37.
1970s

Pain, People, World, Education

“I was never interested in playing him with a big red S on his chest. I’m much more attracted to the underbelly stuff. Gibbs is a loner, with emotional scars a mile deep that run in a million different directions. At work, he’s a leader. But who is he if you take away his job? I play him, and even I don’t know the answer to that.”

Mark Harmon (1951) actor from the United States

TV Insider interview (2017)

“It will rightly be asked: What is the synthetic principle on which this obviously highly important product of y-methylcyclopentenophenanthrene is built up in nature, and why is it that this particular type which, as founda tion of many substances indispensable to life and of extreme physiological and biological importance, plays such a vital role in the vegetable and animal kingdoms? However, the time has not yet come when we can give an answer to questions so fundamental and so important to an understanding of the workings of Nature. But I am firmly convinced that this problem - like all others - will eventually be solved.”

Otto Diels (1876–1954) German chemist

"Description and Importance of the Aromatic Basic Skeleton of the Steroids" (Nobel Lecture), 1950.

Life, Understanding, Question, Nature

“When we play the fool, how wide
The theatre expands! beside,
How long the audience sits before us!
How many prompters! what a chorus!”

Walter Savage Landor (1775–1864) British writer

Plays, st. 2 (1846).

Fools

“One result of the nobility and gentry becoming more mobile and mixing more together was new kinds of parties. From the sixteenth to the early eighteenth century, whenever people decided to entertain, they did so in much the same way. They gave either a dinner on its own, or a dinner combined with dancing. The latter combination started with a meal, sometimes enlivened by music. After dinner the company retired to a withdrawing room, and passed an hour or so by taking tea or dessert, or playing cards, or listening to more music. They then returned to the room where they had dined, for dancing or as it tended to be called, a ball; in the early eighteenth century as few as seven couples dancing together could be described as a ball. After dancing there was normally some kind of light refreshment, and then everybody went home. The refreshments at the end might, according to the century, be described as a banquet or a supper, the room for dinner and dancing a great chamber or a saloon; the dances danced, the music played and the food eaten changed, but the pattern remained much the same. The guests did one thing at a time, and they all did it together.”

Mark Girouard (1931) British architectural historian

Life in the English Country House: A Social and Architectural History (1978)

People, Food, Music, Way

“I have these large pieces of recycled brown paper stretched on my apartment wall and when I am not doing anything fashion-related, I'm drawing on it, playing with colour spectrums.”

Sasha Pivovarova (1985) Russian model

Interview with V magazine, quoted in "A supermodel life", The Sydney Morning Herald (25 November 2008) http://www.smh.com.au/lifestyle/fashion/a-supermodel-life-20090403-9o99.html

Fashion, Drawing

““I thought they were very good at what they did.”
”Of course they were good!” Brill glanced sharply. “The issue is what one chooses to be good at. The arts are fine, for hobbies. I play six instruments, myself. But they pose no great challenge to a mature mind.””

David Brin book Glory Season

Source: Glory Season (1993), Chapter 27 (p. 545)

Art

Quotes about play page 33

Quotes about play
page 33