“Taste was his world. Rilke behaved as if art were taste elevated to the highest possible degree. The armigerous chatelaines who played hostess were happy to believe it, since the idea made them artists too.”

—  Clive James

Sergei Diaghilev, p. 172
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

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Clive James151
Australian author, critic, broadcaster, poet, translator an… 1939–2019

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“One is also reminded of how in art the tortoise so often overtakes the hare. Not all, but too many of the best writers, composers, and artists of our time begin to be acclaimed only when they no longer have anything to say and take to performing instead of stating. This is how they first become accessible to broad taste, which is lazy taste, and by the same token to the processes of publicity and consecration. As long as they were trammeled up in the urgency of getting things said they were too difficult, too "controversial."”

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“"Doing science," particularly the synthesis of disparate ideas, is not as arcane as it is often made out to be. Discipline and taste play a vital role, but the activity is familiar to anyone who has made some effort to be creative.”

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“It is precisely those artists and writers who are most inclined to think of their art as the manifestation of their personality who are in fact the most in bondage to public taste.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 57

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“A man with taste is the same as a woman with taste. Man invents his home, woman - her dress. Being an artist means having an individual, distinct from all other people's perception and concept of every single thing. Being an artist does not mean possessing a faculty of combining lines and paints, being artful in this or that sort of art, but having a world inside oneself and individual forms to express it.”

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Source: Lettres à un Inconnu, (Notebook II, p. 8) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 106

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“Happy are they who know not the taste of evil.”

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Source: Antigone, Line 583 (Ode II)

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“Men whose only concern is other people's opinion of them are like actors who put on a poor performance to win the applause of people of poor taste; some of them would be capable of good acting in front of a good audience. A decent man plays his part to the best of his ability, regardless of the taste of the gallery.”

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“The taste of the usual was like cinders in his mouth, and there were moments when he felt as if he were being buried alive under his future.”

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Source: The Age of Innocence

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“For a hundred and fifty years the Virgin and Queens ruled French taste and thought so successfully that the French man has never yet quite decided whether to be more proud or ashamed of it. Life has ever since seemed a little flat to him, and art a little cheap. He saw that the woman, in elevating herself, had made him appear ridiculous, and he tried to retaliate with a wit not always sparkling, and too often at his own expense.”

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“Two cannibals were eating a comedian, and one of them turns to the other and asks, 'Does this taste funny to you?”

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