Quotes about picture (2043 quotes, page 5)

“Lady writer on the TV
She had all the brains and the beauty.
The picture does not fit
You talked to me when you felt like it.
Just the way that her hair fell down around her face
Then I recall my fall from grace
Another time, another place.”

Mark Knopfler (1949) English guitarist

Lady Writer
Song lyrics, Communiqué, (1979)

Beauty , Way , Time

“The mind has so many pictures
Why can't I sleep with my eyes open?
The mind has so many memories
Can you remember what it looks like when I cry?I'm trying, trying to tell you
All that I can in a sweet and velvet tongue
But no words ever could sell you
Sell you on me after all that I have done.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

The One You Love
Song lyrics, Want Two (2004)

Sleep , Memory , Cry

“Monster is a compassionate picture without any obvious agenda. And it's effective precisely because it's not a polemic.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2003/12/25/monster/index.html of Monster (2003)

“In 1987 a Civil Service inquiry decided that the pay of the Director of the Tate Gallery should match that of the Director of the much larger Victoria & Albert Museum and of the National Gallery, where the pictures were regarded as being much more important, because, and here I quote, "the Director of the Tate has to deal with the very difficult problem of modern art."”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Art , Quotes , Problem

“Acting is the physical representation of a mental picture and the projection of an emotional concept.”

Laurette Taylor (1884–1946) American stage and silent film actress

The Quality You Need Most, from Green Book Magazine (April 1914)

“[I] Pray do you remember carrying me to a picture-dealer's somewhere by Hanover Square, [London], and my being struck with the leaving and touch of a little bit of tree[? ]; the whole picture was not above 8 or 10 inches high and about a foot long. I wish if you had time that you'd inquire what it might be purchased for..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 11 May 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter VI)
1755 - 1769

Tree , Time

“In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves, and rise from the perusal, our mind filled with the busiest, kaleidoscopic dance of images, incapable of sleep or of continuous thought. The words, if the book be eloquent, should run thenceforward in our ears like the noise of breakers, and the story, if it be a story, repeat itself in a thousand coloured pictures to the eye.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

A Gossip on Romance http://pages.prodigy.net/rogers99/rls_gossip_on_romance.html, printed in Longman's Magazine (November 1882).

Books , Sleep , Reading , Dance

“So have I loitered my life away, reading books, looking at pictures, going to plays, hearing, thinking, writing on what pleased me best. I have wanted only one thing to make me happy, but wanting that have wanted everything.”

William Hazlitt (1778–1830) English writer

" My First Acquaintance with Poets http://www.blupete.com/Literature/Essays/Hazlitt/FirstAcquaintancePoets.htm" (1822)
The Plain Speaker (1826)

Life , Books , Thinking , Reading

“The basis of science is the empirical method, which uses the senses to build up a picture of the world; but science tells us that our senses have evolved to help us get by, not to show us the world as it is. Science is only a systematic examination of our impressions, and in the end all each of us has left are our own sensations … The end-result of the empirical method, then, is that each individual is left alone with their own experiences. We can escape this solitude, Balfour suggested, only if we accept that there is a divine mind.”

John Gray (1948) British philosopher

Cross-correspondences (p. 69-70)
The Immortalization Commission: The Strange Quest to Cheat Death (2011)

World , Sense , Solitude , Science

“His aunt drily remarked that, at this rate, he would soon get through all the sights; but she could not guess — having lived always in Washington — how little the sights of Washington had to do with its interest.

The boy could not have told her; he was nowhere near an understanding of himself. The more he was educated, the less he understood. Slavery struck him in the face; it was a nightmare; a horror; a crime; the sum of all wickedness! Contact made it only more repulsive. He wanted to escape, like the negroes, to free soil. Slave States were dirty, unkempt, poverty-stricken, ignorant, vicious! He had not a thought but repulsion for it; and yet the picture had another side. The May sunshine and shadow had something to do with it; the thickness of foliage and the heavy smells had more; the sense of atmosphere, almost new, had perhaps as much again; and the brooding indolence of a warm climate and a negro population hung in the atmosphere heavier than the catalpas. The impression was not simple, but the boy liked it: distinctly it remained on his mind as an attraction, almost obscuring Quincy itself. The want of barriers, of pavements, of forms; the looseness, the laziness; the indolent Southern drawl; the pigs in the streets; the negro babies and their mothers with bandanas; the freedom, openness, swagger, of nature and man, soothed his Johnson blood.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Education , Boy , Understanding , Nature

“In 1915 Sophie Taeuber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper [without using oil colors to avoid any reference with usual painting]. These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

on creating art without using oil colors to avoid any reference with usual painting, in The Art of Jean Arp, Herbert Read, Abrams, New York 1968, p. p. 34, 38
1960s

Color , Nature , Reality , Past

“The allegories of the "fall of man" and the "deluge," are the two most important features of the Pentateuch. They are, so to say, the Alpha and Omega, the highest and the lowest keys of the scale of harmony on which resounds the majestic hymns of the creation of mankind; for they discover to him who questions the Zura (figurative Gematria), the process of man's evolution from the highest spiritual entity unto the lowest physical — the post-diluvian man, as in the Egyptian hieroglyphics, every sign of the picture writing which cannot be made to fit within a certain circumscribed geometrical figure may be rejected as only intended by the sacred hierogrammatist for a premeditated blind — so many of the details in the Bible must be treated on the same principle, that portion only being accepted which answers to the numerical methods taught in the Kabala.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume II, Chapter IX

Question

“My father was a picture of courage in terms of his war service and strength, and yet in his decline, I learned primarily negative lessons. I learned what not to do.”

Bill de Blasio (1961) American politician and mayor of New York City

said in an interview quoted by Javier C. Hernandez of The New York Times http://www.nytimes.com/2013/10/14/nyregion/from-his-fathers-decline-de-blasio-learned-what-not-to-do.html.

War , Courage , Learning

“It [the Mauve-district in the U. S. ] relates to a theme which appears on-and-off, of pictures that often have one central vast shape, district, or territory; in this case, the shape itself [a square] is a play on the very shape of the canvas”

Helen Frankenthaler (1928–2011) American artist

quote in 1969
Quote from 'The collection', MOMA, online http://www.moma.org/collection/object.php?object_id=80712
1960s

Quotes , Appearance

“As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.”

Jozef Israëls (1824–1911) Dutch painter

Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900

Children , Hope , Business , Light

“There is nothing more deplorable than those skeptics and reformers, liberal priests and humanistically-oriented scholars, who moan about “soullessness,” “barren materialism,” what is “unsatisfying in mere science,” and the “cold play of atoms,” and renounce intellectual precision, which is for them only a slight temptation. Then, with the help of some alleged “emotional knowledge” to satisfy the feelings, and with the “necessary” harmony and rounding-out of the world picture, all they invent is some universal spirit: a world-soul, or a God, who is nothing more than the world of the academic petite bourgeoisie which gives rise to him; at best, an oversoul who reads the newspaper and demonstrates a certain appreciation of social questions.”

Robert Musil (1880–1942) Austrian writer

Source: “The Religious Spirit, Modernism, and Metaphysics” (1913), p. 23

God , World , Feeling , Soul

“It [Obama's Nobel peace prize] would be like giving someone an Oscar in the hope that it would encourage them to make a decent motion picture.”

Christopher Hitchens (1949–2011) British American author and journalist

2009-10-12
Morning Joe
MSNBC, quoted in * 2009-10-12
http://www.huffingtonpost.com/2009/10/12/christopher-hitchens-pans_n_317373.html
Christopher Hitchens Pans Obama's Nobel Prize
Huffington Post
Nicholas
Graham
2000s, 2009

Peace , Hope

“Instead of being given a true, simple—and therefore easily understandable—picture of Islamic Law, the Muslims are presented with a gigantic, many-sided edifice of fiqhi deductions and interpretations (a secondhand Islam, as it were) arrived at by individual scholars and schools of thought a thousand years ago.”

Muhammad Asad book The Principles of State and Government in Islam

Source: The Principles of State and Government in Islam (1961), Chapter 6: Conclusion, p 100

School , Law , Understanding

“Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust."”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.
Source: The Romantic Rebellion (1973), Ch. 10: Turner II: The Liberation of Colour

Beauty , Time , Parting , Drawing

“My last picture for Warners was Romance on the High Seas. It was Doris Day's first picture; that was before she became a virgin.”

Oscar Levant book The Memoirs of an Amnesiac

The Memoirs of an Amnesiac (1965) http://books.google.com/books?&id=yWcIAQAAMAAJ&q=%22My+last+picture+for+Warners+was+Romance+on+the+High+Seas+It+was+Doris+Day%27s+first+picture+that+was+before+she+became+a+virgin%22&pg=PA192#v=onepage
A later paraphrase of this appeared in The Wit and Wisdom of Hollywood (1972) by Max Wilk: "I knew Doris Day before she was a virgin."

Sea

“There must be no more pictures covered in brown sauce [c. 1880, when Munch started to paint series of landscapes in fresh colors]”

Edvard Munch (1863–1944) Norwegian painter and printmaker

a written note; as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 41
after 1930

Color , Painting

“You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does, if you like... There is more sensitivity in technique than in the rest of the picture.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1946 - 1963, Cahiers d'art', 1954, p. 16

Music , Way

“I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.”

Helen Frankenthaler (1928–2011) American artist

quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Color , Thinking , Drawing , Dead

“That was the only picture I ever made that literally came back to haunt me. Because it was the one, when television became so popular, that they showed. And they're still showing it all over the world, you know that? I get recent letters from Holland, Germany, from all over where they must have just been running it because I always recognize that they come from the same city at the same time.”

Peggy Moran (1918–2002) actress

Interview with Monster Kid Magazine

World , Time

“Around his neck a ribbon clung,
Close to his heart a picture hung :
I saw the face — it was not mine;
I saw, too, a small dagger shine,
A curious toy — you know the rest.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1831-2) The Convict
The Monthly Magazine

Heart

“Gravitational force is simple, and a thing by itself, as also are electric and magnetic forces as long as the electric and magnetic poles stand at rest. But as soon as motion comes into the picture, the whole situation is changed. Forces of new kinds come into play, for moving electric charges exert magnetic forces in addition to the electric forces they exert when at rest, while moving magnets exert electric forces in addition to the magnetic forces they exert while at rest. When the exact laws governing these intricate laws had been discovered by a great number of experimenters, Clerk Maxwell succeeded in expressing them in a mathematical form which was both simple and elegant.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Law , Mathematics , Change

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21
1880s, 1883

Love , Life , Hope , Thinking

“Perhaps the Doors, Curtains, Surface Pictures, Panes of Glass [like in his work '4 Panes of Glass', 1967], etc. are metaphors of despair, prompted by the dilemma that our sense of sight causes us to apprehend things, but at the same time restricts and partly precludes our apprehension of reality.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 86, note 12

Reality , Sense , Time , Despair

“The prettiest or most interesting prospect may lack the conditions which awaken our emotions, and, lacking the essentials of the picture, must be passed by.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 33

“As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/n/nosferatu.html of Nosferatu (1922).
Three-and-a-half star reviews

Way

“I am not doing very much as yet. I am put out by this manner of the Salon. They will end by persuading me that I have produced a veritable fiasco. But I am not yet entirely convinced of it. Some say it is a complete downfall; that the 'Death of Sardanaplus' [Delacroix painted this painting in 1827 after the drama, written by Byron] is that of the Romantics, inasmuch as Romantics do exist; others merely say that I am an 'inganno' [a fraud].... So I say they are all imbeciles, that the picture has its qualities and its defects, and that while there are some things I could wish to be better, there are not a few others that I think myself fortunate to have created, and which I wish them.”

Eugène Delacroix (1798–1863) French painter

Quote in a letter to Delacroix' friend Charles Soulier, 11 March 1828; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 67-68
1815 - 1830

Death , Fraud , Thinking , Painting

“What picture of American society is likely to be imprinted on the consciousness of average Europeans? Given what they read or hear every day from intellectuals and politicians, they can hardly have any choice in the unpleasant particulars, especially if they happen to be French. The picture repeatedly sketched for them is as follows: American society is entirely ruled by money. No other value, whether familial, moral, religious, civic, cultural, professional, or ethical has any potency in itself. Everything in America is a commodity, regarded and used exclusively for its material value. A person is judged solely by the worth of his bank account. Every U. S. President has been in the pockets of the oil companies, the military-industrial complex, the agricultural lobby, or the financial manipulators of Wall Street. America is the "jungle" par excellence of out-of-control, "savage" capitalism, where the rich are always becoming richer and fewer, while the poor are becoming poorer and more numerous. Poverty is the dominant social reality in America. Hordes of famished indigents are everywhere, while luxurious chauffeured limousines with darkened windows glide through the urban wilderness.”

Jean-François Revel (1924–2006) French writer and philosopher

2000s, Europe's Anti-American Obsession (2003)

Money , Family , Reality , Reading

“Pictures, bright pictures, oh! they are to me
A world for thought to revel in. I love
To give a history to every face, to think —
As I thought with the painter — as I knew
What his high communing had been.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Love , World , History , Communication

“Tomorrow, Sunday, at 4 o'clock, visit from Picasso. As I'm expecting to see him tomorrow, my mind is at work. I'm doing this propaganda show [at the Victoria and Albert Museum in London, 1945] with him. I can imagine the room with my pictures on one side, and his on the other. It's as if I were going to cohabit with an epileptic.”

Henri Matisse (1869–1954) French artist

Quote of Matisse in his notebook, c. April 1945; as cited in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p. 6
1940s

Imagination

“In the thousands of articles that made up the technical literature of chaos, few were cited more often than "Deterministic Nonperiodic Flow." For years, no single object would inspire more illustrations, even motion pictures, than the mysterious curve depicted at the end, the double spiral that became known as the Lorenz attractor.”

James Gleick book Chaos: Making a New Science

Source: Chaos: Making a New Science, 1987, p. 52; as cited in: Joshua Keating, in " Can Chaos theory teach us anything about Foreign Policy http://ideas.foreignpolicy.com/posts/2013/05/23/can_chaos_theory_teach_us_anything_about_international_relations", at ideas.foreignpolicy.com, May 23rd 2013.

Literature

“A village in a country which is taking pains to become altogether standardized and pure, which aspires to succeed Victorian England as the chief mediocrity of the world, is no longer merely provincial, no longer downy and restful in its leaf-shadowed ignorance. It is a force seeking to conquer the earth… Sure of itself, it bullies other civilizations, as a traveling salesman in a brown derby conquers the wisdom of China and tacks advertisements of cigarettes over arches for centuries dedicate to the sayings of Confucius. Such a society functions admirably in the production of cheap automobiles, dollar watches, and safety razors. But it is not satisfied until the entire world also admits that the end and joyous purpose of living is to ride in flivvers, to make advertising-pictures of dollar watches, and in the twilight to sit talking not of love and courage but of the convenience of safety razors.”

Sinclair Lewis book Main Street

Main Street (1920)

Love , Wisdom , Pain , World

“[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful—as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all.”

James McNeill Whistler (1834–1903) American-born, British-based artist

1870 - 1903, his lecture 'Ten O'Clock' (1885)
Source: James McNeill Whistler (1834–1903), Weinberg, H. Barbara, 'Heilbrunn Timeline of Art History'. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/whis/hd_whis.htm (April 2010)

Truth , Beauty , Music , Nature

“And thou shalt in thy daughter see,
This picture, once, resembled thee.”

Ambrose Philips (1674–1749) Anglo-Irish poet and politician

To Miss Charlotte Pulteney in Her Mother’s Arms (1724)

Daughters

“I remember one time I tried to pity this fool. He told me his name was Jeff. He was married. He pulled out his wallet and showed me three pictures of his kids; Kelly, Robert, Brittany. Real cute kids. Don't get too close man. It's hard to pity a fool if you get too close.”

Mr. T (1952) American actor and retired professional wrestler

Attributed

Fools , Time

“I have not drawn a very rosy picture of the magician. I did not intend to do so. To the novice entering the life and promising himself ease, indolence, and wealth, I should say, "Don't!"”

Alexander Herrmann (1844–1896) French magician

The Art of Magic (1891)

Life , Wealth

“The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad — it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year — the resumes of Hollywood players are littered with them. But, when something this big — a would-be blockbuster with recognizable names in the cast and crew — collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=293 of Bad Boys II (2002).
Half-star reviews

Money , Children , Boy , Fashion

“Karl Pilkington: And I was high up. Russell Brand: I'm picturing you as a sort of vigilante Batman figure, looking down over Salford, to see if there's any crimes. Karl Pilkington: And I was in my pants. Rusell Brand: Again, like a vigilante Batman figure.”

Russell Brand (1975) British comedian, actor, and author

6 Music Show

“I have no relationship with Putin. I don't think I've ever met him. I never met him. I don't think I've ever met him. … I have never spoken to him on the phone, no. I've speak -- I've spoken -- when we had the Miss Universe contest a number of years ago, we had Miss Universe in Moscow, in the Moscow area, he was invited. He wanted to come. He wasn't able to come. That would have been a time when I would have met him. … I don't know what it means by having a relationship. I mean he was saying very good things about me, but I don't have a relationship with him. I didn't meet him. I haven't spent time with him. I didn't have dinner with him. I didn't go hiking with him. I don't know -- and I wouldn't know him from Adam except I see his picture and I would know what he looks like.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, July, This Week Interview (July 30, 2016)

Thinking , Universe , Time

“At a situation conference early in February the maps showed the catastrophic picture of innumerable breakthroughs and encirclements. I drew Doenitz aside: "Something must be done, you know." Doenitz replied with unwonted curtness: "I am here only to represent the navy. The rest is none of my business. The Fuehrer must know what he is doing."”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Source: Inside the Third Reich: Memoirs (1970), p. 427

Business

“Going back into the history of a word, very often into Latin, we come back pretty commonly to pictures or models of how things happen or are done. These models may be fairly sophisticated and recent, as is perhaps the case with 'motive' or 'impulse', but one of the commonest and most primitive types of model is one which is apt to baffle us through its very naturalness and simplicity.”

J. L. Austin (1911–1960) English philosopher

Austin (1956) " A Plea for Excuses http://www.ditext.com/austin/plea.html", in Proceedings of the Aristotelian Society, 1956-7.

History , Motivation , Nature

“I know very few who are willing to die for their convictions. I wouldn't be hit on the head with a billy club or have mace squirted in my face. When I was younger and a radical at American University maybe… as a matter of fact, I was at the march on the Pentagon just last year, right in the front taking pictures, just being there to find out what was happening, and I was knocked down and stepped on. I don't want to do that again. It didn't accomplish anything. They lied about everything that happened. Everything in the newspapers were just lies.”

Cass Elliot (1941–1974) American singer

Rolling Stone interview (1968)

Universe

“My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was."”

Lucian Freud (1922–2011) British painter and engraver

Lucian Freud: Paintings (1987), p. 16
Lucian Freud : Paintings (1987)

Life , People , Sense , Change

“(Performance) art is, perhaps, the first art phenomenon to clearly demonstrate that modern art has become antiquated. Modern art is based upon a single assumption. That the artwork is only what it is. It is not a picture or a metaphor for something else. It is, say, a photograph, first and only. Or, perhaps, it is a painting, first and only. This assumption still looms above us all. We automatically accept it. We fall back upon it whenever we have a problem in criticizing, accepting, or understanding a work of art.”

Gregory Battcock (1937–1980)

1984, p. 5
L’Art Corporel, 1979

Art , Understanding , Problem , Painting

“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 34

Nature , Light

“He had no picture of her. She would be a memory that would fade as her warmth would fade, but would fade over the years, and he would forget the passion that gave life to this face.”

Bernard Cornwell (1944) British writer

Major Richard Sharpe (describing his murdered wife, Teresa Moreno) p. 339
Sharpe (Novel Series), Sharpe's Enemy (1984)

Life , Memory , Passion , Forgetting

“As a teenager I started to learn about what was on my plate – where it came from and what it was doing to my body. I became vegetarian then later on vegan. … Each and every person who decides to be vegan makes a massive difference. From literally saving animals from suffering and death, to improving their health and the environmental benefits – being vegan means seeing the bigger picture and saying I'm going to do what I can and take a stand. … I'm motivated by being the best example I can of what can be achieved physically and ethically. I strive to excel in what I love doing and don't believe in the idea that I can't be strong and muscular because I'm vegan, that I can't be fast or flexible because I'm a bodybuilder, and that one person can't make a difference.”

Billy Simmonds (1980)

"Interview with Billy Simmonds: Vegan Body Builder" https://web.archive.org/web/20160201195350/http://www.vivalavegan.net/articles/467-interview-with-billy-simmonds-vegan-body-builder.html, Viva La Vegan! (2016).

Love , Death , Health , Motivation

“In Somalia, we know exactly what they had to gain because they told us. The chairman of the Joint Chiefs, Colin Powell, described this as the best public relations operation of the Pentagon that he could imagine. His picture, which I think is plausible, is that there was a problem about raising the Pentagon budget, and they needed something that would be, look like a kind of a cakewalk, which would give a lot of prestige to the Pentagon. Somalia looked easy. Let's look back at the background. For years, the United States had supported a really brutal dictator, who had just devastated the country, and was finally kicked out. After he's kicked out, it was 1990, the country sank into total chaos and disaster, with starvation and warfare and all kind of horrible misery. The United States refused to, certainly to pay reparations, but even to look. By the middle of 1992, it was beginning to ease. The fighting was dying down, food supplies were beginning to get in, the Red Cross was getting in, roughly 80% of their supplies they said. There was a harvest on the way. It looked like it was finally sort of settling down. At that point, all of a sudden, George Bush announced that he had been watching these heartbreaking pictures on television, on Thanksgiving, and we had to do something, we had to send in humanitarian aid. The Marines landed, in a landing which was so comical, that even the media couldn't keep a straight face. Take a look at the reports of the landing of the Marines, it must've been the first week of December 1992. They had planned a night, there was nothing that was going on, but they planned a night landing, so you could show off all the fancy new night vision equipment and so on. Of course they had called the television stations, because what's the point of a PR operation for the Pentagon if there's no one to look for it. So the television stations were all there, with their bright lights and that sort of thing, and as the Marines were coming ashore they were blinded by the television light. So they had to send people out to get the cameramen to turn off the lights, so they could land with their fancy new equipment. As I say, even the media could not keep a straight face on this one, and they reported it pretty accurately. Also reported the PR aspect. Well the idea was, you could get some nice shots of Marine colonels handing out peanut butter sandwiches to starving refugees, and that'd all look great. And so it looked for a couple of weeks, until things started to get unpleasant. As things started to get unpleasant, the United States responded with what's called the Powell Doctrine. The United States has an unusual military doctrine, it's one of the reasons why the U. S. is generally disqualified from peace keeping operations that involve civilians, again, this has to do with sovereignty. U. S. military doctrine is that U. S. soldiers are not permitted to come under any threat. That's not true for other countries. So countries like, say, Canada, the Fiji Islands, Pakistan, Norway, their soldiers are coming under threat all the time. The peace keepers in southern Lebanon for example, are being attacked by Israeli soldiers all the time, and have suffered plenty of casualties, and they don't like it. But U. S. soldiers are not permitted to come under any threat, so when Somali teenagers started shaking fists at them, and more, they came back with massive fire power, and that led to a massacre. According to the U. S., I don't know the actual numbers, but according to U. S. government, about 7 to 10 thousand Somali civilians were killed before this was over. There's a close analysis of all of this by Alex de Waal, who's one of the world's leading specialists on African famine and relief, altogether academic specialist. His estimate is that the number of people saved by the intervention and the number killed by the intervention was approximately in the same ballpark. That's Somalia. That's what's given as a stellar example of the humanitarian intervention.”

Noam Chomsky (1928) american linguist, philosopher and activist

Responding to the question, "what did the United States have to gain by intervening in Somalia?", regarding Operation Provide Relief/Operation Restore Hope/Battle of Mogadishu.
Quotes 1990s, 1995-1999, Sovereignty and World Order, 1999

People , World , Peace , Food

“[So], in 1972, we started SEWA, the Self Employed Women’s Association. SEWA in many respects is a microcosm of the general picture of the informal sector, in India and worldwide.”

Ela Bhatt (1933) founder of the Self-Employed Women's Association of India (SEWA)

Discussion with Ela Bhatt, Founder, Self-Employed Women's Association (SEWA)

Women

“One needs a medium. The best is, one is his own medium. But don't be serious because seriousness belongs to a passed time. This medium, called you yourself will tell you to take absolutely the wrong material. That is very good, because only the wrong material used in the wrong way, will give the right picture, when you look at it from the right angle. Or the wrong angle. That leads us to the new ism: Anglism. The first art starting from England [the country of Schwitters' forced stay, when he wrote this quote], except the former shapes of art.”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.

Art , Way , Quotes , Time

“If you have any doubt about the degree with which this is self-defense, just look at those pictures from September 11th.”

Condoleezza Rice (1954) American Republican politician; U.S. Secretary of State; political scientist

Interview by Wolf Blitzer on CNN http://transcripts.cnn.com/TRANSCRIPTS/0109/24/se.22.html, September 24, 2001.

“The model that can be drawn up, of a plural society in which the multiplicity of forces and institutions prevent any one of their number dominating the rest, and which function on the basis of a broad and non-doctrinaire consensus — this picture does not warm the blood like wine. To appreciate and savour its appeal, one needs a rather sophisticated taste, perhaps.”

Ernest Gellner (1925–1995) Czech anthropologist, philosopher and sociologist

Contemporary Thought and Politics (1974)

Wine

“Must be a pretty picture you dropping to your knees.”

Donald J. Trump (1946) 45th President of the United States of America

" to Brande Roderick, From The Apprentice, Season 6, Episode 1" https://www.youtube.com/watch?v=n7NDpHfXTCI (3 March 2013)
2010s, 2013

“I shall cheerfully bear the reproach of having descended below the dignity of history if I can succeed in placing before the English of the nineteenth century a true picture of the life of their ancestors.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Vol. I, ch. 1
History of England (1849–1861)

Life , History

“I believe that one should not think so much about nature when painting, at least not during the conception of the picture. Make the color sketch exactly as one has felt something in nature. But my personal feeling is the main thing. Once I have established it, lucid in tone and color, I must bring in from nature the things that make my painting seem natural, so that a layman will only think that 1 have painted it from nature.”

Paula Modersohn-Becker (1876–1907) German artist

quote from her Diaries, 1 October, 1902; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
1900 - 1905

Color , Feeling , Nature , Thinking

“Every artist dips his brush in his own soul and paints his own nature into his picture.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

Soul , Nature , Painting

“I thought, ‘This is just too terrifying. I’ve never seen anything like that before.’ I hadn’t been allowed to watch horror movies before that. I was so traumatized I literally could not sleep for weeks, and it changed my physical appearance; I lost like 10 pounds. My teachers got so concerned they called my mother, ‘Is there something going on – is she being abused at home?’ My mother found a picture of Robert Englund the actor, and Robert Englund in the Freddy Krueger make-up, and pasted them up near my bedside table. So, every night when I’d go to sleep, literally for like a year, I’d have to look at it and think, ‘It’s just a movie, it’s just a movie, it’s not real.’ I remember thinking that I was going to grow up one day, and be an actress and never make a movie that scares little kids.”

Monica Keena (1979) American actress

Discussing A Nightmare on Elm Street in Never Sleep Again: The Elm Street Legacy (2010)

Home , Thinking , Sleep , Teachers

“A dreamer of pictures
I run in the night.
You see us together,
Chasing the moonlight,
My cinnamon girl.”

Neil Young (1945) Canadian singer-songwriter

Cinnamon Girl
Song lyrics, Everybody Knows This Is Nowhere (1969)

Girl , Night

“On the day Kazan showed me the completed picture I was so depressed by my performance that I got up and left the screening room.”

Marlon Brando (1924–2004) American screen and stage actor

Speaking of his performance in On the Waterfront (1954). Songs My Mother Taught Me (1994)
"If there is a better performance by a man in the history of film in America, I don't know what it is."- Eli Kazan on Brando's performance in On the Waterfront, published in Marlon Brando, Portraits and Film Stills 1946-1995 (1996)

“A good negative is one thing, but a negative that will enable us to get a good picture is another.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Development of negatives, p. 106

“I can't say or explain anything. Pictures don’t come from your head but from life... I am always looking for life. All that escapes thought or will-power.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 2 April 1967; p. 63
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Life

“The Chinese novel was written primarily to amuse the common people. And when I say amuse I do not mean only to make them laugh, though laughter is also one of the aims of the Chinese novel. I mean amusement in the sense of absorbing and occupying the whole attention of the mind. I mean enlightening that mind by pictures of life and what that life means.”

Pearl S. Buck (1892–1973) American writer

The Chinese Novel (1938)

Life , People , Sense , Laughter

“That the outer man is a picture of the inner, and the face an expression and revelation of the whole character, is a presumption likely enough in itself, and therefore a safe one to go on; borne out as it is by the fact that people are always anxious to see anyone who has made himself famous …. Photography … offers the most complete satisfaction of our curiosity.”

Arthur Schopenhauer book Parerga and Paralipomena

Vol. 2, Ch. 29, § 377
Parerga and Paralipomena (1851), Counsels and Maxims

People

“Joseph Ratzinger has stood still because as a Bavarian Catholic in the Hellenistic tradition, interpreted in Roman terms, he wanted to stand still. To this degree he represented and represents a different basic model of theology and church, as different from mine as in astronomy Ptolemy's geocentric picture of the world is different from Copernicus' heliocentric picture.”

Hans Küng (1928) Swiss Catholic priest, theologian and author

Disputed Truth: Memoirs Volume 2 (2008), p. 329

World

“Perfect knowledge of the space an object should occupy in a picture, and of the space that separates one object from another, establishes a new astronomy of things attached to our planet by the magic law of gravity. Canons of the Metaphysical aesthetic lie in the minutely-accurate and precisely-estimated use of surfaces and volumes.... We are building in paint a new Metaphysical psychology of things.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p. 233
1908 - 1920, On Mystery and Creation, Paris 1913

Lie , Law , Knowledge , Painting

“Liberal hopefulness
Regards death as a mere border to an improving picture.”

William Empson (1906–1984) English literary critic and poet

"Ignorance of Death", line 11; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 78.
The Complete Poems

Death , Hope

“To say of a picture, as is often said in its praise, that it shows great and earnest labor, is to say that it is incomplete and unfit for view.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
1870 - 1903, The Gentle Art of Making Enemies' (1890)

“Wearing silver boots and a hat, armbands and a smile, he whipped out his paintbrush, so to speak, and in 20 minutes painted pictures of his customers with a flourish - while a fascinated crowd gathered, some gaping in disbelief.”

Pricasso (1949) Australian painter

[Barbara Cole, Putting fun back into sex, Daily News, South Africa, 8 February 2008, 5, Independent Online]
About

Smile , Painting

“Television is to news as a bumper sticker is to Shakespeare. I remember hearing an analogy once that went something like that. Your typical nightly, 35-minute TV news broadcast is a headline service with pictures. Five minutes of police-blotter reporting - fires, murders, car accidents, etc. - five minutes of human-interest stories and small talk, five minutes of weather, five minutes of sports, ten minutes of commercials, and maybe a minute or two for business, science, politics, and affairs of the world.”

Mike Rosen (1944) American political pundit

July 3, 1998 Denver Post column

World , Cars , Business , Sport

“With few exceptions, the bulk of the collected lesion evidence up through the 1950s into the early '60s converged to support the picture of a leading, more highly evolved and intellectual left hemisphere and a relatively retarded right hemisphere that by contrast, in the typical righthander brain, is not only mute and agraphic but also dyslexic, word-deaf and apraxic, and lacking generally in higher cognitive function.”

Roger Wolcott Sperry (1913–1994) American neuroscientist

Nobel lecture (1981)

Support

“Population in India is widely differentiated in ethnic composition, geographical and climatic conditions, social and cultural stratiﬁcation, as well as by differences in economic status. Differential fertility therefore assumes a far more complex picture in India than anywhere in the world. Ethnic. geographical. socio-cultural and economic dilferences give a four-fold patterning with many complicated interactions. It is essential therefore to study different population groups separately.”

Prasanta Chandra Mahalanobis (1893–1972) Indian scientist

Quote, Professor P.C. Mahalanobis and the Development of Population Statistics in lndia

World , Study

“I started freerunning when I was 16. It just felt like an evolution of what I always wanted to do as a child: be creative, climb on things. It let me apply an adult mentality to that playfulness. Then I was introduced to veganism. And from there, I found out that the biggest percentage of pollution on the planet comes from animal agriculture. Once I discovered that, it became my calling. I think we all have something to contribute; we just have to look at the bigger picture and ask, “With what we’ve been given, what message can we promote that helps the greater good?””

Tim Shieff (1988) American freerunner

"Go veggie to save the planet, says world champion freerunner Tim Shieff" https://www.theguardian.com/environment/2015/jun/16/go-veggie-to-save-the-planet-says-world-champion-freerunner-tim-shieff, interview with The Guardian (16 June 2015).

Thinking , Help , Animals

“To keep the Golden Rule we must put ourselves in other people's places, but to do that consists in and depends upon picturing ourselves in their places.”

Harry Emerson Fosdick (1878–1969) American pastor

As quoted in Don't Try to Live Your Life in One Day! (2008) by Johnny Ong, p. 171

People , Dependency

“From the point of view of photography, I'll smite the picture with sun rays. I'll take old stock shots and scratch them; I'll claw at them so that unknown beauty sees the light of day. I shall sculpt flowers upon the film stock.”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Venom and Eternity (1951), Danielle's Monologue

Beauty , Flowers , Light , Sun

“A baby is shown sitting on the floor. He appears to be about a year and a half old. Incidentally, he is a very plain baby. Strewn about him on the floor are the toys that he has been playing with. There are a ball, a rattle, a ring, a doll, a bell and a pair of roller-skates. Evidently, the candidate is supposed to be aghast at the roller-skates in the possession of such a small child.
The man who drew that picture had evidently never furnished playthings for a small child. I can imagine nothing that would delight a child of a year and a half more than a pair of roller-skates to chew and spin and hit himself in the face with. They could also be dropped on Daddy when Daddy was lying on the floor in an attempt to be sociable. Of all the toys arranged before the child, the roller-skates are the most logical. … That is my great trouble in taking tests and examinations of any kind. I always want to argue with the examiner, because the examiner is always so obviously wrong.”

Robert Benchley (1889–1945) American comedian

"Measure Your Mind", in Love Conquers All (1922)

Imagination , Lying , Appearance , Baby

“It’s funny about career choices. I had to fight to test for the Janet Leigh role in Walking My Baby Back Home. Janet couldn’t dance at the time and I could—but she was a bigger name. I also fought to get the role Piper Laurie had in Son of Ali Baba. Luckily, I lost that one. The one I didn’t want to do was Revenge of the Creature. Science-Fiction was considered bottom of the barrel in those days. Of course, that’s the picture I am most remembered for. It’s very ironic!”

Lori Nelson (1933) Actress, model

Interview with Lori Nelson http://www.westernclippings.com/interview/lorinelson_interview.shtml

Home , Revenge , Science , Time

“.. and the first thing for he artists [of Die Brücke ] was free drawing from the free human figure in the freedom of nature... We drew and we painted. Hundreds of paintings a day, with talk and fooling in between, the artists joining the models before the easel and vice versa. All the encounters of everyday life were incorporated in our memories in this way. The studio became the home of the people who were being drawn; they learned from the artists and the painters from them. The picture [ made] took on immediate and abundant life.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from Kirchner's Diary, 1923; as cited in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 28-29
1920's

Life , People , Fools , Way

“I am glad you encouraged me with the 'Stoke' [his painting 'Stoke-by-Nayland', circa 1835] What say you to a summer morning? July or August, at eight or nine o’clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture, under 'Hedge row elms and hillocks green.' Then the plough, cart, horse, gate, cows, donkey, &c. are all good paintable material for the foreground, and the size of the canvas sufficient to try one's strength, and keep one at full collar.”

John Constable (1776–1837) English Romantic painter

Letter to William Purton (6 February 1836), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 380
1830s

Horse , Summer , Parting , Painting

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971
Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Study , Drawing , Night

“The duty we owe to our gardens is to so use the plants that they shall form beautiful pictures; and that, while delighting our eyes.”

Gertrude Jekyll (1843–1932) garden designer, artist

Colour in the Garden

Beauty

“I cannot get over the strange conflict between my estimation of their ideas [the artists of Italian Futurism ] most of which I find brilliant and fruitful, and my view of the [their] pictures [he saw on the Walden exhibition in Berlin, Spring 2012], which strike me as, without a doubt, utterly mediocre.”

Franz Marc (1880–1916) German painter

In a letter to Wassily Kandinsky, 1912; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 309 (note 23)
[in a letter, several months later to August Macke Franz Marc writes about the Futurist paintings he saw in Munich: '[Their] effect is magnificent, far, far more impressive then in Cologne' (where Marc had helped Macke with hanging the Futurist exposition)].
1911 - 1914

Spring , Idea , Future

“Can the philosopher, big with the inspiration of an idea that is to reform mankind, believe that he is to be beckoned from this sensible existence at the very instant when he is mustering his breath to speak the word of light? Should he perish so, the weary ages must pass away—the world's, whose life sand may fall, drop by drop—before another intellect is prepared to develop the truth that might have been uttered then. But history affords many an example where the most precious spirit… has gone hence… The prophet dies, and the man of torpid heart and sluggish brain lives on. The poet leaves his song half sung, or finishes it, beyond the scope of mortal ears… The painter—as Allston did—leaves half his conception on the canvas to sadden us with its imperfect beauty, and goes to picture forth the whole… in the hues of heaven. But rather such incomplete designs of life will be perfected nowhere. This so frequent abortion of man's dearest projects must be taken as proof that the deeds of earth, however etherealized by piety or genius, are without value, except as exercises and manifestations of the spirit.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Life , Truth , Age , World

“This picture will try to show the Nazism is a matter of mind, not geography, and that there are Nazis — and people of good will — in every country. The world can't spend its life looking over its shoulder and nursing hatreds. There would be no progress that way.”

Marlon Brando (1924–2004) American screen and stage actor

At a press conference for The Young Lions in Berlin; republished in Marlon Brando, Portraits and Film Stills 1946-1995 (1996)

Life , People , World , Way

“The harvest of your Summer [1910] is displayed on our walls. I like some of them terrifically. The 'certainty' with which most of it is done makes me feel ashamed of myself. The thousand steps that I need to take for a picture are of no advantage, as I sometimes foolishly used to think. Things must change.”

Franz Marc (1880–1916) German painter

In a letter to August Macke, Nov. 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 128
Franz Marc is reacting on Macke who focused in his exhibited works strongly on the independent power of color
1905 - 1910

Feeling , Thinking , Change , Summer

“After a ten minute prayer, the gist of which was, "Oh Lord, just sing through Mark tonight and keep him out of the picture altogether," I considered the prospect of lining up a great number of such concerts, then staying at home and sending a cardboard likeness of myself for God to sing through.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

God , Home , Singing

“Soon there will be nothing left except the lying dreams of history, the miserable wreckage of our museums and picture-galleries, and the carefully guarded interiors of our aesthetic drawing-rooms, unreal and foolish, fitting witnesses of the life of corruption that goes on there, so pinched and meagre and cowardly, with its concealment and ignoring, rather than restraint of, natural longings; which does not forbid the greedy indulgence in them if it can but be decently hidden.”

William Morris (1834–1896) author, designer, and craftsman

Signs of Change (1888), The Aims of Art

Life , Dreams , History , Lying

“All noblest things are religious,— not temples and martyrdoms only, but the best books, pictures, poetry, statues, and music.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 500.

Books , Music

“The light from the big window fell right on the picture. I took a good look at it. Then I shifted a bit nearer and took another look. Then I went back to where I had been at first, because it hadn't seemed quite so bad from there.
"Well?" said Corky, anxiously.
I hesitated a bit.
"Of course, old man, I only saw the kid once, and then only for a moment, but -- but it *was* an ugly sort of kid wasn't it, if I remember rightly?"
"As ugly as that?"
I looked again, and honesty compelled me to be frank.
"I don't see how it could have been, old chap."”

P.G. Wodehouse book Carry On, Jeeves

Carry On, Jeeves (1925)

Light

“A general theme for what I'm trying to convey and what actually drove me and my very industrious and creative project members over all these years, is… that there is much more to it than pictures. It has to be a picture language. There has to be meaning there, and the meaning is useful. You're trying to solve problems. So it really comes down to man machine problem solving. Better means of communication and expression is what always has driven our work.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Retrospectives : The Early Years in Computer Graphics at at MIT, Lincoln Lab and Harvard (1989), p. 26.

Communication , Problem

“The bourgeois … necessarily regards all behaviour that bursts ‘spontaneously’ forth from the individual ignorant of its causality, as above all free. Therefore the instincts are conceived as freely striving for unconscious goals, and psychology becomes the adventures of the free instincts in their struggles against the restraints of the environment (in Freud, of society) which impede and cripple their freedom. Out of this struggle cognitive and emotional consciousness is born.Now the only objection to this bourgeois psychology is that it inverts the picture. The instincts are not free springs of connation towards a goal. They are, so far as they can be abstractly separated, unconscious necessities, as Kant realised. They are unfree.”

Christopher Caudwell (1907–1937) British Marxist literary critic, journalist and writer

Further Studies in a Dying Culture (1949), Chapter IV: Consciousness: A Study in Bourgeois Psychology

Spring , Freedom

“Behind her chair, from a wall covered in a very expensive velvet-flock paper, a portrait of her grandfather looked down. He had been an Episcopalian bishop, but the picture showed him in the costume of a New England gentleman keeping up the Old English custom of riding to hounds: red coat, brown boots, distinguished with a white dog-collar and black silk front.
Hugh referred to him as being dressed to kill.
The salad was replaced—though Hugh had sampled only a mouthful of his—by a dish of cold fish with mayonnaise. He didn’t even touch this course. He was suddenly afraid of it because it had come from the sea.”

John Brunner book The Sheep Look Up

February “DISGRACE”
The Sheep Look Up (1972)

Dogs , Fish , Sea

“[.. feel interested in] Things that are not overworked, that are in essence light. In other words, the great Cezannes that are not all filled in.... while I can recognize a master piece that is heavily painted or darkly painted or painted in layers as great and sublime, it would not be my choice to hang a - [inaudible] - for five years if I could instead perhaps have a Cezanne of the kind I just described. Or a certain kind of Matisse. Or one of those large Rubens sketches, where the first breath of feeling is the picture, rather than the labor and the gift.”

Helen Frankenthaler (1928–2011) American artist

quote about 'light' paintings
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Feeling , Light , Painting

“The lap back to the pits and the whole podium ceremony was just unbelievable. I think for sure this is the best day of my life. These pictures, these emotions, I will never forget. It is unbelievable. It is so much greater than you might think it is. It is great. Again, I can just say a big, big thank you to all the guys working in the team. I think they did a fantastic job. Who might have thought about that at the beginning of the season. We had a poor start but then it got better and better and in these conditions we can make a bit of a gap by staying longer on full throttle. It is great, fantastic. I am speechless.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.formula1.com/news/headlines/2008/9/8387.html FIA post-race press conference, September 14, 2008.
After his maiden win at Monza.
Sourced quotes

Life , Guy , Thinking , Forgetting

“The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.”

Hans Hofmann (1880–1966) American artist

As quoted in Abstract Expressionist Painting in America (1983) by W.C, Seitz, p. 88
1970s and later

World , Way , Idea