Quotes about performance
page 15

“As a performer, I’ve always been very inspired by Andy Warhol and the Studio 54 era– the wardrobe, the glamour, the free-spirited underground club world.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne's blog for Bravo http://www.bravotv.com/the-real-housewives-of-beverly-hills/season-7/blogs/erika-girardi/erika-girardi-turning-45-is-a-big (2016)

Peter F. Drucker photo

“In book subjects a student can only do a student's work. All that can be measured is how well he learns, rather than how well he performs. All he can show is promise.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, Landmarks of Tomorrow: A Report on the New 'Post-Modern' World (1959), p. 144

Paras Khadka photo

“We had bunch of young players and every individual performed when team needed the most. Even junior players stood up on couple of occasions and that is a good sign for future of Nepali cricket.”

Paras Khadka (1987) Nepalese Cricket team captain

Cricketers get heroes welcome The Himalayan Times; February 2018 https://thehimalayantimes.com/sports/cricketers-get-heroes-welcome/

Warren Farrell photo

“The Female Western is the battle between the good and evil methods of getting the men who perform best.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 73.

Robert S. Kaplan photo

“Never promise more than you can perform.”

Publilio Siro Latin writer

Maxim 528
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave

Ed Bradley photo

“Aretha Franklin was tough. She turned out to be good, but she was, you know, she was -- she's a very -- she's a very wonderful, but in some ways, shy woman. You don't think about that when you see how she emotes and performs.”

Ed Bradley (1941–2006) News correspondent

[Larry King, Interview with Ed Bradley, http://transcripts.cnn.com/TRANSCRIPTS/0402/08/lkl.00.html, February 8, 2004, Larry King Live, CNN]

Terence McKenna photo
Wassily Leontief photo
Vilna Gaon photo
Jean Chrétien photo

“Trudeau valued performance above image. He Knew he could give me a shovel if there was a mess to clean up, and he kept moving me from one mess to another.”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: My Years As Prime Minister (2007), Chapter One, At Laurier's Desk, p. 16

Mani Madhava Chakyar photo
Ilana Mercer photo

“…free market is a market in which groups and individuals are differently represented. Parity in prosperity and performance between differently able individuals and groups can be achieved only by playing socialist leveler.”

Ilana Mercer South African writer

"Apartheid South Africa: Reality vs. Libertarian Fantasy" http://praag.org/?p=12425, Praag.org, December 20, 2013.
2010s, 2013

Vito Acconci photo
Paul Newman photo
Kuba Wojewódzki photo

“You puked on me with your performance.”

Kuba Wojewódzki (1963) Polish journalist

Obrzygałeś mnie swoją interpretacją.
To Idol contestants

Joseph Dietzgen photo
Steven Pressfield photo
Henry Wilson photo
Adam Smith photo
Lloyd Kenyon, 1st Baron Kenyon photo
Al-Biruni photo
John F. Kennedy photo

“And lastly, Chairman Khrushchev has compared the United States to a worn-out runner living on its past performance, and stated that the Soviet Union would out-produce the United States by 1970. Without wishing to trade hyperbole with the Chairman, I do suggest that he reminds me of the tiger hunter who has picked a place on the wall to hang the tiger's skin long before he his caught the tiger. This tiger has other ideas.”

John F. Kennedy (1917–1963) 35th president of the United States of America

President Kennedy's 13th News Conferences on June 28, 1961 John Source: F. Kennedy Presidential Library & Museum http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/Press-Conferences/News-Conference-13.aspx
1961

Vernon L. Smith photo
Herbert A. Simon photo
Roger Bacon photo

“Everything in nature completes its action through its own force and species alone… as, for example, fire by its own force dries and consumes and does many things. Therefore vision must perform the act of seeing by its own force. But the act of seeing is the perception of a visible object at a distance, and therefore vision perceives what is visible by its own force multiplied to the object. Moreover, the species of the things of world are not fitted by nature to effect the complete act of vision at once, because of its nobleness. Hence these must be aided by the species of the eye, which travels in the locality of the visual pyramid, and changes the medium and ennobles it, and renders it analogous to vision, and so prepares the passage of the species itself of the visible object… Concerning the multiplication of this species, moreover, we are to understand that it lies in the same place as the species of the thing seen, between the sight and the thing seen, and takes place along the pyramid whose vertex is in the eye and base in the thing seen. And as the species of an object in the same medium travels in a straight path and is refracted in different ways when it meets a medium of another transparency, and is reflected when it meets the obstacles of a dense body; so is it also true of the species of vision that it travels altogether along the path of the species itself of the visible object.”

Bacon, like Grosseteste, asserts that both the active extramitted species of vision from the eye, and the intramitted species of light from object seen, were necessary for sight.
v. i. vii. 4, ed. Briggs as quoted in A.C. Crombie, Robert Grossetest and the Origins of Experimental Science 1100-1700 (1953)
Opus Majus, c. 1267

Chris Rock photo
Rush Limbaugh photo

“I don't think he's been that good from the get-go. I think what we've had here is a little social concern in the NFL. I think the media has been very desirous that a black quarterback do well. They're interested in black coaches and black quarterbacks doing well. I think there's a little hope invested in McNabb and he got a lot of credit for the performance of his team that he really didn't deserve.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

2003 September Sunday NFL Countdown ESPN, quoted in * http://www.laweekly.com/2003-10-16/columns/rise-of-the-anti-machine/2/ Rise of the Anti-Machine: Dittohead Blues LA Weekly 2003-10-09, [ESPN, Limbaugh's comments touch off controversy, October 1, 2003, https://web.archive.org/web/20200220004444/https://www.espn.com/nfl/news/story?id=1627887], [Snopes, A list documents racist statements made by conservative radio talk show host Rush Limbaugh, February 4. 2020, https://www.snopes.com/fact-check/rush-limbaugh-racist-quotes/], [Rush Limbaugh’s most outrageous moments in 25 years on the radio, August 1, 2013, Morgan, Whitaker, MSNBC, http://www.msnbc.com/politicsnation/rush-limbaughs-most-outrageous-moments-25], and [Rush Limbaugh now has a Presidential Medal of Freedom. Here are just 20 of the outrageous things he's said, Jason, Silverstein, February 6, 2020, CBS News, https://www.cbsnews.com/news/rush-limbaugh-presidential-medal-of-freedom-state-of-the-union-outrageous-quotes/].

/ 2000s

Aaron Copland photo
Nigel Cumberland photo

“Too many teams are dysfunctional and are plagued with poor communication, lack of direction, selfishness and little sharing – they are teams only in name. To create a high performing team the key is to align all members of your team so that each member is moving in the same direction and understands their role and contribution. A good analogy is to think of a team of rowers where if the each rower is not totally aligned with all the other rowers the boat might go around in circles or even capsize.”

Nigel Cumberland (1967) British author and leadership coach

page 190
Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse

Swami Sivananda photo

“Be Good, Do Good.
Do thou always without attachment perform action which should be done, for by performing action without attachment, man reaches the Supreme.”

Swami Sivananda (1887–1963) Indian philosopher

Light, Power and Wisdom (1959), p. 6; note that the short phrase "Be good, do good" had occurred in spiritual teachings of others in the 19th century, usually in conjunction with other injunctions. "Be Good, Do Good" became a prominent motto of the Divine Life Society.
Light, Power and Wisdom (1959), p. 207
Variant: Be good, do good, be kind, be compassionate.

“My obligation is to focus on the priorities of classroom instruction, parental involvement and student safety, targeting student performance and eliminating unnecessary administrative costs.”

John R. Leopold (1943) politician

Hometown Annapolis - County Executive Leopold's FY08 Budget Address http://www.hometownannapolis.com/cgi-bin/read/2007/05_02-02/TOP

Hema Malini photo

“A conceptual level view of an object design describes the key abstractions. While someone might think of key abstractions as being nothing more or nothing less than high-level descriptions of "candidate classes", I prefer to consider a conceptual design from a slightly different angle--I'm thinking about design at a slightly different level.
An object-oriented application is a set of interacting objects. Each object is an implementation of one or more roles. A role supports a set of related (cohesive) responsibilities. A responsibility is an obligation to perform a task or know certain information. And objects don't work in isolation, they collaborate with others in a community to perform the overall responsibilities of the application. So a conceptual view, at least to start, is a distillation of the key object roles and their responsibilities (stated at a fairly high level). More than likely (unless you form classification hierarchies and use inheritance and composition techniques) many candidates you initially model will map directly to a single class in some inheritance hierarchy. But I like to open up possibilities by think first of roles and responsibilities, and then as a second step towards a specification-level view, mapping these candidates to classes and interfaces.”

Rebecca Wirfs-Brock (1953) American software engineer

Rebecca Wirfs-Brock (2003) in " An Interview with Rebecca Wirfs-Brock Author of Object Design http://www.objectsbydesign.com/books/RebeccaWirfs-Brock.html" 2003-2005 Objects by Design, Inc: Answer to the question Can you clarify what you consider to be the essential elements of a "conceptual view".

Manuel Castells photo

“If valuation in the financial markets provides the bottom line for the performance of the company, it is labor that remains the source of productivity, innovation, and competitiveness.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 3, e-Business and the New Economy, p. 90

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Wilhelm Keitel photo
Nathanael Greene photo
Rensis Likert photo
John Kenneth Galbraith photo

“Very important functions can be performed very wastefully and often are.”

Source: The Affluent Society (1958), Chapter 17, Section I, p. 190

Brendan Brazier photo
Thomas Gainsborough photo

“.. as I met with Mr. (Dunning there. There is something exclusive of the clear and deep understanding of that gentleman most exceedingly pleasing to me. He seems the only man who talks as Giardini plays, if you know what I mean; he puts no more motion than what goes to the real performance, which constitutes that ease and gentility peculiar to damned clever fellows... He is an amazing compact man in every respect.... and besides this neatness in outward appearance, his storeroom seems cleared of all French ornaments and gingerbread work, everything is simplicity and elegance and in its proper place, no disorder or confusion in the furniture.... Sober sense and great acuteness are marked very strong in his face.... but there is genius (in our sense of the word). (It) shines in all he says. In short, Mr. Jackson of Exeter [his friend], I begin to think there is something in the air of Devonshire that grows clever fellows. I could name four or five of you, superior to the product of any other county in England.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 2 Sept. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 384 (Appendix A - Letter VII)
1755 - 1769

Lyndon B. Johnson photo
Humphrey Bogart photo

“All you owe the public is a good performance.”

Humphrey Bogart (1899–1957) American actor

To Frank Sinatra, as quoted in The New York Times (17 May 1994)

Mahatma Gandhi photo

“I believe that the civilization India evolved is not to be beaten in the world. Nothing can equal the seeds sown by our ancestors, Rome went, Greece shared the same fate; the might of the Pharaohs was broken; Japan has become Westernized; of China nothing can be said; but India is still, somehow or other, sound at the foundation. The people of Europe learn their lessons from the writings of the men of Greece or Rome, which exist no longer in their former glory. In trying to learn from them, the Europeans imagine that they will avoid the mistakes of Greece and Rome. Such is their pitiable condition. In the midst of all this India remains immovable and that is her glory. It is a charge against India that her people are so uncivilized, ignorant and stolid, that it is not possible to induce them to adopt any changes. It is a charge really against our merit. What we have tested and found true on the anvil of experience, we dare not change. Many thrust their advice upon India, and she remains steady. This is her beauty: it is the sheet-anchor of our hope.
Civilization is that mode of conduct which points out to man the path of duty. Performance of duty and observance of morality are convertible terms. To observe morality is to attain mastery over our mind and our passions. So doing, we know ourselves. The Gujarati equivalent for civilization means “good conduct.””

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Sect. 13
Variant translations: I believe that the civilisation into which India has evolved is not to be beaten in the world. Nothing can equal the seeds sown by our ancestry. Rome went; Greece shared the same fate; the might of the Pharaohs was broken; Japan has become westernised; of China nothing can be said; but India is still, somehow or other, sound at the foundation.
Greece, Egypt, Rome — all have been erased from this world, yet we continue to exist. There is something in us, that our character never ceases from the face of this world, defying global hostility for centuries.
1900s, Hind Swaraj (1908)

Patrick White photo
Mani Madhava Chakyar photo
Alan Bennett photo
Rensis Likert photo
Dana Gioia photo
Willie Nelson photo
Ross Mintzer photo

“In 7th grade, I saw the Allman Brothers play at the Beacon Theatre. I also saw the Dave Mathews Band perform at Giant’s Stadium. Those concerts changed my life. I was inspired so much. In my heart, I knew that was the only thing I wanted to do with my life.”

Ross Mintzer (1987) American musician and performer

Interview with Arts Brooksfield(16 October 2014) https://www.facebook.com/artsBrookfield/photos/a.100993377692.102500.97825917692/10152291198457693/
2014

Theodor Mommsen photo

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Hugh Laurie photo

“It's as if you're playing left-handed. Or like everyone else is playing with a tennis racket and you have a salmon.(On performing with an American accent)”

Hugh Laurie (1959) British actor, comedian, writer, musician and director

Source: [2006-08-21, http://news.yahoo.com/s/ap/20060821/ap_en_tv/people_hugh_laurie, Hugh Laurie plays U.S. doctor on `House', Associated Press (via Yahoo! News), 2006-08-21]

“Better a man's own duty, though ill-done, than another's duty well-performed; if a man do the duty his own nature bids him, he incurs no stain.”

W. Douglas P. Hill (1884–1962) British Indologist

Source: The Bhagavadgītā (1973), p. 209. (47.)

Rob Enderle photo
A. P. J. Abdul Kalam photo
Daniel Suarez photo
Hayley Jensen photo
Balasaraswati photo
John Rogers Searle photo
Baruch Ashlag photo
Henry Clay Trumbull photo
Lloyd Kenyon, 1st Baron Kenyon photo
Woodrow Wilson photo

“We want one class of persons to have a liberal education, and we want another class of persons, a very much larger class, of necessity, in every society, to forego the privileges of a liberal education and fit themselves to perform specific difficult manual tasks.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

“The Meaning of a Liberal Education”, Address to the New York City High School Teachers Association (9 January 1909)
1900s

Billy Crystal photo

“Oprah: Is there a muscle you use for performing?
Billy: Yes — my brain.”

Billy Crystal (1948) American actor

Interview with Oprah Winfrey

“The relation of the performance of music to sound is complex and ambiguous: this is what makes possible Mark Twain's joke that Wagner is better than he sounds.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind

Hayley Jensen photo
Elton Mayo photo
Charles Boarman photo
Daniel Dennett photo

“In a Thumbnail Sketch here is [the Multiple Drafts theory of consciousness] so far:There is no single, definitive "stream of consciousness," because there is no central Headquarters, no Cartesian Theatre where "it all comes together" for the perusal of a Central Meaner. Instead of such a single stream (however wide), there are multiple channels in which specialist circuits try, in parallel pandemoniums, to do their various things, creating Multiple Drafts as they go. Most of these fragmentary drafts of "narrative" play short-lived roles in the modulation of current activity but some get promoted to further functional roles, in swift succession, by the activity of a virtual machine in the brain. The seriality of this machine (its "von Neumannesque" character) is not a "hard-wired" design feature, but rather the upshot of a succession of coalitions of these specialists.The basic specialists are part of our animal heritage. They were not developed to perform peculiarly human actions, such as reading and writing, but ducking, predator-avoiding, face-recognizing, grasping, throwing, berry-picking, and other essential tasks. They are often opportunistically enlisted in new roles, for which their talents may more or less suit them. The result is not bedlam only because the trends that are imposed on all this activity are themselves part of the design. Some of this design is innate, and is shared with other animals. But it is augmented, and sometimes even overwhelmed in importance, by microhabits of thought that are developed in the individual, partly idiosyncratic results of self-exploration and partly the predesigned gifts of culture. Thousands of memes, mostly borne by language, but also by wordless "images" and other data structures, take up residence in an individual brain, shaping its tendencies and thereby turning it into a mind.”

Source: Consciousness Explained (1991), p. 253–4.

Vytautas Juozapaitis photo

“For ritual allows those who cannot will themselves out of the secular to perform the spiritual, as dancing allows the tongue-tied man a ceremony of love.”

Andre Dubus (1936–1999) Novelist, short story writer, teacher

A Father's Story.
Selected Stories (1995)

Richard Blackmore photo

“Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own …”

Richard Blackmore (1654–1729) English poet and physician

Preface to King Arthur http://d.lib.rochester.edu/camelot/text/blackmore-king-arthur-I (1697)

William Irwin Thompson photo
Masiela Lusha photo
Marilyn Manson photo
Horace Bushnell photo
Bob Dylan photo
George W. Bush photo