Quotes about perception
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“If the doors of perception were cleansed, everything would appear to man as it is: infinite.”
A Memorable Fancy
1790s, The Marriage of Heaven and Hell (1790–1793)
“The chief proof of man's real greatness lies in his perception of his own smallness.”
Source: The Sign of Four
“In my perception, the world wasn't a graph or formula or an equation. It was a story.”
Source: Wild: From Lost to Found on the Pacific Crest Trail
“To change ourselves effectively, we first had to change our perceptions.”
Source: The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change
“There's nothing more embarrassing than to have earned the disfavor of a perceptive animal.”
Source: Wonder Boys (1995)
Variant translations: The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms — it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man. To know that what is impenetrable for us really exists and manifests itself as the highest wisdom and the most radiant beauty, whose gross forms alone are intelligible to our poor faculties — this knowledge, this feeling … that is the core of the true religious sentiment. In this sense, and in this sense alone, I rank myself among profoundly religious men.
As quoted in After Einstein : Proceedings of the Einstein Centennial Celebration (1981) by Peter Barker and Cecil G. Shugart, p. 179
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
As quoted in Introduction to Philosophy (1935) by George Thomas White Patrick and Frank Miller Chapman, p. 44
The most beautiful emotion we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead, a snuffed-out candle. To sense that behind anything that can be experienced there is something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense, and in this sense only, I am a devoutly religious man."
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed.
1930s, Mein Weltbild (My World-view) (1931)
Context: The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, our perceptions of the profoundest reason and the most radiant beauty, which only in their most primitive forms are accessible to our minds: it is this knowledge and this emotion that constitute true religiosity. In this sense, and only this sense, I am a deeply religious man.
The Believer interview (2013)
Context: Yeah, our view of reality, the one we conventionally take, is one among many. It’s pretty much a fact that our entire universe is a mental construct. We don’t actually deal with reality directly. We simply compose a picture of reality from what’s going on in our retinas, in the timpani of our ears, and in our nerve endings. We perceive our own perception, and that perception is to us the entirety of the universe. I believe magic is, on one level, the willful attempt to alter those perceptions. Using your metaphor of an aperture, you would be widening that window or changing the angle consciously, and seeing what new vistas it affords you.
“people saw what they wanted to see. They didn't need the Mist to warp their perceptions.”
Variant: But Annabeth knew that people saw what they wanted to see. They didn’t need the Mist to warp their perceptions.
Source: The Mark of Athena
Tradition and the Individual Talent (1919)
Source: Four Quartets
Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.
As quoted in The Social Dimensions Of Law And Justice In Contemporary India (1979) by V. R. Krishna Iyer
Context: It may be that we are puppets — puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. The fact that obedience is often a necessity in human society does not diminish our responsibility as citizens. Rather, it confers on us a special obligation to place in positions of authority those most likely to use it humanely. And people are inventive. The variety of political forms we have seen in history are only several of many possible political arrangements. Perhaps the next step is to invent and to explore political forms that will give conscience a better chance to resist errant authority.
Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.
Knowledge and Global Order https://www.bbvaopenmind.com/en/article/knowledge-and-global-order/?fullscreen=true - OpenMind September 2013
Anish kapoor in conversation with Homi K. Bhabha in 1998. Quoted in pdf, Anish Kapoor, 18 December 2013, Royal Academy Organization http://static.royalacademy.org.uk/files/anish-kapoor-education-guide-558.pdf,
Advice to Clever Children (1981)
On the effects of the 2001 anthrax attacks, from While America Sleeps: A Wake-up Call for the Post-9/11 Era, as quoted in [Moyer, Justin, The speed read: ‘While America Sleeps,’ by Russ Feingold, https://www.washingtonpost.com/opinions/we-read-so-you-dont-have-to-while-america-sleeps-by-russ-feingold/2012/02/28/gIQATdIszR_story.html?utm_term=.8231b88d08d1, 20 August 2018, The Washington Post, March 8, 2012]
2012
Source: The Culture of Make Believe (2003), p. 63
Umberto Pettinicchio late interview https://www.shantimandir.eu/la-spiritualita-oltre-liconarelazione-umberto-pettinicchio/, La spiritualita’ oltre l’icona, shantimandir.eu, 2001.
Source: An Introduction to Psychology (1912), p. 16
Source: The Age of Missing Information (1992), p. 22
Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119
“The Other Frost”, p. 29
Poetry and the Age (1953)
Source: 1960s, The Gutenberg Galaxy (1962), p. 183
As quoted in "some ideas for free from time recording" by Emit Records (1995) https://archive.is/20130628060534/www.emit.cc/img/catalog-page9.jpg
How to Succeed at Vampire Slaying and Keep Your Soul (2005)
"World of Wonders".
Conversations with Robertson Davies (1989)
Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27
ruce Timm Interview http://www.animationmagazine.net/home-entertainment/batman-under-the-red-hood-clip-and-bruce-timm-interview/ (June 25, 2010)
Page 42
The Listening Composer
Source: Repubblica.it interview, 23 Dec 2016<sup> link http://www.repubblica.it/esteri/2016/12/23/news/assange_wikileaks-154754000/</sup>
"Drugs, Hallucinations, and the Quest for Reality" (1964) quoting an unknown psychiatric text, reprinted in The Shifting Realities of Philip K. Dick (1995) Lawrence Sutin, ed.
Quoted in: " Maryanne Amacher, Synaptic Island http://datagarden.org/5483/maryanne-amacher-synaptic-island/," on datagarden.org, 2015.
Source: Anarchy after Leftism (1997), Chapter 11: Anarchy after Leftism
Thoughts and Glimpses (1916-17)
Session 499, Page 380
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9
Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 12
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914
Source: The Culture of Make Believe (2003), p. 50
Let me share with you a few of my own experiences.
The quoted line is taken from "Education for Eternity" (12 Septemebr 1967), by Spencer W. Kimball, p. 11, preschool address to BYU faculty and staff.
The Arts, the Sciences, and the Light of the Gospel (2000)
“Free will is an illusion. It is synonymous with incomplete perception.”
Source: Flashforward (1999), Chapter 12 epigram (p. 123; quoting Walter Kubilius)
Preface
A Book of Travel to Three Continents (Translated from Dahri) (1914)
Source: Mind and Nature, a necessary unity, 1988, p. 74-75
Note to the "Criticism" section
The Portable Matthew Arnold (Viking Press, 1949)
The Paradox Of Life
Grooks
translated as The Cost of Discipleship (1959), p. 49.
Discipleship (1937), Costly Grace
Introduction
The Prophets (1962)
Source: Seth, Dreams & Projections of Consciousness, (1986), p. 130, quoting from Seth Session 20
Source: Sisters in Crime: The Rise of the New Female Criminal (1975), P. 5.
Source: The function of interpretation in psychotherapy. 1959, p. 6-7
Source: A History of Experimental Psychology, 1929, p. 246 (p. 257 in 1950 edition)
Anatol Rapoport, Conflict in man-made environment. Harmondsworth: Penguin Books, 1974; As cited in M.J. Apter, J.H. Kerr, S. Murgatroyd (1993) Advances in Reversal Theory. p. 63-64
1970s and later
Source: Problems Of Humanity (1944), p. 150/1
Source: Graphics and graphic information processing (1981), p. 16 as cited in: Riccardo Mazza (2004) Introduction to Information Visualisation http://www.dti.supsi.ch/~mazza/infovis_introduction.pdf
Franz Marc's note on the reception of the second exhibition of the 'Neue KünstlerVereinigung' in Munich, September 1910; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 125
1905 - 1910
Webster v. Reproductive Health Services (1989, concurring in part and concurring in the judgment), 492 U.S. 490 https://www.law.cornell.edu/supremecourt/text/492/490#writing-USSC_CR_0492_0490_ZC1, No. 88-605 ; decided July 3, 1989
1980s
'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)
Source: 1960s, Through the Vanishing Point (1968), p.240
"Joseph Nechvatal at Universal Concepts Unlimited," in: Art in America Magazine, March 2003. pp.123-124.
Source: The End of Science (1996), p. 88
2010s, North Korea's State Loyalty Advantage (December 2011)