Quotes about mystery
page 12

Daniel Handler photo
Kuruvilla Pandikattu photo

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Francois Rabelais photo
John Galt (novelist) photo

“To rule without being felt…is the great mystery of policy.”

John Galt (novelist) (1779–1839) British writer

The Provost (Edinburgh: Blackwood, 1822) p. 19.

Wilkie Collins photo

“Ask yourself if there is any explanation of the mystery of your own life and death.”

Wilkie Collins (1824–1889) British writer

The Haunted Hotel: A Mystery of Modern Venice [Rose-Belford, 1878] ( p.288 https://books.google.com/books?id=zyFjcZUO3CUC&pg=PA288)
Also in The Supernatural And English fiction by Glen Cavaliero [Oxford University Press, 1995, ISBN 0-192-12607-5] (p. 39)

Ralph Waldo Emerson photo
Arthur Schopenhauer photo
Anthony Burgess photo

“All art preserves mysteries which aesthetic philosophers tackle in vain.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“Thus much, Samothrace, has the poet proclaimed thee to the nations and the light of day; there stay, and let us keep our reverence for holy mysteries.”
Hactenus in populos vati, Samothraca, diem que missa mane sacrisque metum servemus opertis.

Source: Argonautica, Book II, Lines 439–440

G. K. Chesterton photo

“Poets have been mysteriously silent on the subject of cheese.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Alarms and Discursions (1910), 'Cheese,' p. 70

Huldrych Zwingli photo
Boris Johnson photo
Sarah McLachlan photo

“You come out at night;
That's when the energy comes.
And the dark side's light,
And the vampires roam.
You strut your rasta wear
And your suicide poem
And a cross from a faith
That died before Jesus came.
You're building a mystery.”

Sarah McLachlan (1968) Canadian musician, singer, and songwriter

Building a Mystery, written by Sarah McLachlan and Pierre Marchand
Song lyrics, Surfacing (1997)

Andy Warhol photo
Thomas Jefferson photo

“I, too, have made a wee-little book from the same materials, which I call the Philosophy of Jesus; it is a paradigma of his doctrines, made by cutting the texts out of the book, and arranging them on the pages of a blank book, in a certain order of time or subject. A more beautiful or precious morsel of ethics I have never seen; it is a document in proof that I am a real Christian, that is to say, a disciple of the doctrines of Jesus, very different from the Platonists, who call me infidel and themselves Christians and preachers of the gospel, while they draw all their characteristic dogmas from what its author never said nor saw. They have compounded from the heathen mysteries a system beyond the comprehension of man, of which the great reformer of the vicious ethics and deism of the Jews, were he to return on earth, would not recognize one feature.”

Letter to Charles Thomson (9 January 1816), on his The Life and Morals of Jesus of Nazareth http://etext.lib.virginia.edu/etcbin/toccer-new2?id=JefJesu.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=all (the "Jefferson Bible"), which omits all Biblical passages asserting Jesus' virgin birth, miracles, divinity, and resurrection. Published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 11 http://oll.libertyfund.org/Texts/Jefferson0136/Works/0054-11_Bk.pdf, pp. 498–499
1810s

John Donne photo
Arthur Machen photo
C. Wright Mills photo
Will Eisner photo

“Providence is a greater mystery than revelation.”

Richard Cecil (clergyman) (1748–1810) British Evangelical Anglican priest and social reformer

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 423.

John C. Wright photo

“There is no magic, only mysteries explained, and mysteries unexplained.”

John C. Wright (1961) American novelist and technical writer

Source: Titans of Chaos (2007), Chapter 8, “Pallid Hounds A-Hunting” Section 1 (p. 106)

Aldous Huxley photo
Elsa Gidlow photo

“We are returned to mystery and the power of cooperating with life—rather than, as so often now, working against it.”

Elsa Gidlow (1898–1986) Canadian-American poet

On organic farming, in Belasco, Warren James, 2007, "The Organic Paradigm" http://books.google.com/books?id=4-8Tcsb2PHwC&lpg=PP1&pg=PT63#v=onepage&q&f=false, Appetite for Change: How the Counterculture Took on the Food Industry, Cornell University Press, ISBN 0801473292, p. 69.

Anaïs Nin photo
Evgeny Baratynsky photo

“The mysterious power of harmony
Will expiate a heavy delusion
And tame a revolting desire.”

Evgeny Baratynsky (1800–1844) Russian poet

Sacred song heals the sick spirit

David Brewster photo

“The only sure mode of acquiring sound ideas of our relation to the Creator is to begin with the study of ourselves, and to view God as a Father and Friend, dealing with us in precisely the same way as we would deal with others over whom we exercise authority. Conscience, that infallible Mentor "that sticketh closer than a brother," tells us that we are responsible beings; and in the domestic, as well as the social circle, we speedily feel the discipline and learn the lesson of rewards and punishments. The law written in man's heart points to the past as pregnant with events which may affect the future; and in the earnestness of his aspirations, and the activity of his search, he is gradually led to the mysterious history of his race. He learns that on tables of stone have been engraven the same law to which his heart responded; -that when all were dead, one died for all; and in the contemplation of the great sacrifice, he obtains a solution of the interesting problem of his individual destiny. The Sacred record which is now his guide, speaks to him of fore-knowledge and predestination, while, in perfect consistency, it records the ministration of descending spirits, and the holier communings of God with man. The Divine decrees no longer perplex him. They transcend, indeed, his Reason - but that Reason, the faithful interpreter of Conscience, does not falter in proclaiming the Freedom of his Will, and the Responsibility of his Actions.”

David Brewster (1781–1868) British astronomer and mathematician

Review of Vestiges (1845)

Edwin Abbott Abbott photo
Jordan Peterson photo
William Cullen Bryant photo
Aldous Huxley photo
Charles Baudelaire photo

“Dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”

La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d'être humaine et palpable. La danse, c'est la poésie avec des bras et des jambs, ...
"La Fanfarlo" (1847) http://fr.wikisource.org/wiki/La_Fanfarlo

Jeremy Corbyn photo
Joseph Stella photo
Robert Delaunay photo
Ai Weiwei photo
John Muir photo

“Many lawless mysteries vanish, and harmonies take their places.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 9: The Sequoia and General Grant National Parks

Bliss Carman photo

“There paused to shut the door
A fellow called the Wind,
With mystery before,
And reticence behind.”

Bliss Carman (1861–1929) author

At the Granite Gate, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Mickey Spillane photo
Yevgeny Yevtushenko photo

“Give me a mystery – just a plain and simple one – a mystery which is diffidence and silence, a slim little, barefoot mystery: give me a mystery – just one!”

Yevgeny Yevtushenko (1932–2017) Russian poet, film director, teacher

"Mysteries" (1960), st. 10; Dimitri Obolensky (ed.) The Heritage of Russian Verse (Bloomington: Indiana University Press, 1976) p. 452.

Robert G. Ingersoll photo
Dorothy Day photo
Robert J. Sawyer photo
Francis Wayland Parker photo
Antoni Tàpies photo
Simone de Beauvoir photo
Constantin Brâncuși photo

“Don't look for mysteries. I give you pure joy.”

Constantin Brâncuși (1876–1957) French-Romanian artist

Brâncuși cited in: Horst Woldemar Janson, ‎Anthony F. Janson (2004) History of Art: The Western Tradition.

James Howard Kunstler photo
Thomas Carlyle photo
Albert Camus photo
James I of England photo

“That which concerns the mystery of the King's power is not lawful to be disputed; for that is to wade into the weakness of Princes, and to take away the mystical reverence that belongs unto them that sit in the throne of God.”

James I of England (1566–1625) king during union of English and Scottish crowns

Speech in the Star Chamber http://coursesa.matrix.msu.edu/~hst201/SpeechJud.htm(June 1616)[citation needed]

Francis Parkman photo

“The mystery brings peace to my eyes, not blindness.”

Antonio Porchia (1885–1968) Italian Argentinian poet

El misterio apacigua mis ojos, no los ciega.
Voces (1943)

Henry Adams photo
Gloria Estefan photo
John Muir photo
Viktor Schauberger photo
James Fenimore Cooper photo

“For ourselves, we firmly believe that the finger of Providence is pointing the way to all races, and colors, and nations, along the path that is to lead the east and the west alike to the great goal of human wants. Demons infest that path, and numerous and unhappy are the wanderings of millions who stray from its course; sometimes in reluctance to proceed; sometimes in an indiscreet haste to move faster than their fellows, and always in a forgetfulness of the great rules of conduct that have been handed down from above. Nevertheless, the main course is onward; and the day, in the sense of time, is not distant, when the whole earth is to be filled with the knowledge of the Lord, "as the waters cover the sea.
One of the great stumbling-blocks with a large class of well-meaning, but narrow-judging moralists, are the seeming wrongs that are permitted by Providence, in its control of human events. Such persons take a one-sided view of things, and reduce all principles to the level of their own understandings. If we could comprehend the relations which the Deity bears to us, as well as we can comprehend the relations we bear to him, there might be a little seeming reason in these doubts; but when one of the parties in this mighty scheme of action is a profound mystery to the other, it is worse than idle, it is profane, to attempt to explain those things which our minds are not yet sufficiently cleared from the dross of earth to understand.”

James Fenimore Cooper (1789–1851) American author

Preface
Oak Openings or The bee-hunter (1848)

Huangbo Xiyun photo

“A perception, sudden as blinking, that subject and object are one, will lead to a deeply mysterious understanding; and by this understanding you will awaken to the truth.”

Huangbo Xiyun Chinese Zen Buddhist

The Wan Ling Record of Xiu Pei, quoted in Why Lazarus Laughed: The Essential Doctrine, Zen — Advaita — Tantra (2003) by Wei Wu Wei

Anthony Burgess photo

“An Egyptian priest…. plays up the mystery of language to enhance his own power.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

Swami Vivekananda photo
Warren Farrell photo

“I feel awed by the mystery of being both so finite and yet so infinite, so much and so little, so conscious and yet, so coincidental.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Interview by Jonathan Robinson (1994), p. 46-47.

Peter Greenaway photo
Gregory Benford photo
Amit Chaudhuri photo
Thomas Carlyle photo
Joseph Gordon-Levitt photo
Jopie Huisman photo

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Northrop Frye photo
Jeff Foxworthy photo
David Brin photo

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

Honoré de Balzac photo

“Suicide, moreover, was at that time in vogue in Paris: what more suitable key to the mystery of life for a skeptical society?”

D'ailleurs, le suicide régnait alors à Paris; ne doit-il pas être le dernier mot des sociétés incrédules?
Source: A Daughter of Eve (1839), Ch. 7: Suicide.

James Fenimore Cooper photo

“I do not pretend to understand why such a sacrifice should be necessary, but I believe it, feel it; and believing and feeling it, I cannot but adore and worship the Son, who quitted heaven to come on earth, and suffered, that we might possess eternal life. It is all mystery to me, as is the creation itself, our existence, God himself, and all else that my mind is too limited to comprehend. But, Roswell, if I believe a part of the teachings of the Christian church, I must believe all. The apostles, who were called by Christ in person, who lived in his very presence, who knew nothing except as the Holy Spirit prompted, worshiped him as the Son of God, as one 'who thought it not robbery to be equal with God;' and shall I, ignorant and uninspired, pretend to set up my feeble means of reasoning, in opposition to their written instructions!"… I do not deny that we are to exercise our reason, but it is within the bounds set for its exercise. We may examine the evidence of Christianity, and determine for ourselves how far it is supported by reasonable and sufficient proofs; beyond this we cannot be expected to go, else might we be required to comprehend the mystery of our own existence, which just as much exceeds our understanding as any other. We are told that man was created in the image of his Creator, which means that there is an immortal and spiritual part of him that is entirely different from the material creature One perishes, temporarily at least--a limb can be severed from the body and perish, even while the body survives; but it is not so with that which has been created in the image of the deity. That is imperishable, immortal, spiritual, though doomed to dwell awhile in a tenement of clay. Now, why is it more difficult to believe that pure divinity may have entered into the person of one man, than to believe, nay to feel, that the image of God has entered into the persons of so many myriads of men?”

James Fenimore Cooper (1789–1851) American author

Source: The Sea Lions or The Lost Sealers (1849), Ch. XII

Colin Moulding photo

“Can't you see
Love and affection
When it's put
In your direction
Wrapped in your mysterious wonderland”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Wonderland"
Mummer (1983)

David Attenborough photo
Mai Văn Phấn photo

“The poetic creation is nearly like the amazement state of a child who, in the first time, sees the strange phenomena of nature and finds out the human mysteries and complications… The poet is a selected person (temporarily called as a God-selected person), who is “granted a favour”in the spirit of Jesus Christ, or meets a “good fortune” in Buddhism.”

Mai Văn Phấn (1955) Vietnamese poet

Sáng tạo, tinh thần cho điểm đến - Nhà thơ Ko Hyeong Ryeol thực hiện PV http://maivanphan.vn/MaiVanPhan/32/398/781/1102/Tra-loi-phong-van/Sang-tao--tinh-than-cho-diem-den---Nha-tho-Ko-Hyeong-Ryeol-thuc-hien-PV.aspx

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“Few are the beliefs, still fewer the superstitions of to-day. We pretend to account for everything, till we do not believe enough for that humility so essential to moral discipline. But the dark creed of the fatalist still holds its ground — there is that within us, which dares not deny what, in the still depths of the soul, we feel to have a mysterious predominance. To a certain degree we controul our own actions — we have the choice of right or wrong; but the consequences, the fearful consequences, lie not with us. Let any one look upon the most important epochs of his life; how little have they been of his own making — how one slight thing has led on to another, till the result has been the very reverse of our calculations. Our emotions, how little are they under our own controul! how often has the blanched lip, or the flushed cheek, betrayed what the will was strong to conceal! Of all our sensations, love is the one which has most the stamp of Fate. What a mere chance usually leads to our meeting the person destined to alter the whole current of our life. What a mystery even to ourselves the influence which they exercise over us. Why should we feel so differently towards them, to what we ever felt before? An attachment is an epoch in existence — it leads to casting off old ties, that, till then, had seemed our dearest; it begins new duties; often, in a woman especially, changes the whole character; and yet, whether in its beginning, its continuance or its end, love is as little within our power as the wind that passes, of which no man knows whither it goeth or whence it comes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.14. The Bride of Lammermuir — LUCY ASHTON.
Literary Remains

“The world has spilled Love's secret —
when could music ever hold its tongue?
Every atom babbles the mystery”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Fakhruddin Iraqi: Divine Flashes (1982)

David Chalmers photo
William H. McNeill photo
Tryon Edwards photo

“Anxiety is the poison of human life; the parent of many sins and of more miseries. – In a world where everything is doubtful, and where we may be disappointed, and be blessed in disappointment, why this restless stir and commotion of mind? – Can it alter the cause, or unravel the mystery of human events?”

Tryon Edwards (1809–1894) American theologian

Misattributed to Tryon Edwards by a number of websites, thinkexist.com and quoteland.com among others. This quote does appear on p. 23 of Edwards' compilation, A Dictionary of Thoughts; however, it is clearly identified there as a quote by Hugh Blair, the Scottish author and preacher.
A genuine Tryon Edwards quote on the subject of anxiety appears above in the Sourced section ( from p. 22 of A Dictionary of Thoughts. )
Misattributed

Justina Robson photo
Claude Debussy photo
Mohammed VI of Morocco photo

“In Morocco, I am perfectly known. Moroccans know my character and my ideas, they know absolutely everything of me. This notion of mystery is entertained by some press: to sell, a label must be assigned. I was assigned this label of mystery, just because I decided that, before speaking, I will wait to better know.”

Mohammed VI of Morocco (1963) King of Morocco

Original French: Au Maroc, on me connaît parfaitement. Les Marocains connaissent mon caractère et mes idées, ils savent absolument tout de moi. Cette notion de mystère est entretenue par une certaine presse : pour vendre, il faut mettre une étiquette. On m’a donc collé une étiquette, celle du mystère, simplement parce que j’ai décidé que, avant de parler, j’attendrais de mieux savoir.
Interview with Le Figaro–September 2001 http://www.maroc.ma/fr/discours-royaux/interview-accord%C3%A9e-par-sa-majest%C3%A9-le-roi-mohammed-vi-au-quotidien-fran%C3%A7ais-%C2%AB-le

“I’m sitting here bored, … trying to remember that everything is a complete mystery.”

James Richardson (1950) American poet

#489
Vectors: Aphorisms and Ten Second Essays (2001)

Peggy Noonan photo

“Some things in life need to be mysterious. Sometimes you need to just keep walking. … It’s hard for me to look at a great nation issuing these documents and sending them out to the world and thinking, oh, much good will come of that.”

Peggy Noonan (1950) American author and journalist

Concerning release of information about accusations against George W. Bush, in "Winners & Sinners" in Columbia Journalism Review (19 April 2009) http://www.cjr.org/full_court_press/winners_sinners_12.php?page=all&print=true

China Miéville photo

“There are no cats in UnLondon, for example, because they’re not magic and mysterious at all, they’re idiots.”

Source: Un Lun Dun (2007), Chapter 12, “Safe Conduct” (p. 53)

Nicolae Paulescu photo
John Ruskin photo
Joseph Conrad photo

“The world of finance is a mysterious world in which, incredible as the fact may appear, evaporation precedes liquidation.”

Victory: An Island Tale (1915), part I, Ch. 1 http://books.google.com/books?id=jhVObcSHoQgC&q=%22The+world+of+finance+is+a+mysterious+world+in+which+incredible+as+the+fact+may+appear+evaporation+precedes+liquidation%22&pg=PA3#v=onepage