Quotes about musician
page 3

“From New Orleans and the back roads of the Mississippi Delta to Harlem and Chicago, black musicians set enduring and distinctive standards for American creativity. The blues of Ma Rainey and Bessie Smith, the gospel of Mahalia Jackson, the jazz of Duke Ellington, and the soul of Marvin Gaye claim fans of all ages from around the world. The trumpeting genius of Louis Armstrong and Dizzy Gillespie illustrate the exceptional musicianship so prominent in various genres of African-American music.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

Age, World, Music, Soul

“When I was fifteen, I became a professional musician. I got involved with people and did certain things which led me to start making records and touring. And leaving Belfast and going to London and America, one thing led to another and I got caught up in the life that I'm living now…I was very young and i followed something.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

1993
As quoted in Can You Feel the Silence? Van Morrison: A New Biography (2003) by Clinton Heylin

Life, People

“I find it breathtaking […] that when musical composition competitions are held, the contestants often do not submit tapes or records (or live performances) of their works they submit written scored, and the judges confidently make their aesthetic judgements on the basis of just reading the scores and hearing the music in their minds. How good are the best musical imaginations? Can a trained musician, swiftly reading a score tell just how that voicing of dissonant oboes and flutes over the massed strings will sound?”

Daniel Dennett book Consciousness Explained

Consciousness Explained (1991)

Music, Confidence, Imagination, Reading

“I wrote that; I ran right outside I hopped inside a cab. I went out the other door. You know like the Beatles, when they go in one side and then get out the other side and everyone thinks they’re in the cab and they’re not. And this Englishman said fab. That was Bob Dylan’s 115th Dream, you know the one.
If you’re a musician, people expect your music to be free. It’s like is all plumbing free? Is all electricity free? Is all dentistry free? No.”

Dhani Harrison (1978) English musician

Dhani Harrison cited in Dhani Harrison http://www.youtube.com/watch?v=giFtE3SClOM", at Youtube.com, 28 June, 2008: On his band Thenewno2

People, Dreams, Music, Thinking

“I really like Chris [Cornell]'s records and I think he's the best singer that we've got on the planet. I first met Chris when I moved to Seattle, and we started hanging around. I didn't know what musicians did with their life, and I quickly realized that what he did on a Friday night was to get a 12-pack of shitty beer and chase his dog around on the mud for four hours in the forest. That was about an exciting an epiphany as I had! I haven't seen him in town for a while, but I have taken over the whole dog-chasing practice – me and my Hawaiian mutt. The beer's gotten slightly better too.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Q&A with Ed Vedder, Uncut Magazine, September 2009 http://www.pearljamonline.it/interviste/uncut09.htm,

Life, Dogs, Beer, Thinking

“I set up our labour union in 1935, because we - the popular musicians - had never had one. It was somehow a huge movement, but because of the lack of experience of some people, discussions and divisions started between us. However, I can recall everyone showed combativeness and we've got better wages, weekly rest and the end of workday at 4PM.”

Osvaldo Pugliese (1905–1995) Argentine pianist, tango composer

Unsourced

People

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food, Wedding, Dance, Flying

“He was my mentor in a way -- as a musician and as a businessman. He came to Turkey once and saw me on stage performing, and then he came up to me and said, "You've got to call me." I said, I would love to. And that was the first thing I did when I came to New York. Then we did an agreement, a deal, with him for the English albums.”

Tarkan (1972) Turkish singer

About Ahmet Ertegün

Love, Way

“One of my friends whom I hold in high esteem admitted to me the other day that when he wants to work nowadays … he has to turn on his radio. The droning of the loudspeaker—so he says—puts him in a favorable frame of mind and ideas pour out. I cannot help but thinking that this is not the act of a true musician. For thought has a rhythm of its own, which must either clash with the rhythm from outside and lose energy, or else submit to the outer impulse in restless slavery.”

Georges Duhamel (1884–1966) French writer

Source: Défense des Lettres [In Defense of Letters] (1937), p. 34

Idea, Thinking, Help

“Mathematics is too arduous and uninviting a field to appeal to those to whom it does not give great rewards. These rewards are of exactly the same character as those of the artist. To see a difficult uncompromising material take living shape and meaning is to be Pygmalion, whether the material is stone or hard, stonelike logic. To see meaning and understanding come where there has been no meaning and no understanding is to share the work of a demiurge. No amount of technical correctness and no amount of labour can replace this creative moment, whether in the life of a mathematician or of a painter or musician. Bound up with it is a judgement of values, quite parallel to the judgement of values that belongs to the painter or the musician. Neither the artist nor the mathematician may be able to tell you what constitutes the difference between a significant piece of work and an inflated trifle; but if he is not able to recognise this in his own heart, he is no artist and no mathematician.”

Norbert Wiener (1894–1964) American mathematician

Ex-Prodigy: My Childhood and Youth (1964)

Life, Mathematics, Understanding, Heart

“The routine in the gallery seemed eternal. The artists ate a skimpy breakfast, worked from seven in the morning until noon, ate lunch when lunch was available, exercised by shift in the courtyard below, worked again till six, ate dinner, and worked from seven until eight-thirty. The gallery housed writers, artists, and a few musicians. Sexes were segregated. Every two weeks the men and women were allowed to mix indiscriminately. Any children born were immediately put in the outside government nurseries where they were brought up as workers, beginning in the fields or chemical gardens at the age of six.”

Jane Roberts (1929–1984) American Writer

Source: The Rebellers (1963), p. 9

Women, Men, Children, Age

“Rimbaud gave up poetry when it failed to change the world. Orwell at the end must have had his doubts about language, too, or he wouldn't have dreamed up Newspeak. Neither is remembered for his hard work at identity-making. Instead, the poet's name is worn by freaks, geeks and videodrones as if it were a logo on a T-shirt or a jet-propelled sneaker, and the novelist is propped up on a horse like the dead El Cid to frighten the Moorish hordes. They have both been turned into the standard-issue celebrity flacks of this empty, buzzing time, selling something other than themselves, unattached to honor, glory, kingship, sainthood or genius. They join a talk-show parade of the power-mad, the filthy rich and the serial killers, the softboiled fifteen-minute Warhol eggs, the rock musicians addled on cobra venom, the war criminals whose mothers never loved them and the starlets babbling on about their substance abuse, their child molestations, their anorexia and their liposuction. "I have never belonged to this race," said Rimbaud.”

John Leonard (1939–2008) American critic, writer, and commentator

"On Shooting at Elephants" http://www.thenation.com/doc/20001211/leonard, The Nation (27 November 2000)

Love, War, World, Dreams

“He loved hitherto-unthought-of, thereafter-unthinkable combinations of instruments. When some extraordinary array of players filed half-proudly, half-sheepishly on to the stage, looking like the Bremen Town Musicians—if those were, as I think they were, a rooster, a cat, a dog, and a donkey—you could guess beforehand that it was to be one of Gottfried’s compositions. His Joyous Celebration of the Memory of the Master Johann Sebastian Bach had a tone-row composed of the notes B, A, C, and H (in the German notation), of these inverted, and of these transposed; and there were four movements, the first played on instruments beginning with the letter b, the second on instruments beginning with the letter a, and so on. After the magnificent group that ushered in the piece (bugle, bass-viol, bassoon, basset-horn, bombardon, bass-drum, baritone, and a violinist with only his bow) it was sad to see an Alp horn and an accordion come in to play the second movement. Gottfriend himself said about the first group: “Vot a bunch!””

Randall Jarrell book Pictures from an Institution

When I asked him how he had thought of it he said placidly: “De devil soldt me his soul.”
Source: Pictures from an Institution (1954) [novel], Chapter 4: “Constance and the Rosenbaums”, p. 136

Love, Sadness, Dogs, Soul

“I think that virtuosity is the first sign of morality in a musician. It means you're serious enough to practice.”

Wynton Marsalis (1961) American jazz musician

Attributed

Thinking

“(about her concert in North Korea) "The concert was full of government officials. Every single last seat. It was invitation only, but it was an unbelievable experience. Frightening and exhilarating at the same time. And I just thought about how lucky I am. I am so fortunate to be a musician, and at that moment, I genuinely felt that music is the one and only universal language."”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Music, Universe, Time

“Primates, some birds, and humans have mirror neurons… that fire both when performing an action and when observing someone else performing… We've found mirror neurons in Broca's area, a part… involved in speaking, and learning to speak. …our mirror neurons may be firing when we see or hear musicians perform … in preparation for being able to mirror or echo them back as part of a signaling system.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Bird, Learning, Parting

“… it's time for the opening lecture in Test Design 101: Consider: a woman claims to be a musician. You seat her at a piano and demand that she prove her claim. She cannot play the piano, and you conclude that her claim has been invalidated. Hardly. You see, the lady is a cellist….
You cannot challenge a claimant to do something they've never claimed they can do. That's why, at the JREF, we design a protocol only after the applicant has clearly stated (a) what they can do, (b) under what conditions, and (c) with what expected degree of success. And, the applicant must find the protocol appropriate, fair, agreeable, and adequate to prove their claim.”

James Randi (1928) Canadian-American stage magician and scientific skeptic

Swift, 21 October 2005, "Good Intentions" http://www.randi.org/jr/200510/102105herbs.html#11; about testing paranormal claims.

Time, Success

“The career of Marian Anderson, the world-class contralto who was denied permission to sing in Constitution Hall because of her race, symbolizes the achievements of so many black American musicians. Performing instead at the Lincoln Memorial in 1939, she drew an audience of 75,000 and inspired the world not only with her rich musical gifts, but also with her determination and courage.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

World, Music, Courage, Memory

“A musician is like an ear for humanity, just as a painter is like an eye for humanity. The sounds somehow exist in a different sphere, the musician listens, and brings them out for the world. There's the mystery: that someone can hear something that is essentially soundless and make it into sound.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On his spiritual view of music.
New York Times interview (1972)

World

“Classical musicians can sometimes get very hung up on the idea that there's a right way and there's a wrong way. You can see this destroy a lot of players. Jazz musicians have a way of understanding that there are a lot of different ways of doing things. That's what's great about them, they're so friendly. And they are so individualistic - that's why they can accept someone like me.”

Joanna MacGregor (1959) British musician

The Independent, 03/04/1998
On Classical Music

Way, Idea, Understanding

“I have always heard in the music what I am finding out from the books: the man was a tyrant who beat his musicians with insults and temper tantrums. He never smiled when conducting (not even in rehearsals!) never thanked or complimented his men, never made them feel they were valuable partners or had even done a creditable job. He would fail to give them cues, then blame them with curses and insults for needing them! Besides being a compulsive perfectionist, he was childish, petulant, inconsiderate, monomaniacal, and monstrously self-centered. His technique was fear, and I always heard that fear in his music…Reading about him - especially books by people who worked with him - strongly confirmed what I had felt in my bones”

Donald Vroon (1942) American music critic

On the subject of Toscanini - from Vroon's foreword to The mystery of Leopold Stokowski, By William Ander Smith, Fairleigh Dickinson Univ Press, 1990, ISBN 0838633625

Men, People, Books, Fear

“Presently, however, we came to a small clearing and there, squatting at the mouth of its burrow was the musician responsible for the ringing, flute-like cry — a fat ground squirrel, wearing a tasteful suit of rust-red and grey fur. He sat as upright as a guardsman at the entrance to his home and his ribcage pumped in and out as he gave his musical warning cry. His big, liquid eyes stared at us with that intense, slightly inane expression that most squirrels wear, and his little paws trembled with his vocal efforts.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

How to Shoot an Amateur Naturalist (1984)

Music, Home, Effort, Cry

“You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here.”

Bono (1960) Irish rock musician, singer of U2

On his father
Rolling Stone interview (2005)

Life, Dreams, Disappointment, Guy

“Yamanaka: "The first thing I want you to know is about dodo's. 'Dodo' is the name of an extinct bird which is big but cannot fly. I made the song likening the 'bird' to bands I like, such as 'a great musician who passed away' or 'the split-up band'. Life is mortal, all things die. The last day will psychically also come to a band. However, I sing this song lightly to oppose these themes, something like "even if I die, I'll be back!" or "Only the pillows won't break up, right!?" It's not a very serious song, more a positive one. This song has an alternative sound, which I really like lately."”

Sawao Yamanaka (1968) Japanese singer-songwriter

Source: http://www.jame-world.com/us/articles-2700-wake-up-the-pillows-interview.html

Life, Bird, Singing, Flying

“I have a big legacy of The Clash to live up to and I don't intend to uriny on a legend. I intend to build forward into the next century. The music has to be by the musicians, and there's too much changing things by the record company. I got a message for everyone in a record company: We don't care if you lose your job! You ruin music and I'll get all the smoothers out off the way, the people who smooth the sound off. Let the musicians have the music the way they want it, and not the way you think the grandmothers and 3-year olds will gonna buy it. Cause this is not about 3-year olds or grandmothers… This is Rock and Roll!”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

Bizarre Festival (21 August 1999)

People, Music, Way, Thinking

“Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard.”

Flavor Flav (1959) American rapper

[Casey, Cisneros, http://media.www.collegian.com/media/storage/paper864/news/2005/01/27/VervetheDishLive/Flavor.Flav.Interview-1705943.shtml, Flavor Flav interview, The Rocky Mountain Collegian, Colorado State University, 27 January 2005, 2008-03-05]

Music

“Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way”

Howard S. Becker (1928) American sociologist

Becker (1978) cited in: Peter Hamilton (2006) Visual Research Methods'. Volume 1. p. 214.

Music, Way, Understanding, Learning

“I honestly don't class myself as a songwriter. I've got 'musician' written on my passport. That's even funnier.”

Robert Smith (musician) (1959) English singer, songwriter and musician

The Hit magazine 1985

“Scenario: In the summer of 1977 The Human League was formed due to the members finding no conventional channels for their immense talents.
Background: None of The Human League have any orthodox musical training, but prefer to regard compositions as an extension of logic, inspiration and luck. Therefore, unlike conventional musicians, their influences are not so obvious.
Conclusion/Manifesto: Interested in combining the best of all worlds, The League would like to positively affect the future by close attention to the present, allying technology with humanity and humour. They have been described as 'Later Twentieth Century Boys' and 'Intelligent, Innovatory and Immodest.”

Philip Oakey (1955) English pop singer

Press release by Philip Oakey about the The Human League's first single "Being Boiled" (April 1978), quoted in "Blind Youth - The Way It Was : Fast Product" http://home.freeuk.net/blindyouth/Product.htm

World, Music, Intelligence, Boy

“It would be an attempt to define the role, responsibility, and path of the performing musician. Our simple job is to bring beauty and inspiration to others and to do this through the most honest and humble search to find these qualities within our unique selves and then within our unique work; to painstakingly increase our knowledge and to refine and re-refine our results until we are certain that until some new enlightenment falls to us, we have done the best that we possibly can; and that as in any human endeavour which attempts to transcend its mortal bounds, we always know that we still do not know.”

Martin Berkofsky (1943–2013) American classical pianist

The Cristofori Foundation, cristofori.org http://www.cristofori.org

Beauty, Search, Knowledge

“Rhymer, brawler, and musician,
Famed for his lunar expedition,
And the unnumbered duels he fought, —
And lover also, — by interposition! —
Here lies Hercule Savinien
De Cyrano de Bergerac,
Who was everything, yet was naught.
I cry you pardon, but I may not stay;
See, the moon-ray that comes to call me hence!
I would not bid you mourn less faithfully
That good, brave Christian: I would only ask
That when my body shall be cold in clay
You wear those sable mourning weeds for two,
And mourn awhile for me, in mourning him.”

Edmond Rostand (1868–1918) French writer

Cyrano, Act 5, Sc. 6
Cyrano de Bergerac (1897)

Lovers, Cry

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love, Women, Men, School

“Seriously! Acting in films is not my cup of tea. The joy I find in being a pucca musician is unparalleled.”

Shreya Ghoshal (1984) Indian playback singer

About acting in films http://web.archive.org/web/20161005115944/https://twitter.com/shreyaghoshal/status/114406431003914240

Joy, Tea

“It always saddens me to think that after all I am not yet a proper musician; but I have more aptitude for the calling than probably many of the younger generation have as a rule. It gets knocked out of you. Boys should be allowed to indulge themselves in jolly music; the serious kind comes of its own accord, although the lovesick does not. How lucky is the man who, like Mozart and others, goes to the tavern of an evening and writes some fresh music. For he lives while he is creating.”

Johannes Brahms (1833–1897) German composer and pianist

Letter to Clara Schumann (12 February 1856) as quoted in Johannes Brahms : A Biography (1997) by Jan Swafford, p. 153

Music, Boy, Thinking

“Every poet and musician and artist, but for Grace, is drawn away from love of the thing he tells to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.”

Clive Staples Lewis book The Great Divorce

Source: The Great Divorce (1944–1945), Ch. 9

Love, God, Hell

“A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?”

Martin Gardner (1914–2010) recreational mathematician and philosopher

The Dover Math and Science Newsletter http://www.doverpublications.com/mathsci/0516/d/ May 16, 2011

Beauty, Music, Mathematics

“Everything I did was deprecated by the media and others. I think I derived my strength from it. There was brouhaha over my singing my own compositions. I wondered why I cannot choose words to express myself. That’s what Tyagaraja did. He described Rama the way he saw him. Ironically many of my works are now being used by musicians and dancers. It’s heartening though. I never expected to reach where I am today. I learned music without knowing it will one day become my calling.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

Music, Way, Thinking, Learning

“I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, “That’s the way, that’s the ideal life, that’s great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you’re on the road and you’re doing it again.” The romance of the road, particularly from Kerouac’s work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, “Oh yeah, this is how it works.”
But then in reading Big Sur, it’s the end of the road. You end up with a series of failed relationships and you end up being an alcoholic and in your late 30s, and not having any kind of real grip on the lives of the people around you. That’s the potential other end of the spectrum when you’re never tied to anybody or anything. I run the risk of losing touch with the people in my life that mean the most to me because I have made the decision to live like this.”

Ben Gibbard (1976) American singer, songwriter and guitarist

Source: The Meaning Of Life, I

Life, People, Alcohol, Cars

“As a professional I practice six or seven hours per day, though it depends on my schedule. That's how it is as a musician. It's only when you reach grade five you take them more serious. Until then I saw it as fun. I used to learn them by play pop tunes on the piano. They have harmonies and broken chords and can be used as building blocks to help you with scales.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
On Classical Music

Learning, Help, Dependency

“When I was four years old I said I will be a musician and that was pretty much it.”

Jaani Peuhu (1978) Finnish musician

Iconcrash: Interview with Jaani Peuhu, 2007-04-06, 2008-02-12 http://www.eurobands.us/2007/04/06/iconcrash-506/,

“We mean a lot to each other as musicians and people, but sometimes we start believing what people write about us: The band is just one guy or two guys. That can be harsh for the soul.”

Joe Trohman (1984) American musician

On the lack of attention he and Andy Hurley get
My Heart Will Always Be The B-Side To My Tongue (2004), Rolling Stone Interview

People, Guy, Soul

“So, they'd prefer me to do a nude, would they? Fine I'll do them a nude... I'll redo it [his painted copy of Giorgioni's 'Woman with musicians'], with a transparent atmosphere, like those women over there [women bathing in the river, Summer of 1862]. Then I suppose they'll really tear me to pieces. They'll tell me I'm just copying the Italians now, rather than the Spanish. Ah, well, they can say what they like.”

Edouard Manet (1832–1883) French painter

the painting Manet means here became his most famous one: 'Déjeuner sur l'herbe'
Manet's quote to his friend Antonin Proust in 1862, from Manet, Francoise Cachin, Barrie & Jenkins, London 1991, p. 16
1850 - 1875

Women, Tear, Summer, Painting

“For me, I can still say music is God, music is the face of God. That's everybody, that's the hearts of men. And that's important to me. But that's not the way everybody sees it. And, of course, what happened in interviews, especially in collective interviews, was that people would ask me questions and I would talk about development and ideals, about which I already have talked too much this afternoon, and these questions would be posed to the other musicians and they would say, "We don't want to feel that way at all, we're not into that."”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On the visionary differences between McLaughlin and amongst other members of the Mahavishnu Orchestra, as quoted in Fripp, Robert. "Coffee and Chocolates for Two Guitars". Musician No. 45, July 1982. https://www.elephant-talk.com/wiki/Interview_with_John_McLaughlin_by_Robert_Fripp_in_Musician

Men, God, People, Music

“Like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years. Not once have I ever had the time to ask myself, "Are my songs literature?" So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Nobel Banquet Speech

Life, Literature, Question, Change

“Has there ever been a musician of cultural significance who's been aware they're significant? Maybe it's a generation whose parents came from a working class environment and because they were rootless in a way, like me and him, they latched onto that as an identity. Maybe we romanticise what our parents wanted to escape from. We're, like, fantasising out a living.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

NME (New Musical Express), March 13, 2004
Music and politics

Way, Parent

“Memory for playing a musical piece… involves a process very much like that for music listening… through establishing standard schemas and expectation. In addition, musicians use chunking… tying information together into groups, and remembering the group as a whole rather than individual pieces.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Music, Memory

“I'm not a politician, I'm a musician. I care about giving people a place where they can go to enjoy themselves and to begin to live again. To the man you have to give the spirit, and when you give him the spirit, you have done everything.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

On his charity concerts and relief efforts for Bosnia, in BBC Music Magazine (April 1998)

People

“I like to take things easy. I don't constantly think about music. I never plan concerts, practise or even hum. When I go up on the stage, music courses through me. My family members attend my concerts because they do not hear me sing at home. I have entrusted you [Prince Rama Varma] with the task of popularising my style of singing among others, especially in foreign countries. I have heard some of your foreign students sing my compositions and was surprised. They sound better than many Indian students. I want to be known more as a composer than as a musician. You are now making this happen.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Family, Music, Home, Thinking

“The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study' governs his combinations of them”

Hermann Ebbinghaus (1850–1909) German psychologist

Source: Memory: A contribution to experimental psychology, 1885, p. 3

Nature, Study, Singing

“Diogenes the cynic, seeing one of the so-called freedmen pluming himself, while many heartily congratulated him, marveled at the absence of reason and discernment. “A man might as well,” he said, “proclaim that one of his servants became a grammarian, a geometrician, or musician, when he has no idea whatever of the art.” For as the proclamation cannot make them men of knowledge, so neither can it make them free.”

Philo (-15–45 BC) Roman philosopher

157
Every Good Man is Free

Men, Art, Idea, Knowledge

“He was the rarest musician that his age did behold; having travelled beyond the seas, and compounded English with foreign skill in that faculty.”

John Dowland (1563–1626) English Renaissance composer, lutenist, and singer

Thomas Fuller The History of the Worthies of England ([1662] 1840), vol. 2, p. 426.
Criticism

Age, Travel, Sea

“I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band — individuals, not session musicians.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

Barnes & Noble Interview with David Sprague (February 2006) http://web.archive.org/web/20070506185456/http://music.barnesandnoble.com/features/interview.asp?NID=1011932&z=y.

Way, Idea, Change

“No praise could be sufficient for those courageous musicians whom we left behind. They were heroes to a man.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 153

Courage

“I have no idea who that is. It's a terrible performance, the band is horribly out of tune—is that Maynard Ferguson? It starts off at a dynamic peak and never deviates from it. It also starts out with what is supposed to be jazz musicians trying to play some sort of a Latin bag, which is not making it, because there's no solidity of rhythms. Latin rhythm sections being based on the constant contrast of instruments, and it never moves any place. And then that thing on the end—what's that supposed to be? An adaptation of Porgy and Bess of some sort? I guess it was some sort of an allusion toward Porgy and Bess. But then if it is, it's completely escaped all the rest of it. It's like giving a paragraph of reference out of a two-page article and then saying, Well, this is about this.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

That's one star for me. Reviewing Slide Hampton's arrangement of "It Ain't Necessarily So" https://www.youtube.com/watch?v=a940h3-1NV0 from Two Sides of Slide; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Star, Idea

“My dear Pratella, I submit to your futurist genius these new ideas, and I invite you to discuss them with me. I am not a musician, so that I have no acoustic preferences, nor works to defend. I am a futurist painter who projects on a profoundly loved art his will to renew everything. This is why, bolder than the bolder professional musician, totally unpreoccupied with my apparent incompetence, knowing that audacity gives all prerogatives and all possibilities, I have conceived the renovation of music through the Art of Noise.
Luigi Russolo
Painter
Milano, March 11, 1913.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 12

Love, Art, Music, Idea

“American musician and activist Henry Rollins once said, "A coward hides behind freedom. A brave person stands in front of freedom and defends it for others." Murdering innocent people who are defenseless is a cowardly act. Standing up to difficult life circumstances and oppressive regimes is bravery.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Life, People, Freedom, Personality

“My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Parents and Passion.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Happiness, Age, Family

“Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8

Music, Nature, Perfection

“It was as if by becoming a musician and Music Master he had chosen music as one of the ways toward man's highest goal, inner freedom, purity, perfection, and as though ever since making that choice he has done nothing but let himself be more and more permeated, transformed, purified by music — his entire self from his nimble, clever pianist's hands and his vast, well-stocked musician's memory to all the parts and organs of body and soul, to his pulses and breathing, to his sleep and dreaming — so that he was now only a symbol, or rather a manifestation, a personification of music.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Dreams, Music, Way, Soul

“As a musician you can cover everything. I'm not just a concert pianist.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
Musician's life

“To be an outstanding musician, you have to be very attentive to the smallest detail and willing to have infinite patience in the pursuit of your ideal.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Violinist Yehudi Menuhin

Patience

“Central Europe has several recognizably common architectural features that make some towns in Galicia look remarkably like towns in Transylvania and Slovakia; shared musicians—Liszt, Chopin, Mahler, Dvořák, Smetana, Bartók, Kodály; shared writers, such as Musil, Gombrowicz, Koestler, Brod, Mickiewicz, Kafka, Roth, Zweig, Faludy; and some peculiar shared traditions, such as the tiny coffee spoon and the oversweet desserts with whipping cream.”

Anna Porter

[Anne Porter, The Ghosts of Europe: Journeys through Central Europe's Troubled Past and Uncertain Future, http://books.google.com/books?id=8iPa2Q1HtP8C&pg=PA19, 23 September 2010, Douglas & McIntyre, 978-1-55365-637-1, 19]

Coffee

“My father was a violinist, my mother a pianist. I was born into a world of music... The practicing of my father's pupils accompanied every thought and action of my childish life.... Then when I was thirty [c. 1906], my career as musician was brought to an end by Vollard [art-dealer in Paris] who bought all the pictures I possessed, pictures which I had painted over several years with unbounded enthusiasm during such hours of freedom as I was able to spare between [music]-lessons to my pupils.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 27

Life, World, Art, Music

“The "new" Fleetwood Mac were singing "Don't Stop". I've got a message for the new Fleetwood Mac: DO Stop! Touring; recording; saying you're legends.
Michael Bolton, big star, popular musician, guess what? You're bald and we all know it. I don't care how long you grow your hair in the back but we all know what's happening on top. I know you sold nine million albums but guess what? I don't know anyone who's got one.
Steve Martin. What about Leap of Faith? I was going to see it but I was sick that day.
I finally sat through The Bodyguard and: [imitates the song] Iiiiiiiii-eee-iiiiiii-want my money back!”

David Spade (1964) American stand-up comedian

Spade in America, Saturday Night Live

Money, Faith, Star, Singing

“I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

“I have always felt rather badly for orchestra musicians, especially the stringed instrument player who certainly in his youth expected to be a virtuoso… I admire their patience and ability, and through the years have made the effort to show them my respect and – love in many instances.”

Pierre Monteux (1875–1964) French conductor

From Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 197

Love, Youth, Effort, Patience

“What ends up happening with musicians and actors is, they're famous, so when somebody has an issue, it's something that gets talked about. People die of drug overdoses every day that nobody talks about. It's a shame that famous people get all the focus, because it then gets glorified a little bit, like, 'This person was too sensitive for the world,' and, 'A light twice as bright lives half as long,' and all that. Which is all bullshit. It's not true.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell talks about his latest reinvention, living in Florida, Tampa Bay Times, 9 June 2016 http://www.tampabay.com/things-to-do/music/rocker-is-in-tune-with-florida-life/2280927, Soundgarden Era

People, World, Light, Personality

“I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Miles Davis (1926–1991) American jazz musician

Bill Evans, on about Miles Davis's change of style to jazz fusion.
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.
Quotes by others

People, Music, Feeling, Business

“When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor [also a free Jazz musician] opened up the 'Five Spot' in the Fall of 1956, I felt better about being in New York. All the musicians who create from the gut as well as their intellect can change things. People will never understand what we are doing if they can't feel... All art is abstract. All music is abstract. But it's all real... When you improvise, I can see the seeds of a symphony you could write. When I first heard Charlie Parker in Chicago, I could see he was a symphony.... we were all trying to bring that spirit, that spontaneous energy, into our work.”

Joan Mitchell (1925–1992) American painter

talking to jazz-player David Anram in the jazz club the 'Five Spot', in 1956, she was visiting with Franz Kline
Quoted by David Anram in 'Introduction', in The Stamp of Impulse, Abstract expressionist prints, ed. David Acton, David Amram, David Lehman, Worcester Art Museum, 2001 p. 21
1950 - 1975

People, Art, Music, Feeling

“A lot of musicians are going to have to retrain. It's nonsense to say that traditional classical music is more complex. Contemporary pieces by Harrison Birtwistle are much harder to play than Mozart or Wagner. I know a lot of people don't want to hear that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
On Classical Music

People, Music

“I do not consider myself a Cubist either because I have come to the conclusion that cubes are not always made for expressing the thought of the brain and of the feeling of the spirit... I capture all these impressions [the visual sensations, Picabia sensed in the modern city] without any hurry to transfer to the canvas. I let them rest in my brain and then, when I'm visited by the spirit of creation, I improvise my paintings just as a musician improvises his music.”

Francis Picabia (1879–1953) French painter and writer

1910's
Source: 'How I see New York', in 'The New York American', New York 30 March 1913, p. 11

Music, Feeling, Sense, Painting

“There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On record industry, as quoted in "John McLaughlin: State of the Musical Arts", by The Snapshots Foundation; directed by Jonathan Bewley, YouTube, Jul 11, 2014 https://www.youtube.com/watch?v=utqp7ECKUl0

Money, Food, Music, Passion

“I was never drawn to experiment with language; I take note of such experiments, but avoid them in my own writing. The reason is that the substance of life claims me completely. To indulge in linguistic experiments is to ignore the greater part of this substance, leaving all but a tiny portion untouched and unused, as if a musician were to ceaselessly play an instrument with his little finger only.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 3
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Life, Parting

“I’m turned on by guys who are cultured. That’ll keep me intrigued. They don’t have to have a single degree, but they should speak other languages or know things about other parts of the world or history or certain artists or musicians. I like to be taught. I like to sit on that side of the table.”

Rihanna (1988) Barbadian singer, songwriter, and actress

World, Guy, History, Parting

“It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church…you should read the Scriptures.”

Rich Mullins (1955–1997) American christian musician

Lufkin, Texas http://www.kidbrothers.net/words/concert-transcripts/lufkin-texas-jul1997-full.html (July 19, 1997) In Concert

People, Music, Thinking, Reading

“Jeremy: I wanted to find out what this show has taught you about music and performing
Hayley: This show has taught me so much, working with John and Erina and these wonderful musicians has taught me so much.
She goes on to say that she’s learnt how to come up with arrangements quickly and how to perform and how important it is to stay true to yourself.”

Hayley Jensen (1983) Australian singer

Australian Idol, Up Close & Personal Performance

Music

“To evaluate the greatness of the late director of the Philippine Library and Museum is utterly impossible. An accomplished musician, the foremost scholar in the land, a collector of the first rank, at home among the great masters of foreign tongues, Epifanio de los Santos leaves behind him a record of service and achievement that would be difficult to equal.”

Epifanio de los Santos (1871–1928) Filipino politician

R. McCulloch Dick ( Editor, The Philippine Free Press).
BALIW

Home

“Thank you to the stellar collection of photographers, designers, editors, musicians, costumers, painters, researchers, electricians and craftspeople who without whom I'd just be a bitter man with a lot of opinions”

David Fincher (1962) American film director

2011 Golden Globe Award Ceremony (2011)

“Do you suppose a woman knows why she loves? Does she select? Does she say to herself, 'Go to! here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' or, 'I shall set my heart upon this musician, whose fame is on every tongue?”

Kate Chopin book The Awakening

or 'this financier, who controls the world's money markets?'"
The Awakening (1899)

Love, Money, World, Heart

“Musicians are seldom unemotional; a woman who could sing like that must know how to love indeed.”

Honoré de Balzac (1799–1850) French writer

Les musiciennes sont presque toujours amoureuses. Celle qui chantait ainsi devait savoir bien aimer.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Love, Singing

“The musician is as rich as the music they give away.”

Robert Fripp (1946) English guitarist, composer and record producer

Guitar Craft Monograph III: Aphorisms, Oct. 27 1988

Music

“You have to recognize those writers who are artists in the same sense as the musicians.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Sense

“A lot of musicians don’t learn the business. You just have to be well-rounded in both areas. You have to understand publishing. You have to understand how you make money, what’s in demand, what helps you make the most out of your talent.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Showcase article: [Polta, Anne, Continuing Journey: Bradley Joseph sustains music career with songwriting, recording, West Central Tribune, 2007-02-08, http://www.newspaperprints.com/index.cfm?page=search_results&paper=West%20Central%20Tribune&selectedDate=2007-02-08&start=16&perpage=5, 2007-02-18]

Money, Understanding, Business, Learning

“The plan is to always have a plug into my past, where I am from. And how deep that is and having that gave me confidence to be able to expand. I am confident that I have something (music) that is backing me and that is always there for me… so that I can explore more, learn and grow more as an artiste and as a musician.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

Music, Confidence, Learning, Past

“Time and persistence has shown me that I can succeed at sharing my art with others as a musician while running my own music business. And that kind of success is as good as I could have ever wished for.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]

Art, Music, Business, Time

“You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence.”

Reese Witherspoon (1976) American film actress and producer

On making Walk the Line IGN Interview with Reese Witherspoon http://movies.ign.com/articles/666/666865p1.html (November 15, 2005).

Hope, Music, Way, Soul

“We all observe that the reality of sexual intercourse is far from perfect; yet this does not convince us that sex is a greatly overrated occupation. Every time a man glimpses a pretty girl pulling up her stocking, he catches a glimpse of what might be called the "primal sexual vision." It is unfortunate that there seems to be a certain disparity between this primal vision and most ordinary sexual experience. But it dances in front of us like a will-o'-the-wisp, luring us into tormented effort. It can lead novelists to write novels, poets to write poems, and musicians to write symphonies.”

Colin Wilson book The Misfits: A Study of Sexual Outsiders

Source: The Misfits: A Study of Sexual Outsiders (1988), p. 39

Sex, Girl, Reality, Effort

“What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit. I become very domesticated, it becomes riding my bike, and the music thing — the music thing doesn't leave but it's kind of less put upon me by other people as a musician.”

John Mayer (1977) guitarist and singer/songwriter

On whether or not he misses being home with friends and family when he is on tour. Savino, Jessi, et al (2007) "John Mayer talks life on the road, latest album" http://media.www.nu-news.com/media/storage/paper600/news/2007/02/14/TheInside/John-Mayer.Talks.Life.On.The.Road.Latest.Album-2718892.shtml NU-News.com (accessed February 14, 2007)

Life, People, Music, Guy

“Something good has happened to us. We are, dare I say it, a professional unit these days. When people get us in a room together now, they actually treat us like musicians. Before, they would treat us as anything but: pigeon fanciers, candles, dry humpers…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

Talking about Babyshambles to Spin Magazine, Autumn 2007
Definitions and objects

People

“I have an inner gage when I feel it’s too much, then I just don’t do a particular film. I’m lucky that I get more offers than I can possibly take. But I always want the phone to be ringing, because I want to do this for the rest of my life. I don’t plan on slowing down, but I certainly have to say “no” more and more. I consider myself very lucky to make a living at this. It’s almost bizarre for any musician to turn down work as much as they to have to keep themselves sane. I know what my limit is. And I keep myself at that limit.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler http://www.filmmusicmag.com/?p=13345 (August 6, 2014)

Life, Feeling

“On media consideration to be a reluctant rock star: I'm not a reluctant rock star, I am not one at all. I haven't an ounce of rock star in me. […] What I despise about the rock star lifestyle is the lack of music in it. The average day is spent travelling to hotels, giving interviews, being nice to people you're told to be nice to, and maybe if you're lucky you might squeeze a bit of music in. The musician's day is music. […] I am in that unique little club, where I went into music because I love music, not because I wanted to be rich and famous. I've always knocked on the door of the musicians' room, not the rock stars' room. The British press refuses to see the difference between them, mainly because of the capers of people like Phil Collins, a musician who behaves like a rock star. But there are people who love music and have no interest in being a rock star at all.”

Chris Rea (1951) English singer-songwriter

John Henry Walsh (1997 May 2) " The reluctant rocker https://www.independent.co.uk/life-style/the-reluctant-rocker-1259348.html" by The Independent 1997

Love, People, Music, Travel

“I went to the movies — it was Kanye, myself and John Mayer, and we went to see "Ray." We were watching it, and I was just inspired by the movie, just as a musician and as an artist, I felt inspired. We left there and went straight to the studio. Kanye started cooking up this beat and started doing this chant, like, "Go, go, go," and while we were sitting there thinking what to write, John Mayer said, "You could write about your fantasy." And I was like, "Am I going to let John Mayer come up with the concept for this joint? This is hip-hop." But John Mayer is a very talented brother and you don't know where your blessings are going to come from. He was singing, and we made him a sample on it, going 'Go.'”

Common (rapper) (1972) American rapper, actor and author from Illinois

So it all came together and now we have the song 'Go!,' which is about going to my fantasy. On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/) Interviews

Thinking, Singing, Cooking

“The work of the painter, the poet or the musician, like the myths and symbols of the savage, ought to be seen by us, if not as a superior form of knowledge, at least as the most fundamental and the only one really common to us all; scientific thought is merely the sharp point — more penetrating because it has been whetted on the stone of fact, but at the cost of some loss of substance — and its effectiveness is to be explained by its power to pierce sufficiently deeply for the main body of the tool to follow the head.”

Claude Lévi-Strauss book Tristes Tropiques

Source: Tristes Tropiques (1955), Chapter 13 : Pioneer Zone, pp.123-124

Knowledge, Loss

“Others may be regularly more flashy, though few can dazzle so dependably; and none can match him for power and refinement. He plays very loudly and very beautifully, very softly and thoroughly clean, straightforwardly, elegantly, and with a care for both the amenities of musical discourse and the clear transmission of musical thought. He is a master pianist and a master musician. There has not been his like since Busoni.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Virgil Thomson, "King of Pianists" (1949)
About

Music, Dependency

“I know that people are interested, and I understand why, but I don't want that stuff to overshadow my life. It's just the way it is. I'm a singer, I'm in a band, I've been out with musicians, I've had children with two different musicians. To me, it's no big deal. I only get upset because I want people to listen to the songs. Listen to the LP or come and see my band. I don't like it when people write about my life and don't even mention the music.”

Lisa Moorish (1972) British singer

Source: " A life on the edge http://www.theguardian.com/music/2004/aug/20/popandrock8" at The Guardian, 20 August 2004

Life, Children, People, Music

“If the listener does eventually come to the point where he makes the ultimate performance by splicing tapes from other musicians' recordings, he will eventually become just as bored with it as with other recordings, for it will still always be the same. Look, for instance, at electronic music. The boys are already becoming bored with what they do because they put it irrevocably on tape. The best indication of this is that more and more they are mixing the live performance element with their tapes.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Boy

“Every winter I am here sometimes for two or four months. These are my roots, this is where I feel I must come to grow and learn as an artist. I must always come back to the guru to learn and grow more as a musician. There is no question of going anywhere and forgetting where I came from because that would be like losing my identity.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

Feeling, Question, Learning, Winter

“Mohd Rafi saab and I fought over royalty rights. At a meeting attended by prominent singers and musicians, he stood up and said, Main aaj se Lata ke saath nahin gaoonga. I retorted, Rafi saab, 'ek minute. Aap nahin gaayenge mere saath yeh galat baat hai. Main aapke saath nahin gaoongee. I stormed out and called all my composers there and then and informed them to rope in another singer if it was a duet with Rafi saab.”

Lata Mangeshkar (1929) Indian singer

“Don't worry! I bring to it all the necessary objectivity, don't be alarmed.... dirty machinists, very dumb musicians, a very old [choreographer] Monsieur Auber, and everyone only thinks about getting her job done as quickly as possible to earn a living.”

Frédéric Bazille (1841–1870) French painter

about a 'backstage-scene' of the Paris Opera, from his letter to Bazille's mother c. 1866; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 49
1866 - 1870

Thinking

“No. I would have felt more awkward if I'd been a fan. I was around 15 when I realized he was inescapable. Even if I was in a car and had the radio on, there's my dad. He's larger than life and our culture is obsessed with dead musicians. We love to put them on a pedestal. If Kurt had just been another guy who abandoned his family in the most awful way possible… But he wasn't. He inspired people to put him on a pedestal, to become St. Kurt.”

Frances Bean Cobain (1992) American artist

Response to the question, "Did you feel awkward as a teenager, not being that interested in the music Kurt made?" " Frances Bean Cobain on Life After Kurt's Death: An Exclusive Q&A http://www.rollingstone.com/music/features/frances-bean-life-after-kurt-cobain-death-exclusive-interview-20150408" (2015)

Love, Life, People, Family

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Quotes about musician
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