Quotes about musician
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About meeting Kate Bush.
Context: Of course [Kate Bush] is still relevant. I wasn't actually in the country when her music first came out, so I only discovered it three or four years ago. What's amazing is that something like "Wuthering Heights" still sounds so different. I actually saw her about nine months ago, we were just passing at an industry event and I went up to her and said I was a big fan and asked her about the new record. She was really excited about it but quite nervous because she felt that everyone was hyping it up a bit and she just wanted to bring out an album. You know, she's a musician.

“A musician cannot move others unless he too is moved.”
As quoted in Composers on Music : An Anthology of Composers' Writings from Palestrina to Copland (1956) by Sam Morgenstern, p. 60
Variant translation: A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener. … constantly varying the passions, he will barely quiet one before he rouses another. Above all, he must discharge this office in a piece which is highly expressive by nature, whether by him or someone else. In the latter case he must make certain that he assumes the emotion which the composer intended in writing it.
As quoted in Così? : Sexual Politics in Mozart's Operas (1991) by Charles C. Ford, p. 46
Context: A musician cannot move others unless he too is moved. He must feel all the emotions that he hopes to arouse in his audience, for the revealing of his own humor will stimulate a like mood in the listener.

The Glass Bead Game (1943)
Context: The Glass Bead Game, formerly the specialized entertainment of mathematicians in one era, philologists or musicians in another era, now more and more cast its spell upon all true intellectuals. Many an old university, many a lodge, and especially the age-old League of Journeyers to the East, turned to it. Some of the Catholic Orders likewise scented a new intellectual atmosphere and yielded to its lure. At some Benedictine abbeys the monks devoted themselves to the Game so intensely that even in those early days the question was hotly debated — it was subsequently to crop up again now and then — whether this game ought to be tolerated, supported, or forbidden by Church and Curia.

To question genetic intelligence is not racism (2007)
Context: We do not yet adequately understand the way in which the different environments in the world have selected over time the genes which determine our capacity to do different things. The overwhelming desire of society today is to assume that equal powers of reason are a universal heritage of humanity. It may well be. But simply wanting this to be the case is not enough. This is not science.
To question this is not to give in to racism. This is not a discussion about superiority or inferiority, it is about seeking to understand differences, about why some of us are great musicians and others great engineers. It is very likely that at least some 10 to 15 years will pass before we get an adequate understanding for the relative importance of nature versus nurture in the achievement of important human objectives. Until then, we as scientists, wherever we wish to place ourselves in this great debate, should take care in claiming what are unarguable truths without the support of evidence.

Statement upon being appointed as UC Berkeley chancellor in 1958, as quoted Biographical Memoirs (2000) edited by Darleane C. Hoffman, p, 252 <!-- ISBN 0-309-07035-X National Academies Press-->
Context: There is a beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All literate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan and the musician.

Comment posted at his official website http://www.robbykrieger.com.
Context: In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis. In the case of Tim Buckley or Dylan you have one man's ideas. Most groups today aren't groups. In a true group all the members create the arrangements among themselves.

“A painter paints his pictures on canvas. But musicians paint their pictures on silence.”
Addressing an audience at Carnegie Hall, as quoted in The New York Times (11 May 1967); often this is quoted without the humorous final sentence.
Context: A painter paints his pictures on canvas. But musicians paint their pictures on silence. We provide the music, and you provide the silence.

Source: Archetypal Dimensions of the Psyche (1994), The Self, p. 324 - 325

Alexis (1929)
Context: Every silence is composed of nothing but unspoken words. Perhaps that is why I became a musician. Someone had to express this silence, make it render up all the sadness it contained, make it sing as it were. Someone had to use not words, which are always too precise not to be cruel, but simply music.

Book of Taliesin (c. 1275?), The Death-song of Uther Pendragon
Context: Abiding in heaven was he, my desire,
Against the eagle, against the fear of the unskilful.
I am a bard, and I am a harper,
I am a piper, and I am a crowder.
Of seven score musicians the very great enchanter.

“But a musician or someone who's into music is different.”
Context: I don't think I could see myself with someone who's famous. I don't like the lifestyle and everything it stands for. Too superficial. That attention is too much. For me to go home and be surrounded by that sounds like a fucking nightmare. But a musician or someone who's into music is different.

"Life Ahead: On Learning and the Search for Meaning" (1963), Introduction http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=38&chid=331, J.Krishnamurti Online, JKO Serial No. 261, p. 13, 2005 edition
1960s
Context: Learning in the true sense of the word is possible only in that state of attention, in which there is no outer or inner compulsion. Right thinking can come about only when the mind is not enslaved by tradition and memory. It is attention that allows silence to come upon the mind, which is the opening of the door to creation. That is why attention is of the highest importance. Knowledge is necessary at the functional level as a means of cultivating the mind, and not as an end in itself. We are concerned, not with the development of just one capacity, such as that of a mathematician, or a scientist, or a musician, but with the total development of the student as a human being. How is the state of attention to be brought about? It cannot be cultivated through persuasion, comparison, reward or punishment, all of which are forms of coercion. The elimination of fear is the beginning of attention. Fear must exist as long as there is an urge to be or to become, which is the pursuit of success, with all its frustrations and tortuous contradictions. You can teach concentration, but attention cannot be taught just as you cannot possibly teach freedom from fear; but we can begin to discover the causes that produce fear, and in understanding these causes there is the elimination of fear. So attention arises spontaneously when around the student there is an atmosphere of well-being, when he has the feeling of being secure, of being at ease, and is aware of the disinterested action that comes with love. Love does not compare, and so the envy and torture of "becoming" cease.

Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)

On an article by Quanta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303

On his job as the curator of Global Citizen Festival. source http://www.rollingstone.com/music/music-news/chris-martin-will-curate-global-citizen-festival-for-next-15-years-164240/

On Greatness; as quoted in "Unrequited obsession" https://www.smh.com.au/national/unrequited-obsession-20081011-gdsydo.html by Chris Jefferis, The Sydney Morning Herald (11 October 2008).
Unsettling The Score: Graeme Revell, from SPK to Hollywood https://www.pantograph-punch.com/post/unsettling-the-score-graeme-revell-from-spk-to-hollywood (March 2, 2014)

The Ocean of Theosophy by William Q. Judge (1893), Chapter 8, Of Reincarnation

In P.64
About Swathi Thirunal, Singing the Classical, Voicing the Modern: The Postcolonial Politics of ...

K.M Panikkar quoted in pp.63-64
About Swathi Thirunal, Singing the Classical, Voicing the Modern: The Postcolonial Politics of ...

V. K. Subramanian (2013), in "101 Mystics of India", p, 181
About Swathi Thirunal

On the overzealous attention given in India to Zubin Mehta who was just born a :parsee in India but has lived overseas most of his life and comes to India occasionally. Quoted in [Shobhaa De, Superstar India: From Incredible To Unstoppable, http://books.google.com/books?id=8yX2H_8UmfUC&pg=PT41, 2 April 2009, Penguin Books Limited, 978-0-14-192374-1, 41–]

“An uncompromisingly serious musician.”
The Times, 16 June 1995.
About Gallagher

On one of his biggest regrets in "Julio Iglesias reflects on a life that 'has been a miracle'" https://apnews.com/7ef030336a5b4a1a949723346d64ec51 in AP News (2019 Jun 14)

Conclusion, Part Second, II
Napoleon the Little (1852)

Twitter https://twitter.com/marwilliamson (24 Oct 2019)
Williamson's quotes in social media

In conversation with Guy Fletcher https://www.orbitsound.com/en-gb/articles/in-conversation-with...-guy-fletcher/ (07/10/2016)

Yôsuke Kubozuka Talk ‘Silence’, Martin Scorsese, His Reggae Career, Japan and More http://www.cutprintfilm.com/features/interviews/yosuke-kubozuka/ (March 16, 2017)

“We imagine that all angels are automatically musicians at heart.”

Source: George Harrison, 1992 in Joshua M. Greene, Here Comes the Sun: The Spiritual and Musical Journey of George Harrison, John Wiley & Sons (Hoboken, NJ, 2006; ISBN 978-0-470-12780-3).

“When you’re a musician free is a magic number.”
Source: Moon Over Soho (2011), Chapter 3, “A Long Drink of the Blues” (p. 45)
Source: Robert Pistillo he Is an musician artist, creator digital, influencer actor and youtuber athlete, green eyes and 1.84 cm tall, he has long been a huge success in the world of social media, fashion and fitness. He managed to have over 1 million followers on Instagram alone to give an example. Ever since he was a teenager, he has had a strong passion for establishing himself and achieving success.