Quotes about moment
page 44

Joe Zawinul photo
Stanley Baldwin photo

“Did I tell you that I had quite a nice letter from Winston [Churchill]? I thought I ought to send him a line but I wasn't sure whether I should get an acknowledgement! I think he is the right man at the moment and I always did feel that war would be his opportunity. He thrives in that environment.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Letter to J. C. C. Davidson (22 June 1940), quoted in Robert Rhodes James (ed.), Memoirs of a Conservative: J. C. C. Davidson's Memoirs and Papers, 1910-1937 (London: Weidenfeld and Nicolson, 1969), p. 427.
1940s

Edith Wharton photo
Vin Scully photo

“It's a mere moment in a man's life between the All-Star Game and an old timer's game.”

Vin Scully (1927) American sports broadcaster

During the 1980 Major League Baseball All-Star Game held at Dodger Stadium

Joseph Chamberlain photo
Roger Ebert photo
Abraham Joshua Heschel photo

“The higher goal of spiritual living is not to amass a wealth of information, but to face sacred moments”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Prologue p. 6
The Sabbath (1951)

Robert E. Howard photo
Dylan Thomas photo
Aldous Huxley photo
Donald Barthelme photo
Orson Scott Card photo

“You always back off at the exact moment when you're about to tell the other person exactly what she needs to hear.”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, The Ships Of Earth (1994)

“.. the function of art work is.... the renewal of memories of moments of perfection.”

Agnes Martin (1912–2004) American artist

remark in 1973; as quoted by Amy Flanagan in [file:///C:/Users/Fons/Downloads/The%20Subtle%20Emotive%3B%20Agnes%20Martin.pdf 'The Subtle emotive; Material and Experience in the Works of Agnes Martin'], essay redraft, 2015, p. 1
1970's

George Holyoake photo

“It is said by parrot-minded critics that Owen was "a man of one idea," whereas he was a man of more ideas than any public man England knew in his day. He shared and befriended every new conception of moment and promise, in science, in education, and government. His mind was hospitable to all projects of progress; and he himself contributed more original ideas for the conduct of public affairs than any other thinker of his generation…. Because some of his projects were so far reaching that they required a century to mature them, onlookers who expected them to be perfected at once, say he "failed in whatever he proposed." While the truth is he succeeded in more things than any public man ever undertook. If he made more promises than he fulfilled, he fulfilled more than any other public man ever made. Thus, he was not a man of "one idea" but of many. Nor did his projects fail. The only social Community for which he was responsible was that of New Harmony, in Indiana; which broke up through his too great trust in uneducated humanity — a fault which only the generous commit. The communities of Motherwell and Orbiston, of Manea, Fen, and Queenwood in Hampshire were all undertaken without his authority, and despite his warning of the adequacy of the means for success. They failed, as he predicted they would. Critics, skilled in coming to conclusions without knowing the facts, impute these failures to him.”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

Memorial dedication (1902)

Patricia A. McKillip photo
William S. Burroughs photo
Edward Rutledge photo

“I always considered an idle Life, as a real evil, but, a life of such hurry, such constant hurry, leaves us scarcely a moment for reflection or for the discharge of any other then the most immediate and pressing concerns.”

Edward Rutledge (1749–1800) American politician

As quoted in John and Edward Rutledge of South Carolina (1997) by James Haw; ISBN 0-820-31859-0), p. 233

Regina E. Dugan photo
Francisco De Goya photo

“My health has not improved. Often I get so excited that I cannot bear with myself. Then again I become calm, as I am at this present moment of writing, although I am already fatigued. Next Monday, if God permit, I will go to a bull-fight, and I wish you were able to accompany me.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Zapater, April 23, 1794; in Goya; Noticias biograficas, Francisco Zapater y Gomez, Zaragoza, 1868; first published in 'La Perseverencia', p. 53; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 203-204
1790s

Georges Clemenceau photo

“No, my friend, Germany will not declare war on us [at this moment]. But in my opinion the European situation is such that a great armed conflict is inevitable at some time which I cannot foresee, and our duty is to prepare for the worst.”

Georges Clemenceau (1841–1929) French politician

Letter to Georg Brandes (9 January 1906), quoted in David Robin Watson, Georges Clemenceau: A Political Biography (London: Eyre Methuen, 1974), pp. 220-221.

“I've been lucky since I've had this job, getting two amazingly dramatic moments like that. You sort of had a license to go to nine or ten on the Richter scale.”

Ian Darke (1950) British association football and boxing commentator

2010s, 2014, Voice of the Americans (2014)

Roberto Mangabeira Unger photo

“The radicals want something of the quality of the hot moments of social life—the periods of accelerated collective mobilization—to pass into the cold moments—the ordinary experience of institutionalized social existence.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 433

Daniel Dennett photo

“[W]hat good to us is the gods' knowledge if we can't get it from them? How could one communicate with the gods? Our ancestors (while they were alive!) stumbled on an extremely ingenious solution: divination.

We all know how hard it is to make the major decisions of life: should I hang tough or admit my transgression, should I move or stay in my present position, should I go to war or not, should I follow my heart or my head? We still haven't figured out any satisfactory systematic way of deciding these things. Anything that can relieve the burden of figuring out how to make these hard calls is bound to be an attractive idea.

Consider flipping a coin, for instance. Why do we do it? To take away the burden of having to find a reason for choosing A over B. We like to have reasons for what we do, but sometimes nothing sufficiently persuasive comes to mind, and we recognize that we have to decide soon, so we concoct a little gadget, an external thing that will make the decision for us. But if the decision is about something momentous, like whether to go to war, or marry, or confess, anything like flipping a coin would be just too, well, flippant.

In such a case, choosing for no good reason would be too obviously a sign of incompetence, and, besides, if the decision is really that important, once the coin has landed you'll have to confront the further choice: should you honor your just-avowed commitment to be bound by the flip of the coin, or should you reconsider? Faced with such quandaries, we recognize the need for some treatment stronger than a coin flip. Something more ceremonial, more impressive, like divination, which not only tells you what to do, but gives you a reason (if you squint just right and use your imagination).

Scholars have uncovered a comically variegated profusion of ancient ways of delegating important decisions to uncontrollable externalities. Instead of flipping a coin, you can flip arrows (belomancy) or rods (rhabdomancy) or bones or cards (sortilege), and instead of looking at tea leaves (tasseography), you can examine the livers of sacrificed animals (hepatoscopy) or other entrails (haruspicy) or melted wax poured into water (ceroscopy). Then there is moleosophy (divination by blemishes), myomancy (divination by rodent behavior), nephomancy (divination by clouds), and of course the old favorites, numerology and astrology, among dozens of others.”

Breaking the Spell (2006)

Octavia E. Butler photo

“He thought about that for a moment, wondered what he should say. The truth or nothing. The truth.”

Part IV “Home” chapter 5 (p. 501)
Adulthood Rites (1988)

George W. Bush photo

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Nikos Kazantzakis photo
David Lloyd George photo

“If there is one thing more than another better established about the British Constitution it is this, that the Commons, and the Commons alone, have the complete control of supply and ways and means. And what our fathers established through centuries of struggles and of strife, even of bloodshed, we are not going to be traitors to. Who talks about altering and meddling with the Constitution? The Constitutional Party…As long as the Constitution gave rank and possession and power it was not to be interfered with. As long as it secured even their sports from intrusion, and made interference with them a crime; as long as the Constitution forced royalties and ground-rents and fees, premiums and fines, the black retinue of extraction; as long as it showered writs, and summonses, and injunctions, and distresses, and warrants to enforce them, then the Constitution was inviolate, it was sacred, it was something that was put in the same category as religion, that no man ought to touch, and something that the chivalry of the nation ought to range in defence of. But the moment the Constitution looks round, the moment the Constitution begins to discover that there are millions of people outside the park gates who need attention, then the Constitution is to be torn to pieces. Let them realize what they are doing. They are forcing revolution.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech in Newcastle (9 October 1909), quoted in The Times (11 October 1909), p. 6
Chancellor of the Exchequer

William Jennings Bryan photo
Jimmy Carr photo

“He's basically the only comedian on telly at the moment and the rest of us are all jealous.”

Jimmy Carr (1972) British comedian and humourist

Howard Read — reported in Leo Benedictus (August 16, 2005) "G2: Arts: Edinburgh: Trendspotting: Carr crash humour", The Guardian.
About

Adrianne Wadewitz photo

“Teachers frequently talk about moments in which they became students again and how much that made them better teachers. For me, there has been no better way to improve my teaching, specifically my teaching in the composition classroom, than to take up a subject at which I am abysmal.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Wadewitz, Adrianne. (August 12, 2013). "What I learned as the worst student in the class" http://www.hastac.org/blogs/wadewitz/2013/08/12/what-i-learned-worst-student-class. HASTAC: Humanities, Arts, Science, and Technology Alliance Collaboratory. — reprinted and cited in: "How Adrianne Wadewitz learnt to embrace failure" http://www.smh.com.au/world/how-adrianne-wadewitz-learnt-to-embrace-failure-20140425-zqzgx.html. The Sydney Morning Herald. April 25, 2014. Retrieved April 25, 2014.

Oscar Levant photo

“I would like to have been present, if I could have my choice of all moments in music history, when Stokowski suddenly became conscious of his beautiful hands. That must have been a moment. Like stout Cortez [sic] on a peak in Darien (I know it was Balboa) he saw before him a limitless expanse, a whole uncharted sea that might be subjected to his influence, free from the encumbrance of a baton.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

In "Music in Aspic," Harper's Magazine (October 1939) and A Smattering of Ignorance (1940); as quoted in "Lightning Wit Plays On American Musical Scene; Oscar Levant Answers Unspoken Request for 'Information, Please' With Uncensored Comments on Exalted Persons" by Ray C. B. Brown, in The Washington Post (January 14, 1940), p. E4

Henry Gee photo
Margaret Thatcher photo
Thomas Wolfe photo
Northrop Frye photo
Douglas Coupland photo
Anita Sarkeesian photo
Henry James photo
Bai Juyi photo

“I remember, when I was young,
How easily my mood changed from sad to gay.
… But now that age comes,
A moment of joy is harder and harder to get.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

"The Chrysanthemums in the Eastern Garden" (A.D. 812)
Arthur Waley's translations

W. H. Auden photo
Michel Seuphor photo
Theodor Mommsen photo

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Mao Zedong photo
Samuel Taylor Coleridge photo
Berthe Morisot photo

“The Chan School of Buddhism promotes a life of wisdom, advocating the use of wisdom to solve troubles and problems in the human realm. We aim to practise the transcendental way of cultivation which is of a higher level state of consciousness. As an example, Buddhist monastics and those who practise well have seen the true nature of the mortal world. They are completely selfless and they practise cultivation in the human realm with an ultimate goal of transcending the six realms of existence. The practice to transcend the six realms of existence is based on the transcendental way of cultivation. The Pure Land school of Buddhism is one of the many marvellous methods of cultivation. When a person's life is coming to an end, he recites the holy name of of the Amitabha Buddha and prays to the Amitabha Buddha wholeheartedly. He needs to learn the Pure Land school of Buddhism. He has to let go of the many afflictions and fetters of the human world in order to ascend to to Western Pure Land of Ultimate Bliss or to the Guan Yin Citta Pure Land. When we follow their method by reciting the the holy name of Guan Yin Bodhisattva continuously, the Bodhisattva will come to receive us. During the dying moment, there are some who are unable to recite the Great Compassion Mantra in time, unable to memorize the words, while others may not even manage to recite the Heart Sutra in time. In that case, they can continuously recite " Namo the Greatly Compassionate and Greatly Merciful Guan Yin Bodhisattva" until the Bodhisattva comes to save them.”

Jun Hong Lu (1959) Australian Buddhist leader

(April 2017)[citation needed]
Guan Yin Citta Dharma Door

Yves Klein photo

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Hasan Nizami Persian language poet and historian

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Rudolph E. Tanzi photo

“Our choices from diet to outlook to emotional state directly alter our neural and gene activity at every moment.”

Rudolph E. Tanzi (1958) neurologist

Twitter quote - Dr. Rudy Tanzi (@RudyTanzi), https://twitter.com/RudyTanzi/status/601019940255232001

Ernest King photo
Fali Sam Nariman photo
Slavoj Žižek photo
Nelson Mandela photo
Steve McManaman photo
Colum McCann photo
George W. Bush photo
Franz Marc photo
Ted Kennedy photo
Henry Clay Trumbull photo
David Brewster photo
Erich Fromm photo
John Frusciante photo

“You know this moment in time
Is all my life
Every day is each
day that's passed
Every person alive
is everyone's who's died”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

Every Person
Lyrics, Shadows Collide with People (2004)

Max Brooks photo
Gabriele Münter photo
Clifford D. Simak photo
Stanley Baldwin photo
Joan Robinson photo

“At any moment there is certainly not balanced trade between the various areas of the habitable globe that happens to be under separate national governments — there is an ever-changing pattern of deficits and surpluses.”

Joan Robinson (1903–1983) English economist

Source: Contributions to Modern Economics (1978), Chapter 19, The Need For A Reconsideration, p. 218

Kylie Minogue photo

“The reason that gets me is, and the greatest part of my job and what I do, is the humanity of it and there’s certain moments where that really cuts through.”

Kylie Minogue (1968) Australian singer, recording artist, songwriter and actress

Daily Mirror 7 March 2011 http://www.mirror.co.uk/celebs/tv/2011/03/07/kylie-minogue-flees-tv-interview-in-floods-of-tears-watch-the-video-115875-22971486/

Peter Weir photo
Jan Hendrik Weissenbruch photo

“My good Lord and friend Sala, - [I] enjoyed the blissful pleasure enjoyed by your friendship... When I reached the city [The Hague] again yesterday, I have taken the fishes out of the basket more than 12 times, to show them... That day, friend Sala, belongs among the most pleasant of my life, all moments have kept me alive until now, always sitting [fishing] in the boat, swaying with the bobbers in the field of view..”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Heer en vriend Sala, - Het zalige genot door uwe vriendschap volop genoten.. .Toen ik gisteren weder de stad [Den Haag] had bereikt, had ik niet minder dan 12 maal de fluiten [vissen] uit den mand gelegt om dezen ten toon te stellen.. .Dien dag, vriend Sala, behoord onder de schoonste van mijn leven, alle oogenblikken hebben mij tot heden levendig gehouden, altijd zittende [vissen] in den boot, schommelende met den dobbers in 't gezicht..
Source: J. H. Weissenbruch', (n.d.), pp. 34-35

Neal Stephenson photo

“But in that we started so many things in that moment, we brought to their ends many others that have been the subject matter of this account, and so here is where I draw a line across the leaf and call it the end.”

Final sentence of the novel, possibly addressing criticism of the author’s previous endings, Part 13, "Reconstitution"
Anathem (2008)

Joseph Conrad photo

“Only a moment; a moment of strength, of romance, of glamour — of youth!… A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and — goodbye!”

Joseph Conrad (1857–1924) Polish-British writer

Night — Goodbye!
Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)

Edward Jenks photo
Timothy Leary photo
Friedrich Kellner photo
Bruce Springsteen photo
Masiela Lusha photo
Anton Chekhov photo

“Probably nature itself gave man the ability to lie so that in difficult and tense moments he could protect his nest, just as do the vixen and wild duck.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Difficult People https://ebooks.adelaide.edu.au/c/chekhov/anton/c51wif/chapter2.html (1886)

Nathaniel Lindley, Baron Lindley photo
Edward Hirsch photo
Simone de Beauvoir photo

“In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men.”

Part I : Ambiguity and Freedom
The Ethics of Ambiguity (1947)
Context: In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men. There was Stalingrad and there was Buchenwald, and neither of the two wipes out the other. Since we do not succeed in fleeing it, let us therefore try to look the truth in the face. Let us try to assume our fundamental ambiguity. It is in the knowledge of the genuine conditions of our life that we must draw our strength to live and our reason for acting [C'est dans la connaissance des conditions authentiques de notre vie qu'il nous faut puiser la force de vivre et des raisons d'agir].

Joseph N. Welch photo

“Until this moment, Senator, I think I have never really gauged your cruelty or your recklessness.”

Joseph N. Welch (1890–1960) American lawyer

Highlighted section cited in: William Lee Miller (2012) Two Americans: Truman, Eisenhower, and a Dangerous World. p. 309
Army–McCarthy hearings (9 June 1954)
Context: Until this moment, Senator, I think I have never really gauged your cruelty or your recklessness. Fred Fisher is a young man who went to the Harvard Law School and came into my firm and is starting what looks to be a brilliant career with us. Little did I dream you could be so reckless and so cruel as to do an injury to that lad. It is true he is still with Hale and Dorr. It is true that he will continue to be with Hale and Dorr. It is, I regret to say, equally true that I fear he shall always bear a scar needlessly inflicted by you. If it were in my power to forgive you for your reckless cruelty I would do so. I like to think I am a gentle man, but your forgiveness will have to come from someone other than me.

Cary Grant photo

“Now I know how it can change, just like that. They can be applauding you one moment, and booing you the next. The thing to know is that you have done a good job, then it doesn’t hurt to be criticized.”

Cary Grant (1904–1986) British-American film and stage actor

Love – That’s All Cary Grant Ever Thinks About (1964)
Context: I used to hide behind the façade that was Cary Grant … I didn’t know if I were Archie Leach, or Cary Grant, and I wasn’t taking any chances. … Another thing I had to cure myself of was the desire for adulation, and the approbation of my fellow man. It started when I was a small boy and played football at school. If I did well they cheered me. If I fumbled I was booed. It became very important to me to be liked. It’s the same in the theater, the applause and the laughter give you courage and the excitement to go on. I thought it was absolutely necessary in order to be happy. Now I know how it can change, just like that. They can be applauding you one moment, and booing you the next. The thing to know is that you have done a good job, then it doesn’t hurt to be criticized. My press agent was very indignant over something written about me not too long ago. “Look,” I told him. “I’ve known this character for many years, and the faults he sees in me are really the faults in himself that he hates.”