Quotes about moment
page 40

Francis Marion Crawford photo
Karel Appel photo

“The experience of the moment is what's important, and somehow the image, the 'thing' is left over.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Roy Blunt photo
John Burroughs photo
Bruno Schulz photo
Camille Paglia photo

“Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was still scrubbing clothes on the back porch on a washboard!”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 260

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Political equality is not merely a folly – it is a chimera. It is idle to discuss whether it ought to exist; for, as a matter of fact, it never does. Whatever may be the written text of a Constitution, the multitude always will have leaders among them, and those leaders not selected by themselves. They may set up the pretence of political equality, if they will, and delude themselves with a belief of its existence. But the only consequences will be, that they will have bad leaders instead of good. Every community has natural leaders, to whom, if they are not misled by the insane passion for equality, they will instinctively defer. Always wealth, in some countries by birth, in all intellectual power and culture, mark out the men whom, in a healthy state of feeling, a community looks to undertake its government. They have the leisure for the task, and can give it the close attention and the preparatory study which it needs. Fortune enables them to do it for the most part gratuitously, so that the struggles of ambition are not defiled by the taint of sordid greed. They occupy a position of sufficient prominence among their neighbours to feel that their course is closely watched, and they belong to a class brought up apart from temptations to the meaner kinds of crime, and therefore it is no praise to them if, in such matters, their moral code stands high. But even if they be at bottom no better than others who have passed though greater vicissitudes of fortune, they have at least this inestimable advantage – that, when higher motives fail, their virtue has all the support which human respect can give. They are the aristocracy of a country in the original and best sense of the word. Whether a few of them are decorated by honorary titles or enjoy hereditary privileges, is a matter of secondary moment. The important point is, that the rulers of the country should be taken from among them, and that with them should be the political preponderance to which they have every right that superior fitness can confer. Unlimited power would be as ill-bestowed upon them as upon any other set of men. They must be checked by constitutional forms and watched by an active public opinion, lest their rightful pre-eminence should degenerate into the domination of a class. But woe to the community that deposes them altogether!”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Quarterly Review, 112, 1862, pp. 547-548
1860s

Theodore Dalrymple photo

“Henceforth, virtue was not the exercise of discipline, self-control or benevolence for the sake of others, but the expression of the right opinions of the moment.”

Theodore Dalrymple (1949) English doctor and writer

Good people have become a defeated class in Blair's Britain, argues Theodore Dalrymple http://www.socialaffairsunit.org.uk/blog/archives/001464.php (March 29, 2007).
The Social Affairs Unit (2006 - 2008)

Winston S. Churchill photo

“It is, thank heaven, difficult if not impossible for the modern European to fully appreciate the force which fanaticism exercises among an ignorant, warlike and Oriental population. Several generations have elapsed since the nations of the West have drawn the sword in religious controversy, and the evil memories of the gloomy past have soon faded in the strong, clear light of Rationalism and human sympathy. Indeed it is evident that Christianity, however degraded and distorted by cruelty and intolerance, must always exert a modifying influence on men's passions, and protect them from the more violent forms of fanatical fever, as we are protected from smallpox by vaccination. But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazis—as dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace. Luckily the religion of peace is usually the better armed.”

The Story of the Malakand Field Force: An Episode of Frontier War (1898), Chapter III.
Early career years (1898–1929)

“Her one serious failing was that she could not write above love. She could not write a story with more than one important character in it, whom she thought of for the moment as herself; with love there had to be at least two important characters.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"Daisy and Venison" from Progress of Stories (Deya, Majorca: Seizin Press; London, Constable, 1935)

John Keats photo
Sarah Palin photo

“Sarah Palin: That was another one of those WTF moments, when he so often repeated the "Sputnik moment" that he would aspire Americans to celebrate, and he needs to remember that, uh, what happened back then with the former Communist USSR and their victory in that, uh, er, race, to space. Yeah, they won but they also incurred so much debt at the time that it, it resulted in the inevitable collapse of the Soviet Union. So I listen to that "Sputnik moment", uh, talk over and over again and I think no, we don't need one of those.”

Sarah Palin (1964) American politician

On the Record w/Greta Van Susteren
Television
Fox News
2011-01-26
Palin Calls Obama's Sputnik Analogy A "WTF Moment"
2011-01-26
Media Matters
http://mediamatters.org/mmtv/201101260055
2011-01-27
Jed
Lewison
Palin completely misunderstands what "Sputnik Moment" means
2011-01-27
Daily Kos
http://www.dailykos.com/storyonly/2011/1/27/939263/-Palin-completely-misunderstands-what-Sputnik-Moment-means
2011-01-27
referring to Barack Obama saying of investing in biomedical research, information technology, and clean energy, "This is our generation's Sputnik moment."
2014

Edmund White photo
Phil Brown (footballer) photo

“The lads are on top of the ground at the moment and they look as though they're looking forward to tomorrow.”

Phil Brown (footballer) (1959) English association football player and manager

24-Aug-2007, Hull City OWS
As opposed to under the ground?

Harry Turtledove photo
Alice A. Bailey photo

“Let us look for a moment at the erroneous interpretations given to the Gospel story. The symbolism of that Gospel story — an ancient story-presentation often presented down the ages, prior to the coming of the Christ in Palestine — has been twisted and distorted by theologians until the crystalline purity of the early teaching and the unique simplicity of the Christ have disappeared in a travesty of errors and in a mummery of ritual, money and human ambitions. Christ is pictured today as having been born in an unnatural manner, as having taught and preached for three years and then as having been crucified and eventually resurrected, leaving humanity in order to "sit on the right hand of God," in austere and distant pomp. Likewise, all the other approaches to God by any other people, at any time and in any country, are regarded by the orthodox Christian as wrong approaches […] Every possible effort has been made to force orthodox Christianity on those who accept the inspiration and the teachings of the Buddha or of others who have been responsible for preserving the divine continuity of revelation. The emphasis has been, as we all well know, upon the "blood sacrifice of the Christ" upon the Cross and upon a salvation dependent upon the recognition and acceptance of that sacrifice. The vicarious at-one-ment has been substituted for the reliance which Christ Himself enjoined us to place upon our own divinity; the Church of Christ has made itself famous and futile (as the world war proved) for its narrow creed, its wrong emphases, its clerical pomp, its spurious authority, its material riches and its presentation of a dead Christ. His resurrection is accepted, but the major appeal of the churches has been upon His death.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 64

Georges Bataille photo
Edith Sitwell photo

“As for the usefulness of poetry, its uses are many. It is the deification of reality. It should make our days holy to us. The poet should speak to all men, for a moment, of that other life of theirs that they have smothered and forgotten.”

Edith Sitwell (1887–1964) British poet

Lecture "Young Poets" (1957) published in Mightier Than the Sword: The P.E.N. Hermon Ould Memorial Lectures, 1953-1961 (1964), p. 56
Variants:
Poetry is the deification of reality.
As quoted in Life magazine (4 January 1963)
The poet speaks to all men of that other life of theirs that they have smothered and forgotten.
As quoted in The Beacon Book of Quotations by Women (1992) by Rosalie Maggio, p. 247

Ramakrishna photo
Tony Blair photo

“This is the time not just for this Government– or, indeed, for this Prime Minister—but for this House to give a lead: to show that we will stand up for what we know to be right; to show that we will confront the tyrannies and dictatorships and terrorists who put our way of life at risk; to show, at the moment of decision, that we have the courage to do the right thing.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Hansard http://www.publications.parliament.uk/pa/cm200203/cmhansrd/vo030318/debtext/30318-09.htm#30318-09_spmin2, House of Commons, 6th series, vol. 301, cols. 773-774.
Conclusion of speech in the House of Commons debate on Iraq, 18 March 2003.
2000s

Dane Cook photo
Gustav Cassel photo
Simon Hill photo

“And yes, very pleased with City thanks - although we’re slipping a bit at the moment…. get the cheque book out Thaksin!”

Simon Hill (1967) Australian television presenter

when asked if he was pleased with how Manchester City F.C were doing in January 2008
Quotes from His time at Foxsports

Marcel Duchamp photo

“Based on the metaphysical implications of the Dadaist dogma.... Arp's Reliefs [carvings] between 1916 and 1922 are among the most convincing illustrations of that anti- rationalistic era... Arp showed the importance of a smile to combat the sophistic theories of the moment. His poems of the same period stripped the word of its rational connotation to attain the most unexpected meaning through alliteration or plain nonsense.”

Marcel Duchamp (1887–1968) French painter and sculptor

1921 - 1950
Source: 'Appreciations of other artists': Jean (Hans) Arp (sculptor, painter, writer) 1949, by Marcel Duchamp; as quoted in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159

Jack Vance photo
George Curzon, 1st Marquess Curzon of Kedleston photo

“I believe that the Durbar, more than any event in modern history, showed to the Indian people the path which, under the guidance of Providence, they are treading, taught the Indian Empire its unity, and impressed the world with its moral as well as material force. It will not be forgotten. The sound of the trumpets has already died away; the captains and the kings have departed; but the effect produced by this overwhelmingly display of unity and patriotism is still alive and will not perish. Everywhere it is known that upon the throne of the East is seated a power that has made of the sentiments, the aspirations, and the interests of 300 millions of Asiatics a living thing, and the units in that great aggregation have learned that in their incorporation lies their strength. As a disinterested spectator of the Durbar remarked, Not until to-day did I realise that the destinies of the East still lie, as they always have done, in the hollow of India’s hand. I think, too, that the Durbar taught the lesson not only of power but of duty. There was not an officer of Government there present, there was not a Ruling Prince nor a thoughtful spectator, who must not at one moment or other have felt that participation in so great a conception carried with it responsibility as well as pride, and that he owed something in return for whatever of dignity or security or opportunity the Empire had given him.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Budget Speech (25 March 1903), quoted in Lord Curzon in India, Being A Selection from His Speeches as Viceroy & Governor-General of India 1898-1905 (London: Macmillan, 1906), pp. 308-309.

Alastair Reynolds photo
Neal Stephenson photo
Vincent Van Gogh photo

“My dear Brother, - I am working like one actually possessed, more than ever I am in a dumb fury of work… Perhaps something will happen to me like what Eug. Delacroix spoke of, "I discovered painting when I had no longer teeth or breath." What I dream of in my best moments is not so much of striking color effects as once more the half tones.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 33 (letter 604)
1880s, 1889

Hendrik Werkman photo

“At a given moment there comes a time that you kick off everything, the whole mess and relieved you are walking further the path. Then the temptations come: Shouldn't I do this in another way, shall I go back and start to accept that I am a fool. Then bite your teeth firmly and say to yourself: no, stupid fool, don't go back, because what you will lose is profit.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Er komt dan op een gegeven ogenblik een tijd dat je alles, de hele rotzooi van je aftrapt en opgelucht de verdere weg bewandelt. Dan krijg je de verleidingen: zal ik dat toch maar niet anders doen, zal ik omkeren en gaan inzien dat ik een stommeling ben. Bijt dan maar op de tanden en zeg tegen jezelf: nee, stommeling, niet terug, wat je verliest is winst.
Quote of Werkman, 1940's; as cited in 'Kwartierstaat', ed. Hartog, Van der Ley and Poortinga, Archief 3, Gebroeders & Cie, Amsterdam, (transl: Fons Heijnsbroek) unpaged
1940's

Tommy Douglas photo

“Fascism begins the moment a ruling class, fearing the people may use their political democracy to gain economic democracy, begins to destroy political democracy in order to retain its power of exploitation and special privilege.”

Tommy Douglas (1904–1986) Scottish-born Canadian politician

as quoted in Straight Through the Heart: How the Liberals Abandoned the Just Society (Harper and Collins: 1995), p. 243.

William Watson (poet) photo

“April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!”

William Watson (poet) (1858–1935) English poet, born 1858

April http://www.recmusic.org/lieder/get_text.html?TextId=22188 (1897).

George W. Bush photo
Swami Vivekananda photo
Matthew Simpson photo
Wayne Pacelle photo

“If we could shut down all sport hunting in a moment, we would.”

Wayne Pacelle (1965) American activist

Wayne Pacelle, Impassioned Agitator http://www.huntersagainstpeta.com/the-president-of-the-hsus-wayne-pacelle-howls-about-wolves-being-delisted, Associated Press, December 30, 1991

Martin Luther King, Jr. photo
Omar Khayyám photo

“A Moment's Halt — a momentary taste
Of Being from the Well amid the Waste —
And Lo! — the phantom Caravan has reach'd
The Nothing it set out from — Oh, make haste!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Albert Gleizes photo
Nicholas Sparks photo
Roger Ebert photo
Gore Vidal photo

“At any given moment, public opinion is a chaos of superstition, misinformation, and prejudice.”

Gore Vidal (1925–2012) American writer

"Sex and the Law," Partisan Review (Summer 1965)
1970s, Homage to Daniel Shays : Collected Essays (1972)

S. I. Hayakawa photo
John Buchan photo
Slavoj Žižek photo
Umberto Boccioni photo

“The gesture which we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. It shall simply be the dynamic sensation itself. Indeed, all things move, all things run, all things are rapidly changing... We would at any price re-enter into life.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 23.
1910, Manifesto of Futurist Painters,' April 1910

Michael J. Sandel photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Neil Gaiman photo
P.G. Wodehouse photo

“Where are you this moment?
only in my dreams.
You're missing, but you're always
a heartbeat from me.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Otto Weininger photo
Michelle Gomez photo
George Galloway photo

“We did not suspend our democracy in our darkest hours why are we suspending it now? the fawning over Thatcher had gone too far. We have had enough of this, It has gone on too long and it has gone too far. This put the tin hat on it the idea that we should suspend a vital part of our democratic process for a party political and private funeral, Mr Churchill didn’t ask for Parliament to be silenced, for confrontations across the House to be forbidden. When our soldiers were being laid waste in the Norway debate, the House of Commons perhaps rose to its finest 20th Century moment. Nobody said: ‘Our armed forces have suffered a disaster, the House of Commons cannot meet, the clash of ideas cannot be heard, we must muffle the drums and silence ourselves The so-called Beast of Bolsover said the argument was about class and that it was "one rule for those at the top and another for those at the bottom. We are here talking about the thing that we sometimes suggest has gone away class, That's what it is, it's about class. It's about the fact that people out there have to live their lives in a different way and there's one rule for those at the top and there's another for those at the bottom. It's never changed, I wish it had, but it hasn't. So when I heard about the chain of events it seemed to grow like topseed - first of all there was going to be some sort of ceremonial funeral, and then the next thing you (Mr Speaker) tell us that the chimes of Big Ben are going to stop and then we hear about the fact that we are going to abandon Prime Minister's question time, I mean, what's it all about? That's why the people out there are angry, a lot of them.”

George Galloway (1954) British politician, broadcaster, and writer

The Mirror http://www.mirror.co.uk/news/uk-news/margaret-thatcher-fawning-gone-far-1836314 George Galloway blasts cancellation of PMQs for Margret Thatchers funeral 16 April, 2013

Sam Harris photo
Robert Barr (writer) photo

“The present moment is ever the critical time. The future is merely for intelligent forethought.”

Robert Barr (writer) (1849–1912) Scottish-Canadian novelist

"The Siamese Twin of a Bomb Thrower" from The Triumphs of Euguene Valmont (1906)

Letitia Elizabeth Landon photo
Raymond Poincaré photo

“And, further, shall we be sure of finding the left bank free from German troops? Germany is supposedly going to undertake to have neither troops nor fortresses on the left bank and within a zone extending 50 km. east of the Rhine. But the Treaty does not provide for any permanent supervision of troops and armaments, on the left bank any more than elsewhere in Germany. In the absence of this permanent supervision, the clause stipulating that the League of Nations may order enquiries to be undertaken is in danger of being purely illusory. We can thus have no guarantee that after the expiry of the fifteen years and the evacuation of the left bank, the Germans will not filter troops by degrees into this district. Even supposing they have not previously done so, how can we prevent them doing it at the moment when we intend to re-occupy on account of their default? It will be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us. The option to renew the occupation should not therefore from any point of view be substituted for occupation. It will then be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Memorandum to Clemenceau (28 April 1919), quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 430.

Henry Adams photo
George W. Bush photo
Jimmy Carter photo

“America does not at the moment have a functioning democracy.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Referring to mass surveillance by the government in the United States.[NSA Controversy: Jimmy Carter Says U.S. "Has No Functioning Democracy", International Business Times, July 18, 2013, http://www.ibtimes.com/nsa-controversy-jimmy-carter-says-us-has-no-functioning-democracy-1351389, 8-11-2013]
[NSA-Affäre: Ex-Präsident Carter verdammt US-Schnüffelei, Der Speigel, July 17, 2013, http://www.spiegel.de/politik/ausland/nsa-affaere-jimmy-carter-kritisiert-usa-a-911589.html, 8-11-2013]
Post-Presidency

Jacques de Molay photo
Alfred Horsley Hinton photo

“The moment the eye perceives that the picture is produced by other than the professed means, the effect, the appeal to the imagination, is disturbed.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Matthew Arnold photo
Leslie Feist photo
Melinda M. Snodgrass photo
Heather Brooke photo
Lyndon B. Johnson photo
Leo Tolstoy photo

“The most important person is the one you are with in this moment.”

Leo Tolstoy (1828–1910) Russian writer

Source: Path of Life (1909), p. 206

Mitch Albom photo
Dejan Stojanovic photo

“In every moment the past is born and the present flows into the future, taking the moment that already passed.”

“Passage,” p. 45
The Creator (2000), Sequence: “The Dream Chamber”

Swami Vivekananda photo

“Once to every man and nation comes the moment to decide in the strife of Truth and Falsehood, for the good and evil side.”

Dingiri Banda Wijetunga (1916–2008) President of Sri Lanka

Quoted on Archives. Daily News, "Dingiri Banda Wijetunga - the journey to greatness" http://archives.dailynews.lk/2008/09/22/fea01.asp, September 22, 2008.

Ossip Zadkine photo
Ayrton Senna photo

“It's important that the drivers stay together, because in difficult moments we have each other. If we are not together the financial and political interests of the organisers and constructors come to the fore.”

Ayrton Senna (1960–1994) Brazilian racing driver

Interview with TV3 Catalunya, 1987 http://www.youtube.com/watch?v=5SKJcl2N7bE

Billy Joel photo
Graham Greene photo
David Brooks photo
Otto Weininger photo

“No two moments in the life of an individual are exactly alike; there is between the later and the earlier periods only the similarity of the higher and lower parts of a spiral ascent.”

Es gibt nicht zwei Momente des individuellen Lebens, die einander ganz gleichen; und es existiert zwischen den späteren und den früheren Perioden nur die Ähnlichkeit der Punkte der höheren mit den homologen der niederen Spiralwindung.
Source: Sex and Character (1903), p. 107.

W.E.B. Du Bois photo
William Westmoreland photo
Tom Wolfe photo
Clifford D. Simak photo
Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Báb photo

“[Larkin] himself is well aware that there are happier ways of viewing life. It's just that he is incapable of sharing them, except for fleeting moments - and the fleeting moments do not accumulate, whereas the times in between them do.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, At the Pillars of Hercules (1979)

Franklin Pierce photo
Albert Camus photo