Quotes about model
page 9

Narendra Modi photo

“Yes I have spoken on Gandhi ji’s Vaishnav Jan bhajan at many places. In fact, I used to deliver hour-long speeches describing why Gandhi ji loved this bhajan. If we think carefully and dwell on each word of this song, composed 500 years ago, we will find that everything said in it is still relevant, especially for our public life. He speaks against corruption and importance of personal integrity. In short, it is a manifesto for public life and morality. So, I worked around the words and would say: … "A people’s representative is one who feels the pain of others; one who removes the sorrows of others and yet does not let a trace of pride or arrogance come into his heart."
This used to be part of my worker development programmes. I used to analyse each line of this bhajan and explain why Gandhi ji promoted these values in public life; it contains all the wisdom you need for public life. It is a great misfortune for our country that this bhajan is played only on October 2 at Rajghat. It should have become an instrument of inculcating moral values. Gandhi ji liked this bhajan because Gandhi’s DNA and the elements of this geet match each other. I hold it up as a model of conduct for our party and RSS workers. In the RSS, there is an old tradition of remembering this bhajan every morning. Their pratah smaran (morning remembrance) starts with Gandhi ji’s name.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.379-380
2013

Zhu Rongji photo

“The usefulness of the models in constructing a testable theory of the process is severely limited by the quickly increasing number of parameters which must be estimated in order to compare the predictions of the models with empirical results.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, Prisoner's dilemma: A study in conflict and cooperation (1965), p. 150

Vincent K. Brooks photo

“We are role models to a lot of young people, not just African Americans and soldiers.”

Vincent K. Brooks (1958) United States general

As quoted in "Who is Brigadier General Vincent Brooks?" http://www.barzey.com/2003/04/who-is-brigadier-general-vincent-brooks.html (April 2003), Barzey

Charles Barkley photo

“I am not a role model.”

Charles Barkley (1963) American basketball player

Series of Nike commercials

Eric S. Raymond photo
Václav Havel photo
Rakesh Khurana photo
Adolphe Quetelet photo

“The great body of population dynamics, like those of the motion of the celestial bodies, can be solved—and what is most remarkable, there is a surprising analogy between the formulas employed in these calculations. I believe that I have achieved to some extent what I have long said about the possibility of founding a social mechanics on the model established by celestial mechanics—to formulate the motions of the social body in accordance with those of celestial bodies, and to find there again the same properties and laws of conservation.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Astronomie élémentaire? (1834) as quoted by Theodore M. Porter, "From Quetelet to Maxwell: Social Statistics and the Origin of Statistical Physics" in The Natural Sciences and the Social Sciences: Some Critical and Historical Perspectives (2013) ed., I. Bernard Cohen

Grady Booch photo
Nick Herbert photo

“The gist of Bell's theorem is this: no local model of reality can explain the results of a particular experiment.”

Nick Herbert (1936) American physicist

Source: Quantum Reality - Beyond The New Physics, Chapter 11, The Einstein-Podolsky-Rosen Paradox, p. 199 (See also: John Stewart Bell)

“A weakness of the random-walk model lies in its assumption of instantaneous adjustment, whereas the information impelling a stock market toward its "intrinsic value" gradually becomes disseminated throughout the market place.”

Richard Arnold Epstein (1927) American physicist

Source: The Theory of Gambling and Statistical Logic (Revised Edition) 1977, Chapter Nine, Weighted Statistical Logic And Statistical Games, p. 299

Scott Adams photo

“If there is one thing that our role models in this election have taught us, it's that omitting important information is completely different from lying.”

Scott Adams (1957) cartoonist, writer

DNRC Newsletter #57, 2004-10-28 http://www.dilbert.com/comics/dilbert/dnrc/html/newsletter57.html,

Heidi Klum photo
Bill Thompson photo
Thomas Flanagan (political scientist) photo
Russell L. Ackoff photo
A. Wayne Wymore photo

“All that can be done pedagogically is to show the student how some phenomena have been modeled, let him model some phenomena under supervision, and then hope he will be successful on his own—or know enough to secure assistance.”

A. Wayne Wymore (1927–2011) American mathematician

Source: A Mathematical Theory of Systems Engineering (1967), p. 68 About the teaching of modeling: As cited in: J.C. Heckman (1973, p. 5)".

William Grey Walter photo

“These models are of course so simple that any more detailed comparison between them and living creatures would be purely conjectural.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: A machine that learns (1951), p. 63.

Harry Turtledove photo

“A fellow with a great voice shouted, "Hearken now to the words of the President of the Confederate States of America, the honorable Woodrow Wilson." The president turned this way and that, surveying the great swarm of people all around him in the moment of silence the volley had brought. Then, swinging back to face the statue of George Washington- and, incidentally, Reginald Bartlett- he said, "The father of our country warned us against entangling alliances, a warning that served us well when we were yoked to the North, before its arrogance created in our Confederacy what had never existed before- a national consciousness. That was our salvation and our birth as a free and independent country." Silence broke then, with a thunderous outpouring of applause. Wilson raised a bony right hand. Slowly, silence, of a semblance of it, returned. The president went on, "But our birth of national consciousness made the United States jealous, and they tried to beat us down. We found loyal friends in England and France. Can we now stand aside when the German tyrant threatens to grind them under his iron heel?" "No!" Bartlett shouted himself hoarse, along with thousands of his countrymen. Stunned, deafened, he had trouble hearing what Wilson said next: "Jealous still, the United States in their turn also developed a national consciousness, a dark and bitter one, as any so opposed to ours must be." He spoke not like a politician inflaming a crowd but like a professor setting out arguments- he had taken one path before choosing the other. "The German spirit of arrogance and militarism has taken hold in the United States; they see only the gun as the proper arbiter between nations, and their president takes Wilhelm as his model. He struts and swaggers and acts the fool in all regards."”

Now he sounded like a politician; he despised Theodore Roosevelt, and took pleasure in Roosevelt's dislike for him.
Source: The Great War: American Front (1998), p. 32

W. Brian Arthur photo

“This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage.”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 29: About Ethnic Change, Dissolution and Survival

Jean-Baptiste-Camille Corot photo
Franco Modigliani photo
Gino Severini photo

“[the] circular rhythmic movement of a dancer, the folds of whose dress are held out by means of a hoop. These folds preserve their exterior form, modified in a uniform manner through the rotary movement. In order the better to convey the notion of relief, I have attempted to model the essential portions in a manner almost sculptural. Light and ambiance act simultaneously on the forms in movement.”

Gino Severini (1883–1966) Italian painter

from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130
Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912

William Luther Pierce photo
Béla H. Bánáthy photo

“Science focuses on the study of the natural world. It seeks to describe what exists. Focusing on problem finding, it studies and describes problems in its various domains. The humanities focus on understanding and discussing the human experience. In design, we focus on finding solutions and creating things and systems of value that do not yet exist.
The methods of science include controlled experiments, classification, pattern recognition, analysis, and deduction. In the humanities we apply analogy, metaphor, criticism, and (e)valuation. In design we devise alternatives, form patterns, synthesize, use conjecture, and model solutions. \
Science values objectivity, rationality, and neutrality. It has concern for the truth. The humanities value subjectivity, imagination, and commitment. They have a concern for justice. Design values practicality, ingenuity, creativity, and empathy. It has concerns for goodness of fit and for the impact of design on future generations.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Designing Social Systems in a Changing World (1996), p. 34-35, as cited in Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Paul Gauguin photo
Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

Herbert Marcuse photo
Amanda Lear photo
Florian Cajori photo
Lawrence Wright photo
James Jeans photo
Richard Pipes photo

“The purpose of totalitarian parties, for which Bolshevism provided the model, was not to become the government, but to manipulate the government from behind the scenes.”

Richard Pipes (1923–2018) American historian

Source: Three “Whys” of the Russian Revolution (1995), p. 39

Heather Brooke photo
Francis Heylighen photo
Miley Cyrus photo

“I kind of take Hilary as a role model because she started out at about the same age, she hadn't done much before starting her series, and I haven't either.”

Miley Cyrus (1992) American actor and singer-songwriter

Pittsburgh Post Gazette http://www.post-gazette.com/pg/08003/846166-42.stm (January 2, 2008)

Sally Shlaer photo

“In the integrated relational model presented here, sexuality and relational issues are not seen as alternative foci. Rather, sexuality is regarded as a central realm in which relational conflicts are shaped and played out.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 66

Edward Fredkin photo
Sam Harris photo
Wassily Leontief photo
Grady Booch photo

“Model Driven Architecture is a style of enterprise application development and integration, based on using automated tools to build system independent models and transform them into efficient implementations.”

Grady Booch (1955) American software engineer

Attributed to Grady Booch in: Tarek M. Sobh (2008) Advances in Computer and Information Sciences and Engineering. p. 457

Peter Woit photo

“We have an incredibly successful theory called the Standard Model. … It still leaves open several questions.”

Peter Woit (1957) American physicist

[Big Think Interview with Peter Woit, 23 April 2012, YouTube, https://www.youtube.com/watch?v=lnWjZCS9YVY] (See Big Think.)

Letitia Elizabeth Landon photo
Willem de Sitter photo
Warren Farrell photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Jozef Israëls photo

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls (1824–1911) Dutch painter

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10
During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style
Quotes of Jozef Israels, 1871 - 1900

Janeane Garofalo photo

“There's always [on women's magazines] that great photo of the actress or model lifting up her shirt just to show you the bone structure and the six-pack of her own. It's almost like when horses are auctioned and they show you their teeth. 'Am I good enough?”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance (accessible through .WAV files available on the Internet)[citation needed]
Standup routines

Krishna Raja Wadiyar IV photo
Georg Brandes photo
Julius Streicher photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Ariel Sharon photo

“[Iran, Libya and Syria] are irresponsible states, which must be disarmed of weapons [of] mass destruction, and a successful American move in Iraq as a model will make that easier to achieve.”

Ariel Sharon (1928–2014) prime minister of Israel and Israeli general

haaretzdaily.com, February 17, 2003 Haaretz http://www.haaretzdaily.com/hasen/pages/ShArt.jhtml?itemNo=263941
2000s

Ivar Jacobson photo

“The control objects model functionality that is not naturally tied to any other object… We do not believe that the best (most stable) systems are built by only using objects that correspond to real-life entities, something that many other object-oriented analysis and design techniques claim… Behavior that we place in control objects will, in other methods, be distributed over several other objects, making it hard to change this behavior.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 133 as cited in: " Object Oriented Software Engineering: A Use Case Driven Approach Ivar Jacobson, et al. (1992) http://tedfelix.com/software/jacobson1992.html", Book review by Ted Felix on tedfelix.com, 2006.

Cesare Pavese photo
Anish Kapoor photo
Michael Moore photo
John Gray photo
Hans Arp photo

“A painting or sculpture not modeled on any real object is every bit as concrete and sensuous as a leaf or a stone.... [but] it is an incomplete art which privileges the intellect to the detriment of the senses... [art must be like.. ] fruit that grows in man, like a fruit on a plant or a child in it's mother's womb.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Notes From a Dada Diary, published in 1932; as quoted by Anna Moszynska, in Abstract Art, Thames and Hudson, London, 1990, p. 113
1930s

Warren Farrell photo

“Since no one is always right, always being right is really a role model for his children feeling inadequate.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 120.

Jeremy Rifkin photo
Ray Harryhausen photo

“I am often asked if I would have liked to have been involved with Jurassic Park. The plain answer is no. Although excellent, it is not with all its dollars what I would have wished to do with my career. I was always a loner and worked best that way. Since the very beginning I fought and struggled under constant pressure to keep the design and final result within my hands. As time moved on this became more difficult, until I was forced to bow to the fact that my method of working, in the financial sense, was no longer practical. Model animation has been relegated to a reflection, or a starting point for creature computer effects that has reached a high few could have anticipated. However, for all the wonderful achievements of the computer, the process creates creatures that are too realistic and for me that makes them unreal because they have lost one vital element - a dream quality. Fantasy, for me, is realizing strange beings that are so removed from the 21st century. These beings would include not only dinosaurs, because no matter what the scientists say, we still don't know how dinosaurs looked or moved, but also creatures of the mind. Fantastical creatures where the unreal quality becomes even more vital. Stop-motion supplies the perfect breath of life for them, offering a look of pure fantasy because their movements are beyond anything we know.”

Ray Harryhausen (1920–2013) American animator

Ray Harryhausen & Tony Dalton (2003), An Animated Life, Aurum Press, p. 8

Howard Dean photo
Richard Cobden photo

“We are on the eve of great changes…We have set an example to the world in all ages; we have given them the representative system. The very rules and regulations of this House have been taken as the model for every representative assembly throughout the whole civilised world; and having besides given them the example of a free press and civil and religious freedom, and every institution that belongs to freedom and civilisation, we are now about giving a still greater example; we are going to set the example of making industry free—to set the example of giving the whole world every advantage of clime, and latitude, and situation, relying ourselves on the freedom of our industry. Yes, we are going to teach the world that other lesson. Don't think there is anything selfish in this, or anything at all discordant with Christian principles. I can prove that we advocate nothing but what is agreeable to the highest behests of Christianity. To buy in the cheapest market, and sell in the dearest. What is the meaning of the maxim? It means that you take the article which you have in the greatest abundance, and with it obtain from others that of which they have the most to spare; so giving to mankind the means of enjoying the fullest abundance of earth's goods, and in doing so, carrying out to the fullest extent the Christian doctrine of 'Doing to all men as ye would they should do unto you.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Speech in the House of Commons (27 February 1846), quoted in John Bright and J. E. Thorold Rogers (eds.), Speeches on Questions of Public Policy by Richard Cobden, M.P. Volume I (London: T. Fisher Unwin, 1908), p. 198.
1840s

David Cameron photo

“Britain is a special country. We have so many great advantages: a Parliamentary democracy where we resolve great issues about our future through peaceful debate; a great trading nation, with our science and arts, our engineering and our creativity, respected the world over. And while we are not perfect, I do believe we can be a model for the multi-racial, multi-faith democracy, where people can come and make a contribution and rise to the very highest that their talent allows.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech delivered outside outside 10 Downing Street, announcing that he would resign as prime minister after British voters chose to leave the European Union in a referendum (June 24, 2016), see David Cameron's resignation speech in full http://www.cnn.com/2016/06/24/europe/david-cameron-full-resignation-speech/ (published by CNN)
2010s, 2016

Edouard Manet photo
Lewis Mumford photo

“New York is the perfect model of a city, not the model of a perfect city.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

My Works and Days (1979)

Edgar Degas photo

“In enterprise modelling, we want to define the actions performed within an enterprise, and define constraints for plans and schedules which are constructed to satisfy the goals of the enterprise. This leads to the following set of informal competency questions:”

Mark S. Fox (1952) Canadian computer scientist and Professor of Industrial Engineering

Temporal projection - Given a set of actions that occur at different points in the future, what are the properties of resources and activities at arbitrary points in time?
Planning and scheduling - what sequence of activities must be completed to achieve some goal? At what times must these activities be initiated and terminated?
Execution monitoring and external events - What are the effects of the occurrence of external and unexpected events (such as machine breakdown or the unavailability of resources) on a plan or schedule?
Time-based competition - we want to design an enterprise that minimizes the cycle time for a product. This is essentially the task of finding a minimum duration plan that minimizes action occurrences and maximizes concurrency of activities.
Source: Methodology for the Design and Evaluation of Ontologies (1995), p. 3-4

N. R. Narayana Murthy photo
Emil Nolde photo
George Frisbie Hoar photo
George E. P. Box photo

“Remember that all models are wrong; the practical question is how wrong do they have to be to not be useful.”

George E. P. Box (1919–2013) British statistician

Source: Empirical Model-Building and Response Surfaces (1987), p. 74

Patrick Matthew photo
Paul DiMaggio photo

“Organizations tend to model themselves after similar organizations in their field that they perceive to be more legitimate or successful.”

Paul DiMaggio (1951) American sociologist

Source: "The iron cage revisited: Institutional isomorphism and collective rationality in organizational fields," 1983, p. 152