Quotes about model
page 11

Clay Aiken photo
Max Horkheimer photo
Adrian Slywotzky photo
B. W. Powe photo
George Hendrik Breitner photo

“The so-called bourgeoisie doesn't provide any substance for my art. The character [of the models] there is too faint and without any spirit. It doesn't represent a race in an artistic sense. So there is no other choice for me [than folk women].”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner, in het Nederlands:) De zogenaamde burgerij levert geen stof voor mijn kunst. Het karakter [van de modellen] dáár is te flauw en geesteloos. Het vertegenwoordigt in artistieken zin geen ras. Mij rest dus geen andere keuze [dan volksvrouwen].
Quote of Breitner; as cited by B. van Garrel, in his article 'Het getekende bestaan van G.H. Breitner', Dutch newspaper Haagse Post, 23 June 1973, jrg. 60, nr. 25
The young saleswoman of hats, nl:Geesje Kwak was Breitner's model for several years
undated quotes

Warren Farrell photo

“If we want our children to have a balance between their abilities to earn money and show love, it will help if both their parents model that balance.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

page 114.
Father and Child Reunion (2001)

John Moffat photo
Sergei Biriuzov photo
Alberto Giacometti photo

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Pope Benedict XVI photo
Eric Hobsbawm photo
Bernie Sanders photo
John McCain photo

“I believe that Carly Fiorina is a role model to millions of young American women. She started out as a part-time secretary and she ended up a CEO of one of the major corporations in America. I’m proud of her record and so I want everybody to know that Carly Fiorina is a person that I admire and respect.”

John McCain (1936–2018) politician from the United States

On campaign economic advisor Carly Fiorina, 23 September 2008 http://voices.washingtonpost.com/the-trail/2008/09/23/mccain_fiorina_a_role_model.html
2000s, 2008

Heather Brooke photo
Orrin H. Pilkey photo

“If a model itself is “a poor representation of reality,” they write, “determining the sensitivity of an individual parameter in the model is a meaningless pursuit.””

Orrin H. Pilkey (1934) American ecologist

Cornelia Dean, " The Problems in Modeling Nature, With Its Unruly Natural Tendencies http://www.nytimes.com/2007/02/20/science/20book.html?_r=1&em&ex=1172034000&en=66b1bbb4657b7f9d&ei=5087%0A&oref=slogin", The New York Times (February 20, 2007).
Useless Arithmetic: Why Environmental Scientists Can’t Predict the Future (2007)

El Greco photo
Grady Booch photo

“The development of the Model Driven Architecture (MDA) standards by the Object Management Group”

Grady Booch (1955) American software engineer

OMG
The Limits of Software

Heidi Klum photo
Michael Lewis photo
Richard Feynman photo
Gerhard Richter photo
Richard A. Posner photo
Richard Francis Burton photo

“Man worships self: his God is Man; the struggling of the mortal mind
To form its model as 'twould be, the perfect of itself to find.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Romário photo

“I have never been a role model for anyone.”

Romário (1966) Brazilian association football player

Eu nunca fui exemplo para ninguém.
Source: Veja Magazine; 1903 Edition. May 4th, 2005.
Context: When talking about his carrer in the Brazilian national team.

Paul Gauguin photo

“.. so before I died I wanted to paint a large canvas that I had worked out in my head, and all month long I worked [on Tahiti] day and night at fever pitch... It's all done without a model.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

late quote about the start of his famous large painting 'Where do we come from? What are we? Where are we going'
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 159-160: in a letter from Tahiti to a friend, 1898

Thomas Gainsborough photo

“It is my strict charge that after my decease no plaster cast, model, or likeness whatever be permitted to be taken.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

'Tho. Gainsborough'.
In a note of 15 June, 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 305
1770 - 1788

Jodie Marsh photo

“For quite a while I did feel like my brain wasn't being used at all. Obviously, when you're just modelling, you do feel a bit almost brain-dead, where you need something to stimulate you mentally and you're not getting it.”

Jodie Marsh (1978) English glamour model and television personality

Interview in The Guardian, 25 January 2006 http://www.guardian.co.uk/media/2006/jan/25/broadcasting.bigbrother

Michael Crichton photo

“This fascination with computer models is something I understand very well. Richard Feynmann called it a disease. I fear he is right.”

Michael Crichton (1942–2008) American author, screenwriter, film producer

Aliens Cause Global Warming (2003)

Kurt Schwitters photo
Jean Metzinger photo
Suze Robertson photo

“Acquaintances, family, posing for me? - Oh no, please no acquaintances, no nephews or nieces… If I need them, I take models; am I searching for myself, tripping through the neighborhoods..”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) Kennissen, familie voor mij poseeren? – O nee, alstublieft geen bekenden, geen neefjes of nichtjes.. .Als ik ze nodig heb, neem ik modellen; ga ik zelf zoeken, de buurtjes [buurten] afloopen..
p. 34
1900 - 1922, Onder de Menschen: Suze Robertson' (1912)

Friedrich Hayek photo

“I mean, it became particularly acute because Keynes, against his intentions, had stimulated the development of macroeconomics. And I was convinced that not only his particular conclusions, but the whole foundation of macroeconomics was wrong.
So I wanted to demonstrate that we had to return to microeconomics, that this whole prejudice supported by the natural scientists that could deduce anything from measurable magnitudes, the effects of aggregates and averages, came to fascinate me much more. I felt in a way, that the thing which I am now prepared to do, I don’t know as there’s anybody else who can do this particular task. And I rather hoped that what I had done in capital theory would be continued by others. This was a new opening which was much more fascinating. The other would have meant working for a result which I already knew, but had to prove it. Which was very dull.
The other thing was an open problem: How does economics really look like when you recognize it as the prototype of a new kind of science of complex phenomena which could not employ the simple model of mechanics or physics, but had to deal with what then I described as mere pattern predictions, certain limited prediction. That was so much more fascinating as an intellectual problem.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

In a 1985 interview with Gary North and Mark Skousen, in Hayek on Hayek (1994)
1980s and later

“When we expect transformation to occur through external experiences, we are opting for an inferior model of spiritual formation.”

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

V. P. Singh photo
B. W. Powe photo
Amir Taheri photo

“As some of us noted before Saddam Hussein’s 2003 fall, banning the Ba’ath as such was a mistake – for, in a sense, the Ba’ath had also been a victim of Saddam’s savage rule. The Ba’ath, modeled on European fascist parties, was never a democratic movement. Yet, before Saddam turned it into an empty shell to be filled with his personality cult, it had been a genuine political movement, representing a significant segment of Iraqi opinion. It had started as a predominantly Shiite party seeking to downplay sectarianism by promoting pan-Arab ideas. Saddam turned it into a sectarian party, first dominated by the Arab Sunni minority and eventually by his Tikriti clan. The wisest course would’ve been to let those Ba’athists who had been purged, imprisoned and exiled under Saddam to reclaim their party and rebuild it with full respect for Iraq’s new democratic and pluralist political system. Those Ba’athists who committed crimes were known to all and could’ve been blacklisted and tried as individuals. The blanket ban suddenly transformed some 1.4 million civil servants, including tens of thousands of teachers and medical doctors and some half a million military personnel, into pariahs simply because they’d been nominal Ba’ath members. Yet most had joined simply to protect their careers under a brutal regime.”

Amir Taheri (1942) Iranian journalist

"Iraq: Reconciling with the Ba'ath" http://nypost.com/2008/01/16/iraq-reconciling-with-the-baath/, New York Post (January 16, 2008).
New York Post

Paul Krugman photo

“What’s odd about Friedman’s absolutism on the virtues of markets and the vices of government is that in his work as an economist’s economist he was actually a model of restraint. As I pointed out earlier, he made great contributions to economic theory by emphasizing the role of individual rationality—but unlike some of his colleagues, he knew where to stop. Why didn’t he exhibit the same restraint in his role as a public intellectual?
The answer, I suspect, is that he got caught up in an essentially political role. Milton Friedman the great economist could and did acknowledge ambiguity. But Milton Friedman the great champion of free markets was expected to preach the true faith, not give voice to doubts. And he ended up playing the role his followers expected. As a result, over time the refreshing iconoclasm of his early career hardened into a rigid defense of what had become the new orthodoxy.
In the long run, great men are remembered for their strengths, not their weaknesses, and Milton Friedman was a very great man indeed—a man of intellectual courage who was one of the most important economic thinkers of all time, and possibly the most brilliant communicator of economic ideas to the general public that ever lived. But there’s a good case for arguing that Friedmanism, in the end, went too far, both as a doctrine and in its practical applications. When Friedman was beginning his career as a public intellectual, the times were ripe for a counterreformation against Keynesianism and all that went with it. But what the world needs now, I’d argue, is a counter-counterreformation.”

Paul Krugman (1953) American economist

"Who Was Milton Friedman?", The New York Review of Books (February 15, 2007)
The New York Review of Books articles

Wang Yu-chi photo

“Today's meeting with (Macau) Chief Executive (Fernando) Chui was a positive step. Because Taiwan has very close ties with Macau, it can be a good model for relations between Taiwan and Hong Kong or across the Taiwan Strait.”

Wang Yu-chi (1969) Taiwanese politician

Wang Yu-chi (2013) cited in " MAC head meets with Macau's top official in first trip since taking office http://www.chinapost.com.tw/taiwan/intl-community/2013/08/28/387526/MAC-head.htm" on The China Post, 28 August 2013

Anastasia Ashley photo
Robert P. George photo
William Grey Walter photo

“At least 60% of the warming of the Earth observed since 1970 appears to be induced by natural cycles which are present in the solar system. A climatic stabilization or cooling until 2030-2040 is forecast by the phenomenological model.”

Climate Change and its Causes, a Discussion about some Key Issues http://scienceandpublicpolicy.org/images/stories/papers/originals/climate_change_cause.pdf

Daniel J. Boorstin photo
Francis Heylighen photo
Gerd Gigerenzer photo

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Kenneth Arrow photo
Lynda Gratton photo
George W. Bush photo
Frank Wilczek photo
Gerhard Richter photo
Anton Mauve photo

“You're too close to your model.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Mauve, teaching Vincent van Gogh, c. End of Dec. 1881 in The Hague; as cited by Vincent van Gogh in his letter to brother Theo http://vangoghletters.org/vg/letters/let193/letter.html, from Etten, c. Friday, 23 December 1881]
Vincent decided then to become a painter and asked his older cousin-in-law Anton Mauve to teach him
1880's

“I model irregular clothing.”

Jay London (1966) American comedian

One-liners

“There's none of this wisecracking and cynicism that you see in … some of the other cartoons. He's supposed to be a role model for kids. He cares about other people.”

Art Clokey (1921–2010) American animator

Quoted by Michelle Locke (Associated Press), "Gumby comes back to TV", The Dispatch (Lexington), 14 November 1995, p. 6B

Jocelyn Bell Burnell photo
Roger Ebert photo

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008)
Reviews, Four star reviews

Suvi Koponen photo
James Nasmyth photo

“My first essay at making a steam engine was when I was fifteen. I then made a real working; steam-engine, 1 3/4 diameter cylinder, and 8 in. stroke, which not only could act, but really did some useful work; for I made it grind the oil colours which my father required for his painting. Steam engine models, now so common, were exceedingly scarce in those days, and very difficult to be had; and as the demand for them arose, I found it both delightful and profitable to make them; as well as sectional models of steam engines, which I introduced for the purpose of exhibiting the movements of all the parts, both exterior and interior. With the results of the sale of such models I was enabled to pay the price of tickets of admission to the lectures on natural philosophy and chemistry delivered in the University of Edinburgh. About the same time (1826) I was so happy as to be employed by Professor Leslie in making models and portions of apparatus required by him for his lectures and philosophical investigations, and I had also the inestimable good fortune to secure his friendship. His admirably clear manner of communicating a knowledge of the fundamental principles of mechanical science rendered my intercourse with him of the utmost importance to myself. A hearty, cheerful, earnest desire to toil in his service, caused him to take pleasure in instructing me by occasional explanations of what might otherwise have remained obscure.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

James Nasmyth in: Industrial Biography: Iron-workers and Tool-makers https://books.google.nl/books?id=ZMJLAAAAMAAJ, Ticknor and Fields, 1864. p. 337

Frédéric Bazille photo

“I've extended my hospitality to one of my friends, a former student of Gleyre's, who lacks a studio at the moment. Renoir, that's his name, is a real worker, he takes advantage of my models and helps me pay for them.”

Frédéric Bazille (1841–1870) French painter

In a letter to his parents, c. 1868; as quoted in Frédéric Bazille, Prophet of Impressionism (exhibition catalogue), Brooklyn Museum of Art, Brooklyn & Dixon Gallery, Memphis, 1992-93, p. 38
Renoir would move in with Bazille around 1868, and Bazille's letter is only one example of his charitable nature
1866 - 1870

Ken Ham photo

“The question of origins can’t be proven through experimentation—indeed, there is no absolute proof for either evolution or creation! But a creation geologist looks at the layers of rock and the fossil record and finds that much of it fits in the biblical framework of a catastrophic global Flood, not in the evolutionary model of slow erosion over millions of years.”

Ken Ham (1951) Australian young Earth creationist

"It is a Fearful Thing to fall into the Hands of the Living God" http://blogs.answersingenesis.org/blogs/ken-ham/2014/06/01/a-fearful-thing-to-fall-into-the-hands-of-the-living-god/, Around the World with Ken Ham (June 1, 2014)
Around the World with Ken Ham (May 2005 - Ongoing)

James Comey photo
Eduard Pestel photo
Herbert A. Simon photo

“Economic man deals with the "real world" in all its complexity. Administrative man recognizes that the world he perceives is a drastic simplified model… He makes his choices using a simple picture of the situation that takes into account just a few of the factors that he regards as most relevant and crucial.”

Source: 1940s-1950s, Administrative Behavior, 1947, p. xxix; As cited in: Jesper Simonsen (1994) Administrative Behavior: How Organizations can be Understood in Terms of Decision Processes http://jespersimonsen.dk/Downloads/Simon-introduction.pdf. Roskilde Universitet.

Saddam Hussein photo
Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Jane Wagner photo

“Your problem is your role models were models.”

Jane Wagner (1935) Playwright, actress

The Search for Signs of Intelligent Life in the Universe (1985)

Klaus Kinski photo
William H. McNeill photo
August-Wilhelm Scheer photo
Warren Farrell photo

“I could be a much better role model by sharing more openly with him my shadow side, my faults, my mistakes, asking him to be my teacher rather than being his.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 120.

Paul Mason (journalist) photo

“General Systems Theory… possibly the model of the world as a great organization can help to reinforce the sense of reverence for the living which we have almost lost.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Von Bertalanffy (1955) "General System Theory". In: Main Currents in Modern Thought 11: pp.75-83.
1950s

Simon Kuznets photo

“An invariable accompaniment of growth in developed countries is the shift away from agriculture, a process usually referred to as industrialization and urbanization. The income distribution of the total population, in the simplest model, may therefore be viewed as a combination of the income distributions of the rural and of the urban populations. What little we know of the structures of these two component income distributions reveals that: (a) the average per capita income of the rural population is usually lower than that of the urban;' (b) inequality in the percentage shares within the distribution for the rural population is somewhat narrower than in that for the urban population… Operating with this simple model, what conclusions do we reach? First, all other conditions being equal, the increasing weight of urban population means an increasing share for the more unequal of the two component distributions. Second, the relative difference in per capita income between the rural and urban populations does not necessarily drift downward in the process of economic growth: indeed, there is some evidence to suggest that it is stable at best, and tends to widen because per capita productivity in urban pursuits increases more rapidly than in agriculture. If this is so, inequality in the total income distribution should increase”

Simon Kuznets (1901–1985) economist

Source: "Economic growth and income inequality," 1955, p. 7 as cited in: Anthony Barnes Atkinson, François Bourguignon, Handbook of Income Distribution, Vol. 1. Elsevier, 2000 p. 799