Quotes about mention
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Richard Cobden photo
Colum McCann photo
Anthony Zinni photo
Fred Astaire photo
Amit Chaudhuri photo

“There must be other leaps in life - as momentous as the "mirror stage" - that Lacan didn't mention. Some are universal; others, culturally particular. To understand that your parents are human (and not an element of the natural world), that they're separate from you, that they were children once, that they were born and came into the world, is another leap. It's as if you hadn't seen who they were earlier - just as, before you were ten months old, you didn't know it was you in the mirror. This happens when you're sixteen or seventeen. Not long after - maybe a year - you find out your parents will die. It's not as if you haven't encountered death already. But, before now, your precocious mind can't accommodate your parents' death except as an academic nicety - to be dismissed gently as too literary and sentimental. After that day, your parents' dying suddenly becomes simple. It grows clear that you're alone and always have been, though certain convergences start to look miraculous - for instance, between your father, mother, and yourself. Though your parents don't die immediately - what you've had is a realisation, not a premonition - you'll carry around this knowledge for their remaining decades or years. You won't think, looking at them, "You're going to die". It'll be an unspoken fact of existence. Nothing about them will surprise you anymore.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

Ernst Ludwig Kirchner photo
Orson Scott Card photo
Maimónides photo
Halldór Laxness photo
Alan Keyes photo
Stanley Baldwin photo
Bill Thompson photo
Steve Sailer photo

“Besides the multiculturalist and the assimilationist, there`s a third position that isn`t often invited to the immigration debate: the skeptical realist. On the rare occasions when they are mentioned in polite society, immigration skeptics are dismissed as “extremists.“”

Steve Sailer (1958) American journalist and movie critic

Byron Roth`s The Perils Of Diversity: Apologies To The Grandchildren http://www.vdare.com/articles/byron-roths-the-perils-of-diversity-apologies-to-the-grandchildren, VDARE, February 13, 2011

John C. Dvorak photo

“Apple mentions the Mac less and less at its big events. The company knows that the machine is a drain on resources that detracts from its new core business … Mac will be phased out and the whole line will be replaced by iPads.”

John C. Dvorak (1952) US journalist and radio broadcaster

Apple Is Ready to Ditch the Mac http://pcmag.com/commentary/357782/apple-is-ready-to-ditch-the-mac in PC Magazine (7 December 2017)
2010s

Ragnar Frisch photo
Julian of Norwich photo
Kent Hovind photo
Bernie Sanders photo

“In Vermont, at a state beach, a mother is reprimanded by Authority for allowing her 6 month old daughter to go about without her diapers on. Now, if children go around naked, they are liable to see each others sexual organs, and maybe even touch them. Terrible thing! If we [raise] children up like this it will probably ruin the whole pornography business, not to mention the large segment of the general economy which makes its money by playing on peoples sexual frustrations.”

Bernie Sanders (1941) American politician, senator for Vermont

1969 essay in the Freeman — as quoted in "You Might Very Well Be the Cause of Cancer": Read Bernie Sanders' 1970s-Era Essays http://www.motherjones.com/politics/2015/07/bernie-sanders-vermont-freeman-sexual-freedom-fluoride, by Tim Murphy, Mother Jones (6 July 2015)
1970s

Patrick Rothfuss photo
David Brewster photo
Alice A. Bailey photo
William Bateson photo
Bert Blyleven photo
Gwyneth Paltrow photo
Pierre Louis Maupertuis photo
David Icke photo

“Some of my friends have urged me to tell people the basic story, but "for God’s sake don’t mention the reptiles."”

David Icke (1952) English writer and public speaker

The Biggest Secret, ch. 1

Winston S. Churchill photo
Wassily Kandinsky photo
Leo Tolstoy photo

“Yes, well I noticed that in your last issues' interviews with those Eastern teachers ["From light to Light," Jan. 1995], emptiness was mentioned a lot. I find that a wrong word. Because in God realisation and being one with God the Most High, the unspeakable one, there's no sense whatsoever of ever having done anything yourself. It is all done for you. It's by grace. And so it's not being empty, it's being emptied. There's a different emphasis or a different connotation to that.”

Barry Long (1926–2003) Australian spiritual teacher and writer

Response to the question "You write, "Enlightenment is to be emptied (not empty) of feelings and thus at one with the purest sensation of divine being." What's the distinction here between being "emptied" and being "empty" of feelings?"
Love is not a feeling ~ The Interview (1995)

Chris Cornell photo
Megan Mullally photo

“The effects of Asian contacts on Europe, though considerably less, cannot be considered insignificant. The growth of capitalism in the seventeenth, eighteenth and nineteenth centuries, in itself a profound and revolutionary change, is intimately connected with the expansion of European trade and business into Asia. The political development of the leading Western European nations during this period was also related to their exploitation of their Asian possessions and the wealth they derived from the trade with and government of their Eastern dependencies. Their material life, as reflected in clothing, food, beverages, etc., also bears permanent marks of their Eastern contacts. We have already dealt briefly with the penetration of cultural, artistic and philosophical influences, though their effects cannot still be estimated. Unlike the Rococo movement of the eighteenth century, the spiritual and cultural reactions of the nineteenth and twentieth centuries are deeper, and have not yet fully come to the surface. The influence of Chinese literature and of Indian philosophical thought, to mention only two trends which have become important in recent years, cannot be evaluated for many years to come. Yet it is true, as T. S. Eliot has stated, that most modern poets in Europe have in some measure been influenced by the literature of China. Equally the number of translations of the Bhagavad Gita and the Upanishads, which have been appearing every year, meant not for Orientalists and scholars but for the educated public, and the revival of interest in the religious experience of India, are sufficient to prove that a penetration of European thought by Oriental influences is now taking place which future historians may consider to be of some significance.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Lloyd Kenyon, 1st Baron Kenyon photo
Harry V. Jaffa photo
Charles Dickens photo
Jane Roberts photo
Charles Dickens photo
Mickey Spillane photo
Julia Serano photo
Fred Astaire photo

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

Joseph Strutt photo
Hans Frank photo
Ragnar Frisch photo
Alan Keyes photo

“Historians often do not mention the truly important features of daily life, like games, concentrating instead on tedious political maneuvering.”

Underwood Dudley (1937) American mathematician

Numerology: Or, What Pythagoras Wrought (MAA 1997, 10th edition), p. 148, ISBN 0-88385-524-0

Noam Chomsky photo
Pushyamitra Shunga photo

“The climax was reached when the same Marxist professors started explaining away Islamic iconoclasm in terms of what they described as Hindu destruction of Buddhist and Jain places of worship. They have never been able to cite more than half-a-dozen cases of doubtful veracity. A few passages in Sanskrit literature coupled with speculations about some archaeological sites have sufficed for floating the story, sold ad nauseam in the popular press, that Hindus destroyed Buddhist and Jain temples on a large scale. Half-a-dozen have become thousands and then hundreds of thousands in the frenzied imagination suffering from a deep-seated anti-Hindu animus…. And these “facts” have been presented with a large dose of suppressio veri suggestio falsi…. A very late Buddhist book from Sri Lanka accuses Pushyamitra Sunga, a second century B. C. king, of offering prizes to those who brought to him heads of Buddhist monks. This single reference has sufficed for presenting Pushyamitra as the harbinger of a “Brahmanical reaction” which “culminated in the age of the Guptas.” The fact that the famous Buddhist stupas and monasteries at Bharhut and Sanchi were built and thrived under the very nose of Pushyamitra is never mentioned. Nor is the fact that the Gupta kings and queens built and endowed many Buddhist monasteries at Bodh Gaya, Nalanda and Sarnath among many other places. (…) This placing of Hindu kings on par with Muslim invaders in the context of iconoclasm suffers from serious shortcomings. Firstly, it lacks all sense of proportion when it tries to explain away the destruction of hundreds of thousands of Brahmanical, Buddhist and Jain temples by Islamic invaders in terms of the doubtful destruction of a few Buddhist and Jain shrines by Hindu kings. Secondly, it has yet to produce evidence that Hindus ever had a theology of iconoclasm which made this practice a permanent part of Hinduism. Isolated acts by a few fanatics whom no Hindu historian or pandit has ever admired, cannot explain away a full-fledged theology which inspired Islamic iconoclasm….”

Pushyamitra Shunga King of Sunga Dynasty

S.R. Goel, Some Historical Questions (Indian Express, April 16, 1989), quoted in Shourie, A., & Goel, S. R. (1990). Hindu temples: What happened to them.

Florence Nightingale photo

“The Church is now more like the Scribes and Pharisees than like Christ… What are now called the "essential doctrines" of the Christian religion he does not even mention.”

Florence Nightingale (1820–1910) English social reformer and statistician, and the founder of modern nursing

As quoted in The Life of Florence Nightingale (1913) by Edward Tyas Cook, p. 392

Sören Kierkegaard photo
Howard Scott photo
John Calvin photo

“Moreover, in order that we may be aroused and exhorted all the more to carry this out, Scripture makes known that there are not one, not two, nor a few foes, but great armies, which wage war against us. For Mary Magdalene is said to have been freed from seven demons by which she was possessed [Mark 16:9; Luke 8:2], and Christ bears witness that usually after a demon has once been cast out, if you make room for him again, he will take with him seven spirits more wicked than he and return to his empty possession [Matt. 12:43-45]. Indeed, a whole legion is said to have assailed one man [Luke 8:30]. We are therefore taught by these examples that we have to wage war against an infinite number of enemies, lest, despising their fewness, we should be too remiss to give battle, or, thinking that we are sometimes afforded some respite, we should yield to idleness.
But the frequent mention of Satan or the devil in the singular denotes the empire of wickness opposed to the Kingdom of Righteousness. For as the church and fellowship of the saints has Christ as Head, so the faction of the impious and impiety itself are depicted for us together with their prince who holds supreme sway over them. For this reason, it was said: "Depart, …you cursed, into the eternal fire, prepared for the devil and his angels"”

Matt. 25:41
“Calvin: Institutes of the Christian Religion” https://books.google.com/books?isbn=1611644453 Book 1, ch.14, sect. 14, edited by John T. McNeill pp.173-174.
Institutes of the Christian Religion (1536; 1559)

Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

Enver Hoxha photo
David Hume photo

“The admirers and followers of the Alcoran insist on the excellent moral precepts interspersed through that wild and absurd performance. But it is to be supposed, that the Arabic words, which correspond to the English, equity, justice, temperance, meekness, charity were such as, from the constant use of that tongue, must always be taken in a good sense; and it would have argued the greatest ignorance, not of morals, but of language, to have mentioned them with any epithets, besides those of applause and approbation. But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers.”

David Hume, Of the Standard of Taste, 1760
Variant: The admirers and followers of the Alcoran insist on the excellent moral precepts interspersed through that wild and absurd performance. But it is to be supposed, that the Arabic words, which correspond to the English, equity, justice, temperance, meekness, charity were such as, from the constant use of that tongue, must always be taken in a good sense; and it would have argued the greatest ignorance, not of morals, but of language, to have mentioned them with any epithets, besides those of applause and approbation. But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers.

Jane Roberts photo

“Suspecting that we would be accused of apologetics for the Khmer Rouge, Chomsky and I went to some pains to point out Khmer Rouge crimes and to stress that our purpose was to emphasize the discrepancy between available facts and media claims and to lay bare what we saw to be a propaganda campaign of selective indignation and benevolence. This effort was futile. With such a powerful propaganda bandwagon underway, from the very beginning the mass media were closed to oppositional voices on the issue, and any scepticism, even identification of outright lies, was treated with hostility and tabbed apologetics for the Khmer Rouge. Our crime was the very act of criticizing the workings of the propaganda system and its relation to US power and policy, instead of focusing attention on approved villainy, which could be assailed violently and ignorantly, without penalty. The issue was framed as a simple one: those for and against Pol Pot. […] I would estimate with some confidence that over 90 percent of the journalists who mentioned Chomsky's name in connection with Cambodia never looked at his original writings on the subject, but merely regurgitated a quickly adopted line. The critics who helped formulate the line also could hardly be bothered looking at the actual writings; the method was almost invariably the use of a few selected quotations taken out of context and embedded in a mass of sarcastic and violent denunciation.”

Edward S. Herman (1925–2017) American journalist

Herman, “Pol Pot, Faurisson, and the Process of Derogation”, in Otero, Ed. (1994), Noam Chomsky: Critical Assessments, pp. 598-615.
1990s

Oswald Pohl photo
Cassandra Clare photo
Anita Sarkeesian photo
Michael Moorcock photo
Neil Gaiman photo
Arthur Ponsonby photo
Phil Brooks photo
Jeremy Corbyn photo
Jerome K. Jerome photo
Leonid Kantorovich photo

“I discovered that a whole range of problems of the most diverse character relating to the scientific organization of production (questions of the optimum distribution of the work of machines and mechanisms, the minimization of scrap, the best utilization of raw materials and local materials, fuel, transportation, and so on) lead to the formulation of a single group of mathematical problems (extremal problems). These problems are not directly comparable to problems considered in mathematical analysis. It is more correct to say that they are formally similar, and even turn out to be formally very simple, but the process of solving them with which one is faced [i. e., by mathematical analysis] is practically completely unusable, since it requires the solution of tens of thousands or even millions of systems of equations for completion.
I have succeeded in finding a comparatively simple general method of solving this group of problems which is applicable to all the problems I have mentioned, and is sufficiently simple and effective for their solution to be made completely achievable under practical conditions.”

Leonid Kantorovich (1912–1986) Russian mathematician

Kantorovich (1960) "Mathematical Methods of Organizing and Planning Production." Management Science, 6(4):366–422, 1960, p. 368); As cited in: Cockshott, W. Paul. " Mises, Kantorovich and economic computation http://www.dcs.gla.ac.uk/publications/PAPERS/8707/standalonearticle.pdf." (2007).

Michel Danino photo
Alfred Russel Wallace photo
Carl Everett photo
Roger Ebert photo
William John Macquorn Rankine photo
Patrick Buchanan photo
Elia M. Ramollah photo
Grant Morrison photo

“When Nietzsche said God is dead, he forgot to mention that Satan died in the same horrific accident.”

Grant Morrison (1960) writer

http://uk.comics.ign.com/articles/950/950703p4.html
On life

Richard Rumelt photo
Richard Stallman photo
Alan Charles Kors photo
Halldór Laxness photo
William Herschel photo
Ramana Maharshi photo
Mohammad Reza Pahlavi photo
Rudolf E. Kálmán photo
John Wolcot photo

“What rage for fame attends both great and small!
Better be damned than mentioned not at all.”

John Wolcot (1738–1819) English satirist

To the Royal Academicians; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Lane Kirkland photo
Carl Barus photo
Nathanael Greene photo

“The rest of the troops I would quarter, as before mentioned, somewhere not far distant from Morris or Baskingridge, according as wood and water may favor a position.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Joseph Strutt photo

“Against this view, it is still possible to identify some cultural continuities. Kitromilides himself alludes to some of them, when he mentions “inherited forms of cultural expression, such as those associated with the Orthodox liturgical cycle and the images of emperors, the commemoration of Christian kings, the evocation of the Orthodox kingdom and its earthly seat, Constantinople, which is so powerfully communicated in texts such as the Akathist Hymn, sung every year during Lent and forming such an intimate component of Orthodox worship...“ (Kitromilides 1998, 31). There are other lines of Greek continuity. Despite the adoption of a new religion, Christianity, certain traditions, such as a dedication to competitive values, have remained fairly constant, as have the basic forms of the Greek language and the contours of the Greek homeland (though its centre of gravity was subject to change). And John Armstrong has pointed to the “precocious nationalism” that took hold of the Greek population of the Byzantine Empire under the last Palaeologan emperors and that was directed as much against the Catholic Latins as against the Muslim Turks—an expression of medieval Greek national sentiment as well as a harbinger of later Greek nationalism. But again, we may ask: was this Byzantine sentiment a case of purely confessional loyalty or of ethnoreligious nationalism?”

Anthony D. Smith (1939–2016) British academic

See Armstrong 1982, I74—8I cf. Baynes and Moss 1969, 119—27, and Carras 1983.
Source: The Nation in History (2000), p. 42-43.

Michael Servetus photo

“In the Bible, there is no mention of the Trinity… We get to know God, not through our proud philosophical concepts, but through Christ.”

Michael Servetus (1511–1553) Spanish physician and theologian

At the age of 20, he published On the Errors of the Trinity, a work that made him a principal target of the Inquisition.
Michael Servetus—A Solitary Quest for the Truth (2006)

Ernest Bramah photo

“Better a dish of husks to the accompaniment of a muted lute than to be satiated with stewed shark's fin and rich spiced wine of which the cost is frequently mentioned by the provider.”

The Story of the Poet Lao Ping, Chun Shin's Daughter Fa, and the Fighting Crickets
Kai Lung Beneath the Mulberry Tree (1940)

Johan Jongkind photo

“What I have suffered is unbelievable... I was given nothing [for his paintings in the Salon of 1855], not even a honorable mention.”

Johan Jongkind (1819–1891) Dutch painter and printmaker regarded as a forerunner of Impressionism

In Jongkind's letter from The Netherlands, 25 Nov. 1855; as quoted by Victorine Hefting, in Jongkinds's Universe, Henri Scrépel, Paris, 1976, p. 37