
"Elegy on Sir Philip Sidney" (1593).
"Elegy on Sir Philip Sidney" (1593).
1880s, Reminiscences (1881)
1990s, Speech to the Council for National Policy (1997)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 144.
WNYC Radio Podcast, RadioLab, "Shorts: What a Slinky Knows" (29 August 2012), Minute 11:33 http://www.radiolab.org/blogs/radiolab-blog/2012/sep/10/what-slinky-knows/
2010s
The Second Dayes Lamentation of the Affectionate Shepheard.
The Affectionate Shepheard http://www.gutenberg.org/etext/19902 (1594)
Book I, Ch. 14
Attributed
Variant: Confidence in the goodness of another is good proof of one's own goodness.
Declaring the Era of the Peace Kingdom, Address to the United States Congress http://www.unification.net/2004/20040323_1.html (2004-03-23)
Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard
“Only God singing this song of you… makes true light… somehow possible.”
(Angel of Mercy, p. 4).
Book Sources, The River of Winged Dreams (2010)
in Die organische Bewegung in ihrem Zusammenhange mit dem Stoffwechsel, [Julius Robert von Mayer, Die Mechanik der Wärme in gesammelten Schriften, Cotta, 1867, 53-54]
Original: Die Natur hat sich die Aufgabe gestellt, das der Erde zuströmende Licht im Fluge zu erhaschen, und die beweglichste aller Kräfte, in starre Form umgewandelt, aufzuspeichern. Zur Erreichung dieses Zweckes hat sie die Erdkruste mit Organismen überzogen, welche lebend das Sonnenlicht in sich aufnehmen und unter Verwendung dieser Kraft eine fortlaufende Summe chemischer Differenzen erzeugen.
Source: Evolution: the general theory (1996), p. 3.
The opening quotation of Introduction, Conjectures and refutations: The Growth of Scientific Knowledge by Karl Popper (1963).
quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875
Last Exit to Brooklyn (1964)
The Nuts of Knowledge (1903)
“They wander in deep woods, in mournful light,
Amid long reeds and drowsy headed poppies
And lakes where no wave laps, and voiceless streams,
Upon whose banks in the dim light grow old
Flowers that were once bewailèd names of kings.”
Errantes silva in magna et sub luce maligna<br/>inter harundineasque comas gravidumque papaver<br/>et tacitos sine labe lacus, sine murmure rivos,<br/>quorum per ripas nebuloso lumine marcent<br/>fleti, olim regum et puerorum nomina, flores.
Errantes silva in magna et sub luce maligna
inter harundineasque comas gravidumque papaver
et tacitos sine labe lacus, sine murmure rivos,
quorum per ripas nebuloso lumine marcent
fleti, olim regum et puerorum nomina, flores.
"Cupido Cruciator", line 5; translation from Helen Waddell Mediaeval Latin Lyrics ([1929] 1943) p. 31.
The Spanish Student http://www.readbookonline.net/title/3208/, Act I, sc. iii (serenade) (1843).
"Not a Preface, but a Word of Thanks," foreword to Unfinished Journey by Yehudi Menuhin (1977).
Source: The Sword or the Cross, Which Should be the Weapon of the Christian Militant? (1921), Ch.6 p. 103
Argument of Kings, 1987
he painted in 1946
1972 - 1989
Source: an tape-recorded interview with Elaine de Kooning on August 27, 1981 http://www.aaa.si.edu/collections/interviews/oral-history-interview-elaine-de-kooning-11999; conducted by Phyllis Tuchman, for the Archives of American Art, Smithsonian Institution: Oral Histories.
“Even with these dark eyes, a gift of the dark night
I go to seek the shining light.”
"A Generation" [Yidai ren]
“When love could teach a monarch to be wise,
And gospel-light first dawn'd from Bullen's eyes.”
Education and Government; reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Source: Sayings of Sri Ramakrishna (1960), p. 649
Israel national news http://www.israelnationalnews.com/News/News.aspx/136165#.U5g1Yfl_uch, 23 February 2010
41 Alexander
Apophthegms of Kings and Great Commanders
In a Speech of Benedict XVI at the Inauguration of the Convention of the Diocese of Rome http://www.vatican.va/holy_father/benedict_xvi/speeches/2007/june/documents/hf_ben-xvi_spe_20070611_convegno-roma_en.html, at the Basilica of Saint John Lateran (11 June 2007)
2007
Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 167–173
Source: The Legacy of Muslim Rule in India (1992), Chapter 8
Man kann nicht elektrisches Licht und Radioapparat benutzen, in Krankheitsfällen moderne medizinische und klinische Mittel in Anspruch nehmen und gleichzeitig an die Geister-und Wunderwelt des Neuen Testaments glauben.
Source: New Testament and Mythology and Other Basic Writings (1941), p. 4
Pt. I, Ch. 7
Pioneers of France in the New World (1865)
Diamonds On The Inside
Song lyrics, Diamonds on the Inside (2003)
"The Caryatid" (p. 208)
Private Lives in the Imperial City (1979)
Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10
Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).
2010s, Hard Truths: Law Enforcement (2015)
quote from a talk between Th. Rousseau and Alfred Sensier, 1850's; as cited in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 147
Alfred Sensier frequently visited the studio of Th. Rousseau (and Millet) and wrote later a book about both artists
1851 - 1867
Corot explains his making of the painting to his biographer Alfred Robaut, c. 1869; as quoted in Corot, Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 277
about his painting 'Landscape with Figures', also called 'La Toilette', Corot painted in 1859
1860s
Frankenstein, trying to explain to his fiancee why he experiments the way he does
Frankenstein (1931)
'Terms' p. 74
Search for the Real and Other Essays (1948)
II, 17
The Persian Bayán
An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)
Humorous English, p266
The Wind at the Door, from Poets of the English Language, W. H. Auden and Norman Holmes Pearson (1950).
Page 712.
"The Marxian Theory of Value: Das Kapital: A Criticism" (1884)
The Dignity of Human Nature (1754)
“My light shall be the moon
And my path, the ocean.
My guide, the morning star
As I sail home to you.”
"Exile"
Song lyrics, Watermark (1988)
Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 2: "The curse of the sun", p. 20
Source: The King of Lies (2006), Ch. 10.
Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31
1880s, 1885
Grosjean v. American Press Co. (1936)
“England become a feeble-lighted Moon of America…”
Fiction, One Hand Clapping (1961)
(version in original Dutch / origineel citaat van Suze Robertson:) In 't najaar, october, November ben ik gemeenlijk in nl:Heeze aan 't werk, voor interieurstudies. Dat is een mooie, en de rustigste tijd; 't blad van de bomen [af!], waardoor zomers zoo'n groen licht in de binnenhuizen valt. In 't logement van de goede Saskia [Ciska].. ..ondervond ik dan altijd heel bizondere zorgen.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34
The London Literary Gazette, 1833-1835
Guston's quote; as cited in 'Ferguson', 1999, p. 18
1950 - 1960
from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130
Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912
Gandhi’s reaction was: “In my humble opinion the Maulana has proved the purity of his heart and his faith in his own religion by expressing his view. He merely compared two sets of religious principles and gave his opinion as to which was better” (Navajivan, 13.4.1924).
(Young India, 10.4.1924). Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 8
§ II
1910s, At the Feet of the Master (1911)
The History of Medicine, Surgery, and Anatomy, from the Creation of the World, to the Commencement of the Nineteenth Century (1831), Vol. 1
15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
“Sometimes at night, I turn on the light so as not to see.”
A veces, de noche, enciendo una luz, para no ver.
Voces (1943)
translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Het meest aangename te zien wanneer men een atelier betreedt is een leeg doek. Het oogt zo uitnodigend om een begin te maken, je bent fris en hoopt op het beste. Dan volgt een vreselijke tijd waarin alles verloren en verprutst lijkt, je vreest dat je het nooit zal maken, en plotseling een lichtstraal! En het lijkt alsof je krijgt dat wat je wilde vertellen. Mijn beste werken gaan doorgaans door zulk een strijd.
Mauve's remark, later quoted by Mauve's student nl:Arina Hugenholtz, in her In memoriam mr. Anton Mauve, RKD Den Haag; as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 93
undated quotes
Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company. 1881.
“Seek the light
find the light
feel the light
be the light.”
"Seek the Light" (co-written with May East and Craig Gibsone)
Universal Hall (2003)
Quote from Bletlach (Leaflet - essay in Yiddish), Marc Chagall; published in 'Shtrom' No. 1, 1922
1920's
“It's light work for the gods who rule the skies
to exalt a mortal man or bring him low.”
XVI. 211–212 (tr. Robert Fagles).
Odyssey (c. 725 BC)
“Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light.”
Bat out of Hell (1977), Paradise by the Dashboard Light
Speech in Birmingham (29 October 1858), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), pp. 274-275.
1850s
in an interview with L. Vitali, 1957; as quoted in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 295
1945 - 1964