Quotes about kindness
page 38

Noam Chomsky photo
Ian Fleming photo
Gabrielle Roy photo
Neil Kinnock photo

“We must not look for some kind of Messiah.”

Neil Kinnock (1942) British politician

Robert Harris, "The Making of Neil Kinnock" (Faber and Faber, 1984), pages 157-8.
Explaining to the Bedwellty Constituency Labour Party why he would not vote for Tony Benn in the election for deputy leader (June 19, 1981).

Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Frederic G. Kenyon photo
Paul Ryan photo
Roald Amundsen photo

“[Functionalism is] a distinction between kinds of duties.”

James D. Mooney (1884–1957) American businessman

Source: The Principles of Organization, 1947, p. 15

Jean de La Bruyère photo

“Ignorance is not bliss — it is oblivion. Determined ignorance is the hastiest kind of oblivion.”

Philip Wylie (1902–1971) American writer

Source: Generation of Vipers (1942), p. 44

Mark Kingwell photo

“All social space is suffused with political meanings and agendas, the very stones and walls a kind of testament to the ongoing struggles for liberation and justices.”

Mark Kingwell (1963) Canadian philosopher

Source: The World We Want (2000), Chapter 4, Spaces And Dreams, p. 174.

Letitia Elizabeth Landon photo
Howard S. Becker photo
Lawrence Wright photo
Henry Adams photo
Thomas Aquinas photo
André Maurois photo
Bob Harper (personal trainer) photo

“I still believe that a plant-based diet has tremendous health benefits but I have incorporated more animal protein into my diet. I found that my body personally got to a point where I needed something more. I used to yell at people who said that, but now all of a sudden, my body just kind of went, ‘I need something.”

Bob Harper (personal trainer) (1965) American personal trainer

"Bob Harper of "Biggest Loser" talks diet, fitness" https://www.reuters.com/article/us-biggestloser/bob-harper-of-biggest-loser-talks-diet-fitness-idUSTRE78F2CV20110916, interview with Reuters (September 16, 2011).

Cyrus Hermann Kotzschmar Curtis photo

“There are two kinds of men who never amount to much: those who cannot do what they are told and those who can do nothing else.”

Cyrus Hermann Kotzschmar Curtis (1850–1933) American publisher

Quoted in "The Best Liberal Quotes Ever: Why the Left is Right" - Page 39 - by William P. Martin - Reference - 2004

Frank Klepacki photo
Al Gore photo
Rajinikanth photo
Jennifer Lawrence photo

“I always knew that I was going to be famous. I honest to God don't know how else to describe it. I used to lie in bed and wonder, "Am I going to be a local TV person? Am I going to a motivational speaker?" It wasn't a vision. But as it's kind of happening, you have this buried understanding: "Of course."”

Jennifer Lawrence (1990) American actress

Van Meter, Jonathan. "The Hunger Games' Jennifer Lawrence Covers the September Issue" http://www.vogue.com/magazine/print/star-quality-jennifer-lawrence-hunger-games/. vogue.com. August 12, 2013. Retrieved March 29, 2014.

Enoch Powell photo

“I am one of what must be an increasing number who find the portentous moralisings of A. Solzhenitsyn a bore and an irritation. Scarcely any aspect of life in the countries where he passes his voluntary exile has failed to incur his pessimistic censure. Coming from Russia, where freedom of the press has been not so much unknown as uncomprehended since long before the Revolution, he is shocked to discover that a free press disseminated all kinds of false, partial and invented information and that journalists contradict themselves from one day to the next without shame and without apology. Only a Russian would find all that surprising, or fail to understand that freedom which is not misused is not freedom at all.

Like all travellers he misunderstands what he observes. It simply is not true that ‘within the Western countries the press has become more powerful than the legislative power, the executive and the judiciary’. The British electorate regularly disprove this by electing governments in the teeth of the hostility and misrepresentation of virtually the whole of the press. Our modern Munchhausen has, however, found a more remarkable mare’s nest still: he has discovered the ‘false slogan, characteristic of a false era, that everyone is entitled to know everything’. Excited by this discovery he announces a novel and profound moral principle, a new addendum to the catalogue of human rights. ‘People,’ he says, ‘have a right not to know, and it is a more valuable one.’ Not merely morality but theology illuminates the theme: people have, say Solzhenitsyn, ‘the right not to have their divine souls’ burdened with ‘the excessive flow of information’.

Just so. Whatever may be the case in Russia, we in the degenerate West can switch off the radio or television, or not buy a newspaper, or not read such parts of it as we do not wish to. I can assure Solzhenitsyn that the method works admirably, ‘right’ or ‘no right’. I know, because I have applied it with complete success to his own speeches and writings.”

Enoch Powell (1912–1998) British politician

Letter in answer to Solzhenitsyn's Harvard statement (21 June 1978), from Reflections of a Statesman. The Writings and Speeches of Enoch Powell (London: Bellew, 1991), p. 577
1970s

Letitia Elizabeth Landon photo
Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Stanley Hauerwas photo
Randal Marlin photo
Ai Weiwei photo

“The individual under this kind of life, with no rights, has absolutely no power in this land. How can they even ask you for creativity? Or imagination, or courage or passion?”

Ai Weiwei (1957) Chinese concept artist

“ House Arrest in China: Orwell, Kafka, and Ai Weiwei http://www.economist.com/blogs/analects/2012/04/house-arrest-china.” Economist, April 13, 2012
2010-, 2012

Ken MacLeod photo

“I’m sure they’ll come up with all kinds of rationalizations, if the human precedent is anything to go by.”

Source: Learning the World (2005), Chapter 17 “Fire in the Sky” (p. 284)

Nick Herbert photo

“The entire visible universe, what Bishop Berkley called "the mighty frame of the world," rests ultimately on a strange quantum kind of being no more substantial than a promise.”

Nick Herbert (1936) American physicist

Source: Quantum Reality - Beyond The New Physics, Chapter 10, Quantum Realities: Four More, p. 195

Duke Ellington photo

“By and large, jazz has always been like the kind of a man you wouldn't want your daughter to associate with.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

Nat Hentoff, At the Jazz Band Ball: Sixty Years on the Jazz Scene (2011).

John Stuart Mill photo
John Gay photo

“Give me, kind Heaven, a private station,
A mind serene for contemplation:
Title and profit I resign;
The post of honour shall be mine.”

John Gay (1685–1732) English poet and playwright

The Vulture, the Sparrow, and other Birds. Comparable to: "When vice prevails, and impious men bear sway, The post of honour is a private station", Joseph Addison, Cato, Act iv, scene 4
Fables (1727), Fables, Part the Second (1738)

Joseph Gordon-Levitt photo
Hugo Diemer photo
Kurt Lewin photo
Will Eisner photo
Perry Anderson photo
Thomas Jackson photo
Willem de Kooning photo
Fatimah photo

“And (Allah made) the kindness to parents as a protectional (shield) to His wrath and displeasure.”

Fatimah (604–632) daughter of Muhammad and Khadijah

Ayan al-Shī‘ah, vol.1, p. 316.
Religious Wisdom

Errico Malatesta photo
Laura Dern photo
John C. Wright photo
Roberto Mangabeira Unger photo
Pat Condell photo
Pierre-Auguste Renoir photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Robert Charles Wilson photo
Ayumi Hamasaki photo

“Who taught me true strength?
Who taught me kindness?
Whom do I walk for?
Who did I want to stroke my hair?
Who didn't give up for me?
I'll never forget.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Who...
Lyrics, Loveppears

Jennifer Beals photo
Frederick William Faber photo
Robert Maynard Hutchins photo
Michelangelo Antonioni photo

“I always want to tell stories. But they must be stories that evolve, like our own lives. Perhaps what I seek is a new kind of story.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Anton Mauve photo

“.. the longer I am here Laren, the more beautiful it becomes for me and now that I feel myself more comfortable, I can judge it better... It is touching beautiful here [ Laren ], with a delicacy of lines and lovely poetry radiates from everywhere, interior houses, roads, fields, beautiful heath and bushes, and people are of the sweetest kind to imagine... Usually after dinner we make a little walk, what I enjoy a lot. I don't know how to say it, but I would like to live here for ever.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

Margaret Fuller photo

“When people keep telling you that you can't do a thing, you kind of like to try it.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Margaret Chase Smith, quoted in More Than Petticoats : Remarkable Maine Women (2005) by Kate Kennedy
Misattributed

John Green photo
Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

“Paul had the kind of money that could stop up justice.”

John Avanzini (1936) American televangelist, bible teacher, author

Believer's Voice of Victory, TBN, 20 January 1991

Mark Rothko photo
John Gray photo
Paul Klee photo

“I can dimly recollect Kandinsky and Weisgerber, who were fellow students of mine... Kandinsky was quiet and mixed the colours on his palette with the greatest diligence and, so it seemed to me, with a kind of studiousness, peering very closely at what he was doing.”

Paul Klee (1879–1940) German Swiss painter

Klee in a autobiographical text for Wilhelm Hausenstein, 1919; as quoted in Klee & Kandinsky, 2015 exhibition text – exposition, Lenbachhaus und Kunstbau Munich, from 21 October 2015 to 24 January 2016: on https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 - 1920

Augustus De Morgan photo
Paul Krugman photo
Bret Easton Ellis photo
Glenn Beck photo
Charlie Brooker photo
Murasaki Shikibu photo
Heather Brooke photo
Enoch Powell photo

“… when the empire dissolved… the people of Britain suffered from a kind of vertigo: they could not believe that they were standing upright, and reached out for something to clutch. It seemed axiomatic that economically, as well as politically, they must be part of something bigger, though the deduction was as unfounded as the premise. So some cried: 'Revive the Commonwealth'. And others cried: 'Let's go in with America into a North Atlantic Free Trade Area'. Yet others again cried: 'We have to go into Europe: there's no real alternative'. In a sense they were right: there is no alternative grouping. In a more important sense they were wrong: there is no need for joining anything. A Britain which is ready to exchange goods, services and capital as freely as it can with the rest of the world is neither isolated nor isolationist. It is not, in the sneering phrases of Chamberlain's day, 'Little England'… The Community is not a free trade area, which is what Britain, with a correct instinct, tried vainly to convert it into, or combine it into, in 1957-60. For long afterwards indeed many Britons continued to cherish the delusion that it really was a glorified free trade area and would turn out to be nothing more. On the contrary the Community is, what its name declares, a prospective economic unit. But an economic unit is not defined by economics – there are no natural economic units – it is defined by politics. What we call an economic unit is really a political unit viewed in its economic aspect: the unit is political.”

Enoch Powell (1912–1998) British politician

Speech in Frankfurt (29 March 1971), from The Common Market: The Case Against (Elliot Right Way Books, 1971), pp. 76-77.
1970s

El Lissitsky photo
Marcus Aurelius photo
W. S. Gilbert photo

“The Law is the true embodiment
Of everything that's excellent.
It has no kind of fault or flaw,
And I, my Lords, embody the Law.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Lord Chancellor's Song (from Iolanthe).
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: The Law is the true embodiment
Of everything that's excellent.
It has no kind of fault or flaw,
And I, my Lords, embody the Law.

James M. McPherson photo
Saint Patrick photo
Carl Panzram photo
H.L. Mencken photo
Patrick Swift photo
Richard Burton photo

“Richard Burton is now my epitaph, my cross, my title, my image. I have achieved a kind of diabolical fame. It has nothing to do with my talents as an actor. That counts for little now. I am the diabolically famous Richard Burton.”

Richard Burton (1925–1984) Welsh actor

Interview in 1963 quoted In Robert Andrews The New Penguin Dictionary of Modern Quotations http://books.google.com/books?id=VK0vR4fsaigC&pg=PT250, Penguin UK, 30 October 2003, p. 259

Randy Alcorn photo
Fernand Léger photo
Cristoforo Colombo photo