Quotes about inspiration
page 7

Burkard Schliessmann photo
Cassandra Clare photo
Alexis De Tocqueville photo

“The French are … the most brilliant and the most dangerous nation of Europe, and the one that is surest to inspire admiration, hatred, terror, or pity, but never indifference.”

Original text: La France est la plus brillante et la plus dangereuse des nations de l'Europe, et la mieux faite pour y devenir tour à tour un objet d'admiration, de haine, de pitié, de terreur, mais jamais d'indifférence.
Variant translation: The French constitute the most brilliant and the most dangerous nation in Europe and the best qualified in turn to become an object of admiration, hatred, pity or terror but never indifference.
Old Regime (1856), p. 245 http://books.google.com/books?id=N50aibeL8BAC&pg=PA254&vq=%22the+most+brilliant+and+the+most+dangerous%22&source=gbs_search_r&cad=1_1
1850s and later

Arthur C. Clarke photo
Arthur Sullivan photo

“One day work is hard, and another day it is easy; but if I had waited for inspiration I am afraid I should have done nothing. The miner does not sit at the top of the shaft waiting for the coal to come bubbling up to the surface. One must go deep down, and work out every vein carefully.”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

Untitled essay, reprinted in Arthur Lawrence Sir Arthur Sullivan: Life-story, Letters and Reminiscences (London: James Bowden, 1899) p. 225.

Caspar David Friedrich photo

“You should keep sacred every impuls of your mind; you should keep sacred every pious sentiment; because that is art in us. In an inspired hour she will appear in a clear form, and this form will be your picture.”

Caspar David Friedrich (1774–1840) Swedish painter

as quoted in Nature and Culture: American Landscape and Painting, 1825-1875, Barbara Novak; Oxford University Press, 2007, note 74
undated

Elizabeth Bentley (writer) photo
William Makepeace Thackeray photo

“Yes, I am a fatal man, Madame Fribsbi. To inspire hopeless passion is my destiny.”

William Makepeace Thackeray (1811–1863) novelist

Source: The History of Pendennis (1848-1850), Ch. 23.

“Nothing inspires honesty like fear or trouble.”

Source: Life, the Truth, and Being Free (2010), p. 127

Luís de Camões photo

“And you, fair nymphs of Tagus, parent stream,
If ever your meadows were my pastoral theme,
O come auspicious, and the song inspire
With all the boldness of your hero's fire:
Deep and majestic let the numbers flow,
And, rapt to heaven, with ardent fury glow.”

Luís de Camões (1524–1580) Portuguese poet

E vós, Tágides minhas, pois criado
Tendes em mi um novo engenho ardente,
Se sempre em verso humilde celebrado
Foi de mi vosso rio alegremente,
Dai-me agora um som alto e sublimado,
Um estilo grandíloco e corrente,
Por que de vossas águas Febo ordene
Que não tenham enveja às de Hipocrene.
Stanza 5 (tr. William Julius Mickle)
Epic poetry, Os Lusíadas (1572), Canto I

Mr. T photo
Cesar Chavez photo
Thomas Francis Meagher photo
John F. Kennedy photo
Karen Armstrong photo
Peter Weir photo

“The feeling that maybe you won't ever get your inspiration back. That's a very cold place to be.”

Peter Weir (1944) Australian film director

When asked for his 'low point'
Portrait of the artist: Peter Weir, director (2011)

Thomas Carlyle photo
Subh-i-Azal photo
Mike Pence photo

“Further, [President Clinton's] repeated lies to the American people in this matter compound the case against him as they demonstrate his failure to protect the institution of the presidency as the 'inspiring supreme symbol of all that is highest in our American ideals'. Leaders affect the lives of families far beyond their own 'private life.”

Mike Pence (1959) 48th Vice President of the United States

On the Clinton-Lewinsky scandal in a column titled "Why Clinton Must Resign or Be Impeached" — https://www.bustle.com/p/mike-pence-quotes-about-impeachment-reveal-what-he-really-thinks-of-presidents-having-affairs-10026765 (circa late 1990s)

Norberto Bobbio photo
Auguste Rodin photo
Heber J. Grant photo

“There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.”

Heber J. Grant (1856–1945) President of The Church of Jesus Christ of Latter-day Saints

Grant (1937) "The Path of Safety," Improvement Era, Dec. 1937, 735.; Cited in " Heber J. Grant, Served 1918–1945 http://www.lds.org/churchhistory/presidents/controllers/potcController.jsp?leader=7&topic=quotes" on ids.org

Herman Cain photo
Robert G. Ingersoll photo
Gary Hamel photo

“A noble purpose inspires sacrifice, stimulates innovation, and encourages perseverance. In so doing, it transforms great talent into exceptional accomplishment.”

Gary Hamel (1954) American management expert

Gary Hamel quoted in: Richard L. Daft (2014), The Leadership Experience, p. 409

David Lloyd George photo
Barry Mazur photo

“Number theory swarms with bugs, waiting to bite the tempted flower-lovers who, once bitten, are inspired to excesses of effort!”

Barry Mazur (1937) American mathematician

Barry Mazur, [Number Theory as Gadfly, Amer. Math. Monthly, 98, 1991, 593–610, http://www.maa.org/programs/maa-awards/writing-awards/number-theory-as-gadfly]

Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Elias Canetti photo

“You need the rhetoric of others, the aversion it inspires, in order to find the way out of your own.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 61
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Eugene V. Debs photo

“There is no inspiration in evil and no power except for its own destruction.”

Eugene V. Debs (1855–1926) American labor and political leader

The Secret of Efficient Expression (1911)

Richard Dawkins photo
Arthur Ponsonby photo
Orson Pratt photo
Henry David Thoreau photo
Calvin Coolidge photo
Francis Jeffrey, Lord Jeffrey photo
Guity Novin photo

“Nehru’s daughter, Mrs. Indira Gandhi, carried her father’s game much farther. In her fight for a monopoly of power, she split the Congress Party, and made a common cause with the Communists. Well-known Communists and fellow-travellers were given positions of power in the ruling Congress Party, in the Government at the Centre as well in the States, and in prestigious institutions all over the country. The Muslim-Marxist combine of “historians” had already captured the Indian History Congress during the days of Pandit Nehru, and many honest historians had been hounded out of it. Now this combine was placed in control of the Indian Council of Historical Research and entrusted with extensive patronage. The combine took over the National Council of Educational Research and Training also, and laid down the guidelines for producing school textbooks on various subjects. The Jawaharlal Nehru University was created and financed on a fabulous scale in order to collect Communist professors from all over the country, and form them into a frontline brigade for launching all sorts of anti-Hindu campaigns. The smokescreen for this Stalinist operation was provided by the slogan of Secularism which nobody was supposed to question, or examine as to what it had come to mean. Its meaning had to be accepted ex-cathedra, and as laid down by the Muslim-Marxist combine. In the new political parlance that emerged, Hinduism and the nationalism it inspired, became blackned as “Communalism.””

Sita Ram Goel (1921–2003) Indian activist

Small wonder that the word “Hindu” started becoming a dirty word in the academia as well as the media.
Hindu Temples – What Happened to Them, Volume II (1993)

Colin Meloy photo

“To be inspired. That is the thing.
to be possessed; to be bewitched.
To be obsessed. That is the thing.
To be inspired.”

William Baziotes (1912–1963) American painter

a poetry line on his painting, in: 'Tiger's Eye', Baziotes, Vol. I, no. 5, Westport, Connecticut, October 1948, p. 35
1940s

Augusto Pinochet photo
Samuel Gompers photo
Burkard Schliessmann photo
Frederick Douglass photo
Aneurin Bevan photo
George W. Bush photo
Sarah Palin photo

“Assange is not a 'journalist,' any more than the 'editor' of al Qaeda's new English-language magazine Inspire is a 'journalist'…Why was he not pursued with the same urgency we pursue al-Qaeda and Taliban leaders?…Did we use all the cyber tools at our disposal to permanently dismantle WikiLeaks?”

Sarah Palin (1964) American politician

On Wikileaks after the release of confidential US diplomatic cables http://web.archive.org/web/20101202005050/news.yahoo.com/s/afp/20101130/pl_afp/usdiplomacypoliticswikileaksinternetpalin_20101130001458
2014

John Calvin photo
George Lyttelton, 1st Baron Lyttelton photo

“For his chaste Muse employ'd her heaven-taught lyre
None but the noblest passions to inspire,
Not one immoral, one corrupted thought,
One line which, dying, he could wish to blot.”

George Lyttelton, 1st Baron Lyttelton (1709–1773) British politician

Prologue to Thomson's Coriolanus; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ward Cunningham photo

“The decisions I made designing wiki were very much inspired by my desire to create a model for the collaborative process I thought should happen in large code bases. I wanted wiki to mimic that.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Collective Ownership of Code and Text

Giorgio Vasari photo
George Holmes Howison photo

“The aim, the only ultimate aim, the ideal of a society of minds, is this moral reliance on the inherent moral freedom of all spirits, guided by the contemplation of its perfect fulfilment in the Supreme Soul, or God, and inspired by his boundless love beheld and therefore felt by all.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.251

Richard Wurmbrand photo
Ralph Chaplin photo
Sania Mirza photo

“Tradition supplants inspiration with the warmed-over article.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 134

John Calvin photo

“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—i. e., by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1549), p. 13

Leung Chun-ying photo
Errico Malatesta photo

“What matters most is that people, all men, lose their sheepish instincts and habits that the millennial slavery inspired them, and they learn to think and act freely.”

Errico Malatesta (1853–1932) Italian anarchist

Ciò che più importa è che il popolo, gli uomini tutti, perdano gli istinti e le abitudini pecorili che la millenaria schiavitù ha loro ispirato ed apprendano a pensare ed agire liberamente.
Scritti: "Pensiero e volontá," rivista quindicinale di studi sociali e di coltura generale (Roma, 1924-1926) e ultimi scritti (1926-1932) [Writings: "Thought and Will," fortnightly magazine of social studies and culture general (Rome, 1924-1926) and later writings (1926-1932)], Vol. 3, p. 317; this is also quoted in the message on an Anarchist white stone monument in Pozzuoli, Italy, with simply "Gli anarchici" [The anarchists] appended to the statement.

Thomas Sowell photo
Kathleen Hanna photo
Stephen A. Smith photo

“You have haters from all walks of life. I could care less who wants me to fail. They inspire me. Motivates me.”

Stephen A. Smith (1967) sports journalist

Quoted by Richard Sandomir in " ESPN's New Master of the Offensive Foul http://www.nytimes.com/2005/07/31/arts/television/31sand.html?ei=5090&en=f4ace7eed00624de&ex=1280462400&partner=rssuserland&emc=rs&pagewanted=print", New York Times (July 31, 2005).

Harold Wilson photo
Vanna Bonta photo

“Inspiration always arrives unannounced.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Rewards of Passion (Sheer Poetry) (1981)

Hunter S. Thompson photo
Lew Rockwell photo
Geoffrey Chaucer photo
Bill Moyers photo
Jon Stewart photo

“Everybody thought Barack Obama was going to [inspire people] when he came to Washington, but, you know, the Senate seems like the place where smart people go to die.”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Originally spoken, reprinted in Mr. Obama Goes to Washington http://davidsirota.com/index.php/mr-obama-goes-to-washington/ By David Sirota in The Nation, June 7, 2006.

Adolph Freiherr Knigge photo

“Without inspiration, which fills the soul with a healthy warmth, nothing great can ever be brought to pass.”

Adolph Freiherr Knigge (1752–1796) German writer and Freemason

Ohne Begeisterung, welche die Seele mit einer gesunden Wärme erfüllt, wird nie etwas Großes zustande gebracht.
As quoted in ‪30 Minuten für intelligente Schlagfertigkeit‬ (2004) by Stephané Etrillard, p. 55.

Valentino Braitenberg photo

“[The final chapter of the book] sketch a few facts about animal brains that have inspired some of the properties of our vehicles, and their behavior will then seem less gratuitous than it may have seemed up to this poin. t”

Valentino Braitenberg (1926–2011) Italian-Austrian neuroscientist

Source: Vehicles: Experiments in Synthetic Psychology (1984), p. 95 as cited in: Michael R. W. Dawson (2008) Minds and Machines: Connectionism and Psychological Modeling. p. 88

Michael Franti photo

“The long-range trend toward federal regulation, which found its beginnings in the Interstate Commerce Act of 1887 and the Sherman Act of 1890, which was quickened by a large number of measures in the Progressive era, and which has found its consummation in our time, was thus at first the response of a predominantly individualistic public to the uncontrolled and starkly original collectivism of big business. In America the growth of the national state and its regulative power has never been accepted with complacency by any large part of the middle-class public, which has not relaxed its suspicion of authority, and which even now gives repeated evidence of its intense dislike of statism. In our time this growth has been possible only under the stress of great national emergencies, domestic or military, and even then only in the face of continuous resistance from a substantial part of the public. In the Progressive era it was possible only because of widespread and urgent fear of business consolidation and private business authority. Since it has become common in recent years for ideologists of the extreme right to portray the growth of statism as the result of a sinister conspiracy of collectivists inspired by foreign ideologies, it is perhaps worth emphasizing that the first important steps toward the modern organization of society were taken by arch-individualists — the tycoons of the Gilded Age — and that the primitive beginning of modern statism was largely the work of men who were trying to save what they could of the eminently native Yankee values of individualism and enterprise.”

Richard Hofstadter (1916–1970) American historian

Source: The Age of Reform: from Bryan to F.D.R. (1955), Chapter VI, part II, p. 233

Craig Venter photo
Torrey DeVitto photo
Edward Hirsch photo

“There is no true poetry unconcious inspiration.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

Stella Adler photo

“The teacher has to inspire, to agitate. You cannot teach acting. You can only stimulate what's already there.”

Stella Adler (1901–1992) American actress and teaching coach

Obituary in New York Times

Graham Greene photo
Carl Friedrich Gauss photo
Kent Hovind photo

“In about 1998, I came to realize that God did inspire His Word in the original Hebrew and Greek and then He preserved it perfectly in the KJB for those who speak English.”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 42

Lois McMaster Bujold photo
William James photo
Donald J. Trump photo
Max Ernst photo

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935