Quotes about impulse
page 6

Don DeLillo photo
Henry M. Leland photo

“On the train I was going over the problem of Sixes versus Fours and the disturbing periodic vibrations with which the 'six-cylinder manufacturers were contending. I realized the emphasis our competitors were placing on the fact that six smaller cylinders, producing the same maximum power as four larger ones, would result in smaller individual impulses, and consequent smoother action.
I knew that we were having good results with well-balanced four-cylinder motors. I first reasoned that if six light cylinders gave the same maximum power and lighter impulses than the tour, then eight still smaller cylinders would give still lighter impulses than the six cylinders. I also reasoned that, because of the lighter weight, those eight cylinder pistons could be run at higher speeds than either sixes or fours. Furthermore I did not like the six crankshaft. If made small enough to be in proportion with those light pistons, the extra length might introduce those undesirable vibrations; if made heavy enough to avoid; if made heavy enough to avoid these periodic vibrations there was the wight problem contend with.
As I lay awake pondering these factors, the idea came to me that we were having good success with four-cylinder motors; we would surely have equally good results with blocks of lighter four cylinders and pistons. Why not make up those smaller blocks of lighter four cylinders and pistons, and put two of the blocks together at an angle and avoid that troublesome long crankshaft. The more I thought of this idea on that trip, the more convinced I became that it could be worked out.”

Henry M. Leland (1843–1932) American businessman

Source: Master of Precision: Henry M. Leland, 1966, p. 147; Leland talking about his idea for a V8 engine around 1913-14. Partly cited in: Alexander Richard Crabb (1969), Birth of a giant: the men and incidents that gave America the motorcar. p. 315

Ellen Willis photo
African Spir photo
Theodore Dreiser photo
Richard Rodríguez photo
Phillip Guston photo
Russell Brand photo

“Distorting hackneyed words in hackneyed songs
He turns revolt into a style, prolongs
The impulse to a habit of the time.”

Thom Gunn (1929–2004) English poet

"Elvis Presley,", in The Sense of Movement (1957).
Other

Horace Bushnell photo
Evelyn Waugh photo
Tobin Bell photo
Joseph H. Hertz photo

“Because man is endowed with Reason, he can subdue his impulses in the service of moral and religious ideals, and is born to bear rule over Nature.”

Joseph H. Hertz (1872–1946) British rabbi

Genesis I, 26 (p. 5)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Martin Luther King, Jr. photo
Alice A. Bailey photo
Vachel Lindsay photo
Fritz Leiber photo
Nicholas Sparks photo
Ralph Ellison photo
Wilhelm Reich photo

“The vital energies regulate themselves naturally without compulsive duty or compulsive morality — both of which are sure signs of existing antisocial impulses.”

Wilhelm Reich (1897–1957) Austrian-American psychoanalyst

General Survey
The Function of the Orgasm (1927)

Nathaniel Hawthorne photo
Antoni Tàpies photo
Práxedis Guerrero photo

“Passivity writhes in resistance to the progressive impulse of revolution.”

Práxedis Guerrero (1882–1910) Mexican journalist and anarchist revolutionary

La resistencia del pasivismo se revuelve ahora contra el impulso progresista de la revolución.
Passivity and Rebellion (29 de Agosto 1909), Punto Rojo, N° 3, El Paso, Texas, translated by Javier Sethness-Castro. http://blackrosefed.org/i-am-action-praxedis-guerrero/

Ian Fleming photo
Otto Weininger photo
Benjamin R. Barber photo
Letitia Elizabeth Landon photo
Arthur Hugh Clough photo
Georg Simmel photo

“Everything in our modern substitutes for religion—whether Baconian or Rousseauistic—will be found to converge upon the idea of service. The crucial question is whether one is safe in assuming that the immense machinery of power that has resulted from activity of the utilitarian type can be made, on anything like present lines, to serve disinterested ends; whether it will not rather minister to the egoistic aims either of national groups or of individuals.
One's answer to this question will depend on one's view of the Rousseauistic theory of brotherhood. … To assert that man in a state of nature, or some similar state thus projected, is good, is to discredit the traditional controls in the actual world. Humility, conversion, decorum—all go by the board in favor of free temperamental overflow. Does man thus emancipated exude spontaneously an affection for his fellows that will be an effective counterpoise to the sheer expansion of his egoistic impulses? …
Unfortunately, the facts have persistently refused to conform to humanitarian theory. There has been an ever-growing body of evidence from the eighteenth century to the Great War that in the natural man, as he exists in the real world and not in some romantic dreamland, the will to power is, on the whole, more than a match for the will to service. To be sure, many remain unconvinced by this evidence. Stubborn facts, it has been rightly remarked, are as nothing compared with a stubborn theory. Altruistic theory is likely to prove peculiarly stubborn, because, probably more than any other theory ever conceived, it is flattering: it holds out the hope of the highest spiritual benefits—for example, peace and fraternal union—without any corresponding spiritual effort.”

Irving Babbitt (1865–1933) American academic and literary criticism

Source: "What I Believe" (1930), pp. 7-8

James Madison photo

“By a faction, I understand a number of citizens, whether amounting to a majority or a minority of the whole, who are united and actuated by some common impulse of passion, or of interest, adversed to the rights of other citizens, or to the permanent and aggregate interests of the community.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Federalist No. 10 (22 November 1787) Full text from Wikisource http://en.wikisource.org/wiki/The_Federalist/10
1780s, Federalist Papers (1787–1788)

André Maurois photo
Eric Hoffer photo

“The corruption inherent in absolute power derives from the fact that such power is never free from the tendency to turn man into a thing, and press him back into the matrix of nature from which he has risen. For the impulse of power is to turn every variable into a constant, and give to commands the inexorableness and relentlessness of laws of nature. Hence absolute power corrupts even when exercised for humane purposes. The benevolent despot who sees himself as a shepherd of the people still demands from others the submissiveness of sheep. The taint inherent in absolute power is not its inhumanity but its anti-humanity.”

Eric Hoffer (1898–1983) American philosopher

Source: The Ordeal of Change (1963), Ch. 15: "The Unnaturalness Of Human Nature"
Context: One should see the dominant role of the weak in shaping man's fate not as a perversion of natural instincts and vital impulses, but as the starting point of the deviation which led man to break away from, and rise above, nature — not as degeneration but as the generation of a new order of creation.
The corruption inherent in absolute power derives from the fact that such power is never free from the tendency to turn man into a thing, and press him back into the matrix of nature from which he has risen. For the impulse of power is to turn every variable into a constant, and give to commands the inexorableness and relentlessness of laws of nature. Hence absolute power corrupts even when exercised for humane purposes. The benevolent despot who sees himself as a shepherd of the people still demands from others the submissiveness of sheep. The taint inherent in absolute power is not its inhumanity but its anti-humanity.

Martin Farquhar Tupper photo

“His fashion is passion, sincere and intense, —
His impulse is simple and true”

Martin Farquhar Tupper (1810–1889) English writer and poet

Nature's Nobleman (1844)
Context: His fashion is passion, sincere and intense, —
His impulse is simple and true;
Yet temper'd by judgment, and taught by good sense,
And cordial with me and with you.

Ferdinand Foch photo

“An army is to a chief what a sword is to a soldier. It is only worth anything in so far as it receives from him a certain impulsion”

Ferdinand Foch (1851–1929) French soldier and military theorist

direction and vigour
Source: Precepts and Judgments (1919), p. 138

Margaret Fuller photo

“There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"Poets of the People" in Art, Literature and the Drama (1858).
Context: There are two modes of criticism. One which … crushes to earth without mercy all the humble buds of Phantasy, all the plants that, though green and fruitful, are also a prey to insects or have suffered by drouth. It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.

Umberto Eco photo

“As subjects, we are what the shape of the world produced by signs makes us become.
Perhaps we are, somewhere, the deep impulse which generates semiosis. And yet we recognize ourselves only as semiosis in progress, signifying systems and communicational processes.”

[I] Signs, 1.13 : Sign and subject
Semiotics and the Philosophy of Language (1984)
Context: !-- The subject is constantly reshaped by the endless resegmentation of the content. In this way (even though the process of resegmentation must be activated by someone, who is probably the collectivity of subjects), the subject is spoken by language (verbal and nonverbal), by the dynamic of sign-functions rather than by the chain of signifiers. --> As subjects, we are what the shape of the world produced by signs makes us become.
Perhaps we are, somewhere, the deep impulse which generates semiosis. And yet we recognize ourselves only as semiosis in progress, signifying systems and communicational processes. The map of semiosis, as defined at a given stage of historical development (with the debris carried over from previous semiosis), tells us who we are and what (or how) we think.

Caspar David Friedrich photo

“All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated
Context: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.

Clifford D. Simak photo

“He had acted on an impulse, with no thought at all. The girl had asked protection and here she had protection, here nothing in the world ever could get at her.”

Source: Way Station (1963), Ch. 16
Context: He had acted on an impulse, with no thought at all. The girl had asked protection and here she had protection, here nothing in the world ever could get at her. But she was a human being and no human being, other than himself, should have ever crossed the threshold.
But it was done and there was no way to change it. Once across the threshold, there was no way to change it.

“By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time it removed the need to repress every kind of anti-social behaviour, and left them free to explore any deviant or wayward impulses.”

Source: High-Rise (1975), Ch. 3
Context: The more arid and effectless life became in the high-rise, the greater the possibilities it offered. By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time it removed the need to repress every kind of anti-social behaviour, and left them free to explore any deviant or wayward impulses. It was precisely in these areas that the most important and most interesting aspect of their lives would take place. Secure within the shell of the high-rise, like passengers on board an automatically piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly 'free' psychopathology.

Richard Wright photo
John Tyndall photo

“To legislation… the Puritans resorted. Instead of guiding, they repressed, and thus pitted themselves against the unconquerable impulses of human nature. Believing that nature to be depraved, they felt themselves logically warranted in putting it in irons. But they failed; and their failure ought to be a warning to their successors.”

John Tyndall (1820–1893) British scientist

New Fragments (1892)
Context: To legislation... the Puritans resorted. Instead of guiding, they repressed, and thus pitted themselves against the unconquerable impulses of human nature. Believing that nature to be depraved, they felt themselves logically warranted in putting it in irons. But they failed; and their failure ought to be a warning to their successors.<!--p.34

Norman Angell photo

“To shut our eyes to the part that John Smith plays in the perpetuation of unworkable policies, in building up the forces of which he becomes the victim, is to perpetuate his victimization. The only means by which he can be liberated from the evil power of organized minorities is by making him aware of the nature of the impulses and motives to which the exploiters so successfully appeal.”

Norman Angell (1872–1967) British politician

Peace and the Public Mind (1935)
Context: To shut our eyes to the part that John Smith plays in the perpetuation of unworkable policies, in building up the forces of which he becomes the victim, is to perpetuate his victimization. The only means by which he can be liberated from the evil power of organized minorities is by making him aware of the nature of the impulses and motives to which the exploiters so successfully appeal. If such phenomena as nationalism, for instance, can assume forms that are gravely dangerous, it is because the nationalist appeal finds response in deep human impulses, instincts, in psychological facts which we must face.

Starhawk photo

“On some deep cosmic level, we are all one, and within us we each contain the potential for good and for destruction, for compassion and hate, for generosity and greed. But even if I acknowledge the full range of impulses within myself, that doesn't erase the differences between a person acting from compassion and love, and another choosing to act from hate and greed. Moreover, it doesn't erase my responsibility to challenge a system which furthers hate and greed.”

Starhawk (1951) American author, activist and Neopagan

Toward an Activist Spirituality (2003)
Context: On some deep cosmic level, we are all one, and within us we each contain the potential for good and for destruction, for compassion and hate, for generosity and greed. But even if I acknowledge the full range of impulses within myself, that doesn't erase the differences between a person acting from compassion and love, and another choosing to act from hate and greed. Moreover, it doesn't erase my responsibility to challenge a system which furthers hate and greed. If I don't resist such a system, I am complicit in what it does. I join the perpetrators in oppressing the victims.

Joshua Jackson photo

“I don't think sex is an unhealthy impulse. It's only when you try to hide it and subvert it that it manifests itself in ugly ways”

Joshua Jackson (1978) Canadian actor

In the article 'What I know about women...' in Observer Women's Magazine (February 2007)
Context: There'll always be tension between male and female friends - we're animals after all, wired to accept each other on a sexual level at times. Of course we all agree to a variety of social restraints, but it doesn't mean the basic impulses aren't there, and I don't think sex is an unhealthy impulse. It's only when you try to hide it and subvert it that it manifests itself in ugly ways.

Starhawk photo

“Sexual integrity means honestly recognizing our own impulses and desires and honoring them, whether or not we choose to act on them.”

Starhawk (1951) American author, activist and Neopagan

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 3 : The Ethics of Magic, p. 41
Context: Sexual integrity means honestly recognizing our own impulses and desires and honoring them, whether or not we choose to act on them. If we value integrity, we must also value diversity in sexual expression and orientation, recognizing that there is no one truth, or one way, that fits everyone.
Sexuality is sacred because through it we make a connection with another self — but it is misused and perverted when it becomes an arena of power-over, a means of treating another — or oneself — as an object.

Eric Hoffer photo

“Compassion is probably the only antitoxin of the soul. Where there is compassion even the most poisonous impulses remain relatively harmless.”

Eric Hoffer (1898–1983) American philosopher

Section 139
The Passionate State Of Mind, and Other Aphorisms (1955)
Context: Compassion is probably the only antitoxin of the soul. Where there is compassion even the most poisonous impulses remain relatively harmless. One would rather see the world run by men who set their hearts on toys but are accessible to pity, than by men animated by lofty ideals whose dedication makes them ruthless. In the chemistry of man's soul, almost all noble attributes — courage, honor, hope, faith, duty, loyalty, etc. — can be transmuted into ruthlessness. Compassion alone stands apart from the continuous traffic between good and evil proceeding within us.

James Anthony Froude photo

“The first state of mankind is the unreflecting state. The nature is undeveloped, looking neither before nor after; it acts on the impulse of the moment, and is troubled with no weary retrospect, nor with any notions of a remote future which present conduct can affect; and knowing neither good nor evil, better or worse, it does simply what it desires, and is happy in it. It is the state analogous to the early childhood of each of us, and is represented in the common theory of Paradise — the state of innocence.”

Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Our instinct has outrun our theory in this matter; for while we still insist upon free will and sin, we make allowance for individuals who have gone wrong, on the very ground of provocation, of temptation, of bad education, of infirm character. By and by philosophy will follow, and so at last we may hope for a true theory of morals. It is curious to watch, in the history of religious beliefs, the gradual elimination of this monster of moral evil. The first state of mankind is the unreflecting state. The nature is undeveloped, looking neither before nor after; it acts on the impulse of the moment, and is troubled with no weary retrospect, nor with any notions of a remote future which present conduct can affect; and knowing neither good nor evil, better or worse, it does simply what it desires, and is happy in it. It is the state analogous to the early childhood of each of us, and is represented in the common theory of Paradise — the state of innocence.

Robert Louis Stevenson photo

“All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

316.
Aes Triplex (1878)
Context: All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas?

Richard Bach photo
Upton Sinclair photo

“Over the vast plain I wander, observing a thousand strange and incredible and terrifying manifestations of the Bootstrap-lifting impulse.”

The Profits of Religion (1918)
Context: Over the vast plain I wander, observing a thousand strange and incredible and terrifying manifestations of the Bootstrap-lifting impulse. There is, I discover, a regular propaganda on foot; a long time ago — no man can recall how far back — the Wholesale Pickpockets made the discovery of the ease with which a man's pockets could be rifled while he was preoccupied with spiritual exercises, and they began offering prizes for the best essays in support of the practice. Now their propaganda is everywhere triumphant, and year by year we see an increase in the rewards and emoluments of the prophets and priests of the cult. The ground is covered with stately temples of various designs, all of which I am told are consecrated to Bootstrap-lifting.

Introductory, "Bootstrap-lifting"

“When people ask me how autobiographical the book is I say, all the impulsive, outrageous things my heroine does, I did. All the sensible things she did, I made up.”

Elaine Dundy (1921–2008) American journalist, actress

Afterword to The Dud Avocado (2006)
Context: The Big Personalities weighed in. Soon after its publication Irwin Shaw wrote to me praising it. Terry Southern, calling me "Miss Smarts," said I was "a perfect darling." Gore Vidal phoned one morning saying, "You’ve got the one thing a writer needs: You’ve got your own voice. Now go." Ernest Hemingway said to me, "I liked your book. I liked the way your characters all speak differently." And then added, "My characters all sound the same because I never listen." All this, and heaven too. Laurence Olivier told me that now that my book was making a lot of money we could elope and I could support us. The Financial Times ran an item which read, "Such and such stock: No dud avocado." Groucho Marx wrote me, "I had to tell someone how much I enjoyed The Dud Avocado.… If this was actually your life, I don’t know how the hell you got through it." When people ask me how autobiographical the book is I say, all the impulsive, outrageous things my heroine does, I did. All the sensible things she did, I made up.

Alexander von Humboldt photo

“The principal impulse by which I was directed was the earnest endeavor to comprehend the phenomena of physical objects in their general connection, and to represent nature as one great whole, moved and animated by internal forces.”

Kosmos (1845 - 1847)
Context: The principal impulse by which I was directed was the earnest endeavor to comprehend the phenomena of physical objects in their general connection, and to represent nature as one great whole, moved and animated by internal forces. My intercourse with highly-gifted men early led me to discover that, without an earnest striving to attain to a knowledge of special branches of study, all attempts to give a grand and general view of the universe would be nothing more than a vain illusion. These special departments in the great domain of natural science are, moreover, capable of being reciprocally fructified by means of the appropriative forces by which they are endowed.

Jacques Barzun photo

“The ever-present impulse is to push against restriction and, in so doing, to feel intolerably hemmed in.”

Jacques Barzun (1907–2012) Historian

"The Bugbear of Relativism," p. 97
The Culture We Deserve (1989)
Context: The ever-present impulse is to push against restriction and, in so doing, to feel intolerably hemmed in. Thus in practice, every liberation increases the sense of oppression. Nor is the paradox merely in the mind: the laws enacted to secure the rights of every person and group, by creating protective boundaries, create new barriers.

Paul Simon photo

“So you start with an impulse and go to what your ear likes.”

Paul Simon (1941) American musician, songwriter and producer

Interview with Tony Schwartz in Playboy (February 1984) p. 166
Context: I write from instinct, from inexplicable sparkle. I don't know why I'm writing what I'm writing. Usually, I sit and I let my hands wander on my guitar. And I sing anything. I play anything. And I wait till I come across a pleasing accident. Then I start to develop it. Once you take a piece of musical information, there are certain implications that it automatically contains — the implication of that phrase elongated, contracted, or inverted or in another time signature. So you start with an impulse and go to what your ear likes.

William Cullen Bryant photo

“For the spirit needs
Impulses from a deeper source than hers,
And there are motions, in the mind of man,
That she must look upon with awe.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

"The Conjunction of Jupiter and Venus" in Poems (1841)
Context: I would make
Reason my guide, but she should sometimes sit
Patiently by the way-side, while I traced
The mazes of the pleasant wilderness
Around me. She should be my counsellor,
But not my tyrant. For the spirit needs
Impulses from a deeper source than hers,
And there are motions, in the mind of man,
That she must look upon with awe. I bow
Reverently to her dictates, but not less
Hold to the fair illusions of old time —
lllusions that shed brightness over life,
And glory over nature.

Margaret Chase Smith photo

“One of the basic causes for all the trouble in the world today is that people talk too much and think too little. They act too impulsively without thinking.”

Margaret Chase Smith (1897–1995) Member of the United States Senate from Maine

As quoted in NEA Journal : The Journal of the National Education Association‎ Vol. 41 (1952) p. 300
Context: One of the basic causes for all the trouble in the world today is that people talk too much and think too little. They act too impulsively without thinking. I am not advocating in the slightest that we become mutes with our voices stilled because of fear of criticism of what we might say. That is moral cowardice. And moral cowardice that keeps us from speaking our minds is as dangerous to this country as irresponsible talk. The right way is not always the popular and easy way. Standing for right when it is unpopular is a true test of moral character. The importance of individual thinking to the preservation of our democracy and our freedom cannot be overemphasized. The broader sense of the concept of your role in the defense of democracy is that of the citizen doing his most for the preservation of democracy and peace by independent thinking, making that thinking articulate by translating it into action at the ballot boxes, in the forums, and in everyday life, and being constructive and positive in that thinking and articulation. The most precious thing that democracy gives to us is freedom. You and I cannot escape the fact that the ultimate responsibility for freedom is personal. Our freedoms today are not so much in danger because people are consciously trying to take them away from us as they are in danger because we forget to use them. Freedom unexercised may be freedom forfeited. The preservation of freedom is in the hands of the people themselves — not of the government.

Martin Amis photo

“I think it's the whole impulse to judge and censor and euphemize, that is the enemy.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: I think it's the whole impulse to judge and censor and euphemize, that is the enemy. … What fun, to feel superior to T. S. Eliot. And that's the impulse that I am suspicious of.

Clive Staples Lewis photo

“The most dangerous thing you can do is to take any one impulse of your own nature and set it up as the thing you ought to follow at all costs. There is not one of them which will not make us into devils if we set it up as an absolute guide.”

Book I, Chapter 2, "Some Objections"
Mere Christianity (1952)
Context: The most dangerous thing you can do is to take any one impulse of your own nature and set it up as the thing you ought to follow at all costs. There is not one of them which will not make us into devils if we set it up as an absolute guide. You might think love of humanity in general was safe, but it is not. If you leave out justice you will find yourself breaking agreements and faking evidence in trials "for the sake of humanity", and become in the end a cruel and treacherous man.

Richard Rodríguez photo

“Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)
Context: Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.

Taliesin photo

“I will offer a prayer to the Trinity,
May the Eternal grant me to praise thee!
In the present course, dangerous
Our work; destruction is a slight impulse of wrath.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Elegy of the Thousand Sons
Context: I will offer a prayer to the Trinity,
May the Eternal grant me to praise thee!
In the present course, dangerous
Our work; destruction is a slight impulse of wrath.
They reckon of the saints a tribe,
King of heaven, may I be eloquent about thee!
Before the separation of my soul from my flesh.

Walt Whitman photo

“I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.”

Walt Whitman (1819–1892) American poet, essayist and journalist

"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.

“Each individual possesses a conscience which to a greater or lesser degree serves to restrain the unimpeded flow of impulses destructive to others.”

Stanley Milgram (1933–1984) Social psychologist

Source: Obedience to Authority : An Experimental View (1974), p. 188
Context: Each individual possesses a conscience which to a greater or lesser degree serves to restrain the unimpeded flow of impulses destructive to others. But when he merges his person into an organizational structure, a new creature replaces autonomous man, unhindered by the limitations of individual morality, freed of humane inhibition, mindful only of the sanctions of authority.

Jim Carrey photo

“Madness is never that far away. It's as close as saying yes to the wrong impulse.”

Jim Carrey (1962) Canadian-American actor, comedian, and producer

Jim Carrey's Unnatural Act (1991)
Context: Madness is never that far away. It's as close as saying yes to the wrong impulse. The people who stay sane are the people who can make those quick decisions: "Should I stick my fingers into the fan, or leave the room right now?
"Should I run the blade of this razor across my tongue, or just finish shaving and move away from the sink?"
But you don't because luckily most of us have that little voice inside our head that says, "Uh uh uh, turning the car into oncoming traffic... is counterproductive!"

Jeff Flake photo
Stephanie Powell Watts photo

“I think it is a natural impulse to look to your own past and history to discover the stories that move and inspire you. The problem is that the past is nebulous and waiting for a shape. What ultimately gives it form and context is the present. That’s the part of writing inspired by personal history that is exciting to me.”

On using personal history in “Fruits of the Same Tree: An Interview with Stephanie Powell Watts” https://fictionwritersreview.com/interview/an-interview-with-stephanie-powell-watts/ in Fiction Writers Review (2012 Aug 6)

J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
Chris Hedges photo
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Aleksandr Dugin photo
Margaret Sanger photo
Martin Buber photo

“It is the highest service to submit the evil impulse to God through the power of love.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Source: For The Sake of Heaven (1945), p. 45

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Herman Melville photo

“And do not think, my boy, that because I, impulsively broke forth in jubillations over Shakspeare, that, therefore, I am of the number of the snobs who burn their tuns of rancid fat at his shrine. No, I would stand afar off & alone, & burn some pure Palm oil, the product of some overtopping trunk.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

I would to God Shakspeare had lived later, & promenaded in Broadway. Not that I might have had the pleasure of leaving my card for him at the Astor, or made merry with him over a bowl of the fine Duyckinck punch; but that the muzzle which all men wore on their soul in the Elizebethan day, might not have intercepted Shakspers full articulations. For I hold it a verity, that even Shakspeare, was not a frank man to the uttermost. And, indeed, who in this intolerant universe is, or can be? But the Declaration of Independence makes a difference.—There, I have driven my horse so hard that I have made my inn before sundown.
Letter to Evert Augustus Duyckinck (3 March 1849); published in The Letters of Herman Melville (1960) edited by Merrell R. Davis and William H. Gilman, p. 79

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Robert Greene photo
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Henry Adams photo