“The role of the artist, of course, has always been that of image-maker. Different times require different images.”

1950s, Conversations With Artists, 1957

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Adolph Gottlieb27

American artist 1903–1974

Adolph Gottlieb (1903–1974) American artist

The Ideas of Art, Tiger's Eye, Vol. 1, nr 2, December 1947, p. 43.
1940s

“The reverse process is extremely important to me — that artistic images can inspire to words and different myths, and that in certain cultures this process has been the normal relation between images and words. It is known as a rule in the so-called Germanic art, and through the middle ages heaps of such stories are directly inspired by fantastic images.”

Asger Jorn (1914–1973) Danish artist

Quote in Jorn's letter to anthropologist Francis Huxley (1970) - on the relation between words and images
1959 - 1973, Various sources

“When I hear people speak of the evolution of an artist, it seems to me that they are considering him standing between two mirrors that face each other and reproduce his image an infinite number of times, and that they contemplate the successive images of one mirror as his past, and the images of the other mirror as his future, while his real image is taken as his present. They do not consider that they all are the same images in different planes…”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's

“While people are engaged in creating a totally different world, they always form vivid images of the preceding world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 21

“Between the image of the Imagist and the 'symbol' of the Symbolists there is a difference only of precision”

René Taupin (1905–1981) French academic

L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985 ISBN 9780404615796

“Rhetoric is a dangerous art. It is the manipulation of the difference, one might say the distance, between truth and image […] And in our times, that distance has become the means by which power is exercised”

Nick Drake (poet) (1961) British writer

ibid
The Rahotep series, Book 2: Tutankhamun
Context: Rhetoric is a dangerous art. It is the manipulation of the difference, one might say the distance, between truth and image [... ] And in our times, that distance has become the means by which power is exercised [... ] Rhetoric has been a force for persuasion since man began to speak, and to convince his enemy that he was indeed his friend.