Quotes about hide
page 10

Tanith Lee photo
John Milton photo

“Hiding from your history only shackles you to it. Instead, face it and free yourself.”

Source: Life, the Truth, and Being Free (2010), p. 90

Tom Lehrer photo
Alan M. Dershowitz photo

“The judge also has a truth he wants to hide: He often hasn’t been completely candid in describing the facts or the law.”

Alan M. Dershowitz (1938) American lawyer, author

U.S. News & World Report (August 9, 1982)

Kevin Barry photo
Joaquin Miller photo

“Where storm-born shadows hide and hunt
I knew thee, in thy glorious youth,
And loved thy vast face, white as truth”

Joaquin Miller (1837–1913) American judge

Epigraph, Ch. 1 : Mount Shasta; this appears as "To Mount Shasta" in In Classic Shades, and Other Poems (1890), p. 126
Variant: I saw the lightning's gleaming rod
Reach forth and write upon the sky
The awful autograph of God.
This variant was cited as being in The Ship in the Desert in the 10th edition of Familiar Quotations (1919) by John Bartlett, but this appears to be an incorrect citation of a misquotation first found in The Japanese Letters of Lafcadio Hearn (1910), edited by Elizabeth Bislande, p. 161.
Shadows of Shasta (1881)
Context: Where storm-born shadows hide and hunt
I knew thee, in thy glorious youth,
And loved thy vast face, white as truth;
I stood where thunderbolts were wont
To smite thy Titan-fashioned front,
And heard dark mountains rock and roll;
I saw the lightning's gleaming rod
Reach forth and write on heaven's scroll
The awful autograph of God!

Taliesin photo

“I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.”

Taliesin (534–599) Welsh bard

The Tale of Taleisin
Context: I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.
I have fled in the shape of a red deer,
in the shape of iron in a fierce fire,
in the shape of a sword sowing death and disaster,
in the shape of a bull, relentlessly struggling.

“An intense, unyielding stubbornness hides beneath an apparent obedience”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Sadism and Masochism : The Psychology of Hatred and Cruelty, Vol. 1 (1939), p. 46
Context: An intense, unyielding stubbornness hides beneath an apparent obedience (the patient brings a vast number of dreams; his associations become endless; he produces an inexhaustible number of recollections, which seem to him very important but are actually of little moment; or he goes off upon some byroad suggested by the analyst and leads the latter into a blind alley).
The child manifests the same reactions of defiance and obedience. The child, too, can hide his stubbornness behind an excessive docility (the parent's command: You must be industrious. Industry may become a mania so that the child neither goes out nor has time to sleep). Obedience is the giving up of the resistance; obstinacy the setting up of fresh resistances. This resistance is externally active. We have in recent years had sufficient opportunity to observe the law of resistance (the passive resistance). Activity and defiance show great differences. Defiance is the reaction against activity (aggression) of the environment. It may then manifest itself actively or passively and stands in the service of the defensive tendency of the ego. Every resistance reveals the ego (one's own) in conflict with another.

Cyrano de Bergerac photo

“Even the least wise would not take offense if some uncouth man insulted him as long as the man hadn't intended to, or had mistaken him for someone else, or wine had loosened his tongue. All the more reason then to ask: will God, who is all-imperturbable, get mad at us for not having recognized Him when He, himself, has denied us the means of knowing Him?
"But by all you believe, my little animal, if belief in God were so necessary and were of eternal importance to us, would God himself not infuse in everyone enlightenment as bright as the Sun, which hides from no one?”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)
Context: "I ask you only why you find the belief inconvenient. I'm quite sure you can find no reason. Since it can only be useful, why do you not let yourself be persuaded? If God exists and you don't believe in Him, you will have made a mistake and disobeyed the commandment to believe in Him. If there is no God, you won't be any better off than the rest of us."
"Oh yes I will be better off than you," he answered, "because if there is no God, the game is tied. But, on the contrary, if there is one, I can't have offended something I thought did not exist. Sin requires knowing or willing. Don't you see? Even the least wise would not take offense if some uncouth man insulted him as long as the man hadn't intended to, or had mistaken him for someone else, or wine had loosened his tongue. All the more reason then to ask: will God, who is all-imperturbable, get mad at us for not having recognized Him when He, himself, has denied us the means of knowing Him?
"But by all you believe, my little animal, if belief in God were so necessary and were of eternal importance to us, would God himself not infuse in everyone enlightenment as bright as the Sun, which hides from no one? Do we pretend that God wants to play hide-and-seek with us, like children calling 'Peekaboo, I see you!'? Does God put on a mask and then take it off? Does He disguise himself to some and reveal himself to others? That would be a God who is either silly or malicious.

Bernard Cornwell photo

“Defeat the enemy's infantry and the cavalry and gunners had nowhere to hide.”

Bernard Cornwell (1944) British writer

Sergeant Richard Sharpe, p. 233
Sharpe (Novel Series), Sharpe's Triumph (1997)
Context: "Now we'll see how their infantry fight," Wellesley said savagely to Campbell, and Sharpe understood that this was the real testing point, for infantry was everything. The infantry was despised for it did not have the cavalry's glamour, nor the killing capacity of the gunners, but it was still the infantry that won battles. Defeat the enemy's infantry and the cavalry and gunners had nowhere to hide.

“I was gonna hide somewhere where nobody would find me and express myself entirely. I'm like a guerrilla warfare in my best books.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

NOW interview (2004)
Context: I wasn't gonna paint. And I wasn't gonna do ostentatious drawings. I wasn't gonna have gallery pictures. I was gonna hide somewhere where nobody would find me and express myself entirely. I'm like a guerrilla warfare in my best books.

Richard Francis Burton photo

“The race of Be'ing from dawn of Life in an unbroken course was run;
What men are pleased to call their Souls was in the hog and dog begun: Life is a ladder infinite-stepped, that hides its rungs from human eyes;
Planted its foot in chaos-gloom, its head soars high above the skies: No break the chain of Being bears; all things began in unity;
And lie the links in regular line though haply none the sequence see.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Words, words that gender things! The soul is a new-comer on the scene;
Sufficeth not the breath of Life to work the matter-born machine? The race of Be'ing from dawn of Life in an unbroken course was run;
What men are pleased to call their Souls was in the hog and dog begun: Life is a ladder infinite-stepped, that hides its rungs from human eyes;
Planted its foot in chaos-gloom, its head soars high above the skies: No break the chain of Being bears; all things began in unity;
And lie the links in regular line though haply none the sequence see.

P. D. Ouspensky photo

“This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul — learn to discern the real from the false. Listen only to the Voice that is soundless… Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation.”

P. D. Ouspensky (1878–1947) Russian esotericist

Card II : The High Priestess
The Symbolism of the Tarot (1913)
Context: Then the woman turned her face to me and looked into my eyes without speaking. And through me passed a thrill, mysterious and penetrating like a golden wave; tones vibrated in my brain, a flame was in my heart, and I understood that she spoke to me, saying without words:
"This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul — learn to discern the real from the false. Listen only to the Voice that is soundless... Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation."

John McCain photo
Harry Harrison photo

“What are you trying to hide with this semantic confusion?”

Harry Harrison (1925–2012) American science fiction author

Source: Deathworld (1960), p. 112
Context: The compartment was getting crowded as other Pyrrans pushed in. Kerk, almost to the door, turned back to face Jason.
"I'll tell you what's wrong with armistice," he said. "It's a coward's way out, that's what it is. It's all right for you to suggest it, you're from off-world and don't know any better. But do you honestly think I could entertain such a defeatist notion for one instant? When I speak, I speak not only for myself, but for all of us here. We don't mind fighting, and we know how to do it. We know that if this war was over we could build a better world here. At the same time, if we have the choice of continued war or a cowardly peace — we vote for war. This war will only be over when the enemy is utterly destroyed!"
The listening Pyrrans murmured in agreement, and Jason had to shout to be heard above them. "That's really wonderful. I bet you even think it's original. But don't you hear all that cheering offstage? Those are the spirits of every saber-rattling sonofabitch that ever plugged for noble war. They even recognize the old slogan. We're on the side of light, and the enemy is a creature of darkness. And it doesn't matter a damn if the other side is saying the same thing. You've still got the same old words that have been killing people since the birth of the human race. A 'cowardly peace,' that's a good one. Peace means not being at war, not fighting. How can you have a cowardly not-fighting. What are you trying to hide with this semantic confusion? Your real reasons? I can't blame you for being ashamed of them — I would be. Why don't you just come out and say you are keeping the war going because you enjoy killing? Seeing things die makes you and your murderers happy, and you want to make them happier still!"

Archilochus photo

“Nothing can be surprising any more or impossible or miraculous, now that Zeus, father of the Olympians has made night out of noonday, hiding the bright sunlight, and . . . fear has come upon mankind. After this, men can believe anything, expect anything.”

Archilochus (-680–-645 BC) Ancient Greek lyric poet

Fragments
Variant: Zeus, the father of the Olympic Gods, turned mid-day into night, hiding the light of the dazzling Sun; and sore fear came upon men.
Context: Nothing can be surprising any more or impossible or miraculous, now that Zeus, father of the Olympians has made night out of noonday, hiding the bright sunlight, and... fear has come upon mankind. After this, men can believe anything, expect anything. Don't any of you be surprised in future if land beasts change places with dolphins and go to live in their salty pastures, and get to like the sounding waves of the sea more than the land, while the dolphins prefer the mountains.

Pearl S.  Buck photo

“But nothing mattered today, neither the kindness nor the cruelty. We were in hiding for our lives because we were white.”

Pearl S. Buck (1892–1973) American writer

Source: My Several Worlds (1954), p. 208
Context: The wild winds had been sown and the whirlwinds were gathering... and I was reaping what I had not sown... None of us could escape the history of the centuries before any of us had been born, and with which we had nothing to do. We had not, I think, ever committed even a mild unkindness against a Chinese, and certainly we had devoted ourselves to justice for them, we had taken sides against our own race again and again for their sakes, sensitive always to injustices which others had committed and were still committing. But nothing mattered today, neither the kindness nor the cruelty. We were in hiding for our lives because we were white.

H.L. Mencken photo

“The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame.”

H.L. Mencken (1880–1956) American journalist and writer

"Aftermath" in the Baltimore Evening Sun http://www.positiveatheism.org/hist/menck05.htm#SCOPESD (14 September 1925)
1920s
Context: Once more, alas, I find myself unable to follow the best Liberal thought. What the World's contention amounts to, at bottom, is simply the doctrine that a man engaged in combat with superstition should be very polite to superstition. This, I fear, is nonsense. The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame.
True enough, even a superstitious man has certain inalienable rights. He has a right to harbor and indulge his imbecilities as long as he pleases, provided only he does not try to inflict them upon other men by force. He has a right to argue for them as eloquently as he can, in season and out of season. He has a right to teach them to his children. But certainly he has no right to be protected against the free criticism of those who do not hold them.... They are free to shoot back. But they can't disarm their enemy.
The meaning of religious freedom, I fear, is sometimes greatly misapprehended. It is taken to be a sort of immunity, not merely from governmental control but also from public opinion. A dunderhead gets himself a long-tailed coat, rises behind the sacred desk, and emits such bilge as would gag a Hottentot. Is it to pass unchallenged? If so, then what we have is not religious freedom at all, but the most intolerable and outrageous variety of religious despotism. Any fool, once he is admitted to holy orders, becomes infallible. Any half-wit, by the simple device of ascribing his delusions to revelation, takes on an authority that is denied to all the rest of us.... What should be a civilized man's attitude toward such superstitions? It seems to me that the only attitude possible to him is one of contempt. If he admits that they have any intellectual dignity whatever, he admits that he himself has none. If he pretends to a respect for those who believe in them, he pretends falsely, and sinks almost to their level. When he is challenged he must answer honestly, regardless of tender feelings.

Augustus Toplady photo

“Rock of Ages, cleft for me,
Let me hide myself in Thee.”

Augustus Toplady (1740–1778) British divine

The last lines of this stanza are often changed to "Be of sin the double cure, Save from wrath, and make me pure.".
Rock of Ages (1763)
Context: Rock of Ages, cleft for me,
Let me hide myself in Thee.
Let the Water and the Blood,
From thy riven Side which flow'd,
Be of Sin the double Cure,
Cleanse me from its Guilt and Pow'r.

John D. Barrow photo
Milan Kundera photo

“What is unique about the "I" hides itself exactly in what is unimaginable about a person.”

The Unbearable Lightness of Being (1984), Part Five: Lightness and Weight
Context: What is unique about the "I" hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual "I" is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.

George W. Bush photo

“Because he's hiding.”

George W. Bush (1946) 43rd President of the United States

Asked why his administration had been unable to locate and arrest Osama Bin Laden. (16 January 2005) http://www.washingtonpost.com/wp-dyn/articles/A12450-2005Jan15.html
2000s, 2005

Steven Erikson photo

“Death cannot be struggled against, brother. It ever arrives, defiant of every hiding place, of every frantic attempt to escape.”

Midnight Tides (2004)
Context: Death cannot be struggled against, brother. It ever arrives, defiant of every hiding place, of every frantic attempt to escape. Death is every mortal's shadow, his true shadow, and time is its servant, spinning that shadow slowly round, until what stretched behind one now stretches before him.

Thomas Carlyle photo

“But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. III, ch. 8.
1830s, Sartor Resartus (1833–1834)
Context: But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, — lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.

Charles Dickens photo

“Love is not a feeling to pass away,
Like the balmy breath of a summer day;
It is not — it cannot be — laid aside;
It is not a thing to forget or hide.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

Lucy's Song in The Village Coquettes (1836); later published in The Poems and Verses of Charles Dickens (1903)
Context: p>Love is not a feeling to pass away,
Like the balmy breath of a summer day;
It is not — it cannot be — laid aside;
It is not a thing to forget or hide.
It clings to the heart, ah, woe is me!
As the ivy clings to the old oak tree.Love is not a passion of earthly mould,
As a thirst for honour, or fame, or gold:
For when all these wishes have died away,
The deep strong love of a brighter day,
Though nourished in secret, consumes the more,
As the slow rust eats to the iron’s core.</p

Joshua Jackson photo

“I don't think sex is an unhealthy impulse. It's only when you try to hide it and subvert it that it manifests itself in ugly ways”

Joshua Jackson (1978) Canadian actor

In the article 'What I know about women...' in Observer Women's Magazine (February 2007)
Context: There'll always be tension between male and female friends - we're animals after all, wired to accept each other on a sexual level at times. Of course we all agree to a variety of social restraints, but it doesn't mean the basic impulses aren't there, and I don't think sex is an unhealthy impulse. It's only when you try to hide it and subvert it that it manifests itself in ugly ways.

Oliver Heaviside photo

“So, if you are different, you had better hide it, and pretend to be solemn and wooden-headed. Until you make your fortune. For most wooden-headed people worship money; and, really, I do not see what else they can do.”

Oliver Heaviside (1850–1925) electrical engineer, mathematician and physicist

Electromagnetic Theory (1912), Volume III; p. 1; "The Electrician" Pub. Co., London.
Context: The following story is true. There was a little boy, and his father said, “Do try to be like other people. Don’t frown.” And he tried and tried, but could not. So his father beat him with a strap; and then he was eaten up by lions.
Reader, if young, take warning by his sad life and death. For though it may be an honour to be different from other people, if Carlyle’s dictum about the 30 million be still true, yet other people do not like it. So, if you are different, you had better hide it, and pretend to be solemn and wooden-headed. Until you make your fortune. For most wooden-headed people worship money; and, really, I do not see what else they can do. In particular, if you are going to write a book, remember the wooden-headed. So be rigorous; that will cover a multitude of sins. And do not frown.

Ralph Waldo Emerson photo

“I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Self-Reliance
Context: I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and, if we follow the truth, it will bring us out safe at last.

George W. Bush photo

“A republic founded on equality for all became a prison for millions. And yet in the words of the African proverb, no fist is big enough to hide the sky. All of the generations oppressed under the laws of man could not crush the hope of freedom and defeat the purposes of God.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Hope and Conscience Will Not Be Silenced (July 2003)
Context: There was a time in my country's history where one in every seven human beings was the property of another. In law, they were regarded only as articles of commerce, having no right to travel or to marry or to own possessions. Because families were often separated, many were denied even the comfort of suffering together. For 250 years the captives endured an assault on their culture and their dignity. The spirit of Africans in America did not break. Yet the spirit of their captors was corrupted. Small men took on the powers and airs of tyrants and masters. Years of unpunished brutality and bullying and rape produced a dullness and hardness of conscience. Christian men and women became blind to the clearest commands of their faith and added hypocrisy to injustice. A republic founded on equality for all became a prison for millions. And yet in the words of the African proverb, no fist is big enough to hide the sky. All of the generations oppressed under the laws of man could not crush the hope of freedom and defeat the purposes of God.

Herodotus photo
Marie-Louise von Franz photo

“When a person has inwardly struggled with his anima or with her animus for a sufficiently long time and has reached the point where he or she is no longer identified with it in an unconscious fashion, the unconscious once again takes on a new symbolic form in relating with the ego. It then appears in the form of the psychic core, that is, the Self. In the dreams of a woman, the Self, when it personifies itself, manifests as a superior female figure, for example, as a priestess, a sorceress, an earth mother, or a nature or love goddess. In the dreams of a man, it takes the form of some-one who confers initiations (an Indian guru), a wise old man, a nature spirit, a hero, and so forth. An Austrian fairy tale recounts the following:
A king posts a soldier to keep watch on the coffin of a cursed black princess who has been bewitched. It is known that every night she comes to life and tears the guard to pieces. In despair, not wanting to die, the soldier runs away into the forest. There he meets an "old zither player who was, however, the Lord God himself," and this old musician advises him how to hide in different places in the church and what to do so that the black princess cannot find him. With the help of this miraculous old man, the soldier succeeds in evading the princess's attack and in this way is able to redeem her. He marries her and becomes the king.
The old zither player who is really God himself, expressed in psychological language, is a symbol of the Self. He helps the soldier, that is, the ego, to overcome the destructive anima figure and even to redeem it. In a woman, as we have said, the Self takes on a feminine form.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Self, p. 324 - 325

Paul McCartney photo

“Yesterday, love was such an easy game to play
Now I need a place to hide away.”

Paul McCartney (1942) English singer-songwriter and composer

"Yesterday", from Help! (1965)
Lyrics, The Beatles
Context: Yesterday, love was such an easy game to play
Now I need a place to hide away.
Oh, I believe in yesterday.

Aimee Mann photo

“Oh, he tells me tears are something to hide
And something to fear
And I try so hard to keep it inside
So no one can hear.”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Voices Carry"
Song lyrics, Voices Carry (1985)
Context: I try so hard not to get upset
Because I know all the trouble Ill get
Oh, he tells me tears are something to hide
And something to fear
And I try so hard to keep it inside
So no one can hear.

George MacDonald photo

“God hides nothing. His very work from the beginning is revelation, — a casting aside of veil after veil, a showing unto men of truth after truth.”

George MacDonald (1824–1905) Scottish journalist, novelist

Source: Paul Faber, Surgeon (1879), Ch. 31 : A Conscience
Context: God hides nothing. His very work from the beginning is revelation, — a casting aside of veil after veil, a showing unto men of truth after truth. On and on, from fact to fact divine he advances, until at length in his Son Jesus he unveils his very face. Then begins a fresh unveiling, for the very work of the Father is the work the Son himself has to do, — to reveal. His life was the unveiling of himself, and the unveiling of the Son is still going on, and is that for the sake of which the world exists. When he is unveiled, that is, when we know the Son, we shall know the Father also. The whole of creation, its growth, its history, the gathering total of human existence, is an unveiling of the Father. He is the life, the eternal life, the Only. I see it — ah! believe me — I see it as I cannot say it. From month to month it grows upon me. The lovely home-light, the one essence of peaceful being, is God himself.
He loves light and not darkness, therefore shines, therefore reveals. True, there are infinite gulfs in him, into which our small vision cannot pierce, but they are gulfs of light, and the truths there are invisible only through excess of their own clarity. There is a darkness that comes of effulgence, and the most veiling of all veils is the light. That for which the eye exists is light, but through light no human eye can pierce. — I find myself beyond my depth. I am ever beyond my depth, afloat in an infinite sea; but the depth of the sea knows me, for the ocean of my being is God. — What I would say is this, that the light is not blinding because God would hide, but because the truth is too glorious for our vision. The effulgence of himself God veiled that he might unveil it — in his Son. Inter-universal spaces, icons, eternities — what word of vastness you can find or choose — take unfathomable darkness itself, if you will, to express the infinitude of God, that original splendor existing only to the consciousness of God himself — I say he hides it not, but is revealing it ever, for ever, at all cost of labor, yea of pain to himself. His whole creation is a sacrificing of himself to the being and well-being of his little ones, that, being wrought out at last into partakers of his divine nature, that nature may be revealed in them to their divinest bliss. He brings hidden things out of the light of his own being into the light of ours.
But see how different we are, — until we learn of him! See the tendency of man to conceal his treasures, to claim even truth as his own by discovery, to hide it and be proud of it, gloating over that which he thinks he has in himself, instead of groaning after the infinite of God! We would be forever heaping together possessions, dragging things into the cave of our finitude, our individual self, not perceiving that the things which pass that dreariest of doors, whatever they may have been, are thenceforth "but straws, small sticks, and dust of the floor." When a man would have a truth in thither as if it were of private interpretation, he drags in only the bag which the truth, remaining outside, has burst and left.

Bono photo

“I want to run,I want to hide,I want to tear down the walls that hold me inside.I want to reach out and touch the plains,Where the streets have no names”

Bono (1960) Irish rock musician, singer of U2

"Where the streets have no name"
Lyrics, The Joshua Tree (1987)
Context: I want to run, I want to hide, I want to tear down the walls that hold me inside. I want to reach out and touch the plains, Where the streets have no names

“The child manifests the same reactions of defiance and obedience. The child, too, can hide his stubbornness behind an excessive docility”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Sadism and Masochism : The Psychology of Hatred and Cruelty, Vol. 1 (1939), p. 46
Context: An intense, unyielding stubbornness hides beneath an apparent obedience (the patient brings a vast number of dreams; his associations become endless; he produces an inexhaustible number of recollections, which seem to him very important but are actually of little moment; or he goes off upon some byroad suggested by the analyst and leads the latter into a blind alley).
The child manifests the same reactions of defiance and obedience. The child, too, can hide his stubbornness behind an excessive docility (the parent's command: You must be industrious. Industry may become a mania so that the child neither goes out nor has time to sleep). Obedience is the giving up of the resistance; obstinacy the setting up of fresh resistances. This resistance is externally active. We have in recent years had sufficient opportunity to observe the law of resistance (the passive resistance). Activity and defiance show great differences. Defiance is the reaction against activity (aggression) of the environment. It may then manifest itself actively or passively and stands in the service of the defensive tendency of the ego. Every resistance reveals the ego (one's own) in conflict with another.

Bill Moyers photo

“Ed Murrow told his generation of journalists bias is okay as long as you don't try to hide it. So here, one more time, is mine: plutocracy and democracy don't mix.”

Bill Moyers (1934) American journalist

Last episode of Bill Moyers Journal (30 April 2010) http://www.pbs.org/moyers/journal/04302010/transcript2.html · video http://www.pbs.org/moyers/journal/04302010/watch2.html
Context: Ed Murrow told his generation of journalists bias is okay as long as you don't try to hide it. So here, one more time, is mine: plutocracy and democracy don't mix. Plutocracy, the rule of the rich, political power controlled by the wealthy.
Plutocracy is not an American word but it's become an American phenomenon. Back in the fall of 2005, the Wall Street giant Citigroup even coined a variation on it, plutonomy, an economic system where the privileged few make sure the rich get richer with government on their side. By the next spring, Citigroup decided the time had come to publicly "bang the drum on plutonomy." … over the past 30 years the plutocrats, or plutonomists — choose your poison — have used their vastly increased wealth to capture the flag and assure the government does their bidding. … This marriage of money and politics has produced an America of gross inequality at the top and low social mobility at the bottom, with little but anxiety and dread in between, as middle class Americans feel the ground falling out from under their feet. … Like those populists of that earlier era, millions of Americans have awakened to a sobering reality: they live in a plutocracy, where they are disposable. Then, the remedy was a popular insurgency that ignited the spark of democracy. Now we have come to another parting of the ways, and once again the fate and character of our country are up for grabs. … Democracy only works when we claim it as our own.

Henry Ward Beecher photo

“When, O crowned Jesus; when, O loving Saviour; when, O patient and just Judge — when wilt Thou come forth from Thy hiding, and change tears to smiles, and groans to joys?”

Henry Ward Beecher (1813–1887) American clergyman and activist

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 410
Context: When, O crowned Jesus; when, O loving Saviour; when, O patient and just Judge — when wilt Thou come forth from Thy hiding, and change tears to smiles, and groans to joys? When shall that choral song burst forth, sweeping through the air, and circling about Thy throne, which shall proclaim the redemption of the world to the Lord God?

Nikos Kazantzakis photo

“General, the battle draws to a close and I make my report. This is where and how I fought. I fell wounded, lost heart, but did not desert. Though my teeth clattered from fear, I bound my forehead tightly with a red handkerchief to hide the blood, and ran to the assault.”

"Prologue", p. 23
Report to Greco (1965)
Context: General, the battle draws to a close and I make my report. This is where and how I fought. I fell wounded, lost heart, but did not desert. Though my teeth clattered from fear, I bound my forehead tightly with a red handkerchief to hide the blood, and ran to the assault.
Before you shall pluck out the precious feathers of my jackdaw soul, one by one, until it remains a tiny clod of earth kneaded with blood, sweat, and tears. I shall relate my struggle to you — in order to unburden myself. I shall cast off virtue, shame, and truth — in order to unburden myself. My soul resembles your creation "Toledo in the Storm"; girded by yellow thunderbolts and oppressive black clouds, fighting a desperate, unbending battle against both light and darkness. You will see my soul, will weigh it between your lanceolate eyebrows, and will judge. Do you remember the grave Cretan saying, "Return where you have failed, leave where you have succeeded"? If I failed, I shall return to the assault though but a single hour of life remains to me. If I succeeded, I shall open the earth so that I may come and recline at your side.
Listen, therefore, to my report, general, and judge. Listen to my life, grandfather, and if I fought with you, if I fell wounded and allowed no one to learn of my suffering, if I never turned my back to the enemy: Give me your blessing!

George MacDonald photo

“What I would say is this, that the light is not blinding because God would hide, but because the truth is too glorious for our vision.”

George MacDonald (1824–1905) Scottish journalist, novelist

Source: Paul Faber, Surgeon (1879), Ch. 31 : A Conscience
Context: God hides nothing. His very work from the beginning is revelation, — a casting aside of veil after veil, a showing unto men of truth after truth. On and on, from fact to fact divine he advances, until at length in his Son Jesus he unveils his very face. Then begins a fresh unveiling, for the very work of the Father is the work the Son himself has to do, — to reveal. His life was the unveiling of himself, and the unveiling of the Son is still going on, and is that for the sake of which the world exists. When he is unveiled, that is, when we know the Son, we shall know the Father also. The whole of creation, its growth, its history, the gathering total of human existence, is an unveiling of the Father. He is the life, the eternal life, the Only. I see it — ah! believe me — I see it as I cannot say it. From month to month it grows upon me. The lovely home-light, the one essence of peaceful being, is God himself.
He loves light and not darkness, therefore shines, therefore reveals. True, there are infinite gulfs in him, into which our small vision cannot pierce, but they are gulfs of light, and the truths there are invisible only through excess of their own clarity. There is a darkness that comes of effulgence, and the most veiling of all veils is the light. That for which the eye exists is light, but through light no human eye can pierce. — I find myself beyond my depth. I am ever beyond my depth, afloat in an infinite sea; but the depth of the sea knows me, for the ocean of my being is God. — What I would say is this, that the light is not blinding because God would hide, but because the truth is too glorious for our vision. The effulgence of himself God veiled that he might unveil it — in his Son. Inter-universal spaces, icons, eternities — what word of vastness you can find or choose — take unfathomable darkness itself, if you will, to express the infinitude of God, that original splendor existing only to the consciousness of God himself — I say he hides it not, but is revealing it ever, for ever, at all cost of labor, yea of pain to himself. His whole creation is a sacrificing of himself to the being and well-being of his little ones, that, being wrought out at last into partakers of his divine nature, that nature may be revealed in them to their divinest bliss. He brings hidden things out of the light of his own being into the light of ours.
But see how different we are, — until we learn of him! See the tendency of man to conceal his treasures, to claim even truth as his own by discovery, to hide it and be proud of it, gloating over that which he thinks he has in himself, instead of groaning after the infinite of God! We would be forever heaping together possessions, dragging things into the cave of our finitude, our individual self, not perceiving that the things which pass that dreariest of doors, whatever they may have been, are thenceforth "but straws, small sticks, and dust of the floor." When a man would have a truth in thither as if it were of private interpretation, he drags in only the bag which the truth, remaining outside, has burst and left.

Alan Watts photo

“I have suggested that behind almost all myth lies the mono-plot of the game of hide-and-seek.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Two Hands of God : The Myths of Polarity (1963), p. 29

Aeschylus photo
Ralph Waldo Emerson photo

“The league between virtue and nature engages all things to assume a hostile front to vice. The beautiful laws and substances of the world persecute and whip the traitor. He finds that things are arranged for truth and benefit, but there is no den in the wide world to hide a rogue. Commit a crime, and the earth is made of glass. Commit a crime, and it seems as if a coat of snow fell on the ground, such as reveals in the woods the track of every partridge and fox and squirrel and mole. You cannot recall the spoken word, you cannot wipe out the foot-track, you cannot draw up the ladder, so as to leave no inlet or clew. Some damning circumstance always transpires. The laws and substances of nature — water, snow, wind, gravitation — become penalties to the thief.
On the other hand, the law holds with equal sureness for all right action. Love, and you shall be loved. All love is mathematically just, as much as the two sides of an algebraic equation. The good man has absolute good, which like fire turns every thing to its own nature, so that you cannot do him any harm; but as the royal armies sent against Napoleon, when he approached, cast down their colors and from enemies became friends, so disasters of all kinds, as sickness, offence, poverty, prove benefactors: —
::"Winds blow and waters roll
Strength to the brave, and power and deity,
Yet in themselves are nothing."”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The good are befriended even by weakness and defect. As no man had ever a point of pride that was not injurious to him, so no man had ever a defect that was not somewhere made useful to him.
1840s, Essays: First Series (1841), Compensation

H.L. Mencken photo

“But the razor edge of ridicule is turned by the tough hide of truth.”

H.L. Mencken (1880–1956) American journalist and writer

"On Truth" in Damn! A Book of Calumny (1918), p. 53
1910s
Context: The final test of truth is ridicule. Very few dogmas have ever faced it and survived. Huxley laughed the devils out of the Gadarene swine. Not the laws of the United States but the mother-in-law joke brought the Mormons to surrender. Not the horror of it but the absurdity of it killed the doctrine of infant damnation. But the razor edge of ridicule is turned by the tough hide of truth. How loudly the barber-surgeons laughed at Huxley—and how vainly! What clown ever brought down the house like Galileo? Or Columbus? Or Darwin?... They are laughing at Nietzsche yet...

Madeleine Stowe photo

“I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.”

Madeleine Stowe (1958) American actress

On violence in movies inspiring real-life violence, as quoted in Jam Showbiz (6 June 1999) http://jam.canoe.ca/Movies/Artists/S/Stowe_Madeleine/1999/06/06/762059.html
Context: I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.

“I have nothing to hide.”

Travis Meeks (1979) American musician

[LEO Weekly, http://leoweekly.com/?q=node/7333, MUSICISSUE: You're talking to a miracle, 2008-07-16]

Miranda July photo

“I pretended that I was pausing before telling him about the secret feeling of joy that I hide in my chest, waiting, waiting, waiting for someone to notice that I rise each morning seemingly with nothing to live for, but I do rise, and it is only because of this secret joy, God's love, in my chest.”

Miranda July (1974) American performance artist, musician and writer

The Shared Patio (2005)
Context: I pretended that I was pausing before telling him about the secret feeling of joy that I hide in my chest, waiting, waiting, waiting for someone to notice that I rise each morning seemingly with nothing to live for, but I do rise, and it is only because of this secret joy, God's love, in my chest. I looked down from the sky and into his eyes and I said, It wasn't your fault. I excused him for the cover and for everything else. For not yet being a New Man. We fell into silence then; he did not ask me any more questions. I was still happy to sit there beside him, but that is only because I have very, very low expectations of most people, and he had now become Most People.

Martin Fowler photo
Sallustius photo

“To say that God turns away from the evil is like saying that the sun hides himself from the blind.”

Sallustius Roman philosopher and writer

XIV. In what sense, though the Gods never change, they are said to be made angry and appeased.
On the Gods and the Cosmos
Context: If any one thinks the doctrine of the unchangeableness of the Gods is reasonable and true, and then wonders how it is that they rejoice in the good and reject the bad, are angry with sinners and become propitious when appeased, the answer is as follows: God does not rejoice — for that which rejoices also grieves; nor is he angered — for to be angered is a passion; nor is he appeased by gifts — if he were, he would be conquered by pleasure.
It is impious to suppose that the divine is affected for good or ill by human things. The Gods are always good and always do good and never harm, being always in the same state and like themselves. The truth simply is that, when we are good, we are joined to the Gods by our likeness to live according to virtue we cling to the Gods, and when we become evil we make the Gods our enemies — not because they are angered against us, but because our sins prevent the light of the Gods from shining upon us, and put us in communion with spirits of punishment. And if by prayers and sacrifices we find forgiveness of sins, we do not appease or change the Gods, but by what we do and by our turning toward the divine we heal our own badness and so enjoy again the goodness of the Gods. To say that God turns away from the evil is like saying that the sun hides himself from the blind.

Benjamin Franklin photo

“Hide not your talents, they for use were made. What's a sun-dial in the shade? ”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Rodney Dangerfield photo
Karl Pearson photo
Arthur Stanley Eddington photo
Hugo Chávez photo

“If I am assassinated, there is only one person responsible: the president of the United States. If, by the hand of the devil, these perverse plans succeed...forget about Venezuelan oil, Mr Bush. I will not hide, I will walk in the streets with all of you...but I know I am condemned to death.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Source: Hugo Chávez message to George Bush during his television/radio show ¡Aló Presidente! on February 20, 2005. https://www.theguardian.com/world/2005/feb/22/venezuela.julianborger

Vivek Agnihotri photo
H.L. Mencken photo
Linus Torvalds photo
Leo Tolstoy photo

“I longed for activity, instead of an even flow of existence. I wanted excitement and danger and the chance to renounce self for the sake of my love. I was conscious of a superabundance of energy which found no outlet in our quiet life. I had bouts of depression, which I tried to hide, as something to be ashamed of…My mind, even my senses were occupied, but there was another feeling – the feeling of youth and a craving for activity – which found no scope in our quiet life…So time went by, the snow piled higher and higher round the house, and there we remained together, always and for ever alone and just the same in each other’s eyes; while somewhere far away amidst glitter and noise multitudes of people thrilled, suffered and rejoiced, without one thought of us and our existence which was ebbing away.”

Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.
Family Happiness (1859)

J. Howard Moore photo
J. Howard Moore photo

“Kinship is universal. The orders, families, species, and races of the animal kingdom are the branches of a gigantic arbour. Every individual is a cell, every species is a tissue, and every order is an organ in the great surging, suffering, palpitating process. Man is simply one portion of the immense enterprise. He is as veritably an animal as the insect that drinks its little fill from his veins, the ox he goads, or the wild-fox that flees before his bellowings. Man is not a god, nor in any imminent danger of becoming one. He is not a celestial star-babe dropped down among mundane matters for a time and endowed with wing possibilities and the anatomy of a deity. He is a mammal of the order of primates, not so lamentable when we think of the hyena and the serpent, but an exceedingly discouraging vertebrate compared with what he ought to be. He has come up from the worm and the quadruped. His relatives dwell on the prairies and in the fields, forests, and waves. He shares the honours and partakes of the infirmities of all his kindred. He walks on his hind-limbs like the ape; he eats herbage and suckles his young like the ox; he slays his fellows and fills himself with their blood like the crocodile and the tiger; he grows old and dies, and turns to banqueting worms, like all that come from the elemental loins. He cannot exceed the winds like the hound, nor dissolve his image in the mid-day blue like the eagle. He has not the courage of the gorilla, the magnificence of the steed, nor the plaintive innocence of the ring-dove. Poor, pitiful, glory-hunting hideful! Born into a universe which he creates when he comes into it, and clinging, like all his kindred, to a clod that knows him not, he drives on in the preposterous storm of the atoms, as helpless to fashion his fate as the sleet that pelts him, and lost absolutely in the somnambulism of his own being.”

J. Howard Moore (1862–1916)

"Conclusion", p. 101
The Universal Kinship (1906), The Physical Kinship

Hugo Chávez photo

“If I am assassinated, there is only one person responsible: the president of the United States. If, by the hand of the devil, these perverse plans succeed…forget about Venezuelan oil, Mr Bush. I will not hide, I will walk in the streets with all of you…but I know I am condemned to death.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Hugo Chávez message to George Bush during his television/radio show ¡Aló Presidente! on Febraury 20, 2005. https://www.theguardian.com/world/2005/feb/22/venezuela.julianborger
2005

Alfred Percy Sinnett photo
Alexandria Ocasio-Cortez photo
Mark Tully photo

“I am amazed that Roli Books should publish such thinly disguised plagiarism, and allow the author to hide in a cavalier manner behind a nom-de-plume.”

Mark Tully (1935) British journalist

The book is clearly modelled on my career, even down to the name of the main character. That character's journalism is abysmal, and his views on Hindutva and Hinduism do not in any way reflect mine. I would disagree with them profoundly.
On the controversy created in a thinly-disguised novel which portrays him as a heartless philanderer and supporter of fanatics.
Source: Dean Nelson, " Former BBC correspondent Sir Mark Tully attacked in novel http://www.telegraph.co.uk/news/worldnews/asia/india/7552715/Former-BBC-correspondent-Sir-Mark-Tully-attacked-in-novel.html," in The Telegraph, 5 April 2010

Sadegh Hedayat photo
John Muir photo
Robert Greene photo
Jorge Luis Borges photo
Alan M. Dershowitz photo
Teal Swan photo
Antoni Tàpies photo
Michel Henry photo

“So my flesh is not only the principle of the constitution of my objective body, it hides in it its invisible substance. Such is the strange condition of this object that we call a body : it doesn’t consist at all in the visible appearance to which we have always reduced it ; precisely in its reality it is invisible. Nobody has ever seen a man, but nobody has ever seen his body either, if by "body" we understand his real body.”

Michel Henry (1922–2002) French writer

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 221
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Ma chair n’est donc pas seulement le principe de la constitution de mon corps objectif, elle cache en elle sa substance invisible. Telle est l’étrange condition de cet objet que nous appelons un corps : il ne consiste nullement en ces espèces visibles auxquelles on le réduit depuis toujours ; en sa réalité précisément il est invisible. Personne n’a jamais vu un homme, mais personne n’a jamais vu non plus son corps, si du moins par « corps » on entend son corps réel.

Rishi Sunak photo

“You are highly accountable. That's what I like about it. You are responsible for your investments and either they're good or they're bad ... There are nor many other people to blame, there's nowhere to hide.”

Rishi Sunak (1980) Chancellor of the Exchequer of the United Kingdom

Said on the BBC's Political Thinking podcast. The Rishi Sunak One https://www.bbc.co.uk/programmes/p07qtbdx (11 October 2019). Quoted in the Guardian's Rishi Sunak: the bit-part hedge fund partner now managing the economy https://www.theguardian.com/politics/2020/mar/08/chancellor-rishi-sunak-the-bit-part-hedge-fund-partner-now-managing-the-whole-economy (8 March 2020)
2019

George W. Bush photo

“A great nation does not hide its history. It faces its flaws and corrects them.”

George W. Bush (1946) 43rd President of the United States

Address at the Dedication of the National Museum of African-American History & Culture, delivered 24 September 2016, National Mall, Washington, D.C. reported in the American Rhetoric Online Speech Bank. As Archived https://web.archive.org/web/20200221020146/https://americanrhetoric.com/speeches/gwbushafricanamericanmuseum.htm from the original https://americanrhetoric.com/speeches/gwbushafricanamericanmuseum.htm on 21 February 2020.
2010s, 2016

William Lane Craig photo
Richard D. Wolff photo
Alan M. Dershowitz photo
Benjamin Creme photo
Tressie McMillan Cottom photo

“The hyper-visibility means that you both can't hide, but also never really feel completely seen by authority figures and by your peer groups. Trapped in that space of hyper-visibility, I think, is where we wrestle with the ideas of, 'What part of me matters?'”

Tressie McMillan Cottom American writer, sociologist, and professor

On the concept of being hyper-visible in “In 'Thick,' Tressie McMillan Cottom Looks At Beauty, Power And Black Womanhood In America” https://www.wbur.org/onpoint/2019/01/21/in-thick-tressie-mcmillan-cottom-looks-at-beauty-power-and-black-womanhood-in-america in WBUR (2019 Jan 21)

Ronnie James Dio photo
Alice Meynell photo
Alice A. Bailey photo
Stephen Vincent Benét photo
Willis Allan Ramsey photo
Andy Ngo photo
Prevale photo

“Each of us has his weak point where he hides his insecurity.”

Prevale (1983) Italian DJ and producer

Original: (it) Ognuno di noi ha il suo punto debole dove nasconde la propria insicurezza.
Source: prevale.net

Zora Neale Hurston photo

“If you haven’t got it, you can’t show it. If you have got it, you can’t hide it.”

Source: Dust Tracks on a Road (1942), Ch. 12 : My People! My People!

Nithyananda photo

“Our very worries become our comfort zone. We hide in them.”

Nithyananda (1978) Indian guru

Living Enlightenment

Prevale photo

“In this world that hides injustice, selfishness, hatred, falseness and appearance;  you, impose on yourself to be a good person.”

Prevale (1983) Italian DJ and producer

Original: (it) In questo mondo che cela ingiustizia, egoismo, odio, falsità ed apparenza; tu, imponiti di essere una brava persona.
Source: prevale.net

Zhiar Ali photo
Angela Davis photo
Menotti Lerro photo

“Wherever will the promised light be? Is there a paradise among the clouds maybe, rest in the wind, refreshment on the seabed? Where does the dark, the insomnia, the madness, the crying, the illness, the death finish? Where does God hide himself?”

Menotti Lerro (1980) Italian poet

Dove sarà mai la luce promessa? C’è forse un paradiso tra le nuvole, riposo nel vento, ristoro nei fondali marini? Dove finisce il buio, l’insonnia, la pazzia, il pianto, la malattia, la morte? Dove si nasconde Dio?
FROM: Andrew Mangham, The Poetry of Menotti Lerro, Cambridge Scholars Publishing 2011, pp. 71-72. ISBN 978-1443828444

Mwanandeke Kindembo photo