Quotes about fun

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CM Punk — One Life One Chance http://www.onelifeonechance.com/?p=873
Personal

Shampoo Planet (1992)

From "The Diary of Billy Talent":

From interview with Anshul Chaturvedi

All Night Long.
Song lyrics, Can't Slow Down (1983)

21 March 2007
Fully Ramblomatic

Rave UK Magazine, June 1967
Music

Eino Leino. "The Harp-Of-the-Wind," (1905), Leevi Lehto (transl.), in: Leevi Lehto. Leevi Lehto. Finnish poetry: then and now, January 2005. Published online at upenn.edu. Accessed 20-03-2013

"Soon Enough"
Song lyrics, Charmer (2012)

"Why I Was Smiling and Hurricane Rita," Huffington Post http://www.huffingtonpost.com/cindy-sheehan/why-i-was-smiling-and-hur_b_7970.html, September 27, 2005
2005

Source: The Emperor of Ocean Park (2002), Ch. 17, The Brass Ring, II

Source: Glasshouse (2006), Chapter 7, “Bottom” (p. 107)

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005.

As quoted in "Born Funny" by Margot Dougherty in Reader's Digest (September 2007)
Context: When I didn’t have a family, I was much more of a workaholic … I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it’s not fun, what’s the point?

"Interview with Patrick Warburton" by Josh Bell at AboutDOTcom (2 March 2009)]
Context: It is more inspirational, I’d say, with the Tick. Because once you grasp or realize who this guy is, the fact that you’re inventing a world and an atmosphere and a persona that, really, his past is a mystery. So everything that he looks at or perceives can be brand new, and he can get really, really excited and intrigued by something that’s just a commonality for everybody else, that’s humorous. He’s like a child; everything’s new. So you just bring that attitude to him, a childlike attitude of discovering things.
Yet you’ve got this great writing, where everything’s mixed metaphor, and he’s articulate, and he describes everything in a new way. It’s inspiring as an actor to be able to go to that place. Anything you do is not going to be wrong. All you’ve got to do is just be inventive with this character and have fun. That’s the definition of an ingenious character. To get to step into the shoes of the Tick, I just felt that was an honor. Once again, I will reiterate that Fox apparently didn’t have a clue.

"It Must Be Fun To Be You"
Mexican Hayride (1944)
Context: It must be fun to be you
And play with love as you do
To treat each new romance
As merely one more dance
Or just another book to glance through
It must be fun to acquire
Whatever heart you desire,
And when you're bored with it
To tear it in two,
It must be fun to be you.

Lesson 34, Practice Random Acts of Kindness
Don’t Sweat the Small Stuff…and it’s all Small Stuff (1997)

The Last Lecture (2007)
Context: So what is today's talk about then? It's about my childhood dreams and how I've achieved them — I've been very fortunate that way; how I believe I've been able to enable the dreams of others, and to some degree, lessons learned: I'm a professor — there should be some lessons learned — and how you can use the stuff you hear today to enable your dreams or enable the dreams of others. And as you get older you may find that enabling-the-dreams-of-others thing is even more fun.

Salon interview (1996)
Context: It’s fun to read things when you don't know all the words. Even children love it. One of the things any great children’s writer will tell you is that children like it if in books designed for their age group there is a vocabulary just slightly bigger than theirs. So they come up against weird words, and the weird words excite them. If you describe a small girl in a story as “loquacious,” it works so much better than “talkative.” And then some little girl will read the book and her sister will be shooting her mouth off and she will say to her sister, “Don't be so loquacious.” It is a whole new weapon in her arsenal.

Holidays in Hell (1989)

Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004
Context: When I started to paint, I painted children because I just felt that I wanted to take their side. What always upset me was how children are getting abused simply because they are physically weaker and not capable of defending themselves – how they get raped, enslaved and killed. I never understood why some people seemed to have fun causing pain to someone smaller.

Discussing the right of publicity issue raised in the case White v. Samsung Elec. Am., Inc., 989 F.2d 1512 (9th Cir. 1993). http://notabug.com/kozinski/whitedissent.
Context: For better or worse, we are the Court of Appeals for the Hollywood Circuit. Millions of people toil in the shadow of the law we make, and much of their livelihood is made possible by the existence of intellectual property rights. But much of their livelihood - and much of the vibrancy of our culture - also depends on the existence of other intangible rights: The right to draw ideas from a rich and varied public domain, and the right to mock, for profit as well as fun, the cultural icons of our time.

Rabbit at Rest (1990)
Context: Now nuns have blended into everybody else or else faded away. Vocations drying up, nobody wants to be selfless any more, everybody wants their fun. No more nuns, no more rabbis. No more good people, waiting to have their fun in the afterlife. The thing about the afterlife, it kept this life within bounds somehow, like the Russians. Now there's just Japan, and technology, and the profit motive, and getting all you can while you can.

Improvisation for the Theater 1963), page 4

unheard-of and unfelt effects with words.
Source: Native Son (1940), p. xxx

Lecture II : The Universal Categories, § 2 : Struggle, CP 5.51
Pragmatism and Pragmaticism (1903)

Source: Success! (1977), p. 145
Context: Your chances of success are directly proportional to the degree of pleasure you derive from what you do. If you are in a job you hate, face the fact squarely and get out. You may earn a good living, you may have a safe career, but you will never be a success. Find out what you enjoy doing, and your chances of succeeding will be dramatically better. We play the game every day, sometimes without even recognizing that we're doing it. We compete with other people, or other teams, or other companies, not only because it is essential to business survival, but because we frankly enjoy competition. It's fun to be in the game, and it's even more fun to win.

"Rachel McAdams and Eric Bana Interview - The Time Traveller's Wife by Steve Weintraub at Collider (13 August 2009) http://www.collider.com/2009/08/13/rachel-mcadams-and-eric-bana-interview-the-time-travelers-wife/
Context: I’m still employed and that’s a good thing. I’ve gotten to do a wide variety of things and different roles. I’ve met different kinds of challenges on each and every film and I never get bored. So that’s been success to me, that I’ve been able to stay afloat and also get to do things that are fun. I don’t know where that puts me in the grand scheme of things but I’ve really enjoyed the journey and the course it’s taken so far.

"No End of Fun"
Poems New and Collected (1998), No End of Fun (1967)

"Copying Is Not Theft - let the re-recording begin! (15 December 2009) https://www.youtube.com/watch?v=djVaJN0f0VQ ; also quoted in "Calling All Musicians: Can You Arrange This Song?" at QuestionCopyright.org http://questioncopyright.org/copying_isnt_theft ·  "We Are Creators Too: Nina Paley " (2009) — introduced by Paley singing a variant of the first stanza of her song https://www.youtube.com/watch?v=4uN7upUXSFk · "Copying Is Not Theft - Official Version" (1 April 2010) https://www.youtube.com/watch?v=IeTybKL1pM4
Context: Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.
Copying isn't theft
If I copy yours, you have it too
One for me and one for you
That's what copies can do.
If I steal your bicycle,
You have to take the bus
But if I just copy it,
There's one for each of us!
Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying...
... Is fun!

Republican Party Reptile (1987)

Interview interview (1999)
Context: Everybody's a little more worldly now, and there's more exposure to things. When I made Fun House, back in 1970, nobody wanted to interview me. It was wonderful. I was like one of those little white things you find living under rocks, that every once in a while people pull up by mistake and go, "aagh!" But now everybody has a video camera, and that may have changed the nature of "the message from below," as it were.

The Almost Perfect State (1921)
Context: Of middle age the best that can be said is that a middle aged person has likely learned how to have a little fun in spite of his troubles.
It is to old age that we look for reimbursement, the most of us. And most of us look in vain. For the most of us have been wrenched and racked, in one way or another, until old age is the most trying time of all.
In the Almost Perfect State every person shall have at least ten years before he dies of easy, carefree, happy living... things will be so arranged economically that this will be possible for each individual.

Source: Violent Universe (1969), p. 25

Comments on Fear and Loathing in Las Vegas in The Great Shark Hunt: Strange Tales from a Strange Time (1979), p. 109
1970s
Context: The only other important thing to be said about Fear & Loathing at this time is that it was fun to write, and that's rare — for me, at least, because I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking — which is fun only for amateurs. Old whores don't do much giggling. Nothing is fun when you have to do it — over and over, again and again — or else you'll be evicted, and that gets old. So it's a rare goddamn trip for a locked-in, rent-paying writer to get into a gig that, even in retrospect, was a kinghell, highlife fuck-all from start to finish... and then to actually get paid for writing this kind of manic gibberish seems genuinely weird; like getting paid for kicking Agnew in the balls. So maybe there's hope. Or maybe I'm going mad... In a nation ruled by swine, all pigs are upward mobile — and the rest of us are fucked until we can put our acts together: Not necessarily to Win, but mainly to keep from Losing Completely... The Swine are gearing down for a serious workout this time around... So much, then, for The Road — and for the last possibilities of running amok in Las Vegas... Well, at least, I'll know I was there, neck deep in the madness, before the deal went down, and I got so high and wild that I felt like a two-ton Manta ray jumping all the way across the Bay of Bengal.

"Simple Life"
A Picnic of Poems in Allah's Green Garden (2011)
Context: There’s always work that must be done... Life’s so simple when we simply work to make it fun.

Pointed to a sign on the wall: a spider with a line through it. "Oh, fair enough."
He said "I can offer you an upgrade, fifty quid, and we can include in it policies set in place by the Marquis de Laplace, the French scientist who declared that all things in the universe are predetermined, so you would be covered even if time-travel was invented during the period of rental.”
I said, "Nah, probably leave it."
Part Troll (2004)

pg. xxxiv
Native Son (1940)

Age and Guile Beat Youth, Innocence, and a Bad Haircut (2005)

Transcript of Tom Cruise on Scientology (January 16, 2008)
Context: I have to tell you something. It really is, you know, it's rough and tumble. It's wild and woolly. It's a blast... it's a blast. It really is fun, because dammit, there's nothing better than to going out there and fighting the fight...

All the Trouble in the World (1994)

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111

"Our Mobsters, Ourselves", The Nation (2 April 2001) https://www.thenation.com/article/our-mobsters-ourselves/
Context: In its original literal sense, "moral relativism" is simply moral complexity. That is, anyone who agrees that stealing a loaf of bread to feed one's children is not the moral equivalent of, say, shoplifting a dress for the fun of it, is a relativist of sorts. But in recent years, conservatives bent on reinstating an essentially religious vocabulary of absolute good and evil as the only legitimate framework for discussing social values have redefined "relative" as "arbitrary." That conflation has been reinforced by social theorists and advocates of identity politics who argue that there is no universal morality, only the value systems of particular cultures and power structures. From this perspective, the psychoanalytic – and by extension the psychotherapeutic – worldview is not relativist at all. Its values are honesty, self-knowledge, assumption of responsibility for the whole of what one does, freedom from inherited codes of family, church, tribe in favor of a universal humanism: in other words, the values of the Enlightenment, as revised and expanded by Freud's critique of scientific rationalism for ignoring the power of unconscious desire.

"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

Zen and the Art of Motorcycle Maintenance (1974), Afterword (1984)
Context: The hippies had in mind something that they wanted, and were calling it "freedom," but in the final analysis "freedom" is a purely negative goal. It just says something is bad. Hippies weren't really offering any alternatives other than colorful short-term ones, and some of these were looking more and more like pure degeneracy. Degeneracy can be fun but it's hard to keep up as a serious lifetime occupation.

Source: Education of a Wandering Man (1989), Ch. 11
Context: Once, when hitchhiking, I was picked up by a professor from some small college. He noticed a book in my coat pocket, and was curious. It was a Modern Library edition, in the limp bindings they used to have, which sold at the time for 95 cents. This one contained Nietzsche‎‎'s Ecce Homo, and The Birth of Tragedy.
The professor was a pedantic man of limited imagination and seemed almost offended that I was reading such a book. Obviously I did not fit some category in which he decided I belonged, and when he dropped me off in town, I suspect he was relived to be rid of me.
He kept asking me why I wanted to read such a book. At first, he doubted I was reading it. Where had I heard of Nietzsche‎‎?
When I told him I thought it was in the preface to a book on Schopenhauer, he was even more disturbed and probably believed I was lying. Fortunately, there seem to be few of his kind, and my subsequent friendships with university professors have proved exciting, stimulating and fun.

Source: My Life In Baseball : The True Record (1961), Ch. 23 : "To Plant One Rose —", p. 280
Context: When I played ball, I didn't play for fun. To me it wasn't parchesi played under parchesi rules. Baseball is a red-blooded sport for red-blooded men. It's no pink tea, and mollycoddles had better stay out. It's a contest and everything that implies, a struggle for supremacy, a survival of the fittest. Every man in the game, from the minors on up, is not only fighting against the other side, but he's trying to hold onto his own job against those on his own bench who'd love to take it away. Why deny this? Why minimize it? Why not boldly admit it?
Many a writer has said that I was "unfair." Well, that's not my understanding of the word. When my toes were stepped on, I stepped right back.

Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 18

Why Is It So?, episode 1 (1963) http://www.abc.net.au/science/features/whyisitso/, Australian ABC Television show
Context: Whatever work you undertake to do in your lifetime, it is very important that first you have a passion for it — you know, get excited about it — and second, that you have fun with it. That's important. Otherwise, you see, your work becomes nothing but an idle chore. Then, you hate the life you live.

http://www.paulglover.org/patchadams.html (Patch Adams free clinic manifesto), June 2010
Context: “Located in a low-income Philadelphia neighborhood, the Patch Adams free clinic will provide  community-based health care that is genuinely non-profit, preventive, humane and fun.  It is a refuge for doctors and nurses who want time to heal patients.  It is a refuge for patients who want to be treated with dignity.”

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 97
Context: Rob liked Seth immediately. the two of them set up an excellent rapport. Through me, Seth related to Rob. Almost from the beginning he was an objectified personality to Rob; a visitor regardless of the unconventional situation; someone in whose ideas Rob was tremendously interested. On the other hand, I only knew what had been said and when the trance (or the fun) was over.

Book Sometimes you win Sometimes you Learn

On her Communist upbringing in “The SRB Interview: Jackie Kay” https://www.scottishreviewofbooks.org/2016/03/the-srb-interview-jackie-kay/ in the Scottish Review of Books (2016 Mar 21)

On the benefits of being a musician in “Drummer Pete Escovedo will stick with what he knows at Thornton Winery” https://www.pe.com/2017/07/06/drummer-pete-escovedo-will-stick-with-what-he-knows-at-thornton-winery/ in The Press-Enterprise (2017 Jul 6)

Hazen, C. (2001, May 15). Johnny Rivers. Retrieved from https://www.vintageguitar.com/2800/johnny-rivers/.

Company Rules Interview https://companyrules.home.blog/2019/05/27/welcome-guest-dj-antonio-fresco/ (2019)

1790s, Letter to Revd. Dr. Trusler (1799)

Source: E3 2004 Press Conference

Source: Michaelmas (1977), Chapter 3 (pp. 36-37)

Source: Cibola Burn (2014), Chapter 34 (p. 345)

Burt Ward, Hollywood Reacts to Adam West's Death http://www.hollywoodreporter.com/heat-vision/hollywood-reacts-adam-wests-death-a-sweet-nutty-guy-1012217 (June 10, 2017)

Source: The Dragons of Eden (1977), Chapter 3, “The Brain and the Chariot” (p. 74)

2000s, 2005, Unhappy Warrior (2005)

Tumblr postings

Minneapolis Star Tribune
Robert
Armstrong
2003-02-23
Just the right books for when words fail you

Samantha
Puckett
St. Petersburg Times
2003-01-19
Writing Life

M.H. Kania
Full Court Reference in Memory of The Late Justice M. Hidayatullah

Roger Enrcio, Chief Executive, quoted in [Runkle, Beck Sheetz-, Sun Tzu for Women: The Art of War for Winning in Business, http://books.google.com/books?id=Q9V9mNj0Wd0C&pg=PA112, 18 December 2010, Adams Media, 978-1-4405-1178-3, 112–]

Mick Jagger’s views Superheavy, 16 December 2013, Official website of ARRahman http://www.arrahman.com/superheavy.aspx,

Of course, there's a lot more to feminism... but scaring the shit out of scumbags is an amusing and necessary part because, sadly, a good many men still respect nothing but strength,
Burchill (1990) The Sunday Times; as cited in: Christopher W. Tindale (1999) Acts of arguing: a rhetorical model of argument. p. 58

Source: Tis Herself (2004), p.241

Source: Intercourse (1987), Chapter 4

Sam Querrey was in awe after Federer flashed his racquet between his legs to lob him at Wimbledon 2015 https://www.theguardian.com/sport/2015/jul/02/roger-federer-sam-querrey-wimbledon-2015

Source: 1900s, Our National Parks (1901), chapter 10: The American Forests

The Paris Review interview (2010)

review of The Mercenary by Jerry Pournelle http://jamesdavisnicoll.com/review/the-hunter-and-the-bear, 2016
2010s

'All right. I'll grow one. I'll start now this minute. It's a good idea. It will give me something to do.'
Catherine and Henry discussing whether he should grow a beard, in Ch. 38
A Farewell to Arms (1929)

20.01.1979 - p.29
Theft by Finding: Diaries, Volume 1 (1977-2002) (2017)

As quoted in Bombshell (2004) by Lynda Curnyn, p. 196.

On having empathy in “James McBride: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/james-mcbride-write/ in The Writer (2013 Dec 30)

The Debate Over an Autism Cure Turns Hostile

Source: Anarchy after Leftism (1997), Chapter 1: Murray Bookchin, Grumpy Old Man

The Road to the Sea, p. 298
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)

2.7 Why Be Negative? https://www.hedweb.com/hedethic/hedon2.htm#negative*Negative-utilitarianism is only one particular denomination of a broad church to which the reader may well in any case not subscribe. Fortunately, the program can be defended on grounds that utilitarians of all stripes can agree on. So a defence will be mounted against critics of the theory and application of a utilitarian ethic in general. For in practice the most potent and effective means of curing unpleasantness is to ensure that a defining aspect of future states of mind is their permeation with the molecular chemistry of ecstasy: both genetically precoded and pharmacologically fine-tuned. Orthodox utilitarians will doubtless find the cornucopian abundance of bliss this strategy delivers is itself an extra source of moral value. Future generations of native ecstatics are unlikely to disagree.

2.7 Why Be Negative? https://www.hedweb.com/hedethic/hedon2.htm#negative
The Hedonistic Imperative https://www.smashwords.com/books/view/514875 (1995)