Quotes about full
page 18

DJ Paul photo

“Contrastive stress is very important in English, as poems are full of invisible italicised contrasts of this kind.”

John Hollander (1929–2013) American poet

introduction-John Hollander ed.'Committed to Memory' Riverhead Books New York 1996

Charlie Brooker photo
Mahmud of Ghazni photo
Helen Reddy photo

“We have to keep everybody happy. This is a house full of big egos.”

Helen Reddy (1941) Australian actress

On the counterfeit gold record of her 1974 single "You and Me Against the World", as quoted in "Helen Reddy Sings Out for Women's Lib—but Jeffrey Calls the Tune" by Robert Windeler, People Magazines, 3 February 1975 http://people.com/archive/helen-reddy-sings-out-for-womens-lib-but-jeffrey-calls-the-tune-vol-3-no-4/

Pietro Badoglio photo

“I think if we call in the experts we can draw up the full scheme, with the rallying points arranged.”

Pietro Badoglio (1871–1956) Italian general during both World Wars and a Prime Minister of Italy

Quoted in "Twenty Angels Over Rome: The Story of Fascist Italy's Fall" - Page 72 - by Richard McMillan - 1945

Lois Duncan photo
Lyndon B. Johnson photo
Tanith Lee photo
Henry Fairfield Osborn photo

“We have to be reminded over and over again that Nature is full of paradoxes.”

Henry Fairfield Osborn (1857–1935) American geologist, paleontologist, and eugenist

As quoted in The Evolution Deceit : The Scientific Collapse of Darwinism (2001) by Hârun Yahya, p. 84

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Hugh Blair photo

“The very odd thing about sagas […] is that they very rarely mention dry mouths and full bladders.”

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 22

David Gerrold photo

“Life is full of little surprises.
Time travel is full of big ones.”

Source: The Man Who Folded Himself (1973), p. 46

“Buried in this steaming pile of ugly, hateful drek, we find this: "Why the gently caress would you defend a full blown hate site like LGF. LGF is literally stormfront with “jew” crossed out and “muslim” written in."”

Charles Foster Johnson (1953) American musician

January 4, 2009 http://littlegreenfootballs.com/article/32350_Idiot_Leftists_Planting_Phony_Extremist_Comments&only

Dafydd ap Gwilym photo

“Blue, round, miserable moon, full of magic, picture that draws like a magnet, pale-coloured, charmed jewel, made by sorcerers; swiftest of dreams, cold traitor, brother to the ice, most evil and unkind of servants, let hell consume the hateful, thin, bent-lipped mirror!”

Dafydd ap Gwilym (1320–1380) Welsh poet

Lleuad las gron gwmpas graen,
Llawn o hud, llun ehedfaen;
Hadlyd liw, hudol o dlws,
Hudolion a'i hadeilws;
Breuddwyd o'r modd ebrwydda',
Bradwr oer a brawd i'r ia.
Ffalstaf, gwir ddifwynaf gwas,
Fflam fo'r drych mingam meingas!
"Y Drych" (The Mirror), line 25; translation from Carl Lofmark Bards and Heroes (Felinfach: Llanerch, 1989) p. 96.

Charles Darwin photo
Ian Hacking photo
Piet Joubert photo
Vytautas Juozapaitis photo
Margaret Mead photo

“If you associate enough with older people who do enjoy their lives, who are not stored away in any golden ghettos, you will gain a sense of continuity and of the possibility for a full life.”

Margaret Mead (1901–1978) American anthropologist

Attributed to Mead in Mead Childhood Education Vol. 54 (1977) by Association for Childhood Education International, p. 126
1970s

Thomas Jefferson photo
Christopher Hitchens photo
Daniel Tosh photo
Robert Herrick photo
Doug Stanhope photo

“I couldn't be a responsible enough parent if my kid was born with a new suit and a full-time job.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

Something to Take the Edge Off (2000)

Lil Wayne photo

“I could get your brains for a bargain, like I bought it from Target. Hip hop is my supermarket; shopping cart full of fake hip hop artists.”

Lil Wayne (1982) American rapper, singer, record executive and businessman

"Phone Home"
1990s, Tha Carter III (2008)

Jane Roberts photo
Norman Vincent Peale photo
Rosemary Tonks photo
Angela of Foligno photo
Robert A. Heinlein photo
George Sarton photo
Wilhelm Liebknecht photo
Thomas Szasz photo
Robert Seymour Bridges photo

“Perfect little body, without fault or stain on thee,
With promise of strength and manhood full and fair!”

Robert Seymour Bridges (1844–1930) British writer

On a Dead Child http://rpo.library.utoronto.ca/poem/2930.html, st. 1 (1890).
Poetry

Patrick Henry photo

“If she chuses to set free one or two of my slaves she is to have full power to do so.”

Patrick Henry (1736–1799) attorney, planter, politician and Founding Father of the United States

1790s, Last Will and Testament (1798)

Letitia Elizabeth Landon photo
Oliver Wendell Holmes photo

“I don't want to have the territory of a man's mind fenced in. I don't want to shut out the mystery of the stars and the awful hollow that holds them. We have done with those hypaethral temples, that were open above to the heavens, but we can have attics and skylights to them. Minds with skylights…
One-story intellects, two-story intellects, three-story intellects, with skylights. All fact-collectors, who have no aim beyond their facts, are one-story men. Two-story men compare, reason, generalize, using the labors of the fact-collectors as well as their own. Three-story men idealize, imagine, predict; their best illumination comes from above, through the skylight. There are minds with large ground floors, that can store an infinite amount of knowledge; some librarians, for instance, who know enough of books to help other people, without being able to make much other use of their knowledge, have intellects of this class. Your great working lawyer has two spacious stories; his mind is clear, because his mental floors are large, and he has room to arrange his thoughts so that he can get at them,—facts below, principles above, and all in ordered series; poets are often narrow below, incapable of clear statement, and with small power of consecutive reasoning, but full of light, if sometimes rather bare of furniture in the attics.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet at the Breakfast Table (1872)

John F. Kennedy photo

“I appreciate very much your generous invitation to be here tonight. You bear heavy responsibilities these days and an article I read some time ago reminded me of how particularly heavily the burdens of present day events bear upon your profession. You may remember that in 1851 the New York Herald Tribune under the sponsorship and publishing of Horace Greeley, employed as its London correspondent an obscure journalist by the name of Karl Marx.
We are told that foreign correspondent Marx, stone broke, and with a family ill and undernourished, constantly appealed to Greeley and managing editor Charles Dana for an increase in his munificent salary of $5 per installment, a salary which he and Engels ungratefully labeled as the "lousiest petty bourgeois cheating."
But when all his financial appeals were refused, Marx looked around for other means of livelihood and fame, eventually terminating his relationship with the Tribune and devoting his talents full time to the cause that would bequeath the world the seeds of Leninism, Stalinism, revolution and the cold war.
If only this capitalistic New York newspaper had treated him more kindly; if only Marx had remained a foreign correspondent, history might have been different. And I hope all publishers will bear this lesson in mind the next time they receive a poverty-stricken appeal for a small increase in the expense account from an obscure newspaper man.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Address to ANPA

Paul Krugman photo
Julian of Norwich photo
Tommy Robinson photo
Jonathan Edwards photo

“They say there is a young lady in [New Haven] who is beloved of that Great Being, who made and rules the world, and that there are certain seasons in which this Great Being, in some way or other invisible, comes to her and fills her mind with exceeding sweet delight; and that she hardly cares for any thing, except to meditate on him— that she expects after a while to be received up where he is, to be raised up out of the world and caught up into heaven; being assured that he loves her too well to let her remain at a distance from him always. There she is to dwell with him, and to be ravished with his love and delight for ever. Therefore, if you present all the world before her, with the richest of its treasures, she disregards it and cares not for it, and is unmindful of any pain or affliction. She has a strange sweetness in her mind, and singular purity in her affections; is most just and conscientious in all her conduct; and you could not persuade her to do any thing wrong or sinful, if you would give her all the world, lest she should offend this Great Being. She is of a wonderful sweetness, calmness, and universal benevolence of mind; especially after this Great God has manifested himself to her mind. She will sometimes go about from place to place, singing sweetly; and seems to be always full of joy and pleasure; and no one knows for what. She loves to be alone, walking in the fields and groves, and seems to have some one invisible always conversing with her.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Written in 1723; from The Works of President Edwards, vol. I, ed. Sereno B. Dwight, 1830.
The young woman described here was Sarah Pierrepont, who became Edwards' wife in 1727.

George Eliot photo
Imre Kertész photo
Dave Eggers photo
Martin Amis photo
Henry Ward Beecher photo

“Everyman is full of music, but it is not everyman that knows how to bring it out.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

Robert E. Howard photo
Jack Layton photo

“We have not made these choices lightly, Our decision was made in the full seriousness and clear knowledge of what is at stake.”

Jack Layton (1950–2011) Leader of the New Democratic Party of Canada

On announcing a coalition agreement with the Liberals and Bloc Québécois, Dec. 1, 2008. http://www.vancouversun.com/health/men/Quotable+Jack+Layton/5293720/story.html?id=5293720

Susan Kay photo
Roger Bacon photo
Jorge Luis Borges photo

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

Miyamoto Musashi photo
Ben Jonson photo
John Galsworthy photo
Stella Adler photo

“What an extraordinary combination was Stella Adler - a goddess of full of magic and mystery, a child full of innocence and vulnerability.”

Stella Adler (1901–1992) American actress and teaching coach

Elaine Stritch, attributed without citation in Robert Barton, Acting: Onstage and Off (2009), p. 158
About

Ernest Hemingway photo
Ernesto Che Guevara photo
Jeffrey Montgomery photo
Viktor Schauberger photo
Harry Truman photo
Aldo Leopold photo
Michael Moore photo

“Donald J. Trump is going to win in November. This wretched, ignorant, dangerous part-time clown and full time sociopath is going to be our next president. President Trump. Go ahead and say the words, 'cause you'll be saying them for the next four years: "PRESIDENT TRUMP."”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

" 5 Reasons Trump Will Win http://michaelmoore.com/trumpwillwin/", MichaelMoore.com (July 21, 2016)
2016

Preston Manning photo
F. Scott Fitzgerald photo

“Isn’t Hollywood a dump — in the human sense of the word. A hideous town, pointed up by the insulting gardens of its rich, full of the human spirit at a new low of debasement.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Letter to Alice Richardson (29 July 1940)
Quoted, Letters

Hugh Blair photo
Margaret Thatcher photo
Ben Hecht photo
Jane Roberts photo
Francois Rabelais photo
David Hume photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Thomas Carlyle photo
Thomas Brooks photo
Edmund Spenser photo
Edmund Burke photo
Letitia Elizabeth Landon photo

“The fair face painted on the dungeon air,
By the strong force of hope, distinct and sweet,
Is a good omen. Love mine, I will rest.
If my last sleep — it will be full of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (28th March 1835)
Translations, From the German

Adlai Stevenson photo

“The elephant has a thick skin, a head full of ivory, and as everyone who has seen a circus parade knows, proceeds best by grasping the tail of its predecessor.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Comment on the 1960 Richard Nixon presidential campaign and the Republican symbol, in news summaries (30 August 1960), as quoted in The New Language of Politics: An Anecdotal Dictionary of Catchwords, Slogans and Political Usage (1968) by William Safire

Hugh Blair photo

“Embellish truth only with a view to gain it the more full and free admission into your hearer's minds; and your ornaments will, in that case, be simple, masculine, natural.”

Hugh Blair (1718–1800) British philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 481.

Cees Nooteboom photo
Bruno Schulz photo
Paul Klee photo

“The harbor and city.... were behind us [Klee's first glimpse of Tunis], slightly hidden. First, we passed down a long canal. On shore, very close, our first Arabs. The sun has a dark power. The colorful clarity on shore full of promise. Macke too feels it. We both know that we shall work well here.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; as quoted by June Taboroff, on 'AramcoWorld', May, June 1991 http://archive.aramcoworld.com/issue/199103/travels.in.tunisia.htm
1911 - 1914, Diary-notes from Tunisia' (1914)

Rousas John Rushdoony photo

“I recall some years ago this mother and son in California who was very angry and stomped out of the meeting and I did not see her again because I said it was the duty of Christian parents to have their child in the Christian school. And she went on about how wonderful their church was, and how marvelous the youth was, and her daughter had the best kind of Christian training imaginable and she was a good witness at school. And I never saw her again but I heard from her about six, seven years later when she called me weeping. Did I know a school that would take her daughter because her daughter was now into demonism, she was out sometimes for two or three nights, was into drugs and promiscuity, if the mother tried to say anything to her the girl thought nothing about pulling a knife and backing the mother against the wall with a knife against her throat and threatening her life. And she wanted to know if there was a Christian school in town, in particular, and I told her it would take a full time guard to stand over your daughter every moment, and she wanted, she felt that it was unchristian that they wouldn’t take her daughter. And I reminded her of her stand a few years back, when she continued to whine and feel sorry for herself, someone was going to take the mess she had created and hand her back her daughter, perhaps to stick her back in the public schools again.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Dangers Inherent in Public Education (March 24, 1986)

John Constable photo
Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

P.G. Wodehouse photo
Richard Arkwright photo

“The picture placed the busts between
Adds to the thought much strength;
Wisdom and Wit are little seen,
But Folly's at full length.”

Jane Brereton (1685–1740) Welsh writer (b. Flintshire 1685)

On Beau Nash's Picture at full length between the Busts of Sir Isaac Newton and Mr. Pope., in Dyce, Specimens of British Poetesses. This epigram is generally ascribed to Chesterfield. See Campbell, English Poets, note, p. 521. Reported in Bartlett's Familiar Quotations, 10th ed. (1919).