
“Nothing is yet in its true form.”
Till We Have Faces: A Myth Retold (1956)
“Nothing is yet in its true form.”
Till We Have Faces: A Myth Retold (1956)
Book 1, as cited in Frank Teichmann (tr. Jon McAlice), "The Emergence of the Idea of Evolution in the Time of Goethe" http://www.waldorfresearchinstitute.org/pdf/BAIdeaEvolTeich.pdf
Ideen zur Philosophie der Geschichte der Menschheit (1784-91)
Section 43 (pp. 131-132)
Venus Plus X (1960)
"In praise of counter-conduct," History of the Human Sciences, v. 24, n. 4
On Matisse http://www.sharecom.ca/greenberg/matisse.html at sharecom.ca, 1973: On Henri Matisse
1970s
"Of Modern Faith," http://andrewsullivan.theatlantic.com/the_daily_dish/2008/12/christian-publi.html#more The Daily Dish (14 December 2008)
The Cornerstone Speech (1861)
(1847)
“Lessons of the Commune”, in Zagranichnaya Gazeta, No. 2 (23 March 1908) http://www.marx.org/archive/lenin/works/1908/mar/23.htm, as translated by Bernard Isaacs, Collected Works, Vol. 13, p. 478.
1900s
Variant: The proletariat should not ignore peaceful methods of struggle — they serve its ordinary, day-to-day interests, they are necessary in periods of preparation for revolution — but it must never forget that in certain conditions the class struggle assumes the form of armed conflict and civil war; there are times when the interests of the proletariat call for ruthless extermination of its enemies in open armed clashes. This was first demonstrated by the French proletariat in the Commune and brilliantly confirmed by the Russian proletariat in the December uprising.
The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)
Board of Ed. of Kiryas Joel v. Grumet (1994) (dissenting) (citations and some internal quotation marks omitted).
1990s
"Meditations on Basic Baroque," IV (1966), p. 432
Tynan Right and Left (1967)
The normative state, he said, is defenseless against the abuses of the prerogative state.
36:15
“ Our Only Hope Will Come Through Rebellion http://www.youtube.com/watch?v=TOlg_2qAbUA” (2014)
Not found in any writings of Madison. The earliest known appearance is a 1994 pamphlet from the Militia of Montana. See “In that sense alone it is the legitimate Constitution”, above, for a sourced quote with a related theme.
Misattributed
Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party
Global Ideas from Pluto's Challenger (May 21, 2009)
Breaking Down the Wall of Silence (Abbruch der Schweigemauer) (1990)
Donald Judd, William C. Agee (1968) Don Judd, p. 15
1960s
Dead Meat, as quoted in A Plea for the Animals by Matthieu Ricard (Boulder, CO: Shambhala, 2016), p. 78 https://books.google.it/books?id=bTLuDAAAQBAJ&pg=PA78.
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 156-157, in: 'What he told me – I. The motif'
A Message from the Governor
HuckPAC
2008-08-23
http://www.huckpac.com/?Fuseaction=Blogs.View&Blog_id=1848&CommentPage=5
2011-03-01
David Colander, "Conversations with James Tobin and Robert J. Shiller on the “Yale Tradition” in Macroeconomics", Macroeconomic Dynamics (1999), later published in Inside the economist’s mind: conversations with eminent economists (2007) edited by Paul A. Samuelson and William A. Barnett.
1990s
Margaret Wheatley (1992), as quoted in 100 Ways to Motivate Yourself (2004) by Steve Chandler, p. 123
Session 297, Page 136
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 7
Creation seminars (2003-2005), The Garden of Eden
Prolegomenon
New Testament History : A Narrative Account (2001)
2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915
Kenneth Arrow, “The Organization of Economic Activity: Issues Pertinent to the Choice of Market versus Non-market Allocation” (1969)
1950s-1960s
“Sacred religion! mother of form and fear.”
Musophilus (1599), Stanza 57, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Any form of idealism involves avoiding some specific pain or suffering.”
Money and Value http://www.unfetteredmind.org/money-value-life-1#sect8. Unfettered Mind http://www.unfetteredmind.org. (2007-12-02) (Topic: Life)
In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012
Behaviourables and Futuribles, manifesto, 1967; as cited in: Edward A. Shanken. " Cybernetics and Art: Cultural Convergence in the 1960s http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf." 2002
Source: The Ideological Origins of the American Revolution (1967), Chapter II, SOURCES AND TRADITIONS, p. 36.
America...You Kill Me
De Abaitua interview (1998)
Vygotsky, L. S. (1930) Mind in Society: The Development of Higher Psychological Processes Cambridge, Mass.: Harvard University Press p.102
Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter 2: Theories of the Postmodern
Overview: Castles in Context
Medieval castles (2005)
1915 - 1925, Theses on the 'PROUN': from painting to architecture' (1920)
“A Burning Dilemma Among America’s Dhimma,” http://www.americandailyherald.com/pundits/ilana-mercer/item/a-burning-dilemma-among-america-s-dhimma American Daily Herald, May 10, 2013.
2010s, 2013
The Education of Henry Adams (1907)
(responding to a question about the word satguru), Alta Loma Terrace Satsang, 1971 - reproduced from Elan Vital magazine, vol. II, issue 1
1970s
Source: A Treatise on the Seven Rays: Volume 4: Esoteric Healing (1953) p. 5
Letter to Mrs. Priestman (23 April 1848), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 183.
1840s
on creating art without using oil colors to avoid any reference with usual painting, in The Art of Jean Arp, Herbert Read, Abrams, New York 1968, p. p. 34, 38
1960s
Source: The Geological Evidences of the Antiquity of Man (1863), Ch.20, p. 389-390
Archetypal Dimensions of the Psyche (1994), The Anima as the Woman within the Man
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 77-78
Source: 1940s, I is Style (2000), p. 47 : in a letter to Käthe Steinitz (24 June 1945)
Arp wrote this in lowercase letters
Notes From a Dada Diary; published, 1932 in 'Transition magazine'; as quoted (in lowercase letters), “Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 17
1930s
Making Sense of Friedrich A. von Hayek: Focus/The Honest Broker for the Week of August 9, 2014 http://equitablegrowth.org/making-sense-friedrich-von-hayek-focusthe-honest-broker-week-august-9-2014/ (2014)
“Mathematical activity has taken the forms of a science, a philosophy and an art.”
100 Years of Mathematics: a Personal Viewpoint (1981)
Source: Mind As Behavior And Studies In Empirical Idealism, (1924), p. v: Preface
Source: Laws of Media: The New Science (with Eric McLuhan) (1988), p. 217
translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's
The Cosmos as a Poem (2010)
Source: Why We Fail as Christians (1919), p. 72
Source: Elements of Refusal (1988), p. 108
In an interview in the Washington DC City Paper, 6 Apr 1990
Interviews
Source: History of Mathematics (1925) Vol.2, p.465
Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)
Clyfford Still, interview with Ti Grace Sharpless, 1963; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 200
1960s
"The Fathering Instinct" http://books.google.com/books?id=EbQbAQAAMAAJ&q=%22My+fathering+had+always+taken+the+form+of+a+friendly+cloud+that+floated+across+the+lives+of+the+children+and+paused+occasionally+to+cast+a+shadow+That+they+would+turn+out+to+have+their+own+weather+and+that+I+would+profit+by+the+climate+was+an+immense+satisfaction%22&pg=PA112#v=onepage, Ms. magazine, May 1974
her remark in 1966 as quoted by Ann Wilson in 'Linear Webs', Art and Artists 1, no. 7, Oct. 1966, p. 49; as quoted on the Tate exhibition, London June - October 2015 http://www.tate.org.uk/whats-on/tate-modern/exhibition/agnes-martin/room-guide/room-nine & by Julie Warchol, on Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Daywebsite
1960's
As quoted in Peace, Détente, and Soviet-American Relations : A Collection of Public Statements (1979), p. 222
Quote in La Pittura dei suoni, rumori, odori Carrà, 11 Aug 1913, as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 142
1910's
Source: "The Distribution of Control and Responsibility in a Modern Economy", 1935, p. 64
1860s, On a Piece of Chalk (1868)
George Orwell "The Art of Donald McGill", in Collected Essays, Journalism and Letters (1984) Vol. 2, pp. 194-5.
Criticism
Source: Meeker, Carlene. " Beryl Korot http://jwa.org/encyclopedia/article/korot-beryl." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. (Viewed on July 9, 2015)
Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119
Der Massenmensch hat wenig Zeit, lebt kein Leben aus einem Ganzen, will nicht mehr die Vorbereitung und Anstrengung ohne den konkreten Zweck, der sie in Nutzen umsetzt; er will nicht warten und reifen lassen; alles muß sogleich gegenwärtige Befriedigung sein; Geistiges ist zu den jeweils augenblicklichen Vergnügungen geworden. Daher ist der Essay die geeignete Literaturform für alles, tritt die Zeitung an die Stelle des Buches... Man liest schnell.
Man in the Modern Age (1933)